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Desire

Desire is not a synonym for sex and it is not a synonym for wanting. It is the body's motivated lean toward intimacy, beauty, or more contact — the architecture of being-pulled. Vela holds the erotic register at the center but does not collapse the social, the cognitive, and the devotional registers into it: the corpus reads desire across all four, and the texture is in the difference.

Working definition · Motivated pull toward intimacy, beauty, or more contact—not mere preference.

6874 passages · 2 Vela essays

Vela’s read on this emotion

Desire is one of the emotions Vela reads most carefully, because the English word covers too much ground to leave undifferentiated. Four registers run inside it.

The erotic register is the most familiar. Vela reads it through Carmen Maria Machado, Garth Greenwell, Sappho's surviving fragments, and Audre Lorde's essay *Uses of the Erotic* — writers who treat erotic desire as serious subject matter rather than ornament. The social register — the desire to belong, to be seen correctly, to matter to a community — runs through memoir and through the literature of exile. The cognitive register — desire for the right word, for understanding, for mastery — surfaces in Plato's *Symposium* and in Augustine of Hippo's *Confessions*, where desire is examined as a form of motion of the soul. The devotional register — desire for God, or for the absolute — runs through the *Song of Songs*, Teresa of Ávila, John of the Cross, and the broader mystical tradition.

Desire is not the same as yearning, longing, or love. Yearning is desire facing what it may not reach. Longing is yearning settled into chronicity. Love is the sustained orientation that survives desire's exhaustion. The four words are kin; Vela reads them separately because the writers who have been most honest about each have kept them separate.

*On Desire* — the slower companion essay in the magazine — walks the four registers and makes the case for not collapsing them.

Study and magazine

Long-form guide in the magazine

*On Desire* — the four-register reading. Desire as architecture, not virtue: how the word holds erotic, social, cognitive, and devotional registers at once, and what the writers keep saying when the four are not collapsed.

Read the guide

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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6874 tagged passages

  • From The Best American Erotica 2001 (2001)

    I I er first lover was big, roughly the size of her forearm. During their sex she lay still, slack-jawed and panting, focused solely on relaxing each muscle while he plowed her. If she didn’t succeed in relaxing enough, he left her bleeding and barely able to sit. Every time you’re naked I see something new to turn me off, he would tell her. She thought it was fun. What did she know? Long after this lover was gone from her life, she continued to fall in love with whatever man could fill her up most. And yet it seemed to her suddenly that all men were big dicks, that by having them they became them. So she gave them up, men and dicks both, to save herself. In this period of her life she wore black. Men and women both left her alone. She became invisible to all. She could walk into a room and not a single head would turn, male or female, and she considered this indifference a sign of great accom plishment. Her body cooperated with her inclination. It stopped menstruating. The waist thickened. No one could trespass. She was impenetrable. Only one man could have broken the long dry season of her days. Here is how he defeated her. He was fat. Not just plump, but enormously, abundantly fat, beyond all reasonable bound aries for the word, beyond the point where she recognized him as a man at all until it was too late. And he was short, at least five inches shorter than she. And bald on top of his head, but covered with hair the consistency and thickness of steel wool elsewhere. His face and neck were spackled with raised, brown moles, making him look as if he’d just been splashed with mud by a car driving through a puddle. His hygiene was poor. And he was old. All these facts conspired to keep her un aware of her own intentions until they were naked together and careening toward the abyss. They met in a bookstore, in the health section, where she was looking for something that would explain her lack of menses, which worried her, although not too much, since she had always felt it had been her idea to stop menstruating rather than some organic problem. “You don’t need that,” he said, pointing to the book in her hand. “You, honey, are in the peak of health.” She stepped back, already knocked off balance by this man. He wore trousers the size of small sails and a T-shirt that read Texas is for lovers, even though they were in California. The shirt left a line of flesh exposed along the midsection. When he looked straight ahead he was looking directly at her nipples, which, to her shock, were yearning toward this un likely target. Why did she invite him home, then? She has an explana

  • From The Best American Erotica 2001 (2001)

    When you are awake, you won’t often let me tease you like that for long. You become too impatient, begin to urge your hips backward against my fingers, start grabbing at your own breasts, greedy baby, needing the pinch of thumb and forefin ger on those hardened tips to sear through your body and spike the need building behind that anxious clit of yours. Not now, though. Did my touches become the touches of the lover in your dream? I hope they did. I wanted to do you that way, the dream way, slow and deliberate, the kind of teasing that leaves you so wet and frustrated that you have to exorcise yourself under an entire water heater’s worth of hot water, not stopping until the goose bumps are too severe for you to bring yourself off again. Would it embarrass you to know that I know how you fuck yourself with the hair conditioner bottle when it’s worse than usual, when the dreams have made you need it deep and relentless but you still can’t bear to admit to wanting to be fucked quite so hard? You never ask me to come back to bed when you wake up like that. It makes me jealous, usually. But not this time. Did you notice, in your fevered sleep, that I had begun to push inside you, or that you were slick as egg whites? I won der at what point it began to register somewhere in your hind brain that someone else’s hand really was forcing its meaty way inside your clinging, slippery folds. There was no resistance as I entered you, sweet rippling girlflesh opening around my fin gers. A momentary ripple of worry seized me—would you take it as a form of rape if you woke suddenly to find me coax ing three fingers inside of you without your knowledge or say- so? It troubled me, but the more I thought, the more the thought curled in on itself and became redolent with even deeper, redder lust. Would I violate you? Yes, in a manner of speaking, I would, I would take the blame for having wanted this so much that I would do it to you without asking, because I knew it was the only way I would get to do it at all.

