Grief
Grief is love that has lost its object and refuses to stop being love. The body keeps a place set; the throat catches on the wrong name; whole rooms reorganize themselves around an absence. Vela treats grief as a primary emotion — not a stage to move through, not a problem to resolve — and reads it through the writers who have stayed long enough with it to know its weather.
Working definition · The weight of absence; love continuing without its object or without resolution.
5254 passages · 6 Vela essays · in 1 cluster
Vela’s read on this emotion
Grief is one of the emotions Vela reads most patiently, because the writers who have stayed long enough with it are the ones worth following.
The reading is primarily through memoir. Joan Didion's *The Year of Magical Thinking*, written after the sudden death of her husband, is the modern reference for grief inside the marriage. Helen Macdonald's *H Is for Hawk* reads grief for a father through a year of training a goshawk. Chimamanda Ngozi Adichie writes about her father's death in *Notes on Grief*. Anne Carson's *Nox* — a memorial for her brother — is grief built as an accordion-folded book of fragments, photographs, and a translation of Catullus 101. Alongside the memoir, the fiction that holds an absence at its center — Marilynne Robinson's *Gilead*, Toni Morrison's *Beloved* — names the same weight in a different form.
Grief also runs through the contemplative inheritance. The Psalms keep an unembarrassed register of lament. The elegiac tradition — from Greek elegy through Milton's *Lycidas* through W. S. Merwin — gives grief a verse form. The Japanese practice of *kintsugi*, repairing broken pottery with gold so the breakage shows, names a posture toward repair that doesn't pretend the break didn't happen.
Grief is not the same as sadness, and it is not the same as yearning. Sadness can arrive without a specific absent object; grief has one. Yearning faces forward, toward what might still arrive; grief faces backward, toward what won't return. The work of grief is reorganization around the absence, not movement past it.
What is intentionally light here is the stage-model literature. *On Grief* — the slower companion essay in the magazine — is a reading, not a model: how the word lives in language, in the passages Vela returns to, and in the pairings between passage and figurative image.
Study and magazine
Long-form guide in the magazine
*On Grief* — the slower companion essay. How the word lives in language, in the testimony Vela reads, and in the pairings between passage and figurative image. Not a stage model; a reading.
Read the guidePassages
Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
Page 32 of 263 · 20 per page
5254 tagged passages
From Shoe Dog: A Memoir by the Creator of Nike (2016)
For this “overreaction,” Bowerman was severely reprimanded by Olympic officials. He’d exceeded his authority, they said. In the heat of the crisis they made time to summon Bowerman to their headquarters. Thank goodness Jesse Owens, the hero of the last German Olympics, the man who “beat” Hitler, went with Bowerman and voiced his support for Bowerman’s actions. That forced the bureaucrats to back off. Bowerman and I sat and stared at the river for a long while, saying little. Then, his voice scratchy, Bowerman told me that those 1972 Olympics marked the low point of his life. I’d never heard him say a thing like that, and I’d never seen him look like that. Defeated. I couldn’t believe it. The cowards never started and the weak died along the way—that leaves us. Soon after that day Bowerman announced that he was retiring from coaching. A GRIM TIME. Skies were grayer than usual, and low. There was no fall. We just woke up and winter was upon us. The trees went overnight from full to bare. Rain fell without stop. At last, a needed boon. We got word that a few hours north, in Seattle, at the Rainier International Classic, a fiery Romanian tennis player was destroying every opponent in his path, and doing it in a brand-new pair of Nike Match Points. The Romanian was Ilie Nastase, aka “Nasty,” and every time he hit his patented overhead smash, every time he went up on his toes and stroked another unreturnable serve, the world was seeing our swoosh. We’d known for some time that athlete endorsements were important. If we were going to compete with Adidas—not to mention Puma and Gola, and Diadora and Head, and Wilson and Spalding, and Karhu and Etonic and New Balance and all the other brands popping up in the 1970s—we’d need top athletes wearing and talking up our brand. But we still didn’t have money to pay top athletes. (We had less money than ever before.) Nor did we know the first thing about getting to them, persuading them that our shoe was good, that it would soon be better, that they should endorse us at a discounted price. Now here was a top athlete already wearing Nike, and winning in it. How hard could it be to sign him? I found the number for Nastase’s agent. I phoned and offered him a deal. I said I’d give him $5,000—I gagged as I said it—if his boy would wear our stuff. He countered with $15,000. How I hated negotiating. We settled on $10,000. I felt that I was being robbed. Nastase was playing a tourney that weekend in Omaha, the agent said. He suggested I fly out with the papers.
From Educated (2018)
But if you don’t, no one will.” Then she marched downstairs. Dad followed, and for an hour their shouts rose up through the floor. I’d never heard my parents shout like that—at least, not my mother. I’d never seen her refuse to give way. The next morning I found Dad in the kitchen, dumping flour into a glue-like substance I assumed was supposed to be pancake batter. When he saw me, he dropped the flour and sat at the table. “You’re a woman, ain’tcha?” he said. “Well, this here’s a kitchen.” We stared at each other and I contemplated the distance that had sprung up between us—how natural those words sounded to his ears, how grating to mine. It wasn’t like Mother to leave Dad to make his own breakfast. I thought she might be ill and went downstairs to check on her. I’d barely made it to the landing when I heard it: deep sobs coming from the bathroom, muffled by the steady drone of a blow-dryer. I stood outside the door and listened for more than a minute, paralyzed. Would she want me to leave, to pretend I hadn’t heard? I waited for her to catch her breath, but her sobs only grew more desperate. I knocked. “It’s me,” I said. The door opened, a sliver at first, then wider, and there was my mother, her skin glistening from the shower, wrapped in a towel that was too small to cover her. I had never seen my mother this way, and instinctively I closed my eyes. The world went black. I heard a thud, the cracking of plastic, and opened my eyes. Mother had dropped the blow-dryer and it had struck the floor, its roar now doubled as it rebounded off the exposed concrete. I looked at her, and as I did she pulled me to her and held me. The wet from her body seeped into my clothes, and I felt droplets slide from her hair and onto my shoulder. [image "Chapter 33 Sorcery of Physics" file=Image00035.jpg] I didn’t stay long on Buck’s Peak, maybe a week. On the day I left the mountain, Audrey asked me not to go. I have no memory of the conversation, but I remember writing the journal entry about it. I wrote it my first night back in Cambridge, while sitting on a stone bridge and staring up at King’s College Chapel. I remember the river, which was calm; I remember the slow drift of autumn leaves resting on the glassy surface. I remember the scratch of my pen moving across the page, recounting in detail, for a full eight pages, precisely what my sister had said. But the memory of her saying it is gone: it is as if I wrote in order to forget. Audrey asked me to stay. Shawn was too strong, she said, too persuasive, for her to confront him alone. I told her she wasn’t alone, she had Mother. Audrey said I didn’t understand.
