Fear
Fear is the body reading a threat as near — the breath shortens, the skin tightens, the attention collapses onto the single thing that might do harm. It arrives faster than thought and is rarely wrong about the fact of danger, only sometimes about its size. Vela reads fear as a primary emotion, distinct from the anxiety it shades into, and follows the writers who have written from inside it rather than about it from a safe distance.
Working definition · Threat-focused arousal—danger, loss, or harm feels proximate or plausible.
10570 passages · 1 Vela essay · in 1 cluster
Vela’s read on this emotion
Fear is one of the few emotions the body insists on before the mind has a vote, and that priority is the first thing the reading respects. Fear is not cowardice and not weakness; it is the oldest of the alarm systems, and the writers worth following have treated it as testimony rather than as something to be talked out of.
The reading is densest where fear has been lived under, not merely felt. Anne Frank's diary keeps fear as a daily condition — the specific dread of the footstep on the stair — held alongside the ordinary business of being fifteen. Viktor Frankl's Man's Search for Meaning reads fear inside the camps without flattening it into a lesson. The literature of illness and the body — the memoir written from inside a diagnosis — holds the particular fear of one's own body becoming the threat. The contemplative inheritance treats fear as a serious subject across centuries: the fear of the Lord in the Hebrew scriptures is closer to awe than to terror, and the distinction is one the reading keeps.
Fear is not the same as anxiety, dread, or terror. Fear has an object the body can point to; anxiety is fear without a fixed address, braced against what might come. Dread is fear stretched forward in time, waiting. Terror is fear past the point where action remains possible. The four are kin and the reading keeps them apart, because the difference is the difference between what the body can do and what it can only endure.
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An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.
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From Mating in Captivity: Unlocking Erotic Intelligence (2006)
And while they are migrating into each other’s respective worlds, they have not yet taken full residence; they are still two distinct entities. It is all the space between them that allows them to imagine no space at all. They are still enthralled by the encounter, and they have not yet consolidated their relationship. In the beginning you can focus on the connection because the psychological distance is already there; it’s a part of the structure. Otherness is a fact. You don’t need to cultivate separateness in the early stages of falling in love; you still are separate. You aim to overcome that separateness. As new lovers, John and Beatrice enjoyed a built-in distance that allowed them to experience the confluence of love and desire freely, exempt from the conflicts they would bring to therapy later. Entrapment Deadens Desire For John, intimacy harbors a threat of entrapment. He grew up in a home with an alcoholic, abusive father. He can’t remember a time when he wasn’t acutely attuned to both his father’s moods and his mother’s sadness. As a young boy he was recruited to be his mother’s emotional caretaker, and to alleviate her loneliness. He was her hope, her solace, a vicarious affirmation that her miserable life would be vindicated through her marvelous son. Children of such conflicted marriages are often enlisted to protect the vulnerable parent. John has never doubted his mother’s deep love for him; nor has the love ever been without a sense of burden. From early on, love implied responsibility and obligation. And even while he craves the closeness of intimacy— he has always had a woman in his life—he doesn’t know how to experience love in a way that does not feel confining. The emerging love he feels for Beatrice carries with it the same heaviness that love has always had for him. There are many circumstances that can lead people to experience love and intimacy as constricting—an unhappy childhood is not a prerequisite. Popular love talk has made a real case for thinking of this as a “fear of intimacy,” which is seen as afflicting men in particular. But what I observe is not so much a reluctance to engage in intimate bonding—no one can doubt John’s deep involvement with Beatrice. Rather it is the weightiness of that involvement that these people find overbearing. Foreclosing the necessary freedom and spontaneity that eros demands, they feel trapped by intimacy. John’s sexual inhibitions are exacerbated as his emotional involvement with his girlfriend deepens. As a matter of fact, the more he cares about her, the less he can freely lust after her. For him, as for many other men in this predicament, erotic shutdown is not subtle. He is at the mercy of a stubborn penis that simply will not respond. But why?
From In an Unspoken Voice (2010)
If the initial shadow had been from a raging grizzly bear (rather than from a rising eagle), a very different reaction would have been evoked: the preparation to flee. This is not, as James discovered, because we think “bear,” evaluate it as dangerous and then run. It is because the contours and features of the large, looming, approaching animal cast a particular light pattern upon the retina of the eye. This stimulates a configuration of neural firing that is registered in the phylogenetically primitive brain regions. This “pattern recognition” triggers, in turn, the preparation for defensive responding before it is registered in consciousness.† These unconscious responses derive from genetic predispositions (as well as from the outcomes of previous personal experiences with similar large animals). Primitive, nonconscious circuits are activated, triggering preset constellations or tendencies of defensive posturing. Muscles, viscera and autonomic nervous system activity cooperate in preparing for escape. This preparation is sensed kinesthetically and is internally joined, as a gestalt, to the image of the bear. Preparation for defensive movement and image are fused and registered together as the feeling of danger. Motivated by this feeling and not by fear, we continue to scan for more information (a grove of trees, some rocks) while at the same time drawing on our ancestral and personal memory banks. Probabilities are nonconsciously computed, based on such encounters over millions of years of species evolution, as well as on what we have learned individually does or does not work. We prepare for the next phase in this unfolding drama. Without thinking, we orient toward a large tree with low branches. An urge is experienced to flee and climb. If we run, freely oriented toward the tree, we have the feeling of directed running. The urge to run (experienced as the feeling of danger) is followed by successful running (experienced as escape rather than fear or anxiety). On the other hand, let us consider a situation where escape is impossible—where you are trapped. This time you chance upon a starved or wounded bear standing in the path and blocking your escape (as in walking out of a steep box canyon). In this case, the defensive preparedness for flight, concomitant with the feeling of danger, is thwarted. The feeling of danger will then abruptly change into the emotional state of fear. Response is now restricted to non-directed, desperate flight, to rage-counterattack or to freeze-collapse. The latter affords the possibility of diminishing the bear’s urge to attack. If it is not cornered or hurt, and is able to clearly identify the human being as helpless and of no threat, the bear usually will not attack the intruder, going on its own way.
