Desire
Desire is not a synonym for sex and it is not a synonym for wanting. It is the body's motivated lean toward intimacy, beauty, or more contact — the architecture of being-pulled. Vela holds the erotic register at the center but does not collapse the social, the cognitive, and the devotional registers into it: the corpus reads desire across all four, and the texture is in the difference.
Working definition · Motivated pull toward intimacy, beauty, or more contact—not mere preference.
6874 passages · 2 Vela essays
Vela’s read on this emotion
Desire is one of the emotions Vela reads most carefully, because the English word covers too much ground to leave undifferentiated. Four registers run inside it.
The erotic register is the most familiar. Vela reads it through Carmen Maria Machado, Garth Greenwell, Sappho's surviving fragments, and Audre Lorde's essay *Uses of the Erotic* — writers who treat erotic desire as serious subject matter rather than ornament. The social register — the desire to belong, to be seen correctly, to matter to a community — runs through memoir and through the literature of exile. The cognitive register — desire for the right word, for understanding, for mastery — surfaces in Plato's *Symposium* and in Augustine of Hippo's *Confessions*, where desire is examined as a form of motion of the soul. The devotional register — desire for God, or for the absolute — runs through the *Song of Songs*, Teresa of Ávila, John of the Cross, and the broader mystical tradition.
Desire is not the same as yearning, longing, or love. Yearning is desire facing what it may not reach. Longing is yearning settled into chronicity. Love is the sustained orientation that survives desire's exhaustion. The four words are kin; Vela reads them separately because the writers who have been most honest about each have kept them separate.
*On Desire* — the slower companion essay in the magazine — walks the four registers and makes the case for not collapsing them.
Study and magazine
Long-form guide in the magazine
*On Desire* — the four-register reading. Desire as architecture, not virtue: how the word holds erotic, social, cognitive, and devotional registers at once, and what the writers keep saying when the four are not collapsed.
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Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
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From The Principles of Psychology (Volume 1 of 2) (1890)
"If we analyze the propensity of storing, we find that it consists of three impulses: First, an impulse to pick up the nutritious object, due to perception; second, an impulse to carry it off into the dwelling-place due to the idea of this latter; and third, an impulse to lay it down there , due to the sight of the place. It lies in the nature of the hamster that it should never see a full ear of corn without feeling a desire to strip it; it lieu in its nature to feel, as soon as its cheek-pouches are filled, an irresistible desire to hurry to its home; and finally, it lies in its nature that the sight of the storehouse should awaken the impulse to empty the cheeks" (p. 208). In certain animals of a low order the feeling of having executed one impulsive step is such an indispensable part of the stimulus of the next one, that the animal cannot make any variation in the order of its performance.
From The Principles of Psychology (Volume 1 of 2) (1890)
alcohol (dipsomania), other towards setting things on fire (pyromania), others to stealing (kleptomania), and others towards immoralities of all sorts. The impulsive tendencies and morbid desires are innumerable in kind. Many of these varieties of Insanity have been distinguished by distinct names. To dig up and eat dead bodies (necrophilism), to wander from home and throw off the restraints of society (planomania), to act like a wild beast (lycanthropia), etc. Action from impulse in all these directions may take place from a loss of controlling power in the higher regions of the brain, which the normal power of inhibition cannot control. The driver may be so weak that he cannot control well-broken horses, or the horses may be so hard-mouthed that no driver can pull them up. Both conditions may arise from purely cerebral disorder . . . . or may be reflex. . . . The ego, the man, the will, may be non-existent for the time. The most perfect examples of this are murders done during somnambulism or epileptic unconsciousness, or acts done in the hypnotic state. There is no conscious desire to attain the object at all in such cases. In other cases there is consciousness and memory present, but no power of restraining action. The simplest example of this is where an imbecile or dement, seeing something glittering, appropriates it to himself, or when he commits indecent sexual acts. Through disease a previously sane and vigorous-minded person may get into the same state. The motives that would lead other persons not to do such acts do not operate in such persons. I have known a man steal who said he had no intense longing for the article he appropriated at all, at least consciously, but his will was in abeyance, and he could not resist the ordinary desire of possession common to all human nature."
