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Fear

Fear is the body reading a threat as near — the breath shortens, the skin tightens, the attention collapses onto the single thing that might do harm. It arrives faster than thought and is rarely wrong about the fact of danger, only sometimes about its size. Vela reads fear as a primary emotion, distinct from the anxiety it shades into, and follows the writers who have written from inside it rather than about it from a safe distance.

Working definition · Threat-focused arousal—danger, loss, or harm feels proximate or plausible.

10570 passages · 1 Vela essay · in 1 cluster

Vela’s read on this emotion

Fear is one of the few emotions the body insists on before the mind has a vote, and that priority is the first thing the reading respects. Fear is not cowardice and not weakness; it is the oldest of the alarm systems, and the writers worth following have treated it as testimony rather than as something to be talked out of.

The reading is densest where fear has been lived under, not merely felt. Anne Frank's diary keeps fear as a daily condition — the specific dread of the footstep on the stair — held alongside the ordinary business of being fifteen. Viktor Frankl's Man's Search for Meaning reads fear inside the camps without flattening it into a lesson. The literature of illness and the body — the memoir written from inside a diagnosis — holds the particular fear of one's own body becoming the threat. The contemplative inheritance treats fear as a serious subject across centuries: the fear of the Lord in the Hebrew scriptures is closer to awe than to terror, and the distinction is one the reading keeps.

Fear is not the same as anxiety, dread, or terror. Fear has an object the body can point to; anxiety is fear without a fixed address, braced against what might come. Dread is fear stretched forward in time, waiting. Terror is fear past the point where action remains possible. The four are kin and the reading keeps them apart, because the difference is the difference between what the body can do and what it can only endure.

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An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.

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Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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10570 tagged passages

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    "All physicians who have been much engaged in general practice have seen cases of dyspepsia in which constant low spirits and occasional attacks of terror rendered the patient's condition pitiable in the extreme. I have observed these cases often, and have watched them closely, and I have never seen greater suffering of any kind than I have witnessed during these attacks. . . . Thus, a man is suffering from what we call nervous dyspepsia. Some day, we will suppose in the middle of the afternoon, without any warning or visible cause, one of these attacks of terror comes on. The first thing the man feels is great but vague discomfort. Then he notices that his heart is beating much too violently. At the same time shocks or flashes as of electrical discharges, so violent as to be almost painful, pass one after another through his body and limbs. Then in a few minutes he falls into a condition of the most intense fear. He is not afraid of anything; he is simply afraid. His mind is perfectly clear. He looks for a cause his wretched condition, but sees none. Presently his terror is such that he trembles violently and utters low moans; his body is damp with perspiration; his mouth is perfectly dry; and at this stage there are no tears in his eyes, though his suffering is intense. When the climax of the attack is reached and passed, there is a copious flow of tears, or else a mental condition in which the person weeps upon the least provocation. At this stage a large quantity of pale urine is passed. Then the heart's action becomes again normal, and the attack passes off."[424] Again:

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    First take effects upon the circulation. Those upon the heart we have just seen. Haller long ago recorded that the blood from an open vein flowed out faster at the beat of a drum.[362] In Chapter III. (p. 98) we learned how instantaneously, according to Mosso, the circulation in the brain is altered by changes of sensation and of the course of thought. The effect of objects of fear, shame, and anger upon the blood-supply of the skin, especially the skin of the face, are too well known to need remark. Sensations of the higher senses produce, according to Couty and Charpentier, the most varied effects upon the pulse-rate and blood-pressure in dogs. Fig. 81, a pulse-tracing from these authors, shows the tumultuous effect on a dog's heart of hearing the screams of another dog. The changes of blood-pressure will occurred when the pneumogastric nerves were cut, showing the vaso-motor effect to be direct and not dependent on the heart. When Mosso invented that simple instrument, the plethysmograph, for recording the fluctuations in volume of the members of the body, what most astonished him, he says, "in the first experiments which he made in Italy, was the extreme unrest of the blood-vessels of the hand, which at every smallest emotion, whether during waking or sleep, changed their volume in surprising fashion."[363] Figure 82 (from Féré[364] ) shows the way in which the pulse of one subject was modified by the exhibition of a red light lasting from the moment marked a to that marked b. [image file=image_1200.jpg] [image file=image_1205.jpg] The effects upon respiration of sudden sensory stimuli are also too well known to need elaborate comment. We 'catch our breath' at every sudden sound. We 'hold our breath' whenever our attention and expectation are strongly engaged, and we sigh when the tension of the situation is relieved. When a fearful object is before us we pant and cannot deeply inspire; when the object makes us angry it is, on the contrary, the act of expiration which is hard. I subjoin a couple of figures from Féré which explain themselves. They show the effects of light upon the breathing of two of his hysteric patients.[365]