From In an Unspoken Voice (2010)
To effectively guide the processes of healing and transformation in their clients, therapists must be able to perceive and track the physiological footprints and expressions of these organismic systems. Since each of the hierarchical polyvagal systems has its own unique pattern of autonomic and muscular expressions, therapists need to perceive these indicators—skin color, breathing, postural signs and facial expressions—in order to determine the stage (immobilization, hyperarousal or social engagement) their clients are in and when they are transitioning to another. As we saw with Nancy in Chapter 2, a patient can undergo a wild roller-coaster ride between the three evolutionary subsystems, which demand parallel changes in strategy.d When, for example, the individual is in sympathetic hyperarousal, the therapist can observe a tightening of the muscles in the front of the neck (particularly the anterior scalenes, the sternocleidomastoids and the upper shoulder muscles), a stiffened posture, a general jumpiness, darting eyes, an increase in heart rate (which can be seen in the carotid artery in the front of the neck), dilation (widening) of the pupils, choppy rapid breathing and coldness in the hands, which may appear bluish particularly at the finger tips, as well as pale skin and cold sweat in the hands and forehead. On the other hand, a person going into shutdown often collapses (as though slumping in the diaphragm) and has fixed or spaced-out eyes, markedly reduced breathing, an abrupt slowing and feebleness of heart rate, and a constriction of the pupils. In addition, the skin often turns a pasty, sickly white or even gray. And, finally, the person who is socially engaged has a resting heart rate in the low to mid-seventies, relaxed full breathing, pleasantly warm hands and a mild to moderate pupil aperture. Therapists are rarely trained to make such observations (though they can get a little coaching from watching episodes of the TV series Lie to Me). Of the three primary instinctual defense systems, the immobility state is controlled by the most primitive of the physiological subsystems. This neural system (mediated by the unmyelinated portion of the vagus nerve) controls energy conservation and is triggered only when a person perceives that death is imminent64—whether from outside, in the form of a mortal threat, or when the threat originates internally, as from illness or serious injury.e Both of these challenges require that one hold still and conserve one’s vital energy. When this most archaic system dominates, one does not move; one barely breathes; one’s voice is choked off; and one is too scared to cry. One remains motionless in preparation for either death or cellular restitution.
From In an Unspoken Voice (2010)
In the West, this connection can be seen in the biblical story of Job and, powerfully, in Psalm 23. It is found as the dark night of the soul in medieval mysticism—and, of course, in the passion of Christ. In Buddhism an important distinction is made between suffering and unnecessary suffering. According to the Buddha, “When touched with a feeling of pain, the ordinary person laments … becomes distraught … contracts … so he feels two pains … just as if they were to shoot a man with an arrow and, right afterward, were to shoot him with another … so that he would feel the pains of two arrows …” Trauma sufferers are so frightened of their bodily sensations that they recoil from feeling them. It is as though they believe that by feeling them they will be destroyed or, at the very least, make things worse. Hence they remain stuck. In this way, they shoot themselves with the second arrow—FDR’s “fear of fear itself.” With support and guidance, however, they are able to gradually learn to befriend and transform their trauma-based sensations. In both the Buddhist and Taoist traditions, four pathways are said to lead to spiritual awakening. 171 The first is death. A second route to freedom from unnecessary human suffering can come from many years of austere meditative contemplation. The third gateway to liberation is through special forms of (tantric) sexual ecstasy. And the fourth portal is said, by these traditions, to be trauma. Death, meditation, sex and trauma, in serving as great portals, share a common element. They are all potential catalysts for profound surrender. The ability to feel the physical sensations of paralysis (without becoming overwhelmed) and surrender to them is the key in transforming trauma. When we are able to touch into that deathlike void even briefly, rather than recoil from it, the immobilization releases. In this way the second arrow of unnecessary suffering is eliminated. The “standing back” from fear allows the individual to emerge from the strangulation of trauma. As people “experience into” the time-limited paralysis sensations (in the absence of fear), they contact the “mini-deaths” that lie at the eye of the hurricane, at the very heart of trauma. This visitation is an opportunity to enter the rich portal of death. It is well known that many people who have had near death experiences (NDEs) undergo positive personality transformations. At the right time, traumatized individuals are encouraged and supported to feel and surrender into the immobility/NDE states, liberating these primordial archetypal energies while integrating them into consciousness. In addition, the “awe-full” states of horror and terror appear to be connected to the transformative states such as awe, presence, timelessness and ecstasy.