  • From The Best American Erotica 2001 (2001)

    see the black-and-yellow butterfly I’d chloroformed and pinned to a white board under glass. He was not the kind of boy who pulled the wings off flies but I was. I showed him the butterfly but made him beg to see it first, and when he’d begged me hard enough I told him he could only see it if he took off his shirt, and then his pants, and then all his clothes. He was obviously scared and just as obviously excited, his pants when I told him about the shirt were standing out and dark with his wet precum. Then he was naked in my bedroom with just a few tan public hairs and a cock very much like Ja son’s only younger, curved and graceful as a sonatina, so I showed him the butterfly and stood behind him pressing up against his ass while he examined every minute vein and curl on the butterfly’s wing as if he were a fascinated lepidopterist who did not even notice he was naked in my gaze. I put my arms around him to show him what the butterfly looked like upside down and sideways, and worked my way up his belly to his tits with one hand while I worked my own pants down and off rubbing my dick against his butt as hard and round as a twelve-year-old baking bowl. That was the day I learned I didn’t have to come if I didn’t want to because I made myself stop so what we were doing could go on into the afternoon. He turned to face me when I was naked too and I kissed him, took the butterfly away and set it on my dresser where it wouldn’t get hurt, then took his arms in my two hands and pushed them behind him and held them there while I hugged him to me and kissed him the way I wanted to kiss the boy on the beach beside the lake at night, only this one was alive and kissed me back. I pushed him backward toward the bed and pushed him down on his back and stood over him astonished at what God had suddenly given me, as I am astonished now rubbing Jason’s sweet cock up and down with my hungry

  • From The Best American Erotica 2001 (2001)

    with this transition. At a certain point, usually minutes from orgasm, a man’s breathing changes and his responses become shorter and less coherent. “Your tongue parts my lips and slips inside my mouth where it’s warm and wet. And then just as I start to suck on your tongue, you pull back and withdraw,” I said. “But. .. you go after me ...,” he told me. “Yes ... I grab on to your tongue with my teeth and draw it back into my mouth. Your tongue fills up my whole mouth.” “Suck on it... suck ... on my tongue ...,” he pleaded. “Yes . . . I’m sucking on it, going up and down on your tongue. It’s filling up my whole mouth. I let you slip almost all the way out and then suck you back inside again. God, I wish your tongue could come, right now, inside my mouth,” I whis pered. “Ohh ... God ...” It was the first time I’d really listened to a man come. Not seen him and felt him, but heard his release through the sounds he made. “Was it all right?” I asked, suddenly shy. Bill sounded content. “Yes . . . yes, it was wonderful, but next time, I want to make you come too. All right, Alice?” He’d thrown me off balance. “Yeah. Okay. Good-bye, Bill.” I shivered and hung up the phone. DAMIAN GRACE The Man Who Ate Women । don’t drink much these days, but five years ago, when this tawdry incident happened, I was at a time in my life when I drank heavily almost every night. The prevailing wisdom in my social circle was that you couldn’t have a good time without al cohol, and we all considered ourselves harmless social drinkers. If you’d asked me the definition of an antisocial drinker, I guess I’d have described someone who throws up on your shoes or crosses the double yellow line and turns you into roadkill. Any way, the point I’m trying to make is that I was loaded. It happened at one of John Kindle’s infamous weekly house parties, the ones where he would invite maybe a dozen people and fifty or sixty people would show up. Kindle was a college buddy of mine who had told us all that the Internet was going to be the Next Big Thing. We had ignored his advice while he

  • From The Folding Star (1994)

    I ran my hand over the gathered biceps, then played down my approval—actually, I wasn't interested in muscles, except as part of the knot of manhood and the tightening hold it had on me. He rocked his bosom against mine, as if he had a girl's big tits. I could feel his hard nipples through our two layers of cotton. It was the sort of dumb sport you imagined them passing the time with in Drake. I was dying for him. He reached down quickly and grabbed at my stiff cock. "What do we have here?" he asked facetiously as I ducked backwards with a giggled gasp of protest. But his hand was still on my shoulder. "Oh, come on," he said in American, and pulled me slowly back towards him. "I saw you getting a root that time on the train." "When?" I said. "I had one, too." This was too much what I wanted. I thought, I am in a higher form than this person, I'm writing a lot of sonnets, I can speak Dutch, in fact I'm going to write a sonnet-sequence in Dutch. He took my hand gently and rubbed it against his tracksuit, where his cock was a hard ridge held sideways in tight underwear. Why was I ashamed to be seduced by him? "Let's do this," he whispered, right up against me, the first time I'd ever heard anyone breathe my own thoughts like that. There were voices close by, and I broke away. An oldish couple who might have been standing in the gloom for ages. I sort of recognised them. They admired the sublimity of the sky, some stratospheric wind just teasing the top of the cloud over into an anvil point, the lower parts darkening through lilac to powerless storm-grey. Oh, why didn't they just fuck off? The man, in a cap, half-stumbled on Dawn's prostrate bike. "That must be the Ashringford road," the wife said, gesturing at distant lights. I looked at Dawn, and found he was looking steadily at me. This was the real thing, we were going to do it. Our expectant silence must have been palpable to the others; as they disappeared down the steep path I heard the wife's crisp "I don't know", and wondered what the murmured question had been. We stepped back together and he kissed me with closed lips, as if shyly soliciting an answer in his turn. It was the gentlest thing I'd ever known from another boy, blasphemous and unhidden. I reached down again and rubbed him through his pants and he just let me. "We'd better go under the trees," he said, and went to pick up his bike.