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    Against this impulse we have the dread of the irrevocable, which often engenders a type of character incapable of prompt and vigorous resolve, except perhaps when surprised into sudden activity. These two opposing motives twine round whatever other motives may be present at the moment when decision is imminent, and tend to precipitate or retard it. The conflict of these motives so far as they alone affect the matter of decision is a conflict as to when it shall occur. One says 'now,' the other says 'not yet.' Another constant component of the web of motivation is the impulse to persist in a decision once made. There is no more remarkable difference in human character than that between resolute and irresolute natures. Neither the physiological nor the psychical grounds of this difference have yet been analyzed. Its symptom is that whereas in the irresolute all decisions are provisional and liable to be reversed, in the resolute they are settled once for all and not disturbed again. Now into every one's deliberations the representation of one alternative will often enter with such sudden force as to carry the imagination with itself exclusively, and to produce an apparently settled decision in its own favor. These premature and spurious decisions are of course known to everyone. They often seem ridiculous in the light of the considerations that succeed them. But it cannot be denied that in the resolute type of character the accident that one of them has once been made does afterwards enter as a motive additional to the more genuine reasons why it should not be revoked, or if provisionally revoked, why it should be made again. How many of us persist in a precipitate course which, but for a moment of heedlessness, we might never have entered upon, simply because we hate to 'change our mind.' FIVE TYPES OF DECISION.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    Sociability and Shyness. As a gregarious animal, man is excited both by the absence and by the presence of his kind. To be alone is one of the greatest of evils for him. Solitary confinement is by many regarded as a mode of torture too cruel and unnatural for civilized countries to adopt. To one long pent up on a desert island, the sight of a human footprint or a human form in the distance would be the most tumultuously exciting of experiences. In morbid states of mind, one of the commonest symptoms is the fear of being alone. This fear may be assuaged by the presence of a little child, or even of a baby. In a case of hydrophobia known to the writer, the patient insisted on keeping his room crowded with neighbors all the while, so intense was his fear of solitude. In a gregarious animal, the perception that he is alone excites him to vigorous activity. Mr. Galton thus describes the behavior of the South African cattle whom he had such good opportunities for observing: "Although the ox has little affection for, or interest in, his fellows, he cannot endure even a momentary separation from his herd. If he be separated from it by stratagem or force, he exhibits every sign of mental agony; he strives with all his might to get back again, and when he succeeds he plunges into its middle to bathe his whole body with the comfort of closest companionship."[404] Man is also excited by the presence of his kind. The bizarre actions of dogs meeting strange dogs are not altogether without a parallel in our own constitution. We cannot meet strangers without a certain tension, or talk to them exactly as to our familiars. This is particularly the case if the stranger be an important personage. It may then happen that we not only shrink from meeting his eye, but actually cannot collect our wits or do ourselves any sort of justice in his presence.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    I now proceed to urge the vital point of my whole theory, which is this: If we fancy some strong emotion, and then try to abstract from our consciousness of it all the feelings of its bodily symptoms, we find we have nothing left behind, no 'mind-stuff' out of which the emotion can be constituted, and that a cold and neutral state of intellectual perception is all that remains. It is true that, although most people when asked say that their introspection verifies this statement, some persist in saying theirs does not. Many cannot be made to understand the question. When you beg them to imagine away every feeling of laughter and of tendency to laugh from their consciousness of the ludicrousness of an object, and then to tell you what the feeling of its ludicrousness would be like, whether it be anything more than the perception that the object belongs to the class 'funny,' they persist in replying that the thing proposed is a physical impossibility, and that they always must laugh if they see a funny object. Of course the task proposed is not the practical one of seeing a ludicrous object and annihilating one's tendency to laugh. It is the purely speculative one of subtracting certain elements of feeling from an emotional state supposed to exist in its fulness, and saying what the residual elements are. I cannot help thinking that all who rightly apprehend this problem will agree with the proposition above laid down. What kind of an emotion of fear would be left if the feeling neither of quickened heart-beats nor of shallow breathing, neither of trembling lips nor of weakened limbs, neither of goose-flesh nor of visceral stirrings, were present, it is quite impossible for me to think. Can one fancy the state of rage end picture no ebullition in the chest, no flushing of the face, no dilatation of the nostrils, no clenching of the teeth, no impulse to vigorous action, but in their stead limp muscles, calm breathing, and a placid face? The present writer, for one, certainly cannot. The rage is as completely evaporated as the sensation of its so-called manifestations, and the only thing that can possibly be supposed to take its place is some cold-blooded and dispassionate judicial sentence, confined entirely to the intellectual realm, to the effect that a certain person or persons merit chastisement for their sins. In like manner of grief: what would it be without its tears, its sobs, its suffocation of the heart, its pang in the breast-bone? A feelingless cognition that certain circumstances are deplorable, and nothing more. Every passion in turn tells the same story. A purely disembodied human emotion is a nonentity. I do not say that it is a contradiction in the nature of things, or that pure spirits are necessarily condemned to cold intellectual lives; but I say that for us, emotion dissociated from all bodily feeling is inconceivable. The more closely I scrutinize my states, the more persuaded I become that whatever moods, affections, and passions I have are in very truth constituted by, and made up of, those bodily changes which we ordinarily call their expression or consequence; and the more it seems to me that if I were to become corporeally anæsthetic, I should be excluded from the life of the affections, harsh and tender alike, and drag out an existence of merely cognitive or intellectual form. Such an existence, although it seems to have been the ideal of ancient sages, is too apathetic to be keenly sought after by those born after the revival of the worship of sensibility, a few generations ago.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    "Dr. N. L....heard one day suddenly amongst the voices of his persecutors ('coming from a hollow space in the midst of the wall') a rather loud voice impressively saying to him: 'Change your national allegiance.' Understanding this to mean that his only hope consisted in ceasing to be subject to the Czar of Russia, he reflected a moment what allegiance would be better, and resolved to become an English subject. At the same moment he saw a pseudo-hallucinatory lion of natural size, which appeared and quickly laid its fore-paws on his shoulders. He had a lively feeling of these paws as a tolerably painful local pressure (complete hallucination of touch). Then the same voice from the wall said: 'Now you have a lion—now you will rule,' whereupon the patient recollected that the lion was the national emblem of England. The lion appeared to L. very distinct and vivid, but he nevertheless remained conscious, as he afterwards expressed it, that he saw the animal, not with his bodily but with his mental eyes. (After his recovery he called analogous apparitions by the name of 'expressive-plastic ideas.') Accordingly he felt no terror, even though he felt the contact of the claws. ... Had the lion been a complete hallucination, the patient, as he himself remarked after recovery would have felt great fear, and very likely screamed or taken to flight. Had it been a simple image of the fancy he would not have connected it with the voices, of whose objective reality he was at the time quite convinced."[128]