From The Principles of Psychology (Volume 1 of 2) (1890)
[image file=image_1722.jpg] One more observation before closing these already too protracted physiological speculations. Already (Vol. I. p. 71) I have tried to shadow forth a reason why collateral innervation should establish itself after loss of brain-tissue, and why incoming stimuli should find their way out again, after an interval, by their former paths. I can now explain this a little better. Let S1 be the dog's hearing-centre when he receives the command 'Give your paw.' This used to discharge into the motor centre M1, of whose discharge S2 represents the kinæsthetic effect; but now M1 has been destroyed by an operation, so that S1 discharges as it can, into other movements of the body, whimpering, raising the wrong paw, etc. The kinæsthetic centre S2 meanwhile has been awakened by the order S1, and the poor animal's mind tingles with expectation and desire of certain incoming sensations which are entirely at variance with those which the really executed movements give. None of the latter sensations arouse a 'motor circle,' for they are displeasing and inhibitory. But when, by random accident, S1 and S2 do discharge into a path leading through M2, by which the paw is again given, and S2 is excited at last from without as well as from within, there are no inhibitions and the 'motor circle' is formed: S1 discharges into M2 over and over again, and the path from the one spot to the other is so much deepened that at last it becomes organized as the regular channel of efflux when S1 is aroused. No other path has a chance of being organized in like degree. [image file=image_1728.jpg] CHAPTER XXVII. HYPNOTISM. MODES OF OPERATING, AND SUSCEPTIBILITY.
From The Principles of Psychology (Volume 1 of 2) (1890)
The craving for drink in real dipsomaniacs, or for opium or chloral in those subjugated, is of a strength of which normal persons can form no conception. "Were a keg of rum in one corner of a room and were a cannon constantly discharging balls between me and it, I could not refrain from passing before that cannon in order to get the rum;" "If a bottle of brandy stood at one hand and the pit of hell yawned at the other, and I were convinced that I should be pushed in as sure as I took one glass, I could not refrain:" such statements abound in dipsomaniacs' mouths. Dr. Mussey of Cincinnati relates this case: "A few years ago a tippler was put into an almshouse in this State. Within a few days he had devised various expedients to procure rum, but failed. At length, however, he hit upon one which was successful. He went into the wood-yard of the establishment, placed one hand upon the block, and with an axe in the other, struck it off at a single blow. With the stump raised and streaming he ran into the house and cried, 'Get some rum! get some rum! my hand is off!' In the confusion and bustle of the occasion a bowl of rum was brought, into which he plunged the bleeding member of his body, then raising the bowl to his mouth, drank freely, and exultingly exclaimed, 'Now I am satisfied.' Dr. J. E. Turner tells of a man who, while under treatment for inebriety, during four weeks secretly drank the alcohol from six jars containing morbid specimens. On asking him why he had committed this loathsome act, he replied: 'Sir, it is as impossible for me to control this diseased appetite as it is for me to control the pulsations of my heart.'"[491] The passion of love may be called a monomania to which all of us are subject, however otherwise sane. It can coexist with contempt and even hatred for the 'object' which inspires it, and whilst it lasts the whole life of the man is altered by its presence. Alfieri thus describes the struggles of his unusually powerful inhibitive power with his abnormally excited impulses toward a certain lady:
From The Principles of Psychology (Volume 1 of 2) (1890)
Appropriation or Acquisitiveness. The beginnings of acquisitiveness are seen in the impulse which very young children display, to snatch at, or beg for, any object which pleases their attention. Later, when they begin to speak, among the first words they emphasize are 'me ' and 'mine.'[398] Their earliest quarrels with each other are about questions of ownership; and parents of twins soon learn that it conduces to a quiet house to buy all presents in impartial duplicate. Of the later evolution of the proprietary instinct I need not speak. Everyone knows how difficult a thing it is not to covet whatever pleasing thing we see, and how the sweetness of the thing often is as gall to us so long as it is another's. Then another is in possession, the impulse to appropriate the thing often turns into the impulse to harm him—what is called envy, or jealousy, ensues. In civilized life the impulse to own is usually checked by a variety of considerations, and only passes over into action under circumstances legitimated by habit and common consent, an additional example of the way in which one instinctive tendency may be inhibited by others. A variety of the proprietary instinct is the impulse to form collections of the same sort of thing. It differs much in individuals, and shows in a striking way how instinct and habit interact. For, although a collection of any given thing—like postage-stamps—need not be begun by any given person, yet the chances are that if accidentally it be begun by a person with the collecting instinct, it will probably be continued. The chief interest of the objects, in the collector's eyes, is that they are a collection, and that they are his. Rivalry, to be sure, inflames this, as it does every other passion, yet the objects of a collector's mania need not be necessarily such as are generally in demand. Boys will collect anything that they see another boy collect, from pieces of chalk and peach-pits up to books and photographs. Out of a hundred students whom I questioned, only four or five had never collected anything.[399]
From The Principles of Psychology (Volume 1 of 2) (1890)