  • From The Folding Star (1994)

    It was on the floor below, next to the marmoreal spare bedroom. Luc showed me in and gestured at the various opulent appointments. After I locked the door I thought he might wait outside, as Mrs Vivier so patiently had at Paul's house once, and I listened until I heard the creak of the stairs as he went back up. I leant against the door and looked at myself pityingly in the wall of mirror opposite, thinking I must say something to Luc, I couldn't just let this go on. I felt I might as well have a pee, since I was there, and did so, able to watch myself, as you sometimes can in trains, with a certain admiration. I washed my hands, and noted the mingled bottles on the basin's mosaic surround—the mother's lilac talc and cleansing lotion, the son's canister of shaving foam and Donald Duck toothbrush, caked with pink paste; I remembered it so well, your things took the place of your father's, you became a kind of couple in your turn. The dry toothbrush tasted of nylon and dead mint. At the end of the long white bath with its tall, perched and somehow vigilant brass taps was a gingham-lined clothes-basket with a lid. I rootled lightly among its contents—again the mixture of silvery slips and bras and sweatier boy's things, grimy-necked shirts, inside-out socks and underwear. There were some white Horn briefs, tiny, damp from a towel they were bundled in with. I picked them out and covered my face with them. They seemed spotless, hardly worth changing for new ones, with only a ghost of a smell. When I rolled them up they were almost hidden in my fist. I buried them at the bottom of the basket, but then some awful compulsion made me plunge my arm in for them again. Before the end of the hour we heard the pneumatic scrunching and electronic whine of a big car being parked in a small space. I saw Luc studying the window spy-glass, and saw the nose of a grey-blue Mercedes swelling towards the front door in the mirror's convex surface. As it happened I was making another attempt to tell him something about myself, but I watched his attention waver and go. "Yeah, my father's here," he said. "I think I'd better . . ."

  • From The Best American Erotica 2001 (2001)

    Oscar. Not the most romantic of names. The Grouch. The Odd Couple. Oscar Mayer, aha, at last a pun, Oscar’s meat, a phallic lunch-punch. But de la Hoya is another ball game, and my mind plays with the music of all those syllables, my toya de la boya. Delicious de la Hoya. All Day de la Hoya. Once I began to look, Oscar was everywhere. His face was plastered all over town on posters advertising an upcoming bout. I’d come up out of the subway at Times Square to find an HBO billboard with DE LA hoya emblazoned six feet high in golden letters. His fight face—no smile, concentration defining his brow—was fierce but still stunning: the same deep brown eyes, his slicked-back hair the color of asphalt wet from rain, sleek and shiny. I wondered what his fuck face was like. Framed by the wings of my legs, would he grunt and gri mace as sweat dripped from his nipples onto my chest? Or would his face remain a mystery as he bit his lower lip to keep from smiling? Cruising by a newsstand, I stopped when I saw him on the cover of Men’s Fitness. As the reigning Welterweight Cham pion of the World, he was elected “Boxer of the Year” for 1997. The article gave all his career stats (27—0,22 knockouts), which bored me, but then I started to stiffen at a photo spread of Os car’s workout tips. After throwing money at the cashier, I raced home to draw a hot bath, my favorite place to masturbate. Soaking in near scalding water, I fed myself images of Oscar working out in his gym, his chest straining to lift a military press, his hands a blur as he worked the speed bag. As I licked at the sweat streaming down my biceps, I could taste the salt of his body, each bead of water wrung from his golden brown skin. I threw the magazine off to the side, then lifted my legs to my chest, clenching my knees as I sank back and down to the bot tom of the tub. As I held my face up to the surface of the wa ter, my lower back loosened, opening my ass to Oscar’s liquid heat. When I finally emerged from the bath, I found the maga zine ruined, Oscar’s body like mine: wrinkled and puckered in the steam. I resolved to buy another one the next day for a keepsake; in the meanwhile, though, at the end of the article I found a golden glove: tvtvtv.oscardelahoya.com. I logged on, dripping at my desk, and Oscar’s home page flashed before me: a photo collage of Oscar, fighting, relaxing, smiling, sweating. I gorged myself with details from the inter

  • From The Best American Erotica 2001 (2001)