From In an Unspoken Voice (2010)
This discharge in waves allows for the natural experience of pendulation—expansions/contraction as discussed in Step 3 in Chapter 5 —and softens the feelings of sorrow and fear.) It comes to me as a stark possibility that I may be seriously injured. (21. It is part of a mammalian response to injury to scan the body and to assess the nature and level of the injury.) Perhaps I will end up in a wheelchair, crippled and dependent. Again, deep waves of sorrow flood me. I’m afraid of being swallowed up by the sorrow and hold onto the woman’s eyes. (22. I am now actively engaging the woman as a resource.) A slower breath brings me the scent of her perfume. Her continued presence sustains me. As I feel less overwhelmed, my fear softens and begins to subside. I feel a flicker of hope, then a rolling wave of rage. (23. Rage is a strong defensive response—it is about the impulse to kill! Hence people become terrified by this impulse and try to suppress it. The pediatrician is helping me to contain this rage and not be overwhelmed by it.) My body continues to shake and tremble. It is alternately icy cold and feverishly hot. (24. This is indicative of a continued strong discharge.) A burning red fury erupts from deep within my belly: How could that stupid kid hit me in a crosswalk? Wasn’t she paying attention? Damn her! (25. More rage—accompanied with the human neocortical tendency to blame.) A blast of shrill sirens and flashing red lights block out everything. My belly tightens, and my eyes again reach to find the woman’s kind gaze. We squeeze hands, and the knot in my gut loosens. I hear my shirt ripping. I am startled and again jump to the vantage of an observer hovering above my sprawling body. (26. The abruptness with which the shirt is removed restimulates the dissociation.) I watch uniformed strangers methodically attach electrodes to my chest. The Good Samaritan paramedic reports to someone that my pulse was 170. I hear my shirt ripping even more. (27. As I notice that I’m dissociating, I am able to bring myself back to my body.) I see the emergency team slip a collar onto my neck and then cautiously slide me onto a board. While they strap me down, I hear some garbled radio communication. The paramedics are requesting a full trauma team. Alarm jolts me. I ask to be taken to the nearest hospital only a mile away, but they tell me that my injuries may require the major trauma center in La Jolla, some thirty miles farther. My heart sinks. Surprisingly, though, the fear quickly subsides. (28. The surging and receding of the emotional arousal is evidence of deepening self-regulation.) As I am lifted into the ambulance, I close my eyes for the first time. A vague scent of the woman’s perfume and the look of her quiet, kind eyes linger.
From Saint Thomas Aquinas Collection (22 Books) (2016)
I answer that, The Stoics and Peripatetics disagreed on this point, as Augustine relates (De Civ. Dei ix, 4). For the Stoics held that the soul’s passions cannot be in a wise or virtuous man: whereas the Peripatetics, who were founded by Aristotle, as Augustine says (De Civ. Dei ix, 4), maintained that the passions are compatible with moral virtue, if they be reduced to the mean. This difference, as Augustine observes (De Civ. Dei ix, 4), was one of words rather than of opinions. Because the Stoics, through not discriminating between the intellective appetite, i.e. the will, and the sensitive appetite, which is divided into irascible and concupiscible, did not, as the Peripatetics did, distinguish the passions from the other affections of the human soul, in the point of their being movements of the sensitive appetite, whereas the other emotions of the soul, which are not passions, are movements of the intellective appetite or will; but only in the point of the passions being, as they maintained, any emotions in disaccord with reason. These emotions could not be in a wise or virtuous man if they arose deliberately: while it would be possible for them to be in a wise man, if they arose suddenly: because, in the words of Aulus Gellius [*Noct. Attic. xix, 1], quoted by Augustine (De Civ. Dei ix, 4), “it is not in our power to call up the visions of the soul, known as its fancies; and when they arise from awesome things, they must needs disturb the mind of a wise man, so that he is slightly startled by fear, or depressed with sorrow,” in so far as “these passions forestall the use of reason without his approving of such things or consenting thereto.” Accordingly, if the passions be taken for inordinate emotions, they cannot be in a virtuous man, so that he consent to them deliberately; as the Stoics maintained. But if the passions be taken for any movements of the sensitive appetite, they can be in a virtuous man, in so far as they are subordinate to reason. Hence Aristotle says (Ethic. ii, 3) that “some describe virtue as being a kind of freedom from passion and disturbance; this is incorrect, because the assertion should be qualified”: they should have said virtue is freedom from those passions “that are not as they should be as to manner and time.” Reply to Objection 1: The Philosopher quotes this, as well as many other examples in his books on Logic, in order to illustrate, not his own mind, but that of others. It was the opinion of the Stoics that the passions of the soul were incompatible with virtue: and the Philosopher rejects this opinion (Ethic. ii, 3), when he says that virtue is not freedom from passion. It may be said, however, that when he says “a gentle man is not passionate,” we are to understand this of inordinate passion.
From Saint Thomas Aquinas Collection (22 Books) (2016)
Reply to Objection 1: He who can forbid, sins not by omitting to forbid if he has no hope of correcting, but fears by forbidding to furnish the occasion of a greater evil. Thus it happened to Moses: wherefore acting on Divine authority he did not forbid the bill of divorce. Reply to Objection 2: The prophets, inspired by the Holy Ghost, said that a wife ought to be put away, not as though this were a command of the Holy Ghost, but as being permitted lest greater evils should be perpetrated. Reply to Objection 3: This likeness of permission must not be applied to every detail, but only to the cause which was the same in both cases, since both permissions were granted in order to avoid some form of wickedness. Reply to Objection 4: Although their hardness of heart excused them not from sin, the permission given on account of that hardness excused them. For certain things are forbidden those who are healthy in body, which are not forbidden the sick, and yet the sick sin not by availing themselves of the permission granted to them. Reply to Objection 5: A good may be omitted in two ways. First, in order to obtain a greater good, and then the omission of that good becomes virtuous by being directed to a greater good; thus Jacob rightly omitted to have only one wife, on account of the good of the offspring. In another way a good is omitted in order to avoid a greater evil, and then if this is done with the authority of one who can grant a dispensation, the omission of that good is not sinful, and yet it does not also become virtuous. In this way the indissolubility of marriage was suspended in the law of Moses in order to avoid a greater evil, namely wife-murder. Hence Chrysostom says that “he removed the guilt from the sin.” For though divorce remained inordinate, for which reason it is called a sin, it did not incur the debt of punishment, either temporal or eternal, in so far as it was done by Divine permission: and thus its guilt was taken away from it. And therefore he says again [*Hom. xxxii in the Opus Imperfectum falsely ascribed to St. John Chrysostom] that “divorce was permitted, an evil indeed, yet lawful.” Those who hold the first opinion understand by this only that divorce incurred the debt of temporal punishment. Whether it was lawful for a divorced wife to have another husband?Objection 1: It would seem that it was lawful for a divorced wife to have another husband. For in divorce the husband did a greater wrong by divorcing his wife than the wife by being divorced. But the husband could, without sin, marry another wife. Therefore the wife could without sin, marry another husband.