From Shoe Dog: A Memoir by the Creator of Nike (2016)
BY THE NEXT morning the news was everywhere. Internet, radio, newspapers, TV, all blaring the bare facts. Penny and I pulled the blinds, locked the doors, cut ourselves off. But not before our niece Brittany moved in with us. To this day I believe that she saved our lives. Every Nike athlete wrote, emailed, phoned. Every single one. But the first was Tiger. His call came in at 7:30 a.m. I will never, ever forget. And I will not stand for a bad word spoken about Tiger in my presence. Another early caller was Alberto Salazar, the ferociously competitive distance runner who won three straight New York City Marathons in Nikes. I will always love him for many things, but above all for that show of concern. He’s a coach now, and recently he brought a few of his runners to Beaverton. They were having a light workout, in the middle of Ro-naldo Field, when someone turned and saw Alberto on the ground, gasping for air. A heart attack. He was legally dead for fourteen minutes, until paramedics revived him and rushed him to St. Vincent’s. I know that hospital well. My son Travis was born there, my mother died there, twenty-seven years after my father. In his final six months I was able to take my father on a long trip, to put to rest the eternal question of whether he was proud, to show him that I was proud of him. We went around the world, saw Nikes in every country we visited, and with every appearance of a swoosh his eyes shone. The pain of his impatience, his hostility to my Crazy Idea—it had faded. It was long gone. But not the memory. Fathers and sons, it’s always been the same, since the dawn of time. “My dad,” Arnold Palmer once confided to me at the Masters, “did all he could to discourage me from being a professional golfer.” I smiled. “You don’t say.” Visiting Alberto, walking into the lobby of St. Vincent’s, I was overcome with visions of both my parents. I felt them at my elbow, at my ear. Theirs was a strained relationship, I believe. But, as with an iceberg, everything was below the surface. In their house on Claybourne Street, the tension was concealed, and calm and reason almost always prevailed, because of their love for us. Love wasn’t spoken, or shown, but it was there, always. My sisters and I grew up knowing that both parents, different as they were from each other, and from us, cared. That’s their legacy. That’s their lasting victory.
From H Is for Hawk (2014)
You hurt yourself! I said. Oh, that , he said, threading another spring onto the trampoline we were building for my niece. Did that the other day. Can’t remember how. On something or other. It’ll be all right though. It’ll be healed soon, it’s healing fine. That was when the old world leaned in, whispered farewells and was gone. I ran into the night. I had to drive back to Hampshire. I had to go now . Because the cut would not. It would not heal. Here’s a word. Bereavement . Or, Bereaved . Bereft . It’s from the Old English bereafian , meaning ‘to deprive of, take away, seize, rob’. Robbed. Seized. It happens to everyone. But you feel it alone. Shocking loss isn’t to be shared, no matter how hard you try . ‘Imagine , ’ I said , back then , to some friends, in an earnest attempt to explain, ‘imagine your whole family is in a room. Yes, all of them. All the people you love. So then what happens is someone comes into the room and punches you all in the stomach. Each one of you. Really hard. So you’re all on the floor . Right? So the thing is , you all share the same kind of pain, exactly the same, but you’re too busy experiencing total agony to feel anything other than completely alone. That’s what it’s like!’ I finished my little speech in triumph, convinced that I’d hit upon the perfect way to explain how it felt. I was puzzled by the pitying, horrified faces, because it didn’t strike me at all that an example that put my friends’ families in rooms and had them beaten might carry the tang of total lunacy. I can’t, even now, arrange it in the right order. The memories are like heavy blocks of glass. I can put them down in different places but they don’t make a story. One day we were walking from Waterloo to the hospital under clouds. Breathing seemed an act of discipline. Mum turned to me, her face tight, and said, ‘There’ll be a time when all this seems like a bad dream.’ His glasses, carefully folded, placed in my mum’s outstretched hand. His coat. An envelope. His watch. His shoes. And when we left, clutching a plastic bag with his belongings, the clouds were still there, a frieze of motionless cumulus over the Thames flat as a matte painting on glass. At Waterloo Bridge we leant over Portland stone and looked at the water below. I smiled for the first time, then, I think, since the phone call. Partly because the water was sliding down to the sea and this simple physics still made sense when the rest of the world didn’t. And partly because a decade before, Dad had invented a gloriously eccentric weekend side-project. He’d decided to photograph every single bridge over the Thames.