    “Better send ’em in, then.” And in they came, in a continuous stream, sometimes alone, more often in groups of two. I ate pussy steadily for the next two hours, or so they told me later. As far as I was concerned, time pretty much lost meaning. How many? I honestly don’t know. At least twenty. Twenty new pussies: twenty new smells, twenty new tastes. There were cunts so hairy that it was like eating out a broom, which was sort of a drag, and there were a few that were shaved slick and bare, which isn’t really my preference either. There were small cunts with tightly folded lips that had to be teased open with a rigid tongue tip, and big cunts with soft lips that en veloped my tongue and nose in a warm, musky embrace. Some of the women were obviously just doing it on a dare, and they would just climb on and then back off after a cursory tonguing. One women was so drunk that she kept losing her balance and falling off the bed—the second time that hap pened I sent her away. Of those that actually allowed them selves to get into it, I was able to make about two out of three come, which I thought was pretty damn good under the cir cumstances. One girl ground her pussy into my face for about ten min utes straight, stranded in the lonely territory just short of or gasm, swearing like a sailor and gasping out instructions that I followed to the letter. Despite our best efforts she was simply unable to come. “I’m just too fucking drunk,” she said finally, with endear ing honesty. She was close to tears with frustration. “Don’t take this personally....” She lifted herself up a few inches off my face and started rubbing herself. I watched through the ever-growing gap in my blindfold, fascinated, as her fingers savagely rubbed and

  • From The Swimming-Pool Library (1988)

    I lurched off furiously to the hotel. 8 Next day I was earlier at the Corry than usual, swimming with the lunchtime set before going east to Charles and then, alarmingly, perhaps futilely, beyond. Phil was back to work on an awkward split shift, and I would see him in the evening, over at the hotel. The shower room was crowded, so that I had to wait at the entrance with one or two others, anxious to be through and in their offices again, eyeing the more determined lingerers with a sceptically raised eyebrow. The gross-cocked Carlos cooed ‘Hey, Will’ and beckoned, so I jumped the queue and joined him under his nozzle, his rose. ‘Is very busy,’ he acknowledged, ‘but I like to see the boys.’ Here was the conscience of the Corry in a phrase. He soaped my shoulderblades in halting, appreciative arcs, slowly moving further down my back, and I began to get a hard-on. Andrews the gym instructor was across the way, austerely washing his head with coal tar soap. With his wiry, pre-war, slightly bowlegged body and his square, thin-lipped, grizzled head, he seemed to be scrubbing away in search of some lost puritanical cleanness; and as he left to dry he looked at Carlos and me with an almost regimental reproach. His place was taken by a dal-coloured Indonesian boy with strong yellow teeth, enormous hands and an exceptionally extensile cock, which, quite ordinary in size to start with, filled out lavishly with a few casual strokes of a soapy hand and was burdensomely erect a few seconds later when he grinned across the room—in response, of course, to Carlos’s frank appreciation. O the difference of man and man. Sometimes in the showers, which only epitomised and confirmed a general feeling held elsewhere, I was amazed and enlightened by the variety of the male organ. In the rank and file of men showering the cocks and balls took on the air almost of an independent species, exhibited in instructive contrasts. Here was the long, listless penis, there the curt, athletic knob or innocent rosebud of someone scarcely out of school. Carlos’s Amerindian giant swung alongside the compact form of a Chinese youth whose tiny brown willy was almost concealed in his wet pubic hair, like an exotic mushroom in a dish of seaweed. On the other side of me a young businessman displayed one of those long, dispiriting foreskins, which gather very tight about the glans and then bunch and dribble on childishly for an inch or so more.

  • From The Swimming-Pool Library (1988)

    The Park after all was only stilted countryside, its lake and trees inadequate reminders of those formative landscapes, the Yorkshire dales, the streams and watermeads of Winchester, whose influence was lost in the sexed immediacy of London life. I found myself approaching the dismal Italianate garden at the head of the lake, a balustraded terrace with flagged paths surrounding four featureless pools, a half-hearted baroque fountain (now switched off) aimed at the Serpentine below, and on the outside, backing on to the Bayswater Road, a pavilion with a rippling red roof and benches spattered with bird droppings. Deadly as this place had always seemed to me, stony and phoney amid the English greenness of the Park, it was an unfailing attraction to visitors: loving couples, solitary duck-fanciers, large European and Middle Eastern family groups taking a slothful stroll from their apartments in Bayswater and Lancaster Gate. I sauntered across it, as much to confirm how I disliked it as anything else. Some desolate little boys played together more out of duty than pleasure. Queens of a certain age strolled pointedly up and down. The sky was uniformly grey, though a glare on the white frippery of the pavilion suggested a sun that might break through. I was turning to leave when I spotted a lone Arab boy wandering along, hands in the pockets of his anorak, fairly unremarkable, yet with something about him which made me feel I must have him. I was convinced that he had noticed me, and I felt a delicious surplus of lust and satisfaction at the idea of fucking him while another boy waited for me at home. To test him out I dawdled off behind the pavilion to where some public lavatories, over-frequented by lonely middle-aged men, are tucked into the ivy-covered, pine-darkened bank of the main road. I went down the tiled steps between the tiled walls, and a hygienic, surprisingly sweet smell surrounded me. It was all very clean, and at several of the stalls under the burnished copper pipes (to which someone must attach all their pride), men were standing, raincoats shrouding from the innocent visitor or the suspicious policeman their hour-long footlings. I felt a faint revulsion—not disapproval, but a fear of one day being like that. Their heads seemed grey and loveless to me as they turned in automatic anticipation. What long investment they made for what paltry returns … Did they nod to one another, the old hands, as they took up their positions, day by day, alongside each other in whatever station in their underground cycle of conveniences they had reached? Did anything ever happen, did they, despairing of whatever it was they sought, which could surely never be sex, but at most a glimpse of something memorable, ever make do with each other?

