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Bewilderment

Loss of one's bearings—the world as legible recedes faster than one can re-orient.

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  • From The Principles of Psychology (Volume 1 of 2) (1890)

    [image file=image_806.jpg] "If the revolution is in the direction in which the spiral line approaches the centre of the disk the entire surface of the latter seems to expand during revolution and to contract after it has ceased; and vice versâ if the movement of revolution is in the opposite direction. If in the former case the eyes of the observers are turned from the rotating disk towards any familiar object—e. g. the face of a friend—the latter seems to contract or recede in a somewhat striking manner, and to expand or approach after the opposite motion of the spiral."[241] An elementary form of these motor illusions seems to be the one described by Helmholtz on pp. 568-571 of his Optik. The motion of anything in the field of vision along an acute angle towards a straight line sensibly distorts that line. Thus in Fig. 66: Let AB be a line drawn on paper, CDE the tracing made over this line by the point of a compass steadily followed by the eve, as it moves. As the compass-point passes from C to D, the line appears to move downwards; as it passes from D to E, the line appears to move upwards; at the same time the whole line seems to incline itself in the direction FG during the first half of the compass's movement; and in the direction HI during its last half; the change from one inclination to another being quite distinct as the compass-point passes over D. [image file=image_813.jpg] Any line across which we draw a pencil-point appears to be animated by a, rapid movement of its own towards the pencil-point. This apparent movement of both of two things in relative motion to each other, even when one of them is absolutely still, reminds us of the instances quoted from Vierordt on page 188, and seems to take us back to a primitive stage of perception, in which the discriminations we now make when we feel a movement have not yet been made. If we draw the point of a pencil through 'Zöllner's pattern' (Fig. 60, p. 232), and follow it with the eye, the whole figure becomes the scene of the most singular apparent unrest, of which Helmholtz has very carefully noted the conditions. The illusion of Zöllner's figure vanishes entirely, or almost so, with most people, if they steadily look at one point of it with an unmoving eye; and the same is the case with many other illusions.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    thought of as absolute properties of the soul; that is, to take the case of memory, no reason is given why we should remember a fact as it happened, except that so to remember it constitutes the essence of our Recollective Power. We may, as spiritualists, try to explain our memory's failures and blunders by secondary causes. But its successes can invoke no factors save the existence of certain objective things to be remembered on the one hand, and of our faculty of memory on the other. When, for instance, I recall my graduation-day, and drag all its incidents and emotions up from death's dateless night, no mechanical cause can explain this process, nor can any analysis reduce it to lower terms or make its nature seem other than an ultimate datum , which, whether we rebel or not at its mysteriousness, must simply be taken for granted if we are to psychologize at all. However the associationist may represent the present ideas as thronging and arranging themselves, still, the spiritualist insists, he has in the end to admit that something , be it brain, be it 'ideas,' be it 'association,' knows past time as past, and fills it out with this or that event. And when the spiritualist calls memory an 'irreducible faculty,' he says no more than this admission of the associationist already grants. And yet the admission is far from being a satisfactory simplification of the concrete facts. For why should this absolute god-given Faculty retain so much better the events of yesterday than those of last year, and, best of all, those of an hour ago? Why, again, in old age should its grasp of childhood's events seem firmest? Why should illness and exhaustion enfeeble it? Why should repeating an experience strengthen our recollection of it? Why should drugs, fevers, asphyxia, and excitement resuscitate things long since forgotten? If we content ourselves with merely affirming that the faculty of memory is so peculiarly constituted by nature as to exhibit just these oddities, we seem little the better for having invoked it, for our explanation becomes as complicated as that of the crude facts with which we started. Moreover there is something grotesque and irrational in the supposition that the soul is equipped with elementary powers of such an ingeniously intricate sort. Why should our memory cling more easily to the near than the remote? Why should it lose its grasp of proper sooner than of abstract names? Such peculiarities seem quite fantastic; and might, for aught we can see a priori , be the precise opposites of what they are. Evidently, then, the faculty does not exist absolutely, but works under conditions; and the quest of the conditions becomes the psychologist's most interesting task. However firmly he may hold to the soul and her remembering faculty, he must acknowledge that she never exerts the latter without a cue , and that something must always precede and remind us of whatever we are to recollect. "An idea