"This law that our consciousness constantly tends to the minimum of complexity and to the maximum of definiteness, is of great importance for all our knowledge. . . . Our own activity of attention will thus determine what we are to know and what we are to believe. If things have more than a certain complexity, not only will our limited powers of attention forbid us to unravel this complexity, but we shall strongly desire to believe the things much simpler than they are. For our thoughts about them will have a constant tendency to become as simple and definite as possible. Put a man into a perfect chaos of phenomena-sounds, sights, feelings—and if the man continued to exist, and to be rational at all, his attention would doubtless soon find for him a way to make up some kind of rhythmic regularity, which he would impute to the things about him, so as to imagine that he had discovered some laws of sequence in this mad new world. And thus, in every case where we fancy ourselves sure of a simple law of Nature, we must remember that a great deal of the fancied simplicity may be due, in the given case, not to Nature, but to the ineradicable prejudice of our own minds in favor of regularity and simplicity. All our thoughts are determined, in great measure, by this law of least effort, as it is found exemplified in our activity of attention. . . The aim of the whole process seems to be to reach as complete and united a conception of reality as possible, a conception wherein the greatest fulness of data shall be combined with the greatest simplicity of conception. The effort of consciousness seems to be to combine the greatest richness of content with the greatest definiteness of organization."[330]
From The Principles of Psychology (Volume 1 of 2) (1890)
through our amativeness and friendliness, our desire to please and attract notice and admiration, our emulation and jealousy, our love of glory, influence, and power, and indirectly through whichever of the material self-seeking impulses prove serviceable as means to social ends. That the direct social self-seeking impulses are probably pure instincts is easily seen. The noteworthy thing about the desire to be 'recognized' by others is that its strength has so little to do with the worth of the recognition computed in sensational or rational terms. We are crazy to get a visiting-list which shall be large, to be able to say when any one is mentioned, "Oh! I know him well," and to be bowed to in the street by half the people we meet. Of course distinguished friends and admiring recognition are the most desirable—Thackeray somewhere asks his readers to confess whether it would not give each of them an exquisite pleasure to be met walking down Pall Mall with a duke on either arm. But in default of dukes and envious salutations almost anything will do for some of us; and there is a whole race of beings to-day whose passion is to keep their names in the newspapers, no matter under what heading, 'arrivals and departures,' 'personal paragraphs,' 'interviews,'—gossip, even scandal, will suit them if nothing better is to be had. Guiteau, Garfield's assassin, is an example of the extremity to which this sort of craving for the notoriety of print may go in a pathological case. The newspapers bounded his mental horizon; and in the poor wretch's prayer on the scaffold, one of the most heartfelt expressions was: "The newspaper press of this land has a big bill to settle with thee, O Lord!" Not only the people but the places and things I know enlarge my Self in a sort of metaphoric social way. 'Ça me connaît ,' as the French workman says of the implement he can use well. So that is comes about that persons for whose opinion we care nothing are nevertheless persons whose notice we woo; and that many a man truly great, many a woman truly fastidious in most respects, will take a deal of trouble to dazzle some insignificant cad whose whole personality they heartily despise. Under the head of spiritual self-seeking ought to be included every impulse towards psychic progress, whether intellectual, moral, or spiritual in the narrow sense of the term. It must be admitted, however, that much that commonly passes for spiritual self-seeking in this narrow sense is only material and social self-seeking beyond the grave. In the Mohammedan desire for paradise and the Christian aspiration not to be damned in hell, the materiality of the goods sought is undisguised. In the more positive and refined view of heaven many of its goods, the fellowship of the saints and of our dead ones, and the presence of God, are but social goods of the most exalted kind. It is only the search of the redeemed
From The Principles of Psychology (Volume 1 of 2) (1890)
causes by the same name, and to say both times that the beast's 'experience of outer relations' is what educates him to good-nature. This, however, is virtually what all writers do who ignore the distinction between the 'front-door' and the 'back-door' manners of producing mental change.One of the most striking of these back-door affections is susceptibility to the charm of drunkenness. This (taking drunkenness in the broadest sense, as teetotalers use the word) is one of the deepest functions of human nature. Half of both the poetry and the tragedy of human life would vanish if alcohol were taken away. As it is, the thirst for it is such that in the United States the cash-value of its sales amounts to that of the sales of meat and of bread put together. And yet what ancestral 'outer relation' is responsible for this peculiar reaction of ours? The only 'outer relation' could be the alcohol itself, which, comparatively speaking, came into the environment but yesterday, and which, so far from creating, is tending to eradicate, the love of itself from our mental structure, by letting only those families of men survive in whom it is not strong. The love of drunkenness is a purely accidental susceptibility of a brain, evolved for entirely different uses, and its causes are to be sought in the molecular realm, rather than in any possible order of 'outer relations.'
