Tenderness
Tenderness is the hand that doesn't grip — the soft, attentive register the body finds when it is protecting something fragile and choosing not to control it. Vela holds tenderness apart from sentimentality, which is what tenderness looks like when no one is paying attention; tenderness keeps its eyes open.
Working definition · Soft care, protectiveness, or gentle regard toward something fragile.
2890 passages · 9 Vela essays · in 1 cluster
Vela’s read on this emotion
Tenderness is the emotion most likely in this culture to be softened into sentiment — confused with sweetness, with reassurance, with the kind of greeting-card affect that flatters its reader without seeing them. Vela reads tenderness differently.
In the passages Vela returns to, tenderness arrives as attention that does not try to fix what it is attending to. A parent at a child's bedside. A partner holding a small failure without commenting on it. A nurse adjusting a sheet. A witness who stays. The defining gesture is care that does not pretend the fragility isn't there. Trevor Noah in *Born a Crime* writes his mother's tenderness as protection of a child whose very existence was illegal — care as the form love takes when the cost is mortal. Joy Harjo in *Crazy Brave* writes tenderness inside survival — the older self the memoir is becoming holding the younger self the memoir is remembering.
Tenderness is not the same as love, gratitude, or admiration. Love is the sustained orientation that survives the day's weather. Gratitude is the recognition of a gift. Admiration is the approach toward something held above. Tenderness is the somatic register those three share when the beloved becomes fragile — the hand-on-shoulder quality, the lowered voice, the body knowing to be small around a smaller thing.
*On Tenderness* — the slower companion essay in the magazine — tracks the etymology and the difference between tenderness and its sentimental imitator.
Study and magazine
Long-form guide in the magazine
*On Tenderness* — the slower companion essay. The architecture of an emotion most often softened into sentiment; what the word holds in language and what the writers keep saying when the sentimental reading is set aside.
Read the guidePassages
Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
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2890 tagged passages
From Tropic of Capricorn (1934)
Maybe every word she uttered was a lie! Not an ordinary lie, no, something worse, something indescribable. Only sometimes the truth comes out like that too, especially if you think you’re never going to see the person again. Sometimes you can tell a perfect stranger what you would never dare reveal to your most intimate friend. It’s like going to sleep in the midst of a party; you become so interested in yourself that you go to sleep. And when you’re sound asleep you begin to talk to someone, someone who was in the same room with you all the time and therefore understands everything even though you begin in the middle of a sentence. And perhaps this other person goes to sleep also, or was always asleep, and that’s why it was so easy to encounter him, and if he doesn’t say anything to disturb you then you know that what you are saying is real and true and that you are wide-awake and there is no other reality except this being wide-awake asleep. Never before have I been so wide-awake and so sound asleep at the same time. If the ogre in my dreams had really pushed the bars aside and taken me by the hand I would have been frightened to death and consequently now dead, that is, forever asleep and therefore always at large, and nothing would be strange any more, nor untrue, even if what happened did not happen. What happened must have happened long ago, in the night undoubtedly. And what is now happening is also happening long ago, in the night, and this is no more true than the dream of the ogre and the bars which would not give, except that now the bars are broken and she whom I feared has me by the hand and there is no difference between that which I feared and what is, because I was asleep and now I am wide-awake asleep and there is nothing more to fear, nor to expect, nor to hope for, but just this which is and which knows no end. She wants to go. To go. . . . Again her haunch, that slippery glide as when she came down from the dance hall and moved into me. Again her words . . . “suddenly for no reason at all, he bent down and lifted up my dress.” She’s slipping the fur around her neck; the little black bonnet sets her face off like a cameo. The round, full face, with Slavic cheekbones. How could I dream this, never having seen it? How could I know that she would rise like this, close and full, the face full white and blooming like a magnolia? I tremble as the fullness of her thigh brushes me. She seems even a little taller than I, though she is not. It’s the way she holds her chin. She doesn’t notice where she’s walking.