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    !" says the associationist, "an idea associated with the remembered thing; and this explains also why things repeatedly met with are more easily recollected, for their associates on the various occasions furnish so many distinct avenues of recall." But this does not explain the effects of fever, exhaustion, hypnotism, old age, and the like. And in general, the pure associationist's account of our mental life is almost as bewildering as that of the pure spiritualist. This multitude of ideas, existing absolutely, yet clinging together, and weaving an endless carpet of themselves, like dominoes in ceaseless change, or the bits of glass in a kaleidoscope,—whence do they get their fantastic laws of clinging, and why do they cling in just the shapes they do? For this the associationist must introduce the order of experience in the outer world. The dance of the ideas is a copy, somewhat mutilated and altered, of the order of phenomena. But the slightest reflection shows that phenomena have absolutely no power to influence our ideas until they have first impressed our senses and our brain. The bare existence of a past fact is no ground for our remembering it. Unless we have seen it, or somehow undergone it, we shall never know of its having been. The experiences of the body are thus one of the conditions of the faculty of memory being what it is. And a very small amount of reflection on facts shows that one part of the body, namely, the brain, is the part whose experiences are directly concerned. If the nervous communication be cut off between the brain and other parts, the experiences of those other parts are non-existent for the mind. The eye is blind, the ear deaf, the hand insensible and motionless. And conversely, if the brain be injured, consciousness is abolished or altered, even although every other organ in the body be ready to play its normal part. A blow on the head, a sudden subtraction of blood, the pressure of an apoplectic hemorrhage, may have the first effect; whilst a very few ounces of alcohol or grains of opium or hasheesh, or a whiff of chloroform or nitrous oxide gas, are sure to have the second. The delirium of fever, the altered self of insanity, are all due to foreign matters circulating through the brain, or to pathological changes in that organ's substance. The fact that the brain is the one immediate bodily condition of the mental operations is indeed so universally admitted nowadays that I need spend no more time in illustrating it, but will simply postulate it and pass on. The whole remainder of the book will be more or less of a proof that the postulate was correct. Bodily experiences, therefore, and more particularly brain-experiences, must take a place amongst those conditions of the mental life of which Psychology need take account. The spiritualist and the associationist must both be 'cerebralists ,' to the extent at least of admitting that certain peculiarities in the

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    reports that out of 100 persons questioned he found only one who had no feeling in his lips when silently thinking the letters M, B, P; and out of 60 only two who were conscious of no internal articulation whilst reading (pp. 59-60).[75] I think it must be admitted that some people have no vivid substantive images in any department of their sensibility. One of my students, an Intelligent youth, denied so pertinaciously that there was anything in his mind at all when he thought, that I was much perplexed by his case. I myself certainly have no such vivid play of nascent movements or motor images as Professor Stricker describes. When I seek to represent a row of soldiers marching, all I catch is a view of stationary legs first in one phase of movement and then in another, and these views are extremely imperfect and momentary. Occasionally (especially when I try to stimulate my imagination, as by repeating Victor Hugo's lines about the regiment,Leur pas est si correct, sans tarder ni courir, Qu'on croit voir des ciseaux se fermer et s'ouvrir,") I seem to get an instantaneous glimpse of an actual movement, but it is to the last degree dim and uncertain. All these images seem at first as if purely retinal. I think, however, that rapid eye-movements accompany them, though these latter give rise to such slight feelings that they are almost impossible of detection. Absolutely no leg-movements of my own are there; in fact, to call such up arrests my imagination of the soldiers. My optical images are in general very dim, dark, fugitive, and contracted. It would be utterly impossible to draw from them, and yet I perfectly well distinguish one from the other. My auditory images are excessively inadequate reproductions of their originals. I have no images of taste or smell. Touch-imagination is fairly distinct, but comes very little into play with most objects thought of. Neither is all my thought verbalized; for I have shadowy schemes of relation, as apt to terminate in a nod of the head or an expulsion of the breath as in a definite word. On the whole, vague images or sensations of movement inside of my head towards the various parts of space in which the terms I am thinking of either lie or are momentarily symbolized to lie together with movements of the breath through my pharynx and nostrils, form a by no means inconsiderable part of my thought-stuff. I doubt whether my difficulty in giving a clearer account is wholly a matter of inferior power of introspective attention, though that doubtless plays its part. Attention, ceteris paribus, must always be inferior in proportion to the feebleness of the internal images which are offered it to hold on to.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    It seems to also flow backwards in certain hypnotic hallucinations. Suggest to a 'Subject' in the hypnotic trance that a sheet of paper has a red cross upon it, then pretend to remove the imaginary cross, whilst you tell the Subject to look fixedly at a dot upon the paper, and he will presently tell you that he sees a 'bluish-green' cross. The genuineness of the result has been doubted, but there seems no good reason for rejecting M. Binet's account (Le Magnétisme Animal, 1887, p. 188). M. Binet, following M. Parinaud, and on the faith of a certain experiment, at one time believed, the optical brain-centres and not the retina to be the seat of ordinary negative after-images. The experiment is this: Look fixedly, with one eye open, at a colored spot on a white background. Then close that eye and look fixedly with the other eye at a plain surface. A negative after-image of the colored spot will presently appear. (Psychologie du Raisonnement, 1886, p. 45.) But Mr. Delabarre has proved (American Journal of Psychology, ii. 326) that this after-image is due, not to a higher cerebral process, but to the fact that the retinal process in the closed eye affects consciousness at certain moments, and that its object is then projected into the field seen by the eye which is open. M. Binet informs me that he is converted by the proofs given by Mr. Delabarre. The fact remains, however, that the negative after-images of Herr-Meyer, M. Féré, and the hypnotic subjects, form aria exception to all that we know of nerve-currents, if they are due to a refluent centrifugal current to the retina. It may be that they will hereafter be explained in some other way. Meanwhile we can only write them down as a paradox. Sig. Sergi's theory that there is always a refluent wave in perception hardly merits serious consideration (Psychologie Physiologique, pp. 99, 189). Sergi's theory has recently been reaffirmed with almost incredible crudity by Lombroso and Ottolenghi in the Revue Philosophique, xxix. 70 (Jan. 1890).