From H Is for Hawk (2014)
I had hunted with hawks for years before death meant anything to me at all. Perhaps I was then to all intents a child. I’d never considered what I was doing was cruel. I was a spectator, not a killer. Wild hawks hunted; so did mine. There seemed no useful moral difference. And falconry for me was about revelling in the flight of the hawk, never in the death it brought. But when my hawk caught things I was pleased – partly for the hawk, and partly because I had, as a child, bought into that imagined world of tweed-clad Victorian falconers, where death was visceral and ever-present and hedged with ceremonial formalities. When I watched those men with goshawks put the dead pheasant in the bag all those years ago I saw a kind of ease that bespoke centuries of social privilege and sporting confidence. And the vocabulary I’d learned from the books distanced me from death. Trained hawks didn’t catch animals. They caught quarry. They caught game. What an extraordinary term. Game. I sat quietly watching the line and wondered. I would hunt with this hawk. Of course I would. Training a goshawk and not letting it hunt seemed to me like raising a child and not letting it play. But that was not why I needed her. To me she was bright, vital, secure in her place in the world. Every tiny part of her was boiling with life, as if from a distance you could see a plume of steam around her, coiling and ascending and making everything around her slightly blurred, so she stood out in fierce, corporeal detail. The hawk was a fire that burned my hurts away. There could be no regret or mourning in her. No past or future. She lived in the present only, and that was my refuge. My flight from death was on her barred and beating wings. But I had forgotten that the puzzle that was death was caught up in the hawk, and I was caught up in it too. ‘To him I am still the rarely tolerated enemy, and to me he is always the presence of death,’ White wrote of Gos in his notebook. ‘Death will be my last failure.’ His neglect had made Gos wild again, and the hawk had become death to him because it could not be beaten. For six weeks he had struggled with it and the struggle had been as Jacob’s with the angel. ‘I have lived for this hawk,’ he wrote in despair. ‘I have gone half bird myself, transforming my love and interest and livelihood into its future, giving hostages to fortune as madly as in marriage and family cares. If the hawk dies almost all my present me dies with it. It has treated me today as if I were a dangerous and brutal enemy never seen before.’
From Shoe Dog: A Memoir by the Creator of Nike (2016)
An hour passed before I could go back downstairs. At some point that night I gave up the Kleenex and just draped a towel over my shoulder. A move I learned from another beloved coach—John Thompson. Strasser passed suddenly, too. Heart attack, 1993. He was so young, it was a tragedy, all the more so because it came after we’d had a falling out. Strasser had been instrumental in signing Jordan, in building up the Jordan brand and wrapping it around Rudy’s air soles. Air Jordan changed Nike, took us to the next level, and the next, but it changed Strasser, too. He felt that he should no longer be taking orders from anyone, including me. Especially me. We clashed, too many times, and he quit. It might have been okay if he’d just quit. But he went to work for Adidas. An intolerable betrayal. I never forgave him. (Though I did recently—happily, proudly—hire his daughter, Avery. Twenty-two years old, she works in Special Events, and she’s said to be thriving. It’s a blessing and a joy to see her name in the company directory.) I wish Strasser and I had patched things up before he died, but I don’t know that it was possible. We were both born to compete, and we were both bad at forgiving. For both of us, betrayal was extra potent kryptonite. I felt that same sense of betrayal when Nike came under attack for conditions in our overseas factories—the so-called sweatshop controversy. Whenever reporters said a factory was unsatisfactory, they never said how much better it was than the day we first went in. They never said how hard we’d worked with our factory partners to upgrade conditions, to make them safer and cleaner. They never said these factories weren’t ours, that we were renters, one among many tenants. They simply searched until they found a worker with complaints about conditions, and they used that worker to vilify us, and only us, knowing our name would generate maximum publicity. Of course my handling of the crisis only made it worse. Angry, hurt, I often reacted with self-righteousness, petulance, anger. On some level I knew my reaction was toxic, counterproductive, but I couldn’t stop myself. It’s just not easy to remain even-keeled when you wake up one day, thinking you’re creating jobs and helping poor countries modernize and enabling athletes to achieve greatness, only to find yourself being burned in effigy outside the flagship retail store in your own hometown. The company reacted as I did. Emotionally. Everyone was reeling. Many late nights in Beaverton, you’d find all the lights on, and soul-searching conversations taking place in various conference rooms and offices. Though we knew that much of the criticism was unjust, that Nike was a symbol, a scapegoat, more than the true culprit, all of that was beside the point. We had to admit: We could do better. We told ourselves: We must do better. Then we told the world: Just watch.
From H Is for Hawk (2014)
I was a lucky child. Until I saw that pheasant die in a winter hedge, all I knew of death came from books – and one kind in particular. I was looking at a whole shelf of them now. That morning I’d filled the car with boxes, put Mabel on her passenger-seat perch and driven back to my parents’ house for the weekend. My parents’ house. I supposed it was my mother’s house now. I had come back because I was preparing to move. A dear friend had offered me his house while he and his family went to China for a few months, and I was impossibly grateful to them, but the prospect of losing my beautiful college house was hateful. I stacked the boxes in the garage then sat with my mother in the kitchen while Mabel loafed and bathed and preened on the sunny lawn. We drank tea, reminisced, talked about Dad and times gone by. There was a lot of laughter. It was good to see her. But it was not easy to be there. We sat in chairs that Dad should be sitting in, drank from cups he had drunk from, and when I saw his careful handwriting on a note pinned by the back door it got too much. Much too much. I ran into my old room, sat on the little bed and hugged my knees, pain worming around inside my chest like a thing with a million tiny teeth and claws. I looked up at the top of my old bookshelves. There, dusty and unread for years, were all the animal books of my childhood. I’d loved these books. They were rich with wildness, escape and adventure. But I hated them too. Because they never had happy endings. Tarka the otter was killed by hounds. The falcons died of pesticide poisoning. A man with a spade beat to death the otter in Ring of Bright Water; vultures tore out the Red Pony’s eyes. The deer in The Yearling was shot, the dog in Old Yeller died. So did the spider in Charlotte’s Web and my favourite rabbit in Watership Down. I remember that awful dread as the number of pages shrank in each new animal book I read. I knew what would happen. And it happened every time. So I suppose it wasn’t a surprise to eight-year-old me that Gos snapped his leash and was lost in the wind and rain. I greeted it with sad resignation. But it was dreadful all the same.
