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Book
Antonio Damasio · 2003
Damasio's patients could reason flawlessly and still wreck their lives, because the part of them that felt the difference between options had gone quiet. From that he built the opposite of the old story: feeling is not the enemy of good judgment but an input to it, the body tagging our choices with value before we deliberate.
Sequence ladder
Narrative Intelligence sources live outside the figurative image sequence ladder. Adaptive placement applies to image sequences, not this reading library.
Appears in
What this book knows
Feelings are the mind's map of the body's life-regulation, and joy is not decoration but biological necessity.
mind-and-cognition
Feelings are revelations of the state of life within the entire organism—a lifting of the veil, expressions of the struggle for balance.
LSJS-RC-004Feeling sad is often about an inefficient mode of thought stalling around a limited number of ideas of loss.
LSJS-RC-056Spinoza managed to bring together reason and affect in a modern way; demonstrations were the eyes of the mind.
LSJS-RC-174embodiment
The nervous system must map body structures and states and transform neural patterns into mental patterns or images—without this, no feeling.
LSJS-RC-068mortality
Joy and its variants lead to greater functional perfection; sorrow should be avoided because they are unhealthy.
LSJS-RC-180Dr. Tulp stares into a distance beyond the frame—Schama suggests he looks at the Creator himself, even in the smallest part.
LSJS-RC-138Illuminates
Editor’s framing
This is the ground of Vela's attention to the body in emotion and in writing — the felt sense that arrives before the reasoned account and shapes it. Looking for Spinoza extends the somatic-marker argument into a theory of feeling as the mind's read on the body's state. It sits on the body-first side of the field's central divide, in tension with the constructionist account, and Vela uses it to take bodily knowing seriously without treating the gut as infallible.
Featured passage
Likewise, feeling sad is not just about a sickness in the body or about a lack of energy to continue. It is often about an inefficient mode of thought stalling around a limited number of ideas of loss. Figure 3.1: The continuation of the diagram in figure 2.5, now leading all the way to feelings of fear. The transmission of signals from the body to the brain (the outer arrow moving from box E at bottom left to box F in upper right) can be influenced by the triggering and execution sites (arrows from box 1 marked modification of signal transmission). The triggering and execution sites also influence the process by creating changes in cognitive mode and related recall (box 2), and by making direct changes in somatic maps (box 3) that constitute the proximate neural substrate for feelings. Note that both the appraisal/evaluation stage and the final feelings stage occur at the cerebral level, within sensory association and higher-order cerebral cortices. Feelings Are Interactive Perceptions Feelings are perceptions and, in some ways, they are comparable to other perceptions. For example, actual visual perceptions correspond to external objects whose physical characteristics impinge on our retinas and temporarily modify the patterns of sensory maps in the visual system. Feelings also have an object at the origin of the process and the physical characteristics of the object also prompt a chain of signals that transit through maps of the object inside the brain. Just as in the case of visual perception, there is a part of the phenomenon that is due to the object, and a part that is due to the internal construction the brain makes of it. But something that is different—and the difference is not trivial—is that, in the case of feelings, the objects and events at the origin are well inside the body rather than outside of it. Feelings may be just as mental as any other perception, but the objects being mapped are parts and states of the living organism in which feelings arise. This important difference begets two others. First, in addition to being linked to an object at the origin—the body—feelings also are linked to the emotionally competent object that initiated the emotion-feeling cycle. In a curious way the emotionally competent object is responsible for establishing the object at the origin of a feeling. Thus when we refer to the “object” of an emotion or of a feeling we must qualify the reference and make clear which object we mean. The sight of a spectacular seascape is an emotionally competent object. The body state that results from beholding that seascape x is the actual object at the origin x, which is then perceived in the feeling state. Second, and no less importantly, the brain has a direct means to respond to the object as feelings unfold because the object at the origin is inside the body, rather than external to it. The brain can act directly on the very object it is perceiving.
Likewise, feeling sad is not just about a sickness in the body or about a lack of energy to continue.
Read alongside · the magazine
Feeling as input to reason — the somatic case for writing from the body.
Read alongside · the emotions
One pole of the feeling-brain Damasio reattaches to reason.
Scholars: Antonio Damasio
6 published passages · book excerpt · research analysis
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