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    "Mr. P. has all his life been the occasional subject of rather singular delusions or impressions of various kinds. If I had belief in the existence of latent or embryo faculties, other than the five senses, I should explain them on that ground. Being totally blind, his other perceptions are abnormally keen and developed, and given the existence of a rudimentary sixth sense, it would be only natural that this also should be more acute in him than in others. One of the most interesting of his experiences in this line was the frequent apparition of a corpse some years ago, which may be worth the attention of your Committee on that subject. At the lime Mr. P. had a music-room in Boston on Beacon Street, where he used to do severe and protracted practice with little interruption. Now, all one season it was a very familiar occurrence with him while in the midst of work to feel a cold draft of air suddenly upon his face, with a prickling sensation at the roots of his hair, when he would turn from the piano, and a figure which he knew to be dead would come sliding under the crack of the door from without, flattening itself to squeeze through and rounding out again to the human form. It was of a middle-aged man, and drew itself along the carpet on hands and knees, but with head thrown back till it reached the sofa, upon which it stretched itself. It remained some moments, but vanished s if Mr. P. spoke or made a decided movement. The most singular point in the occurrence was its frequent repetition. Be might expect it on any day between two and four o'clock, and it came always heralded by the same sudden cold shiver, and was invariably the same figure which went through the same movements. He afterwards traced the whole experience to strong tea. He was in the habit of taking cold tea, which always stimulates him, for lunch, and on giving up this practice whenever saw this or any other apparition again. However, even allowing, as is doubtless true, that the event was a delusion of nerves first fatigued by over work and then excited by this stimulant, there is one point which is still wholly inexplicable and highly interesting to me. Mr. P. has no memory whatever of sight, nor conception of it. It is impossible for him to form any idea of what we mean by light or color, consequently he has no cognizance of any object which does not reach his sense of hearing or of touch, though these are so acute as to give a contrary impression some-times to other people. When he becomes aware of the presence of a person or an object, by means which seem mysterious to outsiders, he can always trace it naturally and legitimately to slight echoes, perceptible only to his keen ears, or to differences in atmospheric pressure, perceptible only to his acute nerves of touch; but with the apparition described, for the only time-in his experience, he was aware of presence, size, and appearance, without the use of either of these mediums. The figure never produced the least sound nor came within a number of feet of his person, yet he knew that it was a man, that it moved, and in what direction, even that it wore a full beard, which, like the thick curly heir, was partially gray; also that it war, dressed in the style of suit known as 'pepper and salt.' These points were all perfectly distinct and invariable each time. If asked how he perceived them, he will answer he cannot tell, he simply knew it, and so strongly and so distinctly that it is impossible to shake the opinion as to the exact details of the man's appearance. It would seem that in this delusion of the senses he really saw, as he has never done in the actual experiences of life, except in the first two years of childhood."

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    we cover a written or printed word with a sheet of paper in which a little window has been cut, so that only the first letter is visible through the window, he pronounces this letter. If, then, the sheet is moved so as to cover the first letter and make the second one visible, he pronounces the second, but forgets the first, and cannot pronounce the first and second together." And so forth to the end. "If he closes his eyes and draws his finger exploringly over a well-known object like a knife or key, he cannot combine the separate impressions and recognize the object. But if it is put into his hand so that he can simultaneously touch it with several fingers, he names it without difficulty. This patient has thus lost the capacity for grouping successive . . . impressions . . . into a whole and perceiving them as a whole." (Grashey, in Archiv für Psychiatrie, Bd. XVI. pp. 672-673.) It is hard to believe that in such a patient the time intuited was not clipped off like the impressions it held, though perhaps not so much of it. I have myself often noted a curious exaggeration of time-perspective at the moment of a falling asleep. A person will be moving or doing something in the room, and a certain stage of his act (whatever it may be) will be my last waking perception. Then a subsequent stage will wake me to a new perception. The two stages of the act will not be more than a few seconds apart; and yet it always seems to me as if, between the earlier and the later one, a long interval has passed away. I conjecturally account for the phenomenon thus, calling the two stages of the act a and b respectively: Were I awake, a would leave a fading process in my sensorium which would overlap the process of b when the latter came, and both would then appear in the same specious present, a belonging to its earlier end. But the sudden advent of the brain-change called sleep extinguishes a 's fading process abruptly. When b then comes and wakes me, a comes back, it is true, but not as belonging to the specious present. It has to be specially revoked in memory. This mode of revocation usually characterizes long-past things—whence the illusion. [559] Again I omit the future, merely for simplicity's sake. [560] L'Homme et 1'Intelligence, p. 32. [561] Professor Richet has therefore no right to say, as he does in another place (Revue Philosophique, XXI. 570): "Without memory no conscious sensation, without memory no consciousness ." All he is entitled to say is: "Without memory no consciousness known outside of itself." Of the sort of consciousness that is an object for later states, and becomes as it were permanent, he gives a good example: "Who of us, alas! has not experienced a bitter and profound grief, the immense laceration caused by the death of some