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    satisfy by going to an abattoir in Paris. The man whose case I have brought forward had the same passion for gloating over blood, but had no attack of acute mania. The sight of blood was distinctly a delight to him, end at any time blood aroused in him the worst elements of his nature. Instances will easily be recalled in which murderers, undoubtedly insane, have described the intense pleasure they experienced in the warm blood of children.[393] "Bombonnel, having rolled with a panther to the border of a ravine, gets his head away from the open mouth of the animal, and by a prodigious effort rolls her into the abyss. He gets up, blinded, spitting a mass of blood, not knowing exactly what the situation is. He thinks only of one thing, that he shall probably die of his wounds, but that before dying he must take vengeance on the panther. 'I didn't think of my pain,' he tells us. 'Possessed entirely by the fury with which I was transported. I drew my hunting-knife, and not understanding what had become of the beast, I sought for her on every side in order to continue the struggle. It was this plight that the Arabs found me when they arrived.'" (Quoted by Guyan, La Morale sans Obligation, etc., p. 210.)[394] Psychologie de l'Enfant, pp. 72-74. In an account of a young gorilla quoted from Falkenstein, by R. Hartmann ('Anthropoid Apes,' International Scientific Series, vol. iii (New York, 1886), p. 265), it is said: "He very much disliked strange noises. Thunder, the rain falling on the skylight, and especially the long-drawn note of a pipe or trumpet, threw him into such agitation as to cause a sudden affection of the digestive organs, and it became expedient to keep him at a distance. When he was slightly indisposed, we made use of this kind of music with results as successful as we had administered purgative medicine."[395] Der Menschliche Wille, p. 224.[396] Cf. Romanes. Mental Evolution, etc., p. 156.[397] In the 'Overland Monthly' for 1887, a most interesting article on Laura Bridgman's writings has been published by Mr. E. C. Sandford among other reminiscences of her early childhood, while she still knew nothing of the sign-language, the wonderful blind deaf-mute records the following item in her quaint language: "My father [he was a farmer and probably did his own butchering] [ Classics Editor's note: James' insertion] used to enter his kitchen bringing some killed animals in and deposited them on one of sides of the room many times. As I perceived it it make me shudder with terror because I did not know what the matter was. I hated to approach the dead. One morning I went to take a short walk with my Mother. I went into a snug house for some time. They took me into a room where there was a coin. I put my hand in the coffin & felt something so queer. It frightened me unpleasantly. I found something