From The Principles of Psychology (Volume 1 of 2) (1890)
finally he shows an ardor which has to be restrained. This is a case of the genesis of voluntary attention. An artificial and indirect desire has to be grafted on a natural and direct one. Reading has no immediate attractiveness, but is has a borrowed one, and that is enough. The child is caught in the wheelwork, the first step is made." I take another example, from M. B. Perez:[374] "A child of six years, habitually prone to mind-wandering, sat down one day to the piano of his own accord to repeat an air by which his mother had been charmed. His exercises lasted an hour. The same child at the age of seven, seeing his brother busy with tasks in vacation, went and sat at his father's desk. 'What are you doing there?' his nurse said, surprised at so finding him. 'I am,' said the child, 'learning a page of German; it isn't very amusing, but it is for an agreeable surprise to mamma.'" Here, again, a birth of voluntary attention, grafted this time on a sympathetic instead of a selfish sentiment like that of the first example. The piano, the German, awaken no spontaneous attention; but they arouse and maintain it by borrowing a force from elsewhere.[375] Second, take that mind-wandering which at a later age may trouble us whilst reading or listening to a discourse . If attention be the reproduction of the sensation from within, the habit of reading not merely with the eye, and of listening not merely with the ear, but of articulating to one's self the words seen or heard, ought to deepen one's attention to the latter. Experience shows that this is the case. I can keep my wandering mind a great deal more closely upon a conversation or a lecture if I actively re-echo to myself the words than if I simply hear them; and I find a number of my students who report benefit from voluntarily adopting a similar course.[376] Second, a teacher who wishes to engage the attention of his class must knit his novelties on to things of which they already have preperceptions . The old and familiar is readily attended to by the mind and helps to hold in turn the new, forming, in Herbartian phraseology, an 'Apperceptionsmasse ' for it. Of course it is in every case a very delicate problem to know what 'Apperceptionsmasse' to use. Psychology can only lay down the general rule. IS VOLUNTARY ATTENTION A RESULTANT OR A FORCE? When, a few pages back, I symbolized the 'ideational preparation' element in attention by a brain-cell played upon from within, I added 'by other brain-cells, or by some spiritual force,' without deciding which. The question 'which?' is one of those central psychologic mysteries which part the schools. When we reflect that the turnings of our attention form the nucleus of our inner self; when we see (as in the chapter on the Will we shall see) that volition is nothing but attention; when
From The Principles of Psychology (Volume 1 of 2) (1890)
writes in Leviathan, chapter III, as follows: "By consequence, or train of thoughts, I understand that succession of one thought to another which is called, to distinguish it from discourse in words, mental discourse . When a man thinketh on anything whatsoever, his next thought after is not altogether so casual as it seems to be. Not every thought to every thought succeeds indifferently. But as we have no imagination, whereof we have not formerly had sense, in whole or in parts; so we have no transition from one imagination to another, whereof we never had the like before in our senses. The reason whereof is this. All fancies are motions within us, relics of those made in the sense: and those motions that immediately succeeded one another in the sense continue also together after sense: insomuch as the former coming again to take place, and be predominant, the latter followeth, by coherence of the matter moved, in such manner, as water upon a plane table is drawn which way any one part of it is guided by the finger. But because in sense, to one and the same thing perceived, sometimes one thing, sometimes another succeedeth, it comes to pass in time that, in the imagining of anything, there is no certainty what we shall imagine next; only this is certain, it shall be something that succeeded the same before, at one time or another. This train of thoughts, or mental discourse, is of two sorts. The first is unguided, without design , and inconstant; wherein there is no passionate thought, to govern and direct those that follow, to itself, as the end and scope of some desire, or other passion. . . . The second is more constant; as being regulated by some desire and design. For the impression made by such things as we desire, or fear, is strong and permanent, or, if it cease for a time, of quick return: so strong is it, sometimes, as to hinder and break our sleep. From desire ariseth the thought of some means we have seen produce the like of that which we aim at; and from the thought of that, the thought of means to that mean; and so continually, till we come to some beginning within our own power. And because the end, by the greatness of the impression, comes often to mind, in case our thoughts begin to wander, they are quickly again reduced into the way: which observed by one of the seven wise men, made him give men this precept, which is now worn out, Respice finem ; that is to say, in all your actions, look often upon what you would have, as the thing that directs all your thoughts in the way to attain it. "The train of regulated thoughts is of two kinds; one, when of an effect imagined we seek the causes, or means that produce it: and this is common to man and beast. The other is, when imagining
From Story of O (1954)
Jacqueline's little sister Natalie had been given a room near O's, and in the morning when she knew that O was taking a sunbath on the terrace, she came out and lay down beside her. She had snow-white skin, was a shade plump, but her features were none the less delicate and like her sister, she had slanting eyes, but hers were black and shining, which made her look Chinese. Her black hair was cut in straight bangs across her forehead, just above her eyebrows, and in the back was also cut straight, at the nape of the neck. She had firm, tremulous little breasts, and her adolescent hips were only beginning to fill out. She too had chanced upon O, and had taken her quite by surprise, one day when she had dashed out onto the terrace expecting to find her sister but found O instead, lying there alone on her stomach on the Oriental pillows. But what had shocked Jacqueline filled Natalie with envy and desire. She asked her sister about it. Jacqueline's replies, which were intended to shock and revolt young Natalie by repeating to her what O had related, in no wise altered Natalie's feelings. If anything, it accomplished the contrary. She had fallen in love with O. For more than a week she managed to keep it to herself, then late one Sunday afternoon she managed to be alone with O. The weather had been cooler than normal. René, who had spent part of the morning swimming, was asleep on the sofa of a cool room on the ground floor. Nettled at seeing that he should prefer to take a nap, Jacqueline had gone upstairs and joined O in her alcove. The sea and sun had already made her more golden than before: her hair, her eyebrows, her eyelashes, her nether fleece, her armpits, all seemed to be powdered with silver, and since she was not wearing any make-up, her mouth was the same color pink as the pink flesh between her thighs.