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    The mental condition which accompanies these systematized anæsthesias and amnesias is a very curious one. The anæsthesia is not a genuine sensorial one, for if you make a real red cross (say) on a sheet of white paper invisible to an hypnotic subject, and yet cause him to look fixedly at a dot on the paper on or near the cross, he will, on transferring his eye to a blank sheet, see a bluish-green after-image of the cross. This proves that it has impressed his sensibility. He has felt it, but not perceived it. He had actively ignored it, refused to recognize it, as it were. Another experiment proves that he must distinguish it first in order thus to ignore it. Make a stroke on paper or blackboard, and tell the subject it is not there, and he will see nothing but the clean paper or board. Next, he not looking, surround the original stroke with other strokes exactly like it, and ask him what he sees. He will point out one by one all the new strokes slid omit the original one every time, no matter how numerous the new strokes may be, or in what order they are arranged. Similarly, if the original single stroke to which he is blind be doubled by a prism of sixteen degrees placed before one of his eyes (both being kept open), he will say that he now sees one stroke, and point in the direction in which the image seen through the prism lies. Obviously, then, he is not blind to the kind of stroke in the least. He is blind only to one individual stroke of that kind in a particular position on the board or paper,—that is, to a particular complex object; and, paradoxical as it may seem to say so, he must distinguish it with great accuracy from others like it, in order to remain blind to it when the others are brought near. He 'apperceives' it, as a preliminary to not seeing it at all! How to conceive of this state of mind is not easy. It would be much simpler to understand the process, if adding new strokes made the first one visible. There would then be two different objects apperceived as totals,—paper with one stroke, paper with two strokes; and, blind to the former, he would see all that was in the latter, because he would have apperceived it as a different total in the first instance. A process of this sort occurs sometimes (not always) when the new strokes, instead of Being mere repetitions of the original one, are lines which combine with it into a total effect, say a human face. The subject of the trance then may regain his sight of the line to which he had previously been blind, by seeing it as part of the face.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    is based are certain constant errors which Münsterberg found according as the standard or given interval was to the right or the left of the interval to be marked off as equal to it, or as it was above or below it, or stood in some more complicated relation still. He admits that he cannot explain all the errors in detail, and that we "stand before results which seem surprising and not to be unravelled, because we cannot analyze the elements which enter into the complex sensation which we receive." But he has no doubt whatever of the general fact "that the movements of the eyes and the sense of their position when fixed exert so decisive an influence on our estimate of the spaces seen, that the errors cannot possibly be explained by anything else than tire movement-feelings and their reproductions in the memory" (pp. 166, 167). It is presumptuous to doubt a man's opinion when you haven't had his experience; and yet there are a number of points which make me feel like suspending judgment in regard to Herr M.'s dictum. He found, for example, a constant tendency to underestimate intervals lying to the right, and to overestimate intervals lying to the left. He ingeniously explains this as a result of the habit of reading, which trains us to move our eyes easily along straight lines from left to right, whereas in looking from right to left we move them in curved lines across the page. As we measure intervals as straight lines, it costs more muscular effort to measure from right to left than tile other way, and an interval lying to the left seems to us consequently longer than it really is. Now I have been a reader for more years than Herr Münsterberg; and yet with me there is a strongly pronounced error the other way. It is the rightward-lying interval which to me seems longer than it really is. Moreover, Herr M. wears concave spectacles, and looked through them with his head fixed. May it not be that some of the errors were due to distortion of the retinal image, as the eye looked no longer through the centre but through the margin of the glass P In short, with all the presumptions which we have seen against muscular contraction being definitely felt as length, I think that there may be explanations of Herr M.'s results which have escaped even his sagacity; and I call for a suspension of judgment until they shall have been confirmed by other observers. I do not myself doubt that our feeling of seen extent may be altered by concomitant muscular feelings. In Chapter XVII (pp. 28-80) we saw many examples of similar alterations, interferences with, or exaltations of, the sensory effect of one nerve-process by another. I do not see why currents from the muscles or eyelids, coming in at the same time with a retinal impression, might not make the latter seem bigger, in the same way