From H Is for Hawk (2014)
He’d decided to photograph every single bridge over the Thames. I went with him, sometimes, on Saturday mornings, driving up into the Cotswolds. My dad had been my dad, but also my friend, and a partner in crime when it came to quests like this. From the grassy source near Cirencester we walked and explored, followed a wormy, muddy stream, trespassed to take photos of planks over it, got shouted at by farmers, menaced by cattle, pored over maps in fierce concentration. It took a year. He did it, in the end. Every single bridge. Somewhere in the files of slides back at my mum’s house is a complete photographic record of ways to cross the Thames from source to sea. On another day, the panic was that we might not find his car. He’d parked it somewhere near Battersea Bridge and, of course, had never returned. We looked for it for hours, increasingly desperate, searching back streets and side streets and cul-de-sacs to no avail, widening our search to streets miles from anywhere we knew the car could possibly be. As the day drew on, we understood that even if we found it, Dad’s blue Peugeot with his press pass tucked in the sun-visor and his cameras in the boot, our search would still have been hopeless. Of course it had been towed away. I found the number, called the compound and said to the man on the phone that the owner of the vehicle couldn’t collect it because he was dead. He was my father. That he didn’t mean to leave the car there but he died. That he really didn’t mean to leave it. Lunatic sentences, deadpan, cut from rock. I didn’t understand his embarrassed silence. He said, ‘Sorry, oh God. I’m so sorry’, but he could have said anything at all and it would have signified nothing. We had to take Dad’s death certificate to the compound to avoid the towing fee. This also signified nothing. After the funeral I went back to Cambridge. I didn’t sleep. I drove around a lot. I stared at the sun going down and the sun coming up, and the sun in between. I watched the pigeons spreading their tails and courting each other in stately pavanes on the lawn outside my house. Planes still landed, cars still drove, people still shopped and talked and worked. None of these things made any sense at all. For weeks I felt I was made of dully burning metal. That’s what it was like; so much so that I was convinced, despite all evidence to the contrary, that if you’d put me on a bed or a chair I would have burned right through. It was about this time a kind of madness drifted in. Looking back, I think I was never truly mad. More mad north-north-west. I could tell a hawk from a handsaw always, but sometimes it was striking to me how similar they were.
From City of Night (1963)
At 17, I dreaded growing old. Old age is something that must never happen to me. The image of myself in the mirror must never fade into someone I cant look at. And even after a series of after-school jobs, my feeling of isolation from others only increased. Then the army came, and for months I hadnt spoken to my father. (We would sit at the table eating silently, ignoring each other.) And when I left, that terrible morning, I kissed my mother. And briefly I looked at my father. His eyes were watering. Mutely he held out the ruby-ring which once, long ago, he had given me and then taken back. And I took it wordlessly. And in that instant I wanted to hold him— because he was crying, because he did feel something for me, because, I was sure, he was overwhelmed at that moment by the Loss I felt too. I wanted to hold him then as I had wanted to so many, many times as a child, and if I could have spoken, I know I would have said at last: “I love you.” But that sense of loss choked me—and I walked out without speaking to him.... Only a few weeks later, in Camp Breckenridge, Kentucky, I received a telegram that he was very sick. And I came back to El Paso. I felt certain that this time it would be different. I reached our house, in the government projects we had moved into from that house with the winged cockroaches, and I got in with the key I had kept. There is no one home. I called my brother. My father was dead. I hang up the telephone and I know that now Forever I will have no father, that he had been unfound, that as long as he had been alive there was a chance, and that we would be, Always now, strangers, and that is when I knew what Death really is—not in the physical discovery of the Nothingness which the death of my dog Winnie had brought me (in the decayed body which would turn into dirt, rejected by Heaven) but in the knowledge that my Father was gone, for me —that there was no way to reach him now—that his Death would exist only for me, who am living. And throughout the days that followed—and will follow forever—I will discover him in my memories, and hopelessly—through the infinite miles that separate life from death—try to understand his torture: in searching out the shape of my own. The army passed like something unreal, and I returned to my Mother and her hungry love. And left her, standing that morning by the kitchen door crying, as she always would be in my mind, and I was on my way now to Chicago, briefly—from where I would go to freedom: New York!—embarking on that journey through nightcities and nightlives—looking for I dont know what—perhaps some substitute for salvation.
From H Is for Hawk (2014)
Perhaps those jesses might have been unspoken attempts to hold on to something that had already flown away. I spent the first few weeks of my life in an incubator , full of tubes , under electric light , skin patched and raw, eyes clenched shut. I was the lucky one. I was tiny , but survived . I had a twin brother . He didn’t . He died soon after he was born. I know almost nothing about what happened, only this: it was a tragedy that wasn’t ever to be spoken of. It was a time when that’s what hospitals told grieving parents to do. Move on. Forget about it. Look, you have a child! Get on with your lives. When I found out about my twin many years later , the news was surprising . But not so surprising. I’d always felt a part of me was missing; an old, simple absence. Could my obsession with birds, with falconry in particular , have been born of that first loss? Was that ghostly kestrel a grasped-at apprehension of my twin, its carefully drawn jesses a way of holding tight to something I didn’t know I’d lost, but knew had gone? I suppose it is possible. But now my father had died. Hold tight . I hadn’t ever imagined that making jesses could be a symbolic act. But as I sat there, cutting hide into long strips, soaking them in warm water , stretching them, greasing them with leather dressing, turning them this way and that in this strange room of broken objects, I knew they were more than just pieces of leather . These were the cords that would hold me to the hawk, just as they would hold the hawk to me. I picked up the craft knife and tapered the end of one jess to a point with a long, smooth cut. There . I was conjuring presences, doing this. Suddenly the hawk was very real. And so, in a burst of remembrance so fierce he could have been there in the room, was my father . Grey hair , glasses, blue cotton shirt, a tie slightly askew, a cup of coffee in one hand and a look of amusement on his face. He used to make me cross by calling falconry equipment by the wrong names. He’d call hoods hats . Creances, bits of string . He did it on purpose. I’d get cross and correct him, thinking he was teasing me. And now I saw that Dad had known exactly what these things were called, but in the world of the photojournalist, the more expert you were, the less likely you were to call anything by its proper name. For him, photographs were snaps . Cameras simply kit . It wasn’t ever teasing. He was paying me a compliment. Bloody fourteenth-century French vocabulary. Shit. Shit shit shit . It wasn’t his way at all.