From Story of O (1954)
She withdrew her hands and lay back against the back of the couch: her breasts were heavy for so slender a torso, and, parting, rose gently toward her armpits. The nape of her neck was resting against the back of the sofa, and her hands were lying on either side of her hips. Why did Sir Stephen not bend over, bring his mouth close to hers, why did his hands not move toward the nipples which he had seen stiffen and which she, being absolutely motionless, could feel quiver whenever she took a breath. But he had drawn near, had sat down across the arm of the sofa, and was not touching her. He was smoking, and a movement of his hand - O never knew whether or not it was voluntary - flicked some still-warm ashes down between her breasts. She had the feeling he wanted to insult her, by his disdain, his silence, by a certain attitude of detachment. Yet he had desired her a while ago, he still did now, she could see it by the tautness beneath the soft material of his dressing gown. Then let him take her, if only to wound her! O hated herself for her own desire, and loathed Sir Stephen for the self-control he was displaying. She wanted him to love her, there, the truth was out: she wanted him to be chafing under the urge to touch her lips and penetrate her body, to devastate her if need be, but not to remain so calm and self- possessed. At Roissy, she had not cared in the slightest whether those who had used her had any feeling whatsoever: they were the instruments by which her lover derived pleasure from her, by which she became what he wanted her to be, polished and smooth and gentle as a stone. Their hands were his hands, their order his order. But not here. René had turned her over to Sir Stephen, but it was clear that he wanted to share her with him, not to obtain anything further from her, nor for the pleasure of surrendering her, but in order to share with Sir Stephen what today he loved most, as no doubt in days gone by, when they were young, they had shared a trip, a boat, a horse. And today, this sharing derived the meaning from Reneé's relation to Sir Stephen much more than it did from his relation to her. What each of them would look for in her would be the other's mark, the trace of the other's passage. Only a short while before, when she had been kneeling half-naked before René, and Sir Stephen had opened her thighs with both his hands, René had explained to Sir Stephen why O's buttocks were so easily accessible, and why he was pleased that they had been thus prepared: it was because it had occurred to him that Sir Stephen would
From Story of O (1954)
it. As she helped Jacqueline arrange her hair, for example, after Jacqueline had taken off the clothes she had posed in and was slipping into her turtle-neck sweater and the turquoise necklace the same color as her eyes, O found herself amazingly delighted at the idea that the very same evening Sir Stephen would be apprised of Jacqueline's every gesture - whether she had allowed O to fondle, through the black sweater, her small, well-spaced breasts, whether she had lowered her eyelids till those lashes, fairer than her skin, were touching her cheeks; whether she had sighed or moaned. When O embraced her, she became heavy, motionless and seemly expectant in her arms, her lips parted slightly and her hair cascaded back. O always had to be careful to hold her by both her shoulders and lean her up against the frame of a door or against a table. Otherwise she would have slipped to the floor, her eyes closed, without a sound. The minute O let go of her, she would again turn into ice and snow, laughing and distant, and would say: "You've got lipstick on me," and would wipe her mouth. It was this distant stranger that O enjoyed betraying by carefully noting - so as not to forget anything and be able to relate everything in detail - the slow flush of her cheeks, the smell of sage and sweat. Of Jacqueline it was impossible to say that she was forbearing or that she was on her guard. When she yielded to the kisses - and all she had so far granted O were kisses, which she accepted without returning - she yielded abruptly and, it seemed, totally, as though for ten seconds, or five minutes, she had become someone else. The rest of the time she was both coquettish and coy, incredibly clever at parrying an attack, contriving never to lay herself open either to a word or gesture, or even a look which would allow the victor to coincide with the vanquished or give O to believe that it was all that simple to take possession of her mouth. The only indication one had as a guide, the only thing that gave one to suspect troubled waters beneath the calm surface of her look was an occasional, apparently involuntary trace of a smile on her triangular face, similar to the smile of a cat, as fleeting and disturbing, and as uncertain, as a cat's. Yet it did not take O long to realize that this smile could be provoked by two things, and Jacqueline was totally unaware of either.