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    The phenomenon would seem to be due to a pure conception becoming saturated with the sort of stinging urgency which ordinarily only sensations bring. But I cannot yet persuade myself that the urgency in Question consists in concomitant emotional and motor impulses. The ' impression' may come quite suddenly and depart quickly; it may carry no emotional suggestions, and wake no motor consequences beyond those involved in attending to it. Altogether, the matter is somewhat paradoxical, and no conclusion can be come to until more definite data are obtained. Perhaps the most curious case of the sort which I have received is the following. The subject of the observation, Mr. P., is an exceptionally intelligent witness, though the words of the narrative are his wife's.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    "I have two dogs, a small, long-legged pet dog and a rather large watch-dog. Immediately beyond the house-court is the garden, into which one enters through a low lattice-gate which is closed by a latched on the yard-side. This latch is opened by lifting it. Besides this, moreover, the gate is fastened on the garden-side by a string nailed to the gate-post. Here, as often as one wished, could the following sight be observed. If the little dog was shut in the garden and he wished to get out, he placed himself before the gate and barked. Immediately the large dog in the court would hasten to him and raise the latch with his nose while the little dog on the garden-side leaped up and, catching the string in his teeth, bit it through; whereupon the big one wedged his snout between the gate and the post, pushed the gate open, and the little dog slipped through. Certainty reasoning seems here to prevail. In face of it, however, and although the dogs arrived of themselves, and without human aid, at their solution of the gate question, I am able to point out that the complete action was pieced together out of accidental experiences which the dogs followed, I might say, unconsciously. While the large dog was young, he was allowed, like the little one, to go into the garden, and therefore the gate was usually not latched, but simply closed. Now if he saw anyone go in, he would follow by thrusting his snout between gate and post, and so pushing the gate open. When he was grown I forbade his being taken in, and had the gate kept latched. But he naturally still tried to follow when anyone entered and tried in the old fashion to open it, which he could no longer do. Now it fell out that once, while making the attempt, he raised his nose higher than usual and hit the latch from he low so as to lift it off its hook, and the gate unclosed. From thenceforth he made the same movement of the head when trying to open it, and, of course, with the same result. He now knew how to open the gate when it was latched. "The little dog had been the large one's teacher in many things, especially in the chasing of cats and the catching of mice and moles; so when the little one was heard barking eagerly, the other always hastened to him. If the barking came from the garden, he opened the gate to get inside. But meanwhile the little dog, who wanted to get out the moment the gate opened, slipped out between the big one's legs, and so the appearance of his having come with the intention of letting him out arose. And that it was simply an appearance transpired from the fact that when the little dog did not succeed at once in getting out, the large one ran in and nosed about the garden, plainly showing that he had expected to find something there. In order to stop this opening of the gate I fastened a string on the garden-side which, tightly drawn, held the gate firm against the post, so that if the yard dog raised the latch and let go, it would every time fall back on to the book. And this device was successful for quite a time, until it happened one day that on my return from a walk upon which the little dog had accompanied me I crossed the garden, and in passing through the gate the dog remained behind, and refused to come to my whistle. As it was beginning to rain, and I knew how he disliked to get wet, I closed the gate in order to punish him in this manner. But I had hardly reached the house ere he was before the gate, crying and crying most piteously, for the rain was falling faster and faster. The big dog, to whom the rain was a matter of perfect indifference, was instantly on hand and tried his utmost to open the gate, but naturally without success. Almost in despair the little dog bit at the Rate, at the same time springing into the air in the attempt to jump over it, when he chanced to catch the string in his teeth; it broke, and the gate flew open. Now he knew the secret and thenceforth bit the string whenever he wished to get out, so that I was obliged to change it.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    judged truer than the facts already synthetically perceived—two views of the solid body, many harmonic tones, instead of one view and one tone, states of the eyeball-muscles thitherto unknown, and the like. These new facts, when first discovered, are known is states of consciousness never till that moment exactly realized before, states of consciousness which at the same time judge them to be determinations of the same matter of fact which was previously realized. All that Helmholtz says of the conditions which hinder and further analysis applies just as naturally to the analysis, through the advent of new feelings, of objects into their elements, as to the analysis of aggregate feelings into elementary feelings supposed to have been hidden in them all the while. The reader can himself apply this criticism to the following passages from Lotze and Stumpf respectively, which I quote because they are the ablest expressions of the view opposed to my own. Both authors, it seems to me, commit the psychologist's fallacy, and allow their later knowledge of the things felt to be foisted into their account of the primitive way of feeling them. Lotze says: "It is indubitable that the simultaneous assault of a variety of different stimuli on different senses, or even on the same sense, puts us into a state of confused general feeling in which we are certainly not conscious of clearly distinguishing the different impressions. Still it does not follow that in such a case we have a positive perception of an actual unity of the contents of our ideas, arising from their mixture; our state of mind seems rather to consist in (1) the consciousness of our inability to separate what really has remained diverse, and (2) in the general feeling of the disturbance produced in the economy of our body by the simultaneous assault of the stimuli. . . . Not that the sensations melt into one another, but simply that the act of distinguishing them is absent; and this again certainly not so far that the fact of the difference remains entirely unperceived, but only so far as to prevent us from determining the amount of the difference, and from apprehending other relations between the different impressions. Anyone who is annoyed at one and the same time by glowing heat, dazzling light, deafening noise, and an offensive smell, will certainly not fuse these disparate sensations into a single one with a single content which could be sensuously perceived; they remain for him in separation, and he merely finds it impossible to be conscious of one of them apart from the others. But, further, he will have a feeling of discomfort—what I mentioned above as the second constituent of his whole state. For every stimulus which produces in consciousness a definite content of sensation is also a definite degree of disturbance, and therefore makes a call upon the forces of the nerves; and the sum of these little changes, which in their character as disturbances are not so diverse