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    "But a second and worse defect in a philosophy than that of contradicting our active propensities is to give them no Object whatever to press against. A philosophy whose principle is so incommensurate with our most intimate powers as to deny them all relevancy in universal affairs, as to annihilate their motives at one blow, will be even more unpopular than pessimism. Better face the enemy than the eternal Void! This is why materialism will always fail of universal adoption, however well it may fuse things into an atomistic unity, however clearly it may prophesy the future eternity. For materialism denies reality to the objects of almost all the impulses which we most cherish. The real meaning of the impulses, it says, is something which has no emotional interest for us whatever. But what is called extradition is quite as characteristic of our emotions as of our sense. Both point to an object as the cause of the present feeling. What an intensely objective reference lies in fear I In like manner an enraptured man, a dreary-feeling man, are not simply aware of their subjective states; if they were, the force of their feelings would evaporate. Both believe there is outward cause why they should feel as they do: either 'It is a glad world! 'how good is life!' or 'What a loathsome tedium is existence!' Any philosophy which annihilates the validity of the reference by explaining away its objects or translating them into terms of no emotional pertinency leaves the mind with little to care or act for. This is the opposite condition from that of nightmare, but when acutely brought home to consciousness it produces a kindred horror. In nightmare we have motives to act, hut no power: here we have powers, but no motives. A nameless Unheimlichkeit comes over us at the thought of there being nothing eternal in our final purposes, in the objects of those loves and aspirations which are our deepest energies. The monstrously lopsided equation of the universe and its knower, which we postulate as the ideal of cognition, is perfectly paralleled by the no less lopsided equation of the universe and the doer. We demand in it a character for which our emotions and active propensities shall be a match. Small as we are, minute as is the point by which the Cosmos impinges upon each one of us, each one desires to feel that his reaction at that point is congruous with the demands of the vast whole, that balances the latter, so to speak, and is able to do what it expects of him. But as his abilities to 'do' lie wholly in the line of his natural propensities; as he enjoys reaction with such emotions as fortitude, hope, rapture, admiration, earnestness, and the like; and as he very unwillingly reacts with fear, disgust, despair, or doubt,—a philosophy which should legitimate only emotions of the latter sort would be sure to leave the mind a prey to discontent and craving.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    There are certain other pathological fears, and certain peculiarities in the expression of ordinary fear, which might receive an explanatory light from ancestral conditions, even infra-human ones. In ordinary fear, one may either run, or remain semi-paralyzed. The latter condition reminds us of the so-called death-shamming instinct shown by many animals. Dr. Lindsay, in his work 'Mind in Animals,' says this must require great self-command in those that practise it. But it is really no feigning of death at all, and requires no self-command. It is simply a terror-paralysis which has been so useful as to become hereditary. The beast of prey does not think the motionless bird, insect, or crustacean dead. He simply fails to notice them at all; because his senses, like ours, are much more strongly excited by a moving object than by a still one. It is the same instinct which leads a boy playing 'I spy' to hold his very breath when the seeker is near, and which makes the beast of prey himself in many cases motionlessly lie in wait for his victim or silently 'stalk' it, by rapid approaches alternated with periods of immobility. It is the opposite of the instinct which makes us jump up and down and move our arms when we wish to attract the notice of some one passing far away, and makes the shipwrecked sailor frantically wave a cloth upon the raft where he is floating when a distant sail appears. Now, may not the statue-like, crouching immobility of some melancholiacs, insane with general anxiety and fear of everything, be in some way connected with this old instinct? They can give no reason for their fear to move; but immobility makes them feel safer and more comfortable. Is not this the mental state of the 'feigning' animal?

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    The movements we have studied hitherto have been automatic and reflex, and (on the first occasion of their performance, at any rate) unforeseen by the agent. The movements to the study of which we now address ourselves, being desired and intended beforehand, are of course done with full prevision of what they are to be. It follows from this that voluntary movements must be secondary, not primary functions of our organism. This is the first point to understand in the psychology of Volition. Reflex, instinctive, and emotional movements are all primary performances. The nerve-centres are so organized that certain stimuli pull the trigger of certain explosive parts; and a creature going through one of these explosions for the first time undergoes an entirely novel experience. The other day I was standing at a railroad station with a little child, when an express-train went thundering by. The child, who was near the edge of the platform, started, winked, had his breathing convulsed, turned pale, burst out crying, and ran frantically towards me and hid his face. I have no doubt that this youngster was almost as much astonished by his own behavior as he was by the train, and more than I was, who stood by. Of course if such a reaction has many times occurred we learn what to expect of ourselves, and can then foresee our conduct, even though it remain as involuntary and uncontrollable as it was before. But if, in voluntary action properly so-called, the act must be foreseen, it follows that no creature not endowed with divinatory power can perform an act voluntarily for the first time. Well, we are no more endowed with prophetic vision of what movements lie in our power, than we are endowed with prophetic vision of what sensations we are capable of receiving. As we must wait for the sensations to be given us, so we must wait for the movements to be performed involuntarily,[447] before we can frame ideas of what either of these things are. We learn all our possibilities by the way of experience. When a particular movement, having once occurred in a random, reflex, or involuntary way, has left an image of itself in the memory, then the movement can be desired again, proposed as an end, and deliberately willed. But it is impossible to see how it could be willed before. A supply of ideas of the various movements that are possible left in the memory by experiences of their involuntary performance is thus the first prerequisite of the voluntary life.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    some it is made of wood, glass, butter, etc. In some it does not exist any longer, or is dead, or is a foreign object quite separate from the speaker's self. Occasionally, parts of the body lose their connection for consciousness with the rest, and are treated as belonging to another person and moved by a hostile will. Thus the right hand may fight with the left as with an enemy.[303] Or the cries of the patient himself are assigned to another person with whom the patient expresses sympathy. The literature of insanity is filled with narratives of such illusions as these. M. Taine quotes from a patient of Dr. Krishaber an account of sufferings, from which it will be seen how completely aloof from what is normal a man's experience may suddenly become: "After the first or second day it was for some weeks impossible to observe or analyze myself. The suffering—angina pectoris—was too overwhelming. It was not till the first days of January that I could give an account to myself of what I experienced. . . . Here is the first thing of which I retain a clear remembrance. I was alone, and already a prey to permanent visual trouble, when I was suddenly seized with a visual trouble infinitely more pronounced. Objects grew small and receded to infinite distances—men and things together. I was myself immeasurably far away. I looked about me with terror and astonishment; the world was escaping from me . . . . I remarked at the same time that my voice was extremely far away from me, that it sounded no longer as if mine. I struck the ground with my foot, and perceived its resistance; but this resistance seemed illusory—not that the soil was soft, but that the weight of my body was reduced to almost nothing. . . . I had the feeling of being without weight. . . ." In addition to being so distant, "objects appeared to me flat . When I spoke with anyone, I saw him like an image cut out of paper with no relief. . . . This sensation lasted intermittently for two years. . . . Constantly it seemed as if my legs did not belong to me. It was almost as bad with my arms. As for my head, it seemed no longer to exist. . . . I appeared to myself to act automatically, by an impulsion foreign to myself. . . . There was inside of me a new being, and another part of myself, the old being, which took no interest in the new-comer. I distinctly remember saying to myself that the sufferings of this new being were to me indifferent. I was never really dupe of these illusions, but my mind grew often tired of incessantly correcting the new impressions, and I let myself go an lived the unhappy life of this new entity. I had an ardent desire to see my old world again, to get back