From Saint Thomas Aquinas Collection (22 Books) (2016)
ORIGEN. Or, the sleep He now bids His disciples take is of a different sort from that which is related above to have befallen them. Then He found them sleeping, not taking repose, but because their eyes were heavy, but now they are not merely to sleep, but to take their rest, that this order may be rightly observed, namely, that we first watch with prayer that we enter not into temptation, and afterwards sleep and take our rest, when having found a place for the Lord, a tabernacle for the God of Jacob, (Ps. 132:3.) we may go up into our bed, and give sleep to our eyes. It may be also that the soul, unable to sustain a continual energy by reason of its union with the flesh, may blamelessly admit some relaxations, which may be the moral interpretation of slumbers, and then again after due time be quickened to new energy. HILARY. And whereas, when He returned and found them sleeping, He rebukes them the first time, the second time says nothing, the third time bids them take their rest; the interpretation of this is, that at the first after His resurrection, when He finds them dispersed, distrustful, and timorous, He rebukes them; the second time, when their eyes were heavy to look upon the liberty of the Gospel, He visited them, sending them the Spirit, the Paraclete; for, held back by attachment to the Law, they slumbered in respect of faith; but the third time, when He shall come in His glory, He shall restore them to quietness and confidence. ORIGEN. When He had roused them from sleep, seeing in the Spirit Judas drawing near to betray Him, though the disciples could not yet see him, He says, Behold, the hour is at hand, and the Son of man is betrayed into the hands of sinners. CHRYSOSTOM. The words, the hour is at hand, point out that all that has been done was by Divine interference; and that, into the hands of sinners, shew that this was the work of their wickedness, not that He was guilty of any crime. ORIGEN. And even now Jesus is betrayed into the hands of sinners, when those who seem to believe in Jesus, continue to sin while they have Him in their hands. Also whenever a righteous man, who has Jesus in Him, is put into the power of sinners, Jesus is delivered into the hands of sinners. JEROME. Having concluded His third prayer, and having obtained that the Apostles’ terror should be corrected by subsequent penitence, He goes forth undaunted by the prospect of His own Passion to meet His pursuers, and offers Himself voluntarily to be sacrificed. Arise, let us be going; as much as to say, Let them not find you trembling, let us go forth willingly to death, that they may see us confident and rejoicing in suffering; Lo, he that shall betray me draweth near.
From Saint Thomas Aquinas Collection (22 Books) (2016)
THEOPHYLACT. For a wife is busied in a house about her husband’s food and raiment. See also how this is the case with the Apostles; for many women busied themselves about their food and their clothing, and ministered unto them. In like manner the Apostles had many fathers and mothers, that is, persons who loved them; as Peter, for instance, leaving one house, had afterwards the houses of all the disciples. And what is more wonderful, they are to be persecuted and oppressed, for it is with persecutions that the Saints are to possess all things, for which reason there follows, But many that are first shall be last, and the last first. For the Pharisees who were first became the last; but those who left all and followed Christ were last in this world through tribulation and persecutions, but shall be first by the hope which is in God. BEDE. (ubi sup.) This which is here said, shall receive an hundredfold, may be understood in a higher sense1. For the number a hundred which is reckoned by changing from the left to the right hand, although it has the same appearance in the bending of the fingers as the ten had on the left, nevertheless is increased to a much greater quantity. This means, that all who have despised temporal things for the sake of the kingdom of heaven through undoubting faith, taste the joy of the same kingdom in this life which is full of persecutions, and in the expectation of the heavenly country, which is signified by the right hand, have a share in the happiness of all the elect. But because all do not accomplish a virtuous course of life with the same ardour as they began it, it is presently added, But many that are first shall be last, and the last first; for we daily see many persons who, remaining in a lay habit, are eminent for their meritorious life; but others, who from their youth have been ardent in a spiritual profession, at last wither away in the sloth of ease, and with a lazy folly finish in the flesh, what they had begun in the Spirit. 10:32–3432. And they were in the way going up to Jerusalem; and Jesus went before them: and they were amazed; and as they followed, they were afraid. And he took again the twelve, and began to tell them what things should happen unto him, 33. Saying, Behold, we go up to Jerusalem; and the Son of man shall be delivered unto the chief priests, and unto the scribes; and they shall condemn him to death, and shall deliver him to the Gentiles: 34. And they shall mock him, and shall scourge him, and shall spit upon him, and shall kill him: and the third day he shall rise again.