From Story of O (1954)
How could she make her understand - and was it even worth the effort? - that it wasn't so much that she was in love with Jacqueline, nor for that matter with Natalie or any other girl in particular, but that she was only in love with girls as such, girls in general - the way one can be in love with one's own image - but in her case she always thought the other girls were more lovely and desirable than she found herself to be. The pleasure she derived from seeing a girl pant beneath her caresses, seeing her eyes close and the tips of her breasts stiffen beneath her lips and teeth, the pleasure she got from exploring her fore and aft with her hand - and from feeling her tighten around her fingers, then sigh and moan - was more than she could bear; and if this pleasure was so intense, it was only because it made her constantly aware of the pleasure which she in turn gave when she tightened around whoever was holding her, whenever she sighed or moaned, with this difference, that she could not conceive of being given thus to a girl, the way this girl was given to her, but only to a man. Moreover, it seemed to her that the girls she caressed belonged by right to the man to whom she belonged, and that she was only present by proxy. Had Sir Stephen come into her room during one of those previous afternoons when Jacqueline had been wont to nap with her, and found O caressing her, she would have spread her charge's thighs and held them apart with both hands, without the slightest remorse, and in fact with the greatest of pleasure, if had pleased Sir Stephen to possess her, rather than peering at her through the trellised wall as he had one. She was apt at hunting, a naturally trained bird of prey who would beat the game and always bring it back to the hunter. And speaking of the devil... It was at this point, just as she was thinking again with beating heart of Jacqueline's lips, so pink and dainty beneath her downy fir, of the even more delicate and pinker ring between her buttocks, which she had only dared force on three occasions, that she heard Sir Stephen moving about in his room. She knew that he could see her, although she could not see him, and once again she felt that she was fortunate indeed to be constantly exposed this way, constantly imprisoned by these all-encompassing eyes. Young Natalie was seated on the white rug in the middle of the room, like a fly in a bowl of milk; while O, standing in front of the massive bureau
From Story of O (1954)
Even before Sir Stephen could make a sign to her, O had obediently lifted her skirts as she sat down on the iron chair, and it had taken her bare thighs a long time to warm the cold iron. They heard the water slapping against the boats tied up to the wooden jetty at the end of the terrace. Sir Stephen was seated across from her, and O was speaking slowly, determined not to say anything that was not true. What Sir Stephen wanted to know was why she liked Jacqueline. Oh! That was easy: it was because she was too beautiful for O, like the full-sized dolls given to the poor children for Christmas, which they're afraid to touch. And yet she knew that if she had not spoken to her, and had not accosted her, it was because she really didn't want to. As she said this she raised her eyes, which had been lowered, fixed on the bed of peonies, and she realized that Sir Stephen was staring at her lips. Was he listening to what she was saying, or was he merely listening to the sound of her voice or watching the movement of her lips? Suddenly she stopped speaking, and Sir Stephen's gaze rose and intercepted her own. What she read in it was so clear this time, and it was so obvious to him that she had seen it, that now it was his turn to blanch. If indeed he did love her, would he ever forgive her for having noticed it? She could neither avert her gaze nor smile, nor speak. Had her life depended on it, she would have been incapable of making a gesture, incapable of fleeing, her legs would never have carried her. He would probably never want anything from her save her submission to his desire, as long as he continued to desire her. But was desire sufficient to explain the fact that, from the day René had handed her over to him, he asked for her and kept her more and more frequently, sometimes merely to have her with him, without asking anything from her? There he sat across from her, silent and motionless. Some businessmen, at a neighboring table, were talking as they drank a coffee so black and aromatic that the aroma was wafted all the way to their own table. Two well-groomed, contemptuous Americans lighted cigarettes halfway through their meal; the gravel crunched beneath the waters' feet - one of them came over to refill Sir Stephen's glass, which was three-quarters empty, but what was the point of wasting good wine on a statue, a sleepwalker? The waiter did not belabor the point.