  • From The Best American Erotica 2001 (2001)

    You made the noise, and my clit throbbed in sympathy. The noise, not just any noise, not to be mistaken for any lesser sex cry. In the nineteenth century it was believed that the Bird of Paradise had no legs and thus could never land, that it had to fly the heavens forever in its shockingly extravagant robe of feathers. Is that why your cry sounds like some fantastic bird, because of your desperation to land and your inability to do so quite yet, from the sudden realization that the plumes of sen sation are not enough when you begin to writhe from having flown so hard for so long? Your breath came in gasps, your muscles taut as harp strings, shuddering, and I rammed into you hard, dropping gears suddenly into the kind of all-out fuck I’d wanted to give you all along. You made the noise a second time and groaned, hoarsely begging me please, please. Your throat went rigid with a soundless scream, an out raged howl tearing through you as I fucked you hard and harder, eating your clit with toothscrapes now, knuckles mashing against the entrance of your clasping hole with each stroke. Somehow you caught one enormous gulp of air, but I wasn’t ready to let you come down yet. I nudged that infa mous spot inside you with my fingertips, Morse code telling you to come for me again, again, again, tongue lashing at you as insanely as I could. You had to come again, my fingers in sisted, one more time, for me. Your fingers left my head and I knew, as surely as I knew you would only come for me again if I forced you, that you were twisting your own nipples far more cruelly than I ever would have, enchanted past the point of pain by merciless need. Come for me, I willed as I felt you tensing again, come for me. I pistoned my hand in and out of your dripping cunt, jack hammering you well beyond the point you thought you would not reach again. The first one was for the dream. The second was all mine. What came after that was yours and yours alone, until you simply could not, and lay dazed and sweat-damp in my arms. The sun was just barely up, the day bluish-gray at the cor ners of the curtains. Pulling the covers back up over you, I bent and kissed you as you lay there, spent and sleepy, eyes glazed. You stroked the side of my face and smiled a little weary smile. I kissed your palm and you blushed, looking amazingly like the pictures I’ve seen of you as a little girl. “You’re getting up now?” you mumbled, letting your eyes close again. “Yes, baby. Time for me to start the day.” “Nnnpfth. Schrec^lich. Morning people.” Your grumbles grew more distant with each syllable.

  • From The Best American Erotica 2001 (2001)

    “Touch,” she says. She is looking right at him, she can see him. This is not how Allen Fein remembers past visits, not with the women staring back. There are four women seated on a carpeted platform, and all, eying him, make the same offer. “Touch,” they say. “Touch.” Well, three of the women say it. The fourth—sitting in a cheap plastic lawn chair, too wide for it, her thighs, cut in half, drooping, like her breasts, in languid arcs toward the floor—is reading a book. She’s got glasses on and is holding a page, ready to turn it, and Allen knows the motion will be slow and lazy, as weary as her posture. They are all naked, or almost so. The second woman wears a bra, the third panties, and the fourth has the book and glasses. It is the first one who is, to Allen, beautiful. He has not set foot in a peep show since boyhood, but he re calls almost everything from then. He remembers shivering so badly that his teeth chattered, his hands pressed between his legs for warmth. He’d been afraid that he might freeze to death, actually expire from excitement. And he’d often in dulged this nightmare, squandered precious viewing time on the darker fantasy of dropping dead right there in the booth. Allen remembers the old setup. The sound of a token drop ping and then the labored spin of gears. He remembers the strip of light at the bottom of the window frame as the wooden partition was drawn up into the wall. Behind thick glass— smudged and fingerprinted, always fogged with heavy breath—were the women. They danced as if they cared, mov ing to titillate the observer. The individual booths are more or less the same. It’s the windows that are different. Allen is shocked to find that the glass is gone. The women just sit on their chairs, vivid, looking back. The stage is circular and completely surrounded by the in ner wall of the booths. Many of the partitions are raised, and Allen can see men in their compartments at all angles. One middle-aged, broad-headed voyeur is clearly masturbating with vigor. Allen catches the eye of a Latino man off to the side, wearing the very same tie he is. Allen puts a hand to his chest and feels the tie pulsing along with his heart. The Latino man, such a good-looking man, turns away from Allen and makes eye contact with the woman in the bra. She stands up and walks over to the man and his hands come out through the window, penetrating the fantasy world. Allen has never seen it broached before—the world of dreams cracked open. ©

  • From The Best American Erotica 2001 (2001)