From Mating in Captivity: Unlocking Erotic Intelligence (2006)
Open up, reveal, share, become transparent, open up more… John and Beatrice exemplify a typical beginning. In fact, the intense physical and emotional fusion they experience is possible only with someone we don’t yet know. At this early stage merging and surrendering are relatively safe, because the boundaries between the two people are still externally defined. John and Beatrice are new to each other. And while they are migrating into each other’s respective worlds, they have not yet taken full residence; they are still two distinct entities. It is all the space between them that allows them to imagine no space at all. They are still enthralled by the encounter, and they have not yet consolidated their relationship. In the beginning you can focus on the connection because the psychological distance is already there; it’s a part of the structure. Otherness is a fact. You don’t need to cultivate separateness in the early stages of falling in love; you still are separate. You aim to overcome that separateness. As new lovers, John and Beatrice enjoyed a built-in distance that allowed them to experience the confluence of love and desire freely, exempt from the conflicts they would bring to therapy later. Entrapment Deadens Desire For John, intimacy harbors a threat of entrapment. He grew up in a home with an alcoholic, abusive father. He can’t remember a time when he wasn’t acutely attuned to both his father’s moods and his mother’s sadness. As a young boy he was recruited to be his mother’s emotional caretaker, and to alleviate her loneliness. He was her hope, her solace, a vicarious affirmation that her miserable life would be vindicated through her marvelous son. Children of such conflicted marriages are often enlisted to protect the vulnerable parent. John has never doubted his mother’s deep love for him; nor has the love ever been without a sense of burden. From early on, love implied responsibility and obligation. And even while he craves the closeness of intimacy—he has always had a woman in his life—he doesn’t know how to experience love in a way that does not feel confining. The emerging love he feels for Beatrice carries with it the same heaviness that love has always had for him. There are many circumstances that can lead people to experience love and intimacy as constricting—an unhappy childhood is not a prerequisite. Popular love talk has made a real case for thinking of this as a “fear of intimacy,” which is seen as afflicting men in particular. But what I observe is not so much a reluctance to engage in intimate bonding—no one can doubt John’s deep involvement with Beatrice. Rather it is the weightiness of that involvement that these people find overbearing. Foreclosing the necessary freedom and spontaneity that eros demands, they feel trapped by intimacy. John’s sexual inhibitions are exacerbated as his emotional involvement with his girlfriend deepens.
From In an Unspoken Voice (2010)
In the Greek myth, those who looked directly into Medusa’s eyes were promptly turned into stone … frozen in time. Before setting out to vanquish this snake-haired demon, Perseus sought counsel from Athena, the goddess of knowledge and strategy. Her advice to him was simple: under no circumstances should he look directly at the Gorgon. Taking Athena’s advice to heart, Perseus used the protective shield fastened on his arm to reflect the image of Medusa. This way he was able to cut off her head without looking directly at her, and thus avoided being turned into stone. If trauma is to be transformed, we must learn not to confront it directly. If we make the mistake of confronting trauma head on, then Medusa will, true to her nature, turn us to stone. Like the Chinese finger traps we all played with as kids, the more we struggle with trauma, the greater will be its grip upon us. When it comes to trauma, I believe that the “equivalent” of Perseus’s reflecting shield is how our body responds to trauma and how the “living body” personifies resilience and feelings of goodness. There is more to this myth: Out of Medusa’s wound, two mythical entities emerged: Pegasus the winged horse and the one-eyed giant Chrysaor, the warrior with the golden sword. The golden sword represents penetrating truth and clarity. The horse is a symbol of the body and instinctual knowledge; the wings symbolize transcendence. Together, they suggest transformation through the “living body.”‡ Together, these aspects form the archetypal qualities and resources that a human being must mobilize in order to heal the Medusa (fright paralysis) called trauma. The ability to perceive and respond to the reflection of Medusa is mirrored in our instinctual natures. In another version of this same myth, Perseus collects a drop of blood from Medusa’s wound in two vials. The drop from one vial has the power to kill; the drop in the other vial has the power to raise the dead and restore life. What is revealed here is the dual nature of trauma: first, its destructive ability to rob victims of their capacity to live and enjoy life. The paradox of trauma is that it has both the power to destroy and the power to transform and resurrect. Whether trauma will be a cruel and punishing Gorgon, or a vehicle for soaring to the heights of transformation and mastery, depends upon how we approach it.
From In an Unspoken Voice (2010)
In the reciprocal enervation discovered by Sherrington, the nervous system operates primarily as a negative feedback system much like—but infinitely more complicated than—a house thermostat. Self-regulation of the complex nervous system exhibits what are called emergent properties, which are often somewhat unpredictable and rich in nuance. They frequently lead to finding new and creative solutions and are cherished when they happen in life and in psychotherapy. So while the nervous system operates under the principle of self-regulation, the psyche operates under the emergent properties of creative self-regulation. We might say that as the nervous system self-regulates, the psyche engages with these emergent properties: that is, to creative self-regulation. The relationship between the viscera and the brain is a complex self-regulating system. The richness of creative emergent properties allows these “sounding” and breathing techniques (like the “voo” sound) to initiate change throughout the nervous system. In a situation of inescapable and mortal threat, the brain stem, or reptilian brain, sends intense signals to the viscera, causing some of them to go into hyperdrive (as with the gastrointestinal system) and others to constrict and close down, as with the bronchioles of the lungs or the beating of the heart. In the first instance (hyperdrive), we get symptoms like butterflies, knots in the gut or rumbling, uncontrollable diarrhea. With the lungs, we have feelings of tightness and suffocation, which, when chronic, can lead to the symptoms of asthma. Likewise, the effect of the primitive vagus on the heart is to decrease the beat to a level so low that it can actually lead to (voodoo) death.80 Because these sensations feel so dreadful, they themselves become the source of threat. So rather than coming from outside, the threat now emanates from deep within one’s bowels, lungs, heart and other organs and can cause the exact same effect upon the viscera that the original threat evoked. This situation is the unfortunate setup for a positive feedback loop with disastrous negative consequences. In addition, because traumatized individuals are experiencing (intense) threat signals, they project this inner turmoil outward and thus perceive the world as being responsible for their inner distress—and so remove themselves from both the real source of the problem and its potential solution. This dynamic also wreaks havoc not only on the body but also on relationships.