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    "Each of them, on being unhooded, evinced the greatest terror tome, dashing off in the opposite direction whenever I sought to approach it. The table on which they were unhooded stood before a window, and each in its turn beat against the window like a wild bird. One of them darted behind some books, and, squeezing itself into a corner, remained cowering for a length of time. We might guess at the meaning of this strange and exceptional wildness; but the odd fact is enough for my present purpose. Whatever might have been the meaning of this marked change in their mental constitution-had they been unhooded on the previous day they would have run to me instead of from me—it could not have been the effect of experience; it must have resulted wholly from changes in their own organizations."[383] Their case was precisely analogous to that of the Adirondack calves. The two opposite instincts relative to the same object ripen in succession. If the first one engenders a habit, that habit will inhibit the application of the second instinct to that object. All animals are tame during the earliest phase of their infancy. Habits formed then limit the effects of whatever instincts of wildness may later be evolved. Mr. Romanes gives some very curious examples of the way in which instinctive tendencies may be altered by the habits to which their first 'objects' have given rise. The cases are a little more complicated than those mentioned in the text, inasmuch as the object reacted on not only starts a habit which inhibits other kinds of impulse toward it (although such other kinds might be natural), but even modifies by its own peculiar conduct the constitution of the impulse which it actually awakens. Two of the instances in question are those of hens who hatched out broods of chicks after having (in three previous years) hatched ducks. They strove to coax or to compel their new progeny to enter the water, and seemed much perplexed at their unwillingness. Another hen adopted a brood of young ferrets which, having lost their mother, were put under her. During all the time they were left with her she had to sit on the nest, for they could not wander like young chicks. She obeyed their hoarse growling as she would have obeyed her chickens' peep. ) She combed out their hair with her bill, and "used frequently to stop and look with one eye at the wriggling nestful, with an inquiring graze, expressive of astonishment." At other times she would fly up with aloud scream, doubtless because the orphans had nipped her in their search for teats. Finally, a Brahma hen nursed a young peacock during the enormous period of eighteen months, and never laid any eggs during all this time. The abnormal degree of pride which she showed in her wonderful chicken is described by Dr. Romanes as ludicrous."[384]