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    Every time he returns to A., from which place business often calls him, he seems to himself as if entering a strange city. He views the monuments, houses, and streets with the same surprise as if he saw them for tile first time. Gradually, however, his memory returns, and he finds himself at home again. When asked to describe the principal public place of the town, he answered, "I know that it is there, but it is impossible to imagine it, and I can tell you nothing about it." He has often drawn the port of A. To-day he vainly tries to trace its principal outlines. Asked to draw a minaret, lie reflects, says it is a square tower, and draws, rudely, four lines, one for ground, one for top, and two for sides. Asked to draw an arcade, he says, " I remember that it contains semi-circular arches, and that two of them meeting at an angle make a vault, but how it looks I am absolutely unable to imagine." The profile of a man which he drew by request was as if drawn by a little child; and yet he confessed that he had been helped to draw it by looking at the bystanders. Similarly lie drew a shapeless scribble for a tree. He can no more remember his wife's and children's faces than he can remember the port of A. Even after being with them some time they seem unusual to him. He forgets his own face, and once spoke to his image in a mirror, taking it for a stranger. He complains of his loss of feeling for colors. "My wife has black hair, this I know; but I can no more recall its color than I can her person and features." This visual amnesia extends to dating objects from his childhood's years—paternal mansion, etc., forgotten.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    it is a copy or representation, actually existed in the past; and an expectation involves the belief, more or less positive, that a sensation or other feeling to which it directly refers will exist in the future. Nor can the phenomena involved in these two states of consciousness be adequately expressed, without saying that the belief they include is, that I myself formerly had, or that I myself, and no other, shall hereafter have, the sensations remembered or expected. The fact believed is, that the sensations did actually form, or will hereafter form, part of the self-same series of states, or thread of consciousness, of which the remembrance or expectation of those sensations is the part now present. If, therefore, we speak of the mind as a series of feelings we are obliged to complete the statement by calling it a series of feelings which is aware of itself as past and future; and we are reduced to the alternative of believing that the mind, or Ego, is something different from any series of feelings, or possibilities of them, or of accepting the paradox that something which ex hypothesi is but a series of feelings, can be aware of itself as a series. "The truth is, that we are here face to face with that final inexplicability, at which, as Sir W. Hamilton observes, we inevitably arrive when we reach ultimate facts; and in general, one mode of stating it only appears more incomprehensible than another, because the whole of human language is accommodated to the one, and is so incongruous with the other that it cannot be expressed in any terms which do not deny its truth. The real stumbling-block is perhaps not in any theory of the fact, but in the fact itself. The true incomprehensibility perhaps is, that something which has ceased, or is not yet in existence, can still be, in a manner, present; that a series of feelings, the infinitely greater part of which is past or future, can be gathered up, as it were, into a simple present conception, accompanied by a belief or reality. I think by far the wisest thing we can do is to accept the inexplicable fact, without any theory of how it takes place; and when we are obliged to speak of it in terms which assume a theory, to use them with a reservation as to their meaning." In a later place in the same book (p. 561) Mill, speaking of what may rightly be demanded of a theorist, says: "He is not entitled to frame a theory from one class of phenomena, extend it to another class which it does not fit, and excuse himself by saying that if we cannot make it fit, it is because ultimate facts are inexplicable." The class of phenomena which the associationist school takes to frame its theory of the Ego are feelings unaware of each other. The class of phenomena the Ego presents are feelings of which the later ones

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    the gutter. The drill had been thorough, and its effects had become embodied in the man's nervous structure."[150] Riderless cavalry-horses, at many a battle, have been seen to come together and go through their customary evolutions at the sound of the bugle-call. Most trained domestic animals, dogs and oxen, and omnibus- and car-horses, seem to be machines almost pure and simple, undoubtingly, unhesitatingly doing from minute to minute the duties they have been taught, and giving no sign that the possibility of an alternative ever suggests itself to their mind. Men grown old in prison have asked to be readmitted after being once set free. In a railroad accident to a travelling menagerie in the United States some time in 1884, a tiger, whose cage had broken open, is said to have emerged, but presently crept back again, as if too much bewildered by his new responsibilities, so that he was without difficulty secured. Habit is thus the enormous fly-wheel of society, its most precious conservative agent. It alone is what keeps us all within the bounds of ordinance, and saves the children of fortune from the envious uprisings of the poor. It alone prevents the hardest and most repulsive walks of life from being deserted by those brought up to tread therein. It keeps the fisherman and the deck-hand at sea through the winter; it holds the miner in his darkness, and nails the countryman to his log-cabin and his lonely farm through all the months of snow; it protects us from invasion by the natives of the desert and the frozen zone. It dooms us all to fight out the battle of life upon the lines of our nurture or our early choice, and to make the best of a pursuit that disagrees, because there is no other for which we are fitted, and it is too late to begin again. It keeps different social strata from mixing. Already at the age of twenty-five you see the professional mannerism settling down on the young commercial traveller, on the young doctor, on the young minister, on the young counsellor-at-law. You see the little lines of cleavage running through the character, the tricks of thought, the prejudices, the ways of the 'shop,' in a word, from which the man can by-and-by no more escape than his coat-sleeve can suddenly fall into a new set of folds. On the whole, it is best he should not escape. It is well for the world that in most of us, by the age of thirty, the character has set like plaster, and will never soften again. If the period between twenty and thirty is the critical one in the formation of intellectual and professional habits, the period below twenty is more important still for the fixing of personal habits, properly so called, such as vocalization and pronunciation, gesture, motion, and address. Hardly ever is a language learned after twenty spoken without a foreign accent; hardly ever can a youth transferred to the society