From This Boy's Life: A Memoir (1989)
“Oh, by the way, you didn’t happen to hear a funny little pinging noise in the engine, did you?” “What engine?” He smiled. Then he said he’d been at the commissary a few minutes ago with Champion, and that he’d met a man there who recognized the dog and told a pretty interesting story of how they happened to cross paths earlier that morning. What did I think about that? I said I didn’t know what he was talking about. Then he was on me. He caught me with one hand under the covers and the other holding the sandwich, and at first, instead of protecting myself, I jerked the sandwich away as if that was what he wanted. His open hands lashed back and forth across my face. I dropped the sandwich and covered my face with my forearm, but I couldn’t keep his hands away. He was kneeling on the bed, his legs on either side of me, locking me in with the blankets. I shouted his name, but he kept hitting me in a fast convulsive rhythm and I knew he was beyond all hearing. Somehow, with no conscious intention, I pulled my other arm free and hit him in the throat. He reared back, gasping. I pushed him off the bed and kicked the covers away, but before I could get up he grabbed my hair and forced my face down hard against the mattress. Then he hit me in the back of the neck. I went rigid with the shock. He tightened his grip on my hair. I waited for him to hit me again. I could hear him panting. We stayed like that for a while. Then he pushed me away and got up. He stood over me, breathing hoarsely. “Clean up this mess,” he said. He turned at the door and said, “I hope you learned your lesson.” I learned a couple of lessons. I learned that a punch in the throat does not always stop the other fellow. And I learned that it’s a bad idea to curse when you’re in trouble, but a good idea to sing, if you can. CHAMPION HAD SEEN his last merganser. He turned out to be a cat killer. Three times he brought dead cats back to the house between those famously soft jaws of his. Dwight dropped them in the river and yelled at Pearl and me for letting him out. But Champ was under suspicion, and one day he got into someone’s back yard and tore a Persian kitten to pieces under the eyes of the little girl who
From Momma and the Meaning of Life (1999)
During dinner a warm, wonderful flush began to sweep over him from head to toe. Pleasant feelings from the past flooded his mind, each entering from a different portal. The smell of his mother’s baking kichel on Sunday mornings; the warmth in the first few seconds after wetting his bed; his first kiss; his first pistol-shot orgasm while masturbating in the bathtub and imagining undressing Aunt Harriet; eating hot-fudge ice-cream cakes at the Georgia Avenue Hot Shoppe; the weightlessness during roller-coaster rides at Glen Echo Amusement Park; moving his queen, protected by a sly bishop, and saying “Shah mott” (Checkmate) to his father. His sense of heimlichkeit—warm and wet at- homeness—was so strong, so enveloping, that he momentarily lost track of where he was. “Do you want to go upstairs to the bedroom?” Artemis’s soft voice snapped him out of his reverie. Where had he gone? Could there have been something in the mushrooms, he wondered? Do I want to go to the bedroom? I would follow this woman anywhere. I desire her like no other woman I have ever known. Maybe it is neither the grass nor the mushrooms but some unusual pheromone. My olfactory bulb, behind my back, consorting with her musk aroma? Once in bed Artemis began licking. Every inch of his skin tingled, glowed, until his whole body felt red-hot. Each stroke of her tongue sent him higher and higher until he exploded—not with the sharp crack of a young pistol shot but with the roar of a mighty howitzer. In a brief moment of lucidity, he suddenly noticed Artemis dozing by his side. He had been so transported by his pleasure that he had all but forgotten her, had failed to attend to her pleasure. Reaching out to touch her face, he felt her cheeks wet with streaming tears. Then he fell into the deepest sleep he had ever known. Some time later the sound of scratching awakened him. At first he could see nothing in the pitch-black room. But he knew that something was wrong, terribly wrong. Gradually, as the black receded, a ghostly green light eerily illuminated the room. His heart pounding, Ernest slid out of bed, pulled on his trousers, and ran to the windows to find out what was scratching. But all he could see, staring back at him, was the reflection of his own face. He turned to rouse Artemis—but she had vanished. The scratching and scraping grew louder. Then an unearthly yeeeoooowwww, like a thousand cats in heat. The room started to vibrate, softly at first, then with increasing intensity. Ever louder, ever coarser grew the scratching. He heard the sound of pebbles striking the ground, then larger stones, then a small avalanche. The noise seemed to come from behind the bedroom wall.
From In an Unspoken Voice (2010)
The indigenous peoples throughout South America and Mesoamerica have long understood both the nature of fear and the essence of trauma. What’s more, they seemed to know how to transform it through their shamanic healing rituals. After colonization by the Spanish and Portuguese, the indigenous peoples borrowed their word susto to describe what happens in trauma. Susto translates graphically as “fright paralysis” and as “soul loss.”10 Anyone who has suffered a trauma knows, first, paralyzing fright, followed by the bereft feeling of losing your way in the world, of being severed from your very soul. When we hear the term fright paralysis, we may think of a startled deer, stunned motionless by oncoming headlights. Humans react similarly to trauma: thus Nancy, her startled face wide-eyed and frozen in fear. The ancient Greeks also identified trauma as being paralyzing and corporeal. Zeus and Pan were invoked to instill terror and paralysis in the enemy during times of war. Both had the capacity to “freeze” the body and induce “pan-ic.” And in the great Homeric epics, the Iliad and the Odyssey, trauma was portrayed as ruthlessly destructive to self and families. By the time of the American Civil War—when young men were suddenly exposed to their comrades being blown into pieces by cannon fire; to the noise and terror of chaos; and to stinking, rotting corpses far beyond anything they were prepared for—the term used to describe traumatic post-combat breakdown was soldier’s heart.* This name conveyed both the anxious, arrhythmic heart, pounding in sleepless terror, as well as the heartbreak of war, the killing of brothers by brothers. Another term from the Civil War era was nostalgia, perhaps a reference to the unending weeping and inability to remain oriented to the present and go on with life. Shortly before World War I, Emil Kraepelin, in an early diagnostic system published around 1909, called such stress breakdown “fright neurosis.”11 After Freud, he recognized trauma as a condition arising from an overwhelming stress. Freud had defined trauma as “a breach in the protective barrier against stimulation [(over)stimulation—my addition], leading to feelings of overwhelming helplessness.” Kraepelin’s definition was largely lost in the nomenclature of trauma, yet it recognized the central aspect of fright—although the word “neurosis” has pejorative associations. In the wake of World War I, combat trauma was reincarnated as shell shock, simple, honest and direct. This bluntly descriptive phrase almost resounds like the maddening explosions of shells, shattering the stunned and trapped men into shaking, urinating and defecating uncontrollably in the cold, wet trenches. Like susto, this raw descriptive term had nothing distancing, dispassionate or disinfected about it.
