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Book
Khristin Montes, PhD · 2025
A course guidebook exploring creation stories from Indigenous Americas—including Maya, Aztec, and Anishinaabe traditions—to illuminate ancient relationships to land, art, and architecture. Written by an art historian with expertise in Mesoamerican and Native American cultures.
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What this book knows
Creation stories across the Americas encode living cosmologies that bind land, body, ancestry, and artistic practice into one continuous act of world-making.
faith-and-doubt
The Popol Vuh is perhaps the richest and most important compendium of Indigenous creation history ever written in the centuries following the Spanish conquest.
CSAC-RC-002The ancient Maya believed cenotes were places where the rain god Chaak lived—a deity celebrated not only in the Yucatán but across the Maya region.
CSAC-RC-026mortality
The capacocha was the sacred Inca ritual involving the offering of the finest male and female youth to serve as intercessors between humans and creation gods.
CSAC-RC-031Water can represent the grace of certain creation deities and other supernaturals, as well as their wrath—a protector and great sustainer of life, but also its destroyer.
CSAC-RC-029belonging
Anansi stories were told by slaves who brought their West and Central African creation epics with them; the trickster served to strengthen the resolve of the oppressed.
CSAC-RC-045Indigenous futurism focuses on the power and agency Indigenous Americans have in creating new futures, even out of destruction and devastation.
CSAC-RC-0576 published passages · book excerpt · research analysis
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