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    I cannot help suspecting that the scholastic prejudice that 'the effect must be already in some way contained in the cause' has had something to do with making psychologists so ready to admit the feeling of innervation. The outgoing current being the effect, what psychic antecedent could contain or prefigure it better than a feeling of it? But if we take a wide view, and consider the psychic antecedents of our activities at large, we see that the scholastic maxim breaks down everywhere, and that its verification in this instance would rather violate than illustrate the general rule. In the diffusive wave, in reflex action, and in emotional expression, the movements which are the effects are in no manner contained by anticipation in the stimuli which are their cause. The latter are subjective sensations or objective perceptions, which do not in the slightest degree resemble or prefigure the movements. But we get them, and, presto! there the movements are! They are knocked out of us, they surprise us. It is just cause for wonder, as our chapter on Instinct has shown us, that such bodily consequences should follow such mental antecedents. We explain the mystery tant bien que mal by our evolutionary theories, saying that lucky variations and heredity have generally brought it about that this particular pair of terms should have grown into a uniform sequence. Meanwhile why any state of consciousness at all should precede a movement, we know not—the two things seem so essentially discontinuous. But if a state of consciousness there must be, why then it may, for aught we can see, as easily be one sort of a state as another. It is swallowing a camel and straining at a gnat for a man (all of whose muscles will on certain occasions contract at a sudden touch or sound) to suppose that on another occasion the idea of the feelings about to be produced by their contraction is an insufficient mental signal for the latter, and to insist that an additional antecedent is needed in the shape of 'a feeling of the outgoing discharge.' No! for aught we can see, and in the light of general analogy, the kinæsthetic ideas, as we have defined them, or images of incoming feelings of attitude and motion, are as likely as any feelings of innervation are, to be the last psychic antecedents and determiners of the various currents downwards into the muscles from the brain. The question "What are the antecedents and determinants?" is a question of fact, to be decided by whatever empirical evidence may be found.[454] But before considering the empirical evidence, let me go on to show that there is a certain a priori reason why the kinœsthetic images OUGHT to be the last psychic antecedents of the outgoing currents, and why we should expect these currents to be insentient; why, in short, the soi-disant feelings of innervation should NOT exist.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    as one? No effort enables us to assimilate them. That a unit of feeling has nothing in common with a unit of motion becomes more than ever manifest when we bring the two into juxtaposition."[159] And again: "Suppose it to have become quite clear that a shock in consciousness and a molecular motion are the subjective and objective faces of the same thing; we continue utterly incapable of uniting the two, so as to conceive that reality of which they are the opposite faces."[160] In other words, incapable of perceiving in them any common character. So Tyndall, in that lucky paragraph which has been quoted so often that every one knows it by heart: "The passage from the physics of the brain to the corresponding facts of consciousness is unthinkable. Granted that a definite thought and a definite molecular action in the brain occur simultaneously; we do not possess the intellectual organ, nor apparently any rudiment of the organ, which would enable us to pass, by a process of reasoning, from one to the other."[161] Or in this other passage: "We can trace the development of a nervous system and correlate with it the parallel phenomena of sensation and thought. We see with undoubting certainty that they go hand in hand. But we try to soar in a vacuum the moment we seek to comprehend the connection between them . . . There is no fusion possible between the two classes of facts—no motor energy in the intellect of man to carry it without logical rupture from the one to the other."[162] None the less easily, however, when the evolutionary afflatus is upon them, do the very same writers leap over the breach whose flagrancy they are the foremost to announce, and talk as if mind grew out of body in a continuous way. Mr. Spencer, looking back on his review of mental evolution, tells us how "in tracing up the increase we found ourselves passing without break from the phenomena of bodily life to the phenomena of mental life."[163] And Mr. Tyndall, in the same Belfast Address from which we just quoted, delivers his other famous passage: "Abandoning all disguise, the confession that I feel bound to make before you is that I prolong the vision backward across the boundary of the experimental evidence, and discern in that matter which we, in our ignorance and notwithstanding our professed reverence for its Creator, have hitherto covered with opprobrium the promise and potency of every form and quality of life."[164] —mental life included, as a matter of course. So strong a postulate is continuity! Now this book will tend to show that mental postulates are on the whole to be respected. The demand for continuity has, over large tracts of science, proved itself to possess true prophetic power. We ought therefore ourselves sincerely to try every possible mode of conceiving the dawn of consciousness so that it may not appear equivalent to the irruption into the universe of a new nature,

  • From Sex at Dawn (2010)

    For thousands of years, males have seen women not as women could be, but only as males want them to be.” 11 Despite all the controversy, there is no question as to whether sperm competition occurs in human reproduction. 12 It does—every time. A single human ejaculate contains anywhere from fifty million to half a billion applicants all trying to elbow their way into the only job available: fertilizer in chief. The relevant question is whether those applicants are competing against only each other, or billions more eager job-seekers sent by other men as well. It’s hard to conjure a more purely competitive entity than the human spermatozoa. Imagine a teeming school of microscopic salmon whose entire existence consists in straining upstream toward a one-in-several-hundred-million shot at reproduction. Longish odds, you might say. But not all creatures’ sperm face such overwhelmingly slim chances. In some species of insects, for example, fewer than a hundred sperm line up for the race to the ovum. Nor are all sperm tiny in comparison to him that sent them. Some species of fruit fly have sperm that measure almost six centimeters when uncoiled—several times larger than the fly himself. Homo sapiens is far down at the other extreme, depositing hundreds of millions of tiny sperm at the drop of a hat. Table 4: Sperm Competition Among Great Apes 13 Hard Core in the Stone Age Here’s a head-scratcher. Why do so many heterosexual men get off on pornography featuring groups of guys having sex with just one woman? It doesn’t add up, if you think about it. It’s more cone than ice cream. And the suggestive strangeness doesn’t end with the counterintuitive male-to-female ratio; it’s male ejaculate that puts the money in the money shot. Researchers have confirmed what porn producers already know: men tend to get turned on by images depicting an environment in which sperm competition is clearly at play (though few, we imagine, think of it in quite these terms). Images and videos showing one woman with multiple males are far more popular on the Internet and in commercial pornography than those depicting one male with multiple females. 14 A quick peek at the online offerings at Adult Video Universe lists over nine hundred titles in the Gangbang genre, but only twenty-seven listed under Reverse Gangbang. You do the math. Why would the males in a species that’s been wearing the shackles of monogamy for 1.9 million years be sexually excited by scenes of groups of men ejaculating with one or two women? Skeptics may argue that this arousal could reflect nothing more than commercial interests or a passing fashion.