From In an Unspoken Voice (2010)
Rather than pretense, though, it is a deadly serious innate biological tactic. With a slow, small animal like the opossum, flight or fight is unlikely to be successful. By passively resisting, in the grand tradition of Gandhi, the animal’s inertness tends to inhibit the predator’s aggression and reduce its urge to kill and to eat. In addition, a motionless animal is frequently abandoned (especially when it also emits a putrid odor like rotting meat) and not eaten by such predators as the coyote—unless, of course, this animal is very hungry. a With such “death feigning,” the opossum may live to escape, plodding along into another day. Similarly, the cheetah may drag its motionless prey to a safe place, removed from potential competitors, and return to her lair to fetch her cubs (so as to share the kill with them). While she is gone, the gazelle may awaken from its paralysis and, in an unguarded moment, make a hasty escape. Second, immobility affords a certain degree of invisibility: an inert body is much less likely to be seen by a predator. Third, immobility may promote group survival: when hunted by a predator pack, the collapse of one individual may distract the pack long enough for the rest of the herd to escape. Last, but by no means least, a fourth biological function of immobility is that it triggers a profoundly altered state of numbing. In this state, extreme pain and terror are dulled: so if the animal does survive an attack it will be, even though injured, less encumbered by debilitating pain and thus possibly able to escape if the opportunity arises. This “humane” analgesic effect is mediated by the flooding of endorphins, the body’s own profound morphine pain-relief system. 21 For the gazelle, this means that it will not have to suffer the full agony of being torn apart by the cheetah’s sharp teeth and claws. The same is most likely true for a rape or accident victim. 22 In this state of analgesia, the victim may witness the event as though from outside his or her body, as if it were happening to someone else (as I observed in my accident). Such distancing, called dissociation , helps to make the unbearable bearable. The African explorer David Livingstone graphically recorded such an experience in his encounter with a lion on the plains of Africa: I heard a shout. Startled, in looking half round, I saw the lion just in the act of springing upon me. I was upon a little height; he caught my shoulder as he sprang, and we both came to the ground below together. Growling horribly close to my ear, he shook me as a terrier does a rat. The shock produced a stupor similar to that which seems to be felt by a mouse after the first shake of the cat.
From In an Unspoken Voice (2010)
Similarly, in deep sleep, we surrender ourselves profoundly to the interoceptive world. Automatic visceral activities regulate and sustain life far outside our realm of awareness. Respiration, heartbeat, temperature and blood chemistry are all maintained within the narrow range that supports life. This internal world usually resides at or beyond the outer reaches of conscious awareness. While awake we may not be aware of this inner world, but it is possible to entice it from far background to near background and then gently seduce it, if only fleetingly, into the foreground of our awareness. Let us proceed. Going Inside: Adventures in Interoception Preface It takes one to stand in the dark alone. It takes two to let the light shine through. —Motown song The following few exercises can be done alone, but as mammals the very stability of our nervous systems depends on the support from a safe other. This was the case of the pediatrician attending to my desperate need right after my grave misfortune described in Chapter 1 . By myself, I could have possibly done some of what I did to recover my equilibrium after the accident, but it made an enormous difference to have her sitting quietly by my side. Her stable presence made it more possible for me to stay focused and not swallowed in fear, bereft in sorrow and utterly alone. The following exercises can be practiced alone but are more fruitfully practiced in the presence of another person. Exercise 1: Wandering Inward Awareness on the body as a whole is the object of this initial exercise. Let your attention leisurely wander through every part of your body. Without judgment of good/bad or right/wrong, simply note what parts you are able to feel. To what degree does your body exist for you? Initially, you may be surprised that you do not actually feel a part of your body, even an area as large as your pelvis or legs. Of the parts of the body that you do feel, you will, at first, probably be mostly aware of uncomfortable, tight and painful areas. You may also feel twinges and twitches; these uncomfortable feelings may turn out to be an entry to the deeper sensing of your body. Next bring your attention to muscular tensions. Attend to them without trying to do something with them. You may want to try and relax them prematurely. It is important, rather, to just let the tensions remain and follow them as they change spontaneously. Notice , now, your skin sensations: can you feel your body as a whole? Can you feel where your head is in relation to your neck and shoulders? Can you feel your chest—from front to back, how does your breathing feel? Can you sense whether it feels full and easy or whether it may get “stuck” in your chest, throat or belly? Do you sense your ribs expanding and contracting with your breath?
