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MOVEMENT

Abstract Form

The body abstracted to the point where it becomes pure form, line, and texture — recognizable as human but not literal.

Historical Context

The tradition of abstracting the body in photography runs from Edward Weston's peppers-as-bodies to contemporary photographers who use extreme cropping, focus, and angle to reduce the figure to formal elements.

Defining Characteristics

  • Extreme cropping
  • Form over identity
  • Texture as primary subject
  • Non-literal representation
  • Body as landscape

Reference Artists

  • Edward Weston
  • Aaron Siskind
  • Harry Callahan
  • Minor White

Works in this style

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