From H Is for Hawk (2014)
It was a desperate journey. My hands clutched the coarse upholstery of the seat until my knuckles turned white. I remember buddleia , and trackside clinker , and a green gasometer, and Battersea Power Station as the train slowed. And it wasn’t until we were standing on Queenstown Road station, on an unfamiliar platform under a white wooden canopy, wasn’t until we were walking towards the exit, that I realised, for the first time, that I would never see my father again. Ever . I stopped dead. And I shouted. I called out loud for him. Dad . And then the word No came out in one long, collapsing howl. My brother and mother put their arms around me, and I them. Brute fact. I would never speak to him again. I would never see him again. We clung to each other , crying for Dad, the man we loved, the quiet man in a suit with a camera on his shoulder , who had set out each day in search of things that were new, who had captured the courses of stars and storms and streets and politicians, who had stopped time by making pictures of the movings of the world. My father , who had gone out to photograph storm-damaged buildings in Battersea, on that night when the world had visited him with damage and his heart had given way. The photographs he’d taken were still on the camera they handed to my mother at the hospital. The last photograph I saw only once. I never want to see it again. But I can never stop seeing it. Blurred, taken from a low angle, far too low; an empty London street. Sodium lights, dusk, a wall tipped sideways from the vertical and running into the distance; a vanishing point of sallow, stormy sky. 10 Darkness He pours another whisky into his emptied glass and broods over the day’s events. He is free, but he has shackled himself to a madman. A lunatic. At the very least, a sufferer of intermittent delusional insanity. He turns down the beam of the paraffin lamp and sinks back into the chair, gloomily rereading the report he has written on the progress of his goshawk’s education. 6.15–6.45 walked round + round Gos, holding out a leg, while he bated whenever I came too close. Came away without feeding him. This is not in the book. I have done the same thing, with the same results, for fifteen minutes in every hour since (until 6 o’clock at night). He despised that rabbit leg. He despised the fur on it, the claws, the crown of pale flesh that grew dry and waxen as the hours passed. He despised it because the hawk did not want it. The hawk did not want him either. He had whistled to the hawk all day and his lips had grown dry as the whistle gave out and his solicitude had thinned to frustration and finally despair.
From Fields of Blood: Religion and the History of Violence (2014)
In the early years, while Athanasius still enjoyed Constantine’s favor, Arians complained of his “greed, aggression, and boundless ambition” 52 and accused him of “force,” “murder,” and the “killing of bishops.” 53 For their part, the Nicenes vividly described the rattling weapons and flashing swords of the imperial troops, who thrashed their deacons and trampled worshippers underfoot. 54 Both sides dwelled obsessively on their enemies’ vicious treatment of the consecrated virgins, 55 and both revered their dead as “martyrs.” Christians were developing a history of grievance that intensified during the brief but dramatic reign of the emperor Julian (361–63), known as “the Apostate.” Despite his Christian upbringing, Julian had come to detest the new faith, convinced it would ruin the empire. Many of his subjects felt the same. Those who still loved the old rites feared that this violation of the Pax Deorum would result in political catastrophe. Throughout the imperial domains, Julian appointed pagan priests to sacrifice to the One God worshipped under many names—as Zeus, Jupiter, Helios, or in the Hebrew Bible, “God Most High.” 56 He removed Christians from public office, gave special privileges to towns that had never adopted Christianity, and announced that he would rebuild the Jewish temple in Jerusalem. Julian was careful to avoid outright persecution but merely boosted pagan sacrifice, refurbished pagan shrines, and covertly encouraged anti-Christian violence. 57 Over the years a great deal of pent-up resentment had accumulated against the Church, and when Julian’s edicts were published, in some towns pagans rioted against Christians, who now discovered how vulnerable they really were. Once again, some Christians responded to the state that had suddenly turned against them with the defiant gesture of martyrdom. Most of the martyrs who died during these two years were either killed by pagan mobs or put to death by local officials for their provocative attacks on pagan religion. 58 As Jews began work on their new temple and pagans gleefully refurbished their shrines, conflict throughout the empire centered on iconic buildings. Ever since Constantine, Christians had become accustomed to seeing the decline of Judaism as the essential concomitant to the triumph of the Church. Now as they watched the purposeful activity of the Jewish workmen on the temple site in Jerusalem, they felt as if the fabric of their own faith had been undermined. At Merum in Phrygia, there was a more ominous development. While the local pagan temple was being repaired and the statues of the gods polished, three Christians, “unable to endure the indignity put upon their religion and impelled by a fervent zeal for virtue, rushed by night into the temple and broke the images in pieces.” This amounted to a suicide attack on a building that seemed to epitomize their new humiliation. Even though the governor urged them to repent, they refused, “declaring their readiness to undergo any sufferings, rather than pollute themselves by sacrificing.”