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    [329] 'Rationality, Activity, and Faith' (Princeton Review, July 1883, pp 64-9).[330] J. Royce, The Religious Aspect of Philosophy (Boston, 1885). pp. 317-57.[331] Chapter XXVII.[332] Prof. Royce puts this well in discussing idealism and the reality of an 'external world. "If the history of popular speculation on these topics could be written, how much of cowardice and shuffling would be found in the behavior of the natural mind before the question, 'How dost thou know of an external reality. Instead of simply and plainly answering: 'I mean by the external world in the first place something that I accept know of an external reality or demand, that I posit, postulate actively construct on the basis of sense-data,' the natural man gives us all kinds of vague compromise answers. ...Where shall these endless turnings and twistings have an end? ..... All these lesser motives are appealed to, and the one ultimate motive is neglected. The ultimate motive with the man of every-day life is the will to have an external world. Whatever consciousness contains, reason will persist in spontaneously adding the thought: 'But there shall be something beyond this.'.. The popular assurance of an external world is the fixed determination to make one, now and henceforth." (Religious Aspect of philosophy, p. 304—the italics are my own.) This immixture of the will appears most flagrantly in the fact that although external matter is doubted commonly enough, minds external to our own are never doubted. We need them too much, are too essentially social to dispense with them. Semblances of matter may suffice to react upon, but not semblances of communing souls. a psychic solipsism is too hideous a mockery of our wants, and, so far as I know, has never been seriously entertained.—Chapters ix and x of Prof. Royce's work are on the whole the dearest account of the psychology of belief with which I am acquainted.[333] ''The leading fact in Belief, according to my view of it, is our Primitive Credulity. We begin by believing everything; whatever is, is true.... The animal born in the morning of a summer day proceeds upon the fact of daylight; assumes the perpetuity of that fact. Whatever it is disposed to do, it does without misgivings. If in the morning it began around of operations continuing for hours, under the full benefit of day-light, it would unhesitatingly begin the same roll and in the evening. Its state of mind is practically one of unbounded confidence; but, as yet, it does not understand what confidence means."The pristine assurance is soon met by checks; a disagreeable experience leading to new insight. To be thwarted and opposed is one of our earliest and most frequent pains. It develops the sense of a distinction between free and obstructed impulses; the unconsciousness of an open way is exchanged for consciousness; we are now said properly to believe in what has never been contradicted, as we disbelieve in what has been contradicted. We believe that, after the dawn of day, there is before us a continuance of light; we do not believe that this light is to continue forever.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    the latter series that "the averages show that the attention can be kept strained, that is, the centres kept in a state of unstable equilibrium, for one second" (Mind, XI. 240). [342] Physiologische Optik, § 32. [343] "'Genius,' says Helvetius, 'is nothing but a continued attention (une attention suivie ).' 'Genius,' says Buffon, 'is only a protracted patience (une longue patience ).' 'In the exact sciences, at least,' says Cuvier, 'it is the patience of a sound intellect, when invincible, which truly constitutes genius.' And Chesterfield has also observed that 'the power of applying an attention, steady and undissipated, to a single object, is the sure mark of a superior genius." (Hamilton: Lect. on Metaph., lecture XIV.) [344] See, e.g., Ulrici: Leib u. Seele, II. 28; Lotze: Metaphysik, § 273; Fechner: Revision d. Psychophysik, XIX; G. E. Müller: Zur Theorie d. sinnl. Aufmerksamkeit, § 1; Stumpf: Tonpsychologie, I. 71. [345] Fechner, op. cit . p. 271. [346] Tonpsychologie, I. p. 71. [347] Compare, on clearness as the essential fruit of attention, Lotze's Metaphysic, § 273. [348] Elements, part I. chap. II. [349] Physiol. Psych., 2d ed. II. 226. [350] By a negative value of the reaction-time Wundt means the case of the reactive movement occurring before the stimulus. [351] Op. cit . II. 239. [352] The reader must not suppose this phenomenon to be of frequent occurrence. Experienced observers, like Exner and Cattell, deny having met with it in their personal experience. [353] Op. cit . pp. 241-5. [354] Cf. Wundt, Physiol. Psych., 1st ed. p. 794. [355] Beiträge zur Experimentellen Psychologie, Heft I. pp. 73-106 (1889). [356] To say the very least, he always brought his articulatory innervation close to the discharging point. Herr M. describes a tightening of the head-muscles as characteristic of the attitude of attention to the reply. [357] Psychophysik, Bd. II. pp. 475-6. [358] I must say that I am wholly unconscious of the peculiar feelings in the scalp which Fechner goes on to describe. "The feeling of strained attention in the different sense-organs seems to be only a muscular one produced in using these various organs by setting in motion, by a sort of reflex action, the muscles which belong to them. One can ask, then, with what particular muscular contraction the sense of strained attention in the effort to recall something is associated? On this question my own feeling gives me a decided answer; it comes to me distinctly, not as a sensation of tension in the inside of the head, but as a feeling of strain and contraction in the scalp with a pressure from without inwards over the whole cranium, undoubtedly caused by a contraction of the muscles of the scalp. This harmonizes very well with the German popular expression den Kopf zusammennehmen , etc., etc. In a former illness, in which I could not endure the slightest effort of continuous thought, and had no theoretical bias on this question, the muscles of the scalp, especially those of the occiput, assumed

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    manifests no hunger, and will suffer a fly to crawl over his nose unsnapped at. Fear, too, seems to have deserted him. In a word, he is an extremely complex machine whose actions, so far as they go, tend to self-preservation; but still a machine , in this sense—that it seems to contain no incalculable element. By applying the right sensory stimulus to him we are almost as certain of getting a fixed response as an organist is of hearing a certain tone when he pulls out a certain stop. But now if to the lower centres we add the cerebral hemispheres, or if, in other words, we make an intact animal the subject of our observations, all this is changed. In addition to the previous responses to present incitements of sense, our frog now goes through long and complex acts of locomotion spontaneously , or as if moved by what in ourselves we should call an idea. His reactions to outward stimuli vary their form, too. Instead of making simple defensive movements with his hind legs like a headless frog if touched, or of giving one or two leaps and then sitting still like a hemisphereless one, he makes persistent and varied efforts at escape, as if, not the mere contact of the physiologist's hand, but the notion of danger suggested by it were now his spur. Led by the feeling of hunger, too, he goes in search of insects, fish, or smaller frogs, and varies his procedure with each species of victim. The physiologist cannot by manipulating him elicit croaking, crawling up a board, swimming or stopping, at will. His conduct has become incalculable. We can no longer foretell it exactly. Effort to escape is his dominant reaction, but he may do anything else, even swell up and become perfectly passive in our hands. Such are the phenomena commonly observed, and such the impressions which one naturally receives. Certain general conclusions follow irresistibly. First of all the following: The acts of all the centres involve the use of the same muscles. When a headless frog's hind leg wipes the acid, he calls into play all the leg-muscles which a frog with his full medulla oblongata and cerebellum uses when he turns from his back to his belly. Their contractions are, however, combined differently in the two cases, so that the results vary widely. We must consequently conclude that specific arrangements of cells and fibres exist in the cord for wiping, in the medulla for turning over, etc. Similarly they exist in the thalami for jumping over seen obstacles and for balancing the moved body; in the optic lobes for creeping backwards, or what not. But in the hemispheres, since the presence of these organs brings no new elementary form of movement with it, but only determines differently the occasions on which the movements shall occur, making the usual stimuli less fatal and machine-like; we need suppose no such machinery directly coordinative of muscular contractions to exist. We may