From In an Unspoken Voice (2010)
Taking the PlungeWhen the first plane hit the building, only ten stories above her office, the explosion sent a shock wave of terror through her body. People’s immediate reaction to such terrifying events is to arrest, orient and then escape. This usually entails an intense urge to run. However, trapped eighty stories above ground with thousands of other people, Sharon needed to inhibit this primal reaction. Against the intense impulses to flee, she compelled herself to stay “calm” and walk in an orderly line down the stairs along with dozens of other terrified individuals; this was the case even though her body was “adrenaline-charged” to run at full throttle. Surely Sharon also felt the potential for any one of the other trapped office workers to suddenly panic and start a stampede that would further imperil them all. They, like her, also had to restrain their powerful primal urge to run. As Sharon slowly recounts the details of the escape, while feeling her bodily response, step-by-step, she recalls encountering yet another moment of stark terror when she found the door at the seventieth floor locked and impassable. Because of the physical comfort she found in contacting the spontaneous, expansive gestures and the images of the Hudson River, I now trust that Sharon can more safely face some of this highly charged material without becoming overwhelmed and consequently retraumatized.f In following her “body story,” islands of safety (Steps 1 through 3 in Chapter 5) are beginning to form in Sharon’s stormy trauma sea. The safety experienced from these internal islands allows her to deal with increasing levels of arousal and to move through them without undue distress. From this assessment, I guide her back to the moment of the explosion and then have her locate where and how that violent imprint feels in her body. As she attends to this “felt sense,” she becomes aware of an overall feeling of agitation in her legs and arms and tight “lumps” in her gut and throat. She says that she feels stuck. Here I introduce her to using the “voo” sound as a way to help her dissolve and transform the stuck sensations (see Chapter 6). As she focuses on those uncomfortable physical sensations (with the help of the vibratory sounds), the inclination to try to understand or explain them is reduced. With keenly focused attention, I guide her away from interpreting what she is feeling because I do not want the meaning to come from a mental place. The body needs to tell what’s on its “mind” first in order for new perceptions to arise in present time. (This warning about “premature cognition” was displayed on a bumper sticker I recently saw: “Reality: It’s not what you think!”)
From In an Unspoken Voice (2010)
I feel alternating waves of fear and sorrow. (20. This discharge in waves allows for the natural experience of pendulation—expansions/contraction as discussed in Step 3 in Chapter 5 —and softens the feelings of sorrow and fear.) It comes to me as a stark possibility that I may be seriously injured. (21. It is part of a mammalian response to injury to scan the body and to assess the nature and level of the injury.) Perhaps I will end up in a wheelchair, crippled and dependent. Again, deep waves of sorrow flood me. I’m afraid of being swallowed up by the sorrow and hold onto the woman’s eyes. (22. I am now actively engaging the woman as a resource.) A slower breath brings me the scent of her perfume. Her continued presence sustains me. As I feel less overwhelmed, my fear softens and begins to subside. I feel a flicker of hope, then a rolling wave of rage. (23. Rage is a strong defensive response—it is about the impulse to kill! Hence people become terrified by this impulse and try to suppress it. The pediatrician is helping me to contain this rage and not be overwhelmed by it.) My body continues to shake and tremble. It is alternately icy cold and feverishly hot. (24. This is indicative of a continued strong discharge.) A burning red fury erupts from deep within my belly: How could that stupid kid hit me in a crosswalk? Wasn’t she paying attention? Damn her! (25. More rage—accompanied with the human neocortical tendency to blame.) A blast of shrill sirens and flashing red lights block out everything. My belly tightens, and my eyes again reach to find the woman’s kind gaze. We squeeze hands, and the knot in my gut loosens. I hear my shirt ripping. I am startled and again jump to the vantage of an observer hovering above my sprawling body. (26. The abruptness with which the shirt is removed restimulates the dissociation.) I watch uniformed strangers methodically attach electrodes to my chest. The Good Samaritan paramedic reports to someone that my pulse was 170. I hear my shirt ripping even more. (27. As I notice that I’m dissociating, I am able to bring myself back to my body.) I see the emergency team slip a collar onto my neck and then cautiously slide me onto a board. While they strap me down, I hear some garbled radio communication. The paramedics are requesting a full trauma team. Alarm jolts me. I ask to be taken to the nearest hospital only a mile away, but they tell me that my injuries may require the major trauma center in La Jolla, some thirty miles farther. My heart sinks. Surprisingly, though, the fear quickly subsides. (28.
From Mating in Captivity: Unlocking Erotic Intelligence (2006)
Ironically, even the closeness generated by good sex can have a boomerang effect. Like John and Beatrice, many couples experience their relationship as a dance in which great sex brings them close, but then this very closeness can make sex difficult again. The initial rapture facilitates a swift bonding and establishes an immediate connection. But while many of us relish the idea of losing ourselves in sex, the very oneness that we experience through the merging of our bodies can evoke a sense of obliteration. The intensity of sexual passion triggers a fear of engulfment. Of course, few of us are aware of these undercurrents as they’re happening. What we feel instead is the urge to pull out right after orgasm, or the sudden desire to make a sandwich, to light a cigarette. We welcome the intrusion of any random thought: I meant to send an e-mail to…These windows need cleaning…. I wonder how my friend Jack is doing? We appreciate being left alone to meander leisurely in our own mind because this reestablishes a psychological distance, a delineation of the boundaries between me and you. From “inter-” we go back to “intra-.” Having been all over each other, we retreat back into our own skin. Nowhere is the passage from connection to separateness represented more clearly than at the end of a sexual act. In his book Arousal, the psychoanalyst Michael Bader offers another explanation for John and Beatrice’s erotic impasse. In his view, intimacy comes with a growing concern for the well-being of the other person, which includes a fear of hurting her. But sexual excitement requires the capacity not to worry, and the pursuit of pleasure demands a degree of selfishness. Some people can’t allow themselves this selfishness, because they’re too absorbed with the well-being of the beloved. This emotional configuration is reminiscent of how John felt toward his mother—his awareness of her unhappiness overwhelmed him with worry and a sense of burden. The very caring he experiences makes it harder for him to focus on his own needs, to feel spontaneous, sexually alive, and carefree. John has faced this vexing problem of loss of desire in every intimate relationship he’s been in. In the past, every time the block set in he interpreted it as meaning that he no longer loved the woman. In fact, the contrary is true. It is because he loves her so much that he carries this sense of responsibility for her and can’t enjoy the blithe quest for erotic rapture. Patterns Are Equal Employment Opportunities