  • From Sex at Dawn (2010)

    Although Darwin might have been “perplexed” by it, sperm competition preserves the central purpose of male competition in his theory of sexual selection, with the reward to the victor being fertilization of the ovum. But the struggle occurs on the cellular level, among the sperm cells, with the female’s reproductive tract the field of battle. Male apes living in multimale social groups (such as chimps, bonobos, and humans) have larger testes, housed in an external scrotum, mature later than females, and produce larger volumes of ejaculate containing greater concentrations of sperm cells than primates in which females normally mate with only one male per cycle (such as gorillas, gibbons, and orangutans). And, who knows? Perhaps Darwin would have recognized this process, if he’d been a bit less indoctrinated by Victorian notions of female sexuality. Sarah Hrdy contends that “it was Darwin’s presumption that females hold themselves in reserve for the best available male that left him so puzzled by sexual swellings.” Hrdy doesn’t buy Darwin’s “coy female” schtick for a minute: “Although appropriate for many animals, the appellation ‘coy’—which was to remain unchallenged dogma for the succeeding hundred years—did not then, and does not today, apply to the observed behavior of monkey and ape females at mid-cycle.” 9 It’s possible Darwin was being a bit coy himself in his writings on the sexuality of human females. The poor guy had already insulted God, as most people—including his loving, pious wife—understood the concept. Even if he suspected something like sperm competition had played a role in human evolution, Darwin could hardly be expected to drag the angelic Victorian woman down from her pedestal. Bad enough that Darwinian theory depicts women evolving to prostitute themselves for meat, access to male wealth, and the rest of it. To have argued that ancestral females were shameless trollops motivated by erotic pleasure would have been too much. Still, with characteristic awareness of just how much he didn’t—and couldn’t—know, Darwin acknowledged, “As these parts are more brightly coloured in one sex [female] than in the other, and as they become more brilliant during the season of love, I concluded that the colours had been gained as a sexual attraction. I was well aware that I thus laid myself open to ridicule….” 10 Perhaps Darwin did understand that the bright sexual swellings of some female primates served to stoke male libido, which shouldn’t be necessary according his sexual selection theory. There is even evidence that Darwin may have had reason to ponder sperm competition in humans.

  • From Sex at Dawn (2010)

    The complexity of the human cervix suggests it evolved to filter the sperm of various males. Concerning macaques (highly promiscuous monkeys) and humans, Dixson writes: “In the genus Macaca, all species of which are considered to have multimale-multifemale mating systems, the cervix is especially complex in structure…. The evidence pertaining to human beings and macaque females,” he continues, “indicates that the cervix acts both as a filtering mechanism and as a temporary reservoir for spermatozoa during their migration into the uterus.” 27 As with the complex penis and external testicles in the male, the elaborate filtering design of the human cervix points toward promiscuity in our ancestors. The idea that female choice (conscious or not) can happen after or during intercourse rather than as part of an elaborate precopulatory courtship ritual turns the standard narrative inside out and upside down. If the female’s reproductive system has evolved intricate mechanisms for filtering and rejecting the sperm cells of some men while helping along those of a man who meets criteria of which she may be utterly unaware, Darwin’s “coy female” starts looking like what she is: an anachronistic male fantasy. But Darwin may have suspected more than he let on concerning postcopulatory mechanisms of sexual selection. Any discussion of human sexual behavior or the evolutionary implications of our genital morphology would have been extremely controversial in 1871, to put it mildly. Just imagine, as Dixson does, “what would have occurred if The Descent of Man had included a detailed exposition of the evolution of the penis and testes or descriptions of the various copulatory postures and patterns employed by animals and human beings.” 28 No one can blame Darwin for opting not to include chapters on the evolution of the penis and vagina in his already explosive work. But a century and a half is a long time for discretion and cultural bias to keep smothering scientific fact. To Meredith Small, the story of the female’s role in conception is a miniature of the overall narrative. She sees the popular understanding of conception as “an outdated allegory of human sexuality” featuring the male as “aggressor, persuader, conqueror.” Recent research on human fertilization suggests something of a role reversal. Small suggests the ovum “reaches out and envelops reluctant sperm.” “Female biology,” she concludes, “even at the level of egg and sperm interaction, doesn’t necessarily dictate a docile stance.” 29 In addition to enveloping eggs, a cervix that filters or favors sperm, and vaginal contractions that may expel the sperm of one man while boosting that of another, women’s orgasms provoke changes in vaginal acidity.

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