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    Nov. 7 and 14, 1878, and remarks thereon by James J. Putnam, ibid. Nov. 21.[415] Origin of the Emotions, Darwin, pp. 290-2.[416] La Physionomie et l'Expression des Sentiments (Paris, 1885), p. 140.[417] Lange, op. cit. p. 75.[418] Professor Höffding, in his excellent treatise on Psychology, admits (p. 342) the mixture of bodily sensation with purely spiritual affection in the emotions. He does not, however, discuss the difficulties of discerning the spiritual affection (nor even show that he has fairly considered them) in his contention that it exists.[419] Ein Fall von allgemeiner Anæsthesie (Heidelberg, 1882).[420] Ziemssen's Deutsches Archiv für klinische Medicin, XXII. 321.[421] The not very uncommon cases of hysterical hemianæsthesia are not complete enough to be utilized in this inquiry. Moreover, the recent researches, of which some account was given in Chapter IV, tend to show that hysterical anæsthesia is not a real absence of sensibility, but a 'dissociation,' as M. Pierre Janet calls it, or splitting-off of certain sensations from the rest of the person's consciousness, this rest forming the self which remains connected with tire ordinary organs of expression. The split-off consciousness forms a secondary self; and M. Janet writes me that he sees no reason why sensations whose 'dissociation' from the body of consciousness makes the patient practically anæsthetic, might not, nevertheless, contribute to the emotional life of the patient. They do still contribute to the function of locomotion; for in his patient L. there was no ataxia in spite of the anæsthesia. M. Janet writes me, apropos of his anæsthetic patient L., that she seemed to 'suffer by hallucination.' "I have often pricked or burned her without warning, and when she did not see me. She never moved, and evidently perceived nothing. But if afterwards in her movements she caught sight of her wounded arm, and saw on her skin a little drop of blood resulting from a slight cut, she would begin to cry out and lament as if she suffered a great deal. 'My blood flows,' she said one day; 'I must be suffering a great deal!' She suffered by hallucination. This sort of suffering is very general in hysterics. It is enough for them to receive the slightest hint of a modification in their body, when their imagination fills up the rest and invents changes that were not felt.' See the remarks published at a later date in Janet's Automatisme Psychologique, pp. 214-15.[422] Op. cit. p. 63.[423] It must be confessed that there are cases of morbid fear in which objectively the heart is not much perturbed. These, however, fail to prove anything against our theory, for it is of course possible that the cortical centres normally percipient of dread as a complex of cardiac and other organic sensations due to real bodily change, should become primarily excited in brain-disease, and give rise to an hallucination of the changes being there.—an hallucination of dread, consequently, coexistent with a comparatively calm pulse, etc. I say it is possible, for I am ignorant of observations

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    Reply. There is most assuredly such evidence. In listening to poetry, drama, or heroic narrative we are often surprised at the cutaneous shiver which like a sudden wave flows over us, and at the heart-swelling and the lachrymal effusion that unexpectedly catch us at intervals. In listening to music the same is even more strikingly true. If we abruptly see a dark moving form in the woods, our heart stops beating, and we catch our breath instantly and before any articulate idea of danger can arise. If our friend goes near to the edge of a precipice, we get the well-known feeling of 'all-overishness,' and we shrink back, although we positively know him to be safe, and have no distinct imagination of his fall. The writer well remembers his astonishment, when a boy of seven or eight, at fainting when he saw a horse bled. The blood was in a bucket, with a stick in it, and, if memory does not deceive him, he stirred it round and saw it drip from the stick with no feeling save that of childish curiosity. Suddenly the world grew black before his eyes, his ears began to buzz, and he knew no more. He had never heard of the sight of blood producing faintness or sickness, and he had so little repugnance to it, and so little apprehension of any other sort of danger from it, that even at that tender age, as he well remembers, he could not help wondering how the mere physical presence of a pailful of crimson fluid could occasion in him such formidable bodily effects. Professor Lange writes: "No one has ever thought of separating the emotion produced by an unusually loud sound from the true inward affections. No one hesitates to call it a sort of fright, and it shows the ordinary signs of fright. And yet it is by no means combined with the idea of danger, or in any way occasioned by associations, memories, or other mental processes. The phenomena of fright follow the noise immediately without a trace of 'spiritual' fear. Many men can never grow used to standing beside a cannon when it is fired off, although they perfectly know that there is danger neither for themselves nor for others—the bare sound is too much for them."[422]