From Story of O (1954)
O was delighted to feel that if his gray, ardent gaze wandered from her eyes, it was to fasten on her breasts, her hands, before returning to her eyes. Finally she saw the trace of a smile appear on his lips, a smile she dared to answer. But utter a single word, impossible! She could barely breathe. "0..." Sir Stephen said. "Yes," O said, faintly. "O, what I'm going to speak to you about 1 have already discussed with René, and we're both in accord on it. But also, I..." He broke off. O never knew whether it was because, seized by a sudden chill, she had closed her eyes, or whether he too had difficulty catching his breath. He paused, the water was changing plates, bringing O the menu so she could choose the dessert. O handed it to Sir Stephen. A soufflé? Yes, a soufflé. It will take twenty minutes. All right, twenty minutes. The waiter left. "I need more than twenty minutes," Sir Stephen said. And he went on in a steady voice, and what he said quickly convinced O that one thing at least was certain, and that was, if he did love her, nothing would be changed, unless one considered this curious respect a change, this ardor with which he was saying to her: "I'd be most pleased if you would care to..." instead of simply asking her to accede to his requests. Yet they were still orders, and there was no question of O's not obeying them. She pointed this out to Sir Stephen. He admitted as much. "I still want your answer," he said. "I'll do whatever you like," O responded, and the echo of what she was saying resounded in her memory: "I'll do whatever you like," she was used to saying to René. Almost in a whisper, she murmured: "René..." Sir Stephen heard it. "René knows what I want from you. Listen to me." He was speaking English, but in a low, carefully controlled voice which was inaudible at the neighboring tables. Whenever the waiters approached their table, he fell silent, resuming his sentence where he had left off as soon as they had moved away. What he was saying seemed strange and out of keeping with this peaceful, public place, and yet what was strangest of all was that he could say it, and O hear it, so naturally. He began by reminding her that the first evening when she had come to his apartment he had given her an order she had refused to obey, and he noted that although he might have slapped her then, he had never repeated the order since that night. Would she grant him now what she had refused him then? O understood that not only must she acquiesce, but that he wanted to hear her say it herself, in her own words, say that she would caress herself any time he asked her to. She
From Story of O (1954)
organization as when she found herself in the presence of that woman, who thanked her for befriending her daughter. And at the same time, deep in her heart O was repudiating her mission and the reasons which had brought her there. Yes, Jacqueline would move in with her, but never, never would O acquiesce so completely to Sir Stephen as to deliver her into his hands. And yet! ... For no sooner had she moved into O's apartment, where she was assigned, at René's request, the bedroom he sometimes pretended to occupy (pretended, given that he always slept in O's big bed), than O, contrary to all expectations, was amazed to find herself obsessed with the burning desire to have Jacqueline at any price, even if attaining her goal meant handing her over to Sir Stephen. After all, she rationalized to herself, Jacqueline's beauty is quite sufficient protection for her, and besides, why should I get involved in it anyway? And what if she were to be reduced to what I have been reduced to, is that really so terrible? - scarcely admitting, and yet so overwhelmed to imagine, how sweet it would be to see Jacqueline naked and defenseless beside her, and like her. The week Jacqueline moved in, her mother having given her full consent, René proved to be exceedingly zealous, inviting them every other day to dinner and taking them to the movies which, curiously enough, he chose from among the detective pictures playing, tales of drug traffic and white slavery. He would sit down between them, gently hold hands with them both and not utter a word. But whenever there was a scene of violence, O would see him studying Jacqueline's face for the slightest trace of emotion. All you could see on it was a hint of disgust, revealed by the slight downward pout at the corners of her mouth. Afterward he would drive them home in his convertible, with the top down, and in the open car with the windows rolled down, the speed and the night wind flattened Jacqueline's generous head of blond hair against her cheeks and narrow forehead, and even blew it into her eyes. She would toss her head to smooth her hair back into place and would run her hand through it the way boys do.
From Anxiety at Work: 8 Strategies to Help Teams Build Resilience, Handle Uncertainty, and Get Stuff Done
Creating more steps on the career path can help.Some 90 percent of younger workers “highly value” career growth and development opportunities, and organizations that effectively nurture their people’s desire to learn are 30 percent more likely to be market leaders.Some 87 percent of millennials ranked job security as a top priority when looking for a job. That is more than likely going to be even higher in the post-pandemic world.Following a set of methods can reduce employees’ anxiety about where they’re heading in their careers. They include: 1) create more steps to grow, 2) coach employees about how to get ahead, 3) help employees assess their skills and motivations, 4) use a skill development flow, 5) make learning real-time, 6) tailor development to the individual, 7) carefully calibrate growth opportunities, and 8) encourage peer-to-peer support. 5How “It’s Not Perfect” Can Become “It’s Good, I’ll Move On”Help Team Members Manage PerfectionismA beautiful thing is never perfect. — Egyptian proverb While the term “perfectionism” implies an extreme pursuit of the flawless—and is generally understood as an affliction—our culture has fostered it in many ways. Schools have become breeding grounds for perfectionism, offices as well. Perfectionism is too often mistaken for admirable stick-to-it-iveness, having excellence in standards, and a healthy ambition. In fact, once upon a time, we were told “I’m a perfectionist” was the recommended answer to the hackneyed interview question: “What’s your biggest flaw?”— mocked by cultural satirists The Simpsons. When asked in a job interview at the Springfield Nuclear Power Plant for their worst quality, those applying answered: Applicant 1: Well, I am a workaholic. Applicant 2: Well, I push myself too hard. Only clueless Homer Simpson answered honestly. Homer: Well, it takes me a long time to learn anything. I’m kind of a goof-off. Little stuff starts disappearing from the workplace. Why shouldn’t we strive for perfection in our work? The fact is, some people should. We rightfully want a technician processing our blood sample to do everything by the book. Airline pilots have little to no room for error, which is why they have copilots and plenty of electronic help. In lots of professions, and with certain aspects of each job, flawless execution is vital. We have worked for many years with groups at Intel, for instance, and there are few companies that value perfection more in their manufacturing process. As with many industrial organizations, Intel seeks zero variations once a process is optimized. Thus, there are times when people are absolutely right to hold themselves to extremely exacting standards.