    The door of one stall was open. I could hear a steady tinkle penetrating the ice cold water in the bowl of the toilet. She stood facing the tank as I peeked in, the toilet seat up, her magnificent naked ass exposed like an epiphany. Her leather pants were down around her knees as she straddled the toilet bowl. Ms. Thing was peeing standing up as if using a men’s urinal—a woman after my heart. As she finished, without turning around she said, “Don’t just stand there, come in here and lock the door behind you.” Standing directly behind this insanely beautiful woman with her pants down around her legs, I slammed the door shut, dropping my shoulder pack and flowers on the floor. Seizing her from behind, I wrapped myself around her like a depraved fiend. One of my hands fondled a breast quite warm to the touch. Arousal swept over me like a wildfire threatening to burn me alive unless I found something wet to put the fire out. While brutally swirling a pouty pierced nipple between my fingertips, my other hand went between her legs, dip ping caramel fingers in between creamy thighs, sliding inside her hot, slippery wet cunt. My fingers manipulated her in flamed, pulsing clit sheathed in silky moist splendor, causing her to grind her bare ass into my crotch in a very demanding manner. Balling my hand into a nice grip, I gently buried my knuck les deeper inside her flooding sex, deftly and steadily, stuffing myself so far into her that she whimpered, saturating my hand with soft heat. Her hands were spread out in front of her against the wall behind the tank as if under arrest. With her legs spread open over the bowl, I reached for the fateful pink rose. As I glided it across her divine ass, a trail of goose bumps appeared, inciting more of her groans. Tenderly sticking the tip of the long stem of the flower in between her cheeks, I guided the rose down ward as if arranging it within the confines of her beautiful juicy ass turned exotic vase, thorns pricking her tender skin in its trail. She sucked in bits of air between clenched teeth before moaning sensuously as I continued to slowly slide the flower in between her buttocks until the bottom of the stem appeared from her ass. When I carefully pulled the stem down from un derneath her, the rose snuggled tightly between her ass cheeks. This rocked her, making her quiver and forcing her to whim per a little louder. I grabbed her mouth to muffle her. When she succumbed to silence, I licked the back of her neck with cat curls of my tongue. She tasted like salt, body lotion, and al mond soap, making me wonder what her other wonders tasted like. My licking turned into fevered sucking, which caused her entire body to slide around in my arms as if beg-

  • From The Best American Erotica 2001 (2001)

    “Yes,” I whispered, surprised that nothing about this make- believe conversation was repulsive or frightening. I was in my head where I’d been so many times before, only now there was another voice in my fantasy. “Alice, have you ever come from a kiss?” “No.” “That’s what I’m going to do to you now. I’m going to make you come from kissing you. Would you like that?” Bill asked. “If you kiss me for that long, your lips will be sore.” “I don’t care. I want to rub my lips on yours. Wet and slip pery. And so, so soft. Can you feel it?” “Yes,” I said, and I could. “I’m unbuttoning your blouse and pushing it off your shoulders so I can kiss your breasts. So I can suck on your nip ples,” he said. “Your lips are like feathers on my skin. Bill, are you hard?” I’d been trained to ask this question often to gauge whether the call was working; if a man wasn’t hard after a few minutes, something was wrong. “I’m very hard,” he said, and I segued into the next stage of the conversation. “Are you touching yourself, Bill?” “Yes, I’m rubbing myself while I imagine kissing you. I want to keep on kissing you. Alice, tell me how it feels.” “Wonderful. Our lips are so wet they glide against each other.” “Uh-huh,” he murmured. “And your tongue darts out—oh—it’s hard—like your cock.” It was my voice, but it was Alice who was thinking up the words. “Oh ...” His breathing had changed. From the tapes Candy had played for me, I was familiar

  • From The Swimming-Pool Library (1988)

    Mr Latin America and I glanced at each other and then found it proper to look around the lofty bar, with its concealed lighting, reproductions of Old Masters and vulgarly gathered blinds half down against the westering sun. Across the road were the boles of the great trees in the square into whose upper branches I had so often gazed; and that did remind me of Phil, and how I must not take long over this drink. ‘Perfectly revolting,’ I pronounced after taking a sip. ‘If that’s what cunnilingus tastes like, I think I’ve done well to stay away from it.’ ‘You like?’ said my new friend. I nodded, as if to say it was nice enough. ‘You are staying in this hotel?’ ‘No—no, I’ve just come in for a drink. After my swimming.’ ‘Oh you like swimming. I am a very bad swimmer.’ I smiled politely; perhaps in his country, which I believed to be poor and old-fashioned, there were few swimming-pools. Even in Italy there were few: hence the fondness of the language children for hours of bombing and showering. ‘Do you have a girlfriend?’ he asked. ‘No, no,’ I said, actually slightly shocked at his naive forwardness. I let a minute or more pass in silence, but had to grin when Simon started humming Tristan. I wasn’t sure what to do. The boy was undoubtedly a find. I swivelled on my stool so that we were sitting with our legs apart and knee to knee. He looked frankly at my crotch before meeting my gaze and we smiled enquiringly at each other as he ran his finger up the back of my hand where it dangled from the bar. ‘If you come to my room, I will show you something very interesting,’ he said. ‘Do you want to finish your drink?’ ‘Um—no.’ I started to reach in my pocket for change, but he stopped me with a firm hand. ‘Number 205,’ he said curtly to Simon. ‘I must have got the name of that one wrong,’ said Simon perplexedly as I followed my conquest—my conqueror?—out. Room 205 was a small but grand suite—a sitting-room with a flower arrangement in front of a mirror, a gloomy bedroom looking on an inner well, and a neon-bright bathroom with a roaring extractor fan. The thick double-glazing on the front gave the rooms a strange feeling of remoteness. I walked around in them for a bit before Gabriel—as he was fetchingly called—said, ‘Hey, Will, look at this,’ and flung open a suitcase on the bed.