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
He fell peacefully asleep with the setting sun towards eight o’clock, and entered into the rest of his Lord. "I had just left him," says Beza, "a little before, and on receiving intimation from the servants, immediately hastened to him with one of the brethren. We found that he had already died, and so very calmly, without any convulsion of his feet or hands, that he did not even fetch a deeper sigh. He had remained perfectly sensible, and was not entirely deprived of utterance to his very last breath. Indeed, he looked much more like one sleeping than dead."1258 He had lived fifty-four years, ten months, and seventeen days. "Thus," continues Beza, his pupil and friend, "withdrew into heaven, at the same time with the setting sun, that most brilliant luminary, which was the lamp of the Church. On the following night and day there was immense grief and lamentation in the whole city; for the Republic had lost its wisest citizen, the Church its faithful shepherd, the Academy an incomparable teacher—all lamented the departure of their common father and best comforter, next to God. A multitude of citizens streamed to the death-chamber and could scarcely be separated from the corpse. Among them were several foreigners, as the distinguished Ambassador of the Queen of England to France, who had come to Geneva to make the acquaintance of the celebrated man, and now wished to see his remains. At first all were admitted; but as the curiosity became excessive and might have given occasion to calumnies of the enemies,1259 his friends deemed it best on the following morning, which was the Lord’s Day, to wrap his body in linen and to enclose it in a wooden coffin, according to custom. At two o’clock in the afternoon the remains were carried to the common cemetery on Plain Palais (Planum Palatium), followed by all the patricians, pastors, professors, and teachers, and nearly the whole city in sincere mourning."1260 Calvin had expressly forbidden all pomp at his funeral and the erection of any monument over his grave. He wished to be buried, like Moses, out of the reach of idolatry. This was consistent with his theology, which humbles man and exalts God. Beza, however, wrote a suitable epitaph in Latin and French, which he calls "Parentalia" (i.e. offering at the funeral of a father):— "Shall honored Calvin to the dust return, From whom e’en Virtue’s self might learn; Shall he—of falling Rome the greatest dread,
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
Zwingli (1529), refused to take Beza’s hand at parting (March 29).1304 Undeterred by this churlish exhibition, Beza left Montbéliard for another round of visits at German courts to induce them once more to plead with France to restore to the Huguenots their rights of worship; for the Peace of Fleix had not lasted long, and the country was again plunged in the horrors of civil war. The Montbéliard conference had an echo in the Bern Colloquy of April 15th to 18th, 1588, in which Samuel Huber, pastor at Burgdorf, near Bern, a notorious polemic, and Beza represented the Lutheran and Calvinist parties, respectively. It was Beza’s last appearance as a public disputant, and the hero of so many wordy battles once more carried off the palm. In fact, his victory was much more decided than such contests were usually, as the Bernese Council condemned Huber for misrepresenting Beza and Calvinism generally. Beza had left Geneva with a heavy heart because his faithful and beloved wife had just died, and when he returned, found public matters in a critical condition. The magistrates had felt themselves compelled by the condition of the city treasury to economize as much as possible, and had dismissed two of the professors in the Academy, and contemplated other retrenchments. Beza knew that these extreme measures would probably greatly cripple the institution, and so, old as he was, and failing, he undertook to give a full course of instruction in theology, and persisted with it for more than two years,— until the crisis was passed,—and for these extra duties he would not take any compensation. § 174. Beza and Henry IV. In the course of his long life Beza had few joys, aside from the abiding one of his religion, and many sorrows. His heart was bound up with the fortunes of the Reformed Church in France, and they were usually bad. Still he took courage every time a little improvement was noticeable. Much hope had he cherished in consequence of the accession of Henry of Navarre (1589), because he was a Protestant. But early in the summer of 1593, the news reached Geneva that the king, upon whom religion and morality sat very lightly, in the interests of peace and national prosperity, was determined to abjure the Protestant faith. Alas for all their hopes! Beza was greatly moved, and addressed the monarch a letter in which he set forth the eternal consequences of the change the king was about to make.1305 He felt assured, however, that Henry would be delivered from the machinations of his and their enemies, and not take the fatal step. But ere Beza’s letter reached him the deed was done. In the ancient abbey church at St. Denis on the morning of Sunday, July 25, 1593, King Henry of Navarre, the son of Jeanne d’Albret, the only Huguenot who ever sat upon the throne of France, abjured his faith, and took a solemn oath to protect the Roman Catholic, and Apostolic religion.
From The Letter to the Hebrews (The New Daily Study Bible) (2002)
In fact, that was something with which Jews were familiar. After AD 70, the sacrifices of the Temple came to an end when the Temple was destroyed. The Rabbis taught that, with the Temple ritual gone, theology, prayer, penitence, the study of the law and charity were sacrifices equivalent to the ancient ritual. Rabbi Jochanan ben Zakkai comforted himself in those sorrowful days by believing that ‘in the practice of charity he still possessed a valid sacrifice for sin’. An ancient Christian writer says: ‘I expected that your heart would bear fruit and that you would worship God, the Creator of all, and unto him continually offer your prayers by means of compassion; for compassion shown to men by men is a bloodless sacrifice and holy unto God.’ After all, Jesus himself said: ‘Just as you did it to one of the least of these who are members of my family, you did it to me’ (Matthew 25:40). The best of all sacrifices to bring to God is the gift of help to one of his children in need. OBEDIENCE AND PRAYER Hebrews 13:17–19 Obey your leaders and submit to them, for they sleeplessly watch over your souls, conscious that they will have to give account of their trust. This do that they may carry out this task with joy and not with grief, for, if you grieve them, there would be no profit to you either in that. Keep on praying for us, for we believe that we have a clear conscience, for we wish in all things to live in such a way that our conduct will be fair. I urge you to do this all the more that I may the more quickly be enabled to return to you. THE writer to the Hebrews lays down the duty of the congregation to its present leaders and its absent leader. To the present leaders, the duty of the congregation is obedience. A church is a democracy but not a democracy taken to extremes; it must give obedience to those whom it has chosen as its guides. That obedience is not to be given in order to gratify the leaders’ sense of power or to increase their prestige. It is to be given so that at the end of the day the leaders may be seen to have lost none of the souls committed to their care. The greatest joy of the leaders of any Christian fellowship is to see those whom they lead established in the Christian way. As John wrote: ‘I have no greater joy than this, to hear that my children are walking in the truth’ (3 John 4). The greatest sorrow of the leaders of any Christian fellowship is to see those whom they lead growing further away from God. To the absent leader, the duty of the congregation is that of prayer.