From Anna Karenina (1877)
Anna Arkadyevna, with her quick little hand, was unfastening the lace of her sleeve, caught in the hook of her fur cloak, and with bent head listening with rapture to the words Vronsky murmured as he escorted her down. 'You've said nothing, of course, and I ask nothing,' he was saying; 'but you know that friendship's' not what I want: that there's only one happiness in life for me, that word that you dislike so . . . yes, love! . . .' 'Love,' she repeated slowly, in an inner voice, and suddenly at the very instant she unhooked the lace, she added, 'Why I don't like the word is that it means too much to me, far more than you can understand,' and she glanced into his face. 'Au revoir!' She gave him her hand, and with her rapid, springy step she passed by the porter and vanished into the carriage. Her glance, the touch of her hand, set him aflame. He kissed the palm of his hand where she had touched it, and went home, happy in the sense that he had got nearer to the attainment of his aims that evening than during the two last months. VIII A LEXEY A LEXANDROVITCH had seen nothing striking or improper in the fact that his wife was sitting with Vronsky at a table apart, in eager conversation with him about something. But he noticed that to the rest of the party this appeared something striking and improper, and for that reason it seemed to him too to be improper. He made up his mind that he must speak of it to his wife. On reaching home Alexey Alexandrovitch went to his study, as he usually did, seated himself in his low chair, opened a book on the Papacy at the place where he had laid the paper-knife in it, and read till one o'clock, just as he usually did. But from time to time he rubbed his high forehead and shook his head, as though to drive away something. At his usual time he got up and made his toilet for the night. Anna Arkadyevna had not yet come in. With a book under his arm he went upstairs. But this evening, instead of his usual thoughts and meditations upon official details, his thoughts were absorbed by his wife and something disagreeable connected with her. Contrary to his usual habit, he did not get into bed, but fell to walking up and down the rooms with his hands clasped behind his back. He could not go to bed, feeling that it was absolutely needful for him first to think thoroughly over the position that had just arisen. When Alexey Alexandrovitch had made up his mind that he must talk to his wife about it, it had seemed a very easy and simple matter. But now, when he began to think over the question that had just presented itself, it seemed to him very complicated and difficult.
From Anna Karenina (1877)
And begging fifty roubles from Dolly, he set off for Petersburg. Stepan Arkadyevitch sat in Karenin's study listening to his report on the causes of the unsatisfactory position of Russian finance, and only waiting for the moment when he would finish to speak about his own business or about Anna. 'Yes, that's very true,' he said, when Alexey Alexandrovitch took off the pince-nez, without which he could not read now, and looked inquiringly at his former brother-in-law, 'that's very true in particular cases, but still the principle of our day is freedom.' 'Yes, but I lay down another principle, embracing the principle of freedom,' said Alexey Alexandrovitch, with emphasis on the word 'embracing', and he put on his pince-nez again, so as to read the passage in which this statement was made. And turning over the beautifully written wide-margined manuscript, Alexey Alexandrovitch read aloud over again the conclusive passage. 'I don't advocate protection for the sake of private interests, but for the public weal, and for the lower and upper classes equally,' he said, looking over his pince-nez at Oblonsky. 'But they cannot grasp that, they are taken up now with personal interests, and carried away by phrases.' Stepan Arkadyevitch knew that when Karenin began to talk of what they were doing and thinking, the persons who would not accept his report and were the cause of everything wrong in Russia, that it was coming near the end. And so now he eagerly abandoned the principle of free-trade, and fully agreed. Alexey Alexandrovitch paused, thoughtfully turning over the pages of his manuscript. 'Oh, by the way,' said Stepan Arkadyevitch, 'I wanted to ask you, some time when you see Pomorsky, to drop him a hint that I should be very glad to get that new appointment of secretary of the committee of the amalgamated agency of the Southern Railways and banking companies.' Stepan Arkadyevitch was familiar by now with the title of the post he coveted, and he brought it out rapidly without mistake. Alexey Alexandrovitch questioned him as to the duties of this new committee, and pondered. He was considering whether the new committee would not be acting in some way contrary to the views he had been advocating. But as the influence of the new committee was of a very complex nature, and his views were of very wide application, he could not decide this straight off, and taking off his pince-nez, he said— 'Of course, I can mention it to him; but what is your reason precisely for wishing to obtain the appointment?' 'It's a good salary, rising to nine thousand, and my means . . .'