  • From The Best American Erotica 2001 (2001)

    deep brown eyes, his slicked-back hair the color of asphalt wet from rain, sleek and shiny. I wondered what his fuck face was like. Framed by the wings of my legs, would he grunt and gri mace as sweat dripped from his nipples onto my chest? Or would his face remain a mystery as he bit his lower lip to keep from smiling? Cruising by a newsstand, I stopped when I saw him on the cover of Men’s Fitness. As the reigning Welterweight Cham pion of the World, he was elected “Boxer of the Year” for 1997. The article gave all his career stats (27—0,22 knockouts), which bored me, but then I started to stiffen at a photo spread of Os car’s workout tips. After throwing money at the cashier, I raced home to draw a hot bath, my favorite place to masturbate. Soaking in near scalding water, I fed myself images of Oscar working out in his gym, his chest straining to lift a military press, his hands a blur as he worked the speed bag. As I licked at the sweat streaming down my biceps, I could taste the salt of his body, each bead of water wrung from his golden brown skin. I threw the magazine off to the side, then lifted my legs to my chest, clenching my knees as I sank back and down to the bot tom of the tub. As I held my face up to the surface of the wa ter, my lower back loosened, opening my ass to Oscar’s liquid heat. When I finally emerged from the bath, I found the maga zine ruined, Oscar’s body like mine: wrinkled and puckered in the steam. I resolved to buy another one the next day for a keepsake; in the meanwhile, though, at the end of the article I found a golden glove: tvtvtv.oscardelahoya.com. I logged on, dripping at my desk, and Oscar’s home page flashed before me: a photo collage of Oscar, fighting, relaxing, smiling, sweating. I gorged myself with details from the inter

  • From Mating in Captivity: Unlocking Erotic Intelligence (2006)

    Is it possible to want what we already have? We all share a fundamental need for security, which propels us toward committed relationships in the first place; but we have an equally strong need for adventure and excitement. Modern romance promises that it’s possible to meet these two distinct sets of needs in one place. Still, I’m not convinced. Today, we turn to one person to provide what an entire village once did: a sense of grounding, meaning, and continuity. At the same time, we expect our committed relationships to be romantic as well as emotionally and sexually fulfilling. Is it any wonder that so many relationships crumble under the weight of it all? It’s hard to generate excitement, anticipation, and lust with the same person you look to for comfort and stability, but it’s not impossible. I invite you to think about ways you might introduce risk to safety, mystery to the familiar, and novelty to the enduring. On the way, we will address how the modern ideology of love sometimes collides with the forces of desire. Love flourishes in an atmosphere of closeness, mutuality, and equality. We seek to know our beloved, to keep him near, to contract the distance between us. We care about those we love, worry about them, and feel responsible for them. For some of us, love and desire are inseparable. But for many others, emotional intimacy inhibits erotic expression. The caring, protective elements that foster love often block the unselfconsciousness that fuels erotic pleasure. My belief, reinforced by twenty years of practice, is that in the course of establishing security, many couples confuse love with merging. This mix-up is a bad omen for sex. To sustain an élan toward the other, there must be a synapse to cross. Eroticism requires separateness. In other words, eroticism thrives in the space between the self and the other. In order to commune with the one we love, we must be able to tolerate this void and its pall of uncertainties. With this paradox to chew on, consider another: desire is often accompanied by feelings that would seem to cramp love’s style. Aggression, jealousy, and discord come to mind, for starters. I will explore the cultural pressures that shape domesticated sex, making it fair, equal, and safe, but also producing many bored couples. I’d like to suggest that we might have more exciting, playful, even frivolous sex if we were less constrained by our cultural penchant for democracy in the bedroom. To buttress this notion, I take the reader on a detour into social history. We’ll see that contemporary couples invest more in love than ever before; yet, in a cruel twist of fate it is this very model of love and marriage that is behind the exponential rise in the divorce rate.

  • From Cleanness (2020)

    I had only lost track of him for a minute or two, but when I looked over again Z. had disappeared. He must have gone to the bathroom, I thought, and immediately I stopped dancing. I shouted to N. that I was going to piss, at which he nodded, and I left him without a thought for how odd it was, to leave him there alone, how transparent it must have been, I would think of it only later. I moved as quickly as I could, twisting through the crowd, finding openings between the groups of drinkers; I wasn’t so drunk, I thought. I had almost reached an open space near the entrance when I stumbled into a man’s back. He turned quickly, muscular and affronted, but smiled when I held up both hands in apology, Izvinyavaite, pardon me, suzhalyavam, I’m sorry, and he put a large hand on my shoulder and squeezed, friendly and forgiving, welcoming me into the camaraderie of happy drinking. And then in the dimness ahead there was a sudden rectangle of porcelain light as a door opened and I was in a large bright room, tiled and clean. There were three urinals along one wall, and a man was stepping away from one of them, zipping himself up. Z. was still there, I saw with relief, I wasn’t too late, and I stepped up beside him, breaking that distributive propriety of men’s bathrooms, a guard against unchecked glances, against desire. He looked over and saw it was me and smiled, a little blurrily, I thought, he was drunker than I was, or drunker than I felt, and then he faced forward again. I didn’t face forward, though I could have, I could still have seen what I wanted to see. I let my eyes track down his front, following the line of buttons down his shirt, which was ridiculous in the fluorescent light, a kind of garish violet. Even in my excitement I admired the neatness of it, the buttons perfectly aligned, and I thought for the first time in many years of my father dressing me as a boy, teaching me about this line, the gig line, he called it, buttons and buckle forming an order that was more than vanity, that signaled some deeper righteousness. The memory came in a flash before I let myself look at his cock, pale in his hand and pissing a pale line against the porcelain, nothing extraordinary, not small or particularly large, a handsome cock, and I felt my own stiffen a little when I saw that with his index finger he was rubbing just slightly the underside of the head, where he held the foreskin back, an unconscious gesture, probably, though it must have sent a small current of pleasure alongside the pleasure of pissing. I knew I was acting badly, that I was looking too brazenly and for too long, that I shouldn’t have looked at all. I would be ashamed later but I wasn’t ashamed now, I kept watching as the stream weakened and became intermittent, let him know, I said to myself, he already knows, let him see it. He let go of the head to pull the foreskin all the way back and shake himself before he pinched the base and drew his fingers up the shaft, stretching himself out to his full length and flicking off the drop of urine that hung at the tip. He did this two or three times and then stopped, leaving his cock dangling for a moment, in which I felt my excitement mount and become unbearable, he must be letting me look, I thought, it might be a kind of invitation, before he tucked himself away and drew up his fly.

