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Book
Sheldon Pollock · 2016
Pollock's anthology of classical Indian aesthetic theory — rasa (taste/sentiment/aesthetic experience) tradition from Bharata's Natya Shastra through Abhinavagupta and beyond. Foundational source for emotion-spine + writing-craft (W1) corpus from the South Asian register.
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What this book knows
Classical Indian aesthetics knows that art transmutes raw emotion into impersonal, shareable aesthetic bliss through the doctrine of rasa.
mind-and-cognition
literature is not something in which writers engage to produce rasa in characters like Rama, but rather to make sensitive people feel aesthetic bliss
POLL-RASA-RC-209if one were to have an awareness of the pleasure and pain as experienced exclusively by some other person, one would necessarily have an awareness of some corresponding emotion in oneself
RRCI-RC-307Rasa comes to light at seemingly the same moment as the literal meaning; when predominant, it becomes the very soul of implicature
POLL-RASA-RC-119education-and-formation
The comic may be described as an imitation of the erotic, and the tragic rasa as an effect of the violent; their superintending deities: Vishnu for the erotic, Rudra for the violent
RRCI-RC-358self-and-identity
it is the individual emotions themselves, as they present themselves, that become individual rasas
RRCI-RC-263Since rasa had become something pertaining to the audience, a new epistemology appropriate to that new ontology was required
RRCI-RC-111Illuminates
6 published passages · book excerpt · research analysis
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