From Tropic of Cancer (1934)
I could not help but reflect also that when we had walked side by side through these mournful, dingy streets now so saturated with my dream and longing, she had observed nothing, felt nothing: they were like any other streets to her, a little more sordid perhaps, and that is all. She wouldn’t remember that at a certain corner I had stopped to pick up her hairpin, or that, when I bent down to tie her laces, I remarked the spot on which her foot had rested and that it would remain there forever, even after the cathedrals had been demolished and the whole Latin civilization wiped out forever and ever. Walking down the Rue Lhomond one night in a fit of unusual anguish and desolation, certain things were revealed to me with poignant clarity. Whether it was that I had so often walked this street in bitterness and despair or whether it was the remembrance of a phrase which she had dropped one night as we stood at the Place Lucien-Herr I do not know. “Why don’t you show me that Paris,” she said, “that you have written about?” One thing I know, that at the recollection of these words I suddenly realized the impossibility of ever revealing to her that Paris which I had gotten to know, the Paris whose arrondissements are undefined, a Paris that has never existed except by virtue of my loneliness, my hunger for her. Such a huge Paris! It would take a lifetime to explore it again. This Paris, to which I alone had the key, hardly lends itself to a tour, even with the best of intentions; it is a Paris that has to be lived, that has to be experienced each day in a thousand different forms of torture, a Paris that grows inside you like a cancer, and grows and grows until you are eaten away by it. Stumbling down the Rue Mouffetard, with these reflections stirring in my brain, I recalled another strange item out of the past, out of that guidebook whose leaves she had asked me to turn but which, because the covers were so heavy, I then found impossible to pry open. For no reason at all—because at the moment my thoughts were occupied with Salavin in whose sacred precincts I was now meandering—for no reason at all, I say, there came to mind the recollection of a day when, inspired by the plaque which I passed day in and day out, I impulsively entered the Pension Orfila and asked to see the room Strindberg had occupied. Up to that time nothing very terrible had befallen me, though I had already lost all my worldly possessions and had known what it was to walk the streets in hunger and in fear of the police.
From Tropic of Cancer (1934)
Up to then I had not found a single friend in Paris, a circumstance which was not so much depressing as bewildering, for wherever I have roamed in this world the easiest thing for me to discover has been a friend. But in reality, nothing very terrible had happened to me yet. One can live without friends, as one can live without love, or even without money, that supposed sine qua non . One can live in Paris—I discovered that!—on just grief and anguish. A bitter nourishment—perhaps the best there is for certain people. At any rate, I had not yet come to the end of my rope. I was only flirting with disaster. I had time and sentiment enough to spare to peep into other people’s lives, to dally with the dead stuff of romance which, however morbid it may be, when it is wrapped between the covers of a book, seems deliciously remote and anonymous. As I was leaving the place I was conscious of an ironic smile hovering over my lips, as though I were saying to myself “Not yet, the Pension Orfila!” Since then, of course, I have learned what every madman in Paris discovers sooner or later; that there are no ready-made infernos for the tormented. It seems to me I understand a little better now why she took such huge delight in reading Strindberg. I can see her looking up from her book after reading a delicious passage, and, with tears of laughter in her eyes, saying to me: “You’re just as mad as he was… you want to be punished!” What a delight that must be to the sadist when she discovers her own proper masochist! When she bites herself, as it were, to test the sharpness of her teeth. In those days, when I first knew her, she was saturated with Strindberg. That wild carnival of maggots which he reveled in, that eternal duel of the sexes, that spiderish ferocity which had endeared him to the sodden oafs of the northland, it was that which had brought us together. We came together in a dance of death and so quickly was I sucked down into the vortex that when I came to the surface again I could not recognize the world. When I found myself loose the music had ceased; the carnival was over and I had been picked clean. … After leaving the Pension Orfila that afternoon I went to the library and there, after bathing in the Ganges and pondering over the signs of the zodiac, I began to reflect on the meaning of that inferno which Strindberg had so mercilessly depicted.
From Tropic of Cancer (1934)
And he puts the live wire right between the legs; he hits below the belt, scorches the very gizzards. It is no use putting on rubber gloves; all that can be coolly and intellectually handled belongs to the carapace and a man who is intent on creation always dives beneath, to the open wound, to the festering obscene horror. He hitches his dynamo to the tenderest parts; if only blood and pus gush forth, it is something. The dry, fucked-out crater is obscene. More obscene than anything is inertia. More blasphemous than the bloodiest oath is paralysis. If there is only a gaping wound left then it must gush forth though it produce nothing but toads and bats and homunculi. Everything is packed into a second which is either consummated or not consummated. The earth is not an arid plateau of health and comfort, but a great sprawling female with velvet torso that swells and heaves with ocean billows; she squirms beneath a diadem of sweat and anguish. Naked and sexed she rolls among the clouds in the violet light of the stars. All of her, from her generous breasts to her gleaming thighs, blazes with furious ardor. She moves amongst the seasons and the years with a grand whoopla that seizes the torso with paroxysmal fury, that shakes the cobwebs out of the sky; she subsides on her pivotal orbits with volcanic tremors. She is like a doe at times, a doe that has fallen into a snare and lies waiting with beating heart for the cymbals to crash and the dogs to bark. Love and hate, despair, pity, rage, disgust—what are these amidst the fornications of the planets? What is war, disease, cruelty, terror, when night presents the ecstasy of myriad blazing suns? What is this chaff we chew in our sleep if it is not the remembrance of fang-whorl and star cluster. She used to say to me, Mona, in her fits of exaltation, “you’re a great human being,” and though she left me here to perish, though she put beneath my feet a great howling pit of emptiness, the words that lie at the bottom of my soul leap forth and they light the shadows below me. I am one who was lost in the crowd, whom the fizzing lights made dizzy, a zero who saw everything about him reduced to mockery. Passed me men and women ignited with sulfur, porters in calcium livery opening the jaws of hell, fame walking on crutches, dwindled by the skyscrapers, chewed to a frazzle by the spiked mouth of the machines. I walked between the tall buildings toward the cool of the river and I saw the lights shoot up between the ribs of the skeletons like rockets.