  • From Mating in Captivity: Unlocking Erotic Intelligence (2006)

    Some of America’s best features—the belief in democracy, equality, consensus-building, compromise, fairness, and mutual tolerance—can, when carried too punctiliously into the bedroom, result in very boring sex. Sexual desire and good citizenship don’t play by the same rules. And while enlightened egalitarianism represents one of the greatest advances of modern society, it can exact a toll in the erotic realm. Elizabeth spent twenty years shepherding Vito from the machismo traditions of southern Italy to the postfeminist equality of suburban New York. When he says, “I think we’re partnering better,” in a voice that still sounds like Don Vito Corleone’s, I know just how much cultural transformation has taken place. Elizabeth is a woman in her mid-forties who describes herself as “hyperresponsible.” She’s a school psychologist who oversees the well-being of more than 400 elementary school children in addition to being in charge of most things in her own home. “I’ve always done the right thing. I’ve always been very task-oriented. I’ll make a list and keep it. In some ways it’s always worked. And I’ve always been in relationships where being the coordinator, competent and in control, was my designated job. There didn’t seem to be any time when I could just let myself go, feel free and giddy and maybe even a little irresponsible” Elizabeth pauses and smiles shyly. “Then I met Vito and discovered just how much I’m drawn to sexual submission. It may not fit the way I always thought of myself, or the way others thought of me, but it’s the truth.” “Because sex is a place where you can safely lose control?” I ask. “Yes.” “It is the one area where you don’t have to make any decisions, where you don’t have to feel responsible for anyone else.” “For me it’s like a vacation,” she explains. “I don’t have to wear makeup; I don’t have to answer the phone; I don’t have to be in charge. It’s like being on a wonderful, distant island, far away from my ordinary life. I can just step out of my world and be somebody else, sexy and a little wild.” Elizabeth wants to be manhandled, told what to do—as if, through her erotic self, she can correct an imbalance in her life and replenish something vital. She delights in the abandon that comes with the sense of powerlessness. And I would add that she also gets a charge from playing in the forbidden zone of inequality. “When he comes on to me forcefully, it makes me feel sexy. It heightens the tension. Like he wants me so much he just can’t help himself,” Elizabeth says. Vito, quick to respond, adds, “She can’t help herself, either. When she gives in, I know I’m irresistible.”

  • From The Folding Star (1994)

    "He is a fucking cunt," I agreed, and Mark Lyle gave a big bright laugh. He had a wide sun-tanned face and a large mouth with one or two spots by it that he should have left alone. When we'd more or less finished, he patted his thigh and asked me if I wanted a cigarette. I blushed and said no. "Mind if I do?" he said, with surely unnecessary courtesy. Actually I was terribly worried about him meeting an early death from lung-cancer; but I was overcome by the glamour and intimacy of the occasion. I watched him raptly as he smoked an Embassy to the filter. Each frown, each wincing inhalation, the way he balanced the smoke between his open lips and then as it escaped drew it back up his nose, the two or three different fingerings he essayed, all were written on my mind like a first exercise in sexual attraction. I thought Mark Lyle was the most handsome man I'd ever seen. Later that summer I saw him again. The friendship I had envisaged had not blossomed. Indeed he'd vanished altogether for about three weeks, leaving me full of forlorn agitation. Then one evening I was rambling homewards from the Blewits side of the common through the long dry grass when I saw his unmistakable mane of fair hair. He was sitting on a bench with his back to me, and I dithered for several minutes just a few yards behind him. He wasn't aware there was anyone there. Occasionally he lifted what looked like a beer-can to his lips. I looped round and came back in front, pretending to notice him at the last moment. Following our convention I said nothing, but sat down beside him and waited. He can only have been fourteen, but he was managing to grow real sideburns, a more gingery colour than the rest of his hair. He was wearing a Cream on Tour T-shirt, and tight high-waisted shiny brown trousers with generous flares. You could see the stub of his cock very clearly. "I wondered if you'd been flying that kite again?" I said at length. "I should think it's a jolly good one." Mark Lyle tilted the last of the beer into his mouth, swirled it round and swallowed it, then belched so that I could smell it. He seemed to have forgotten about the Old Spice. "I'm fucking pissed, man," he said, and dropping the can on the ground stamped on it violently two or three times. Again the conflict of excitement and distress. In a way this was the opportunity I needed to put my redemptive impulse into operation, but when it came to it I wasn't at all sure of myself. It was one of my mother's phrases I used: "There can't be any need for that." He looked ahead and laughed mirthlessly. "Yeah, fuck off now, there's a good little fucker."

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