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    Again, take the strange symptom which has been described of late years by the rather absurd name of agoraphobia. The patient is seized with palpitation and terror at the sight of any open place or broad street which he has to cross alone. He trembles, his knees bend, he may even faint at the idea. Where he has sufficient self-command he sometimes accomplishes the object by keeping safe under the lee of a vehicle going across, or joining himself to a knot of other people. But usually he slinks round the sides of the square, hugging the houses as closely as he can. This emotion has no utility in a, civilized man, but when we notice the chronic agoraphobia of our domestic cats, and see the tenacious way in which many wild animals, especially rodents, cling to cover, and only venture on a dash across the open as a desperate measure—even then making for every stone or bunch of weeds which may give a momentary shelter—when we see this we are strongly tempted to ask whether such an odd kind of fear in us be not due to the accidental resurrection, through disease, of a sort of instinct which may in some of our ancestors have had a permanent and on the whole a useful part to play?

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    Fear is a reaction aroused by the same objects that arouse ferocity. The antagonism of the two is an interesting study in instinctive dynamics. We both fear, and wish to kill, anything that may kill us; and the question which of the two impulses we shall follow is usually decided by some one of those collateral circumstances of the particular case, to be moved by which is the mark of superior mental natures. Of course this introduces uncertainty into the reaction; but it is an uncertainty found in the higher brutes as well as in men, and ought not to be taken as proof that we are less instinctive than they. Fear has bodily expressions of an extremely energetic kind, and stands, beside lust and anger, as one of the three most exciting emotions of which our nature is susceptible. The progress from brute to man is characterized by nothing so much as by the decrease in frequency of proper occasions for fear. In civilized life, in particular, it has at last become possible for large numbers of people to pass from the cradle to the grave without ever having had a pang of genuine fear. Many of us need an attack of mental disease to teach us the meaning of the word. Hence the possibility of so much blindly optimistic philosophy and religion. The atrocities of life become 'like a tale of little meaning though the words are strong;' we doubt if anything like us ever really was within the tiger's jaws, and conclude that the horrors we hear of are but a sort of painted tapestry for the chambers in which we lie so comfortably at peace with ourselves and with the world. Be this as it may, fear is a genuine instinct, and one of the earliest shown by the human child. Noises seem especially to call it forth. Most noises from the outer world, to a child bred in the house, have no exact significance. They are simply startling. To quote a good observer, M. Perez:

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    "Fear is often preceded by astonishment, and is so far akin to it that both lead to the senses of sight and hearing being instantly aroused. In both cases the eyes and mouth are widely opened and the eyebrows raised. The frightened man at first stands like a statue, motionless and breathless, or crouches down as if instinctively to escape observation. The heart beats quickly and violently, so that it palpitates or knocks against the ribs; but it is very doubtful if it then works more efficiently than usual, so as to send a greater supply of blood to all parts of the body; for the skin instantly becomes pale as during incipient faintness. This paleness of the surface, however, is probably in large part, or is exclusively, due to the vaso-motor centre being affected in such a manner as to cause the contraction of the small arteries of the skin. That the skin is much affected under the sense of great fear, we see in the marvelous manner in which perspiration immediately exudes from it. This exudation is all the more remarkable, as the surface is then cold, and hence the term, a cold sweat; whereas the sudorific glands are properly excited into action when the surface is heated. The hairs also on the skin stand erect, and the superficial muscles shiver. In connection with the disturbed action of the heart the breathing is hurried. The salivary glands act imperfectly; the mouth becomes dry and is often opened and shut. I have also noticed that under slight fear there is strong tendency to yawn. One of the best marked symptoms is the trembling of all the muscles of the body; and this is often first seen in the lips. From this cause, and from the dryness of the mouth, the voice becomes husky or indistinct or may altogether fail. 'Obstupui steteruntque comæ, et vox faucibus hæsit.' . . . As fear increases into an agony of terror, we behold, as under all violent emotions, diversified results. The heart beats wildly or must fail to act and faintness ensue; there is a death-like pallor; the breathing is labored; the wings of the nostrils are widely dilated; there is a gasping and convulsive motion of the lips, a tremor on the hollow cheek, a gulping and catching of the throat; the uncovered and protruding eyeballs are fixed on the object of terror; or they may roll restlessly from side to side, huc illuc volens oculos totumque pererrat. The pupils are said to be enormously dilated. All the muscles of the body may become rigid or may be thrown into convulsive movements. The hands are alternately clenched and opened, often with a twitching movement. The arms may be protruded as if to avert some dreadful danger, or may be thrown wildly over the head. The Rev. Mr. Hagenauer has seen this latter action in a terrified Australian. In other cases there is a sudden and uncontrollable tendency to headlong flight; and so strong is this that the boldest soldiers may be seized with a sudden panic."[415]

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