From Cults Inside Out: How People Get In and Can Get Out (2014)
I had no idea that something that looks so much like a church could be so cultlike.”365 Charles Meade died in 2010 at the age of ninety-three.366 Meade Ministries subsequently changed its name to Mountaintop Ministries Worldwide Inc. Rhode Island pediatrician Dr. Seth Asser published a study of the deaths of 172 children due to what he called “religion-based medical neglect.” According to that study, 140 of the children had a 90 percent chance of survival, while 18 others had a 50 percent chance of survival if they had received proper medical care. “Most were ordinary illnesses that no one dies from—appendicitis, pneumonia…And many of them died slow, horrible deaths, without the benefit of [pain-relief] medicine,” Asser said.367 Child advocate Rita Swan worked with Asser on the study project. Swan left Christian Science, a church known for its faith healing beliefs, after her youngest son died without medical attention while a Christian Science practitioner prayed over him. Swan explained, “We’re not against prayer…Parents have a right to pray for divine healing. But when parents see the situation is critical, they have a responsibility to seek medical help in addition to prayer.” CHAPTER 3 FAMILY CULTS Some small cults can largely comprise the members of a single family or blended family led by an all-powerful—usually patriarchal—figure. In the book Captive Hearts, Captive Minds , Madeleine Tobias and Janja Lalich explain, “In addition to the larger, more publicized cults, there are…’family cults,’ where the head of the family uses deceptive and coercive persuasion and control techniques.”368 The bonds within this particular type of cult are quite strong, strengthened by loyalty that is expected through family ties. Children raised within such an environment may know of no other life, and for this reason they accept without question what the outside world would regard as bizarre behavior. The following historical examples of family cults illustrate these points. Within such closely tied family groups, the so-called DDD syndrome may develop, which summarizes a cultic situation that includes “debility, dependency and dread.” A publication of the American Sociological Association first described this syndrome.369 Psychologist Michael Langone later adapted DDD for the American Family Foundation (AFF), now known as the International Cultic Studies Association ( ICSA). Langone witnessed the additional factor of deception in the recruitment practices of some cults as well, so he included deception in his adapted version of DDD.370 In family cults a combination of deception, control of the environment, and socialization may debilitate those victimized. This is enforced through stringent rules and relative isolation. That is, those held within a family cult environment are expected to express dutiful submission and commitment to parental authority. Langone described people in destructive cults as “vulnerable” and influenced by authority figures who deceptively appeared to be both “benevolent” and beneficial. This role of authority, when assumed by a parent, can be particularly deceptive and debilitating to children.
From Austerlitz (2001)
others served the Lithuanians and then the Russians once more as prisons. In 1941 they fell into German hands, including the notorious Fort IX where Wehrmacht command posts were set up and where more than thirty thousand people were killed over the next three years. Their remains, says Jacobson, lie under a field of oats a hundred meters outside the walls. Transports from the west kept coming to Kaunas until May 1944, when the war had long since been lost, as the last messages from those locked in the dungeons of the fortress bear witness. One of them, writes Jacobson, scratched the words Nous sommes neuf cents Francais on the cold limestone wall of the bunker. Others left only a date and place of origin with their names: Lob, Marcel, de St. Nazaire; Wechsler, Abram, de Limoges; Max Stern, Paris, 18.5.44. Sitting by the moat of the fortress of Breendonk, I read to the end of the fifteenth chapter of Heshel’s Kingdom, and then set out on my way back to Mechelen, reaching the town as evening began to fall. ~ On looking through these notes I remember that in February 1971, during a short visit to Switzerland, one of the places I visited was Lucerne. After seeing the Glacier Museum I spent some time standing on the bridge over the lake on my way back to the station, because the view of its dome and the snow-white heights of the Pilatus massif rising in the clear winter sky behind it had reminded me of my conversation with Austerlitz in Antwerp four and a half years earlier. A few hours later, on the night of 4 February, long after I was fast asleep in my hotel room in Zurich, a fire broke out in Lucerne Station, spread very rapidly and entirely destroyed the domed building. I could not get the pictures I saw next day in the newspapers and on television out of my head for several weeks, and they gave me an uneasy, anxious feeling which crystallized into the idea that I had been to blame, or at least one of those to blame, for the Lucerne fire. In my dreams, even years later, I sometimes saw the flames leaping from the dome and lighting up the entire panorama of the snow-covered Alps. ABOUT THE AUTHOR W. G. SEBALD was born in Wertach im Allgau, Germany, in 1944. He studied German language and literature in Freiburg, Switzerland, and Manchester. He taught at the University of East Anglia in Norwich, England, for thirty years, becoming professor of European literature in 1987, and from 1989 to 1994 was the first director of the British Centre for Literary Translation. His books have won a number of international awards, including the National Book Critics Circle Award, the Los Angeles Times Book Award, the Berlin Literature Prize, and the Literatur Nord Prize. He died in December 2001. 2011 Modern Library Trade Paperback Edition