From Tropic of Capricorn (1934)
I had a few American Indians, Cherokees mostly, but no Tibetans, and no Eskimos: I saw names I could never have imagined and handwriting which ranged from cuneiform to the sophisticated and astoundingly beautiful calligraphy of the Chinese. I heard men beg for work who had been Egyptologists, botanists, surgeons, gold miners, professors of Oriental languages, musicians, engineers, physicians, astronomers, anthropologists, chemists, mathematicians, mayors of cities and governors of states, prison wardens, cowpunchers, lumberjacks, sailors, oyster pirates, stevedores, riveters, dentists, painters, sculptors, plumbers, architects, dope peddlers, abortionists, white slavers, sea divers, steeplejacks, farmers, cloak and suit salesmen, trappers, lighthouse keepers, pimps, aldermen, senators, every bloody thing under the sun, and all of them down and out, begging for work, for cigarettes, for carfare, for a chance, Christ Almighty, just another chance! I saw and got to know men who were saints, if there are saints in this world; I saw and spoke to savants, crapulous and uncrapulous ones; I listened to men who had the divine fire in their bowels, who could have convinced God Almighty that they were worthy of another chance, but not the vice-president of the Cosmococcic Telegraph Company. I sat riveted to my desk and I traveled around the world at lightning speed, and I learned that everywhere it is the same—hunger, humiliation, ignorance, vice, greed, extortion, chicanery, torture, despotism: the inhumanity of man to man: the fetters, the harness, the halter, the bridle, the whip, the spurs. The finer the caliber the worse off the man. Men were walking the streets of New York in that bloody, degrading outfit, the despised, the lowest of the low, walking around like auks, like penguins, like oxen, like trained seals, like patient donkeys, like big jackasses, like crazy gorillas, like docile maniacs nibbling at the dangling bait, like waltzing mice, like guinea pigs, like squirrels, like rabbits, and many and many a one was fit to govern the world, to write the greatest book ever written. When I think of some of the Persians, the Hindus, the Arabs I knew, when I think of the character they revealed, their grace, their tenderness, their intelligence, their holiness, I spit on the white conquerors of the world, the degenerate British, the pigheaded Germans, the smug, self-satisfied French. The earth is one great sentient being, a planet saturated through and through with man, a live planet expressing itself falteringly and stutteringly; it is not the home of the white race or the black race or the yellow race or the lost blue race, but the home of man and all men are equal before God and will have their chance, if not now then a million years hence.
From Just Mercy: A Story of Justice and Redemption (2014)
When I went upstairs to the courtroom, I spotted the correctional officer who had given me such a hard time when I had first met Avery. I hadn’t seen the officer since that initial ugly encounter. I had asked another client about the guard and was told that he had a bad reputation and usually worked the late shift. Most people tried to steer clear of him. He must have been the officer assigned to transport Avery to the hearing, which made me worried about how Avery might have been treated on the trip, but he had seemed his usual self. Over the next three days we presented our evidence about Avery’s background. The experts who spoke about Avery’s disabilities were terrific. They weren’t partial or biased, just very persuasive in detailing how organic brain damage, schizophrenia, and bipolar disorder can conspire to create severe mental impairment. They explained that the psychosis and other serious mental health problems that burdened Mr. Jenkins could lead to dangerous behavior, but this behavior was a manifestation of serious illness, not a reflection of his character. We also put forth evidence about the foster care system and how it had failed Avery. Several of the foster parents with whom Avery had been placed were later convicted of sexual abuse and criminal mismanagement of foster children. We discussed how Avery had been passed from one unhappy situation to the next, until he was drug-addicted and homeless. Several former foster parents admitted to being very frustrated by Avery because they weren’t equipped to deal with his serious mental health problems. I argued to the judge that not taking Avery’s mental health issues into consideration at trial was as cruel as saying to someone who has lost his legs, “You must climb these stairs with no assistance, and if you don’t, you’re just lazy.” Or to say to someone who is blind, “You should get across this busy interstate highway unaided, or you’re just cowardly.” There are hundreds of ways we accommodate physical disabilities—or at least understand them. We get angry when people fail to recognize the need for thoughtful and compassionate assistance when it comes to the physically disabled, but because mental disabilities aren’t visible in the same way, we tend to be dismissive of the needs of the disabled and quick to judge their deficits and failures. Brutally murdering someone would, of course, require the State to hold that person accountable and to protect the public. But to completely disregard a person’s disability would be unfair in evaluating what degree of culpability to assign and what sentence to impose.
From Just Mercy: A Story of Justice and Redemption (2014)
We talked about music, we talked about prison, we talked about what’s important in life and what’s not. I was completely absorbed in our conversation. We laughed at times, and there were moments when he was very emotional and sad. We kept talking and talking, and it was only when I heard a loud bang on the door that I realized I’d stayed way past my allotted time for the legal visit. I looked at my watch. I’d been there three hours. The guard came in and he was angry. He snarled at me, “You should have been done a long time ago. You have to leave.” He began handcuffing Henry, pulling his hands together behind his back and locking them there. Then he roughly shackled Henry’s ankles. The guard was so angry he put the cuffs on too tight. I could see Henry grimacing with pain. I said, “I think those cuffs are on too tight. Can you loosen them, please?” “I told you: You need to leave. You don’t tell me how to do my job.” Henry gave me a smile and said, “It’s okay, Bryan. Don’t worry about this. Just come back and see me again, okay?” I could see him wince with each click of the chains being tightened around his waist. I must have looked pretty distraught. Henry kept saying, “Don’t worry, Bryan, don’t worry. Come back, okay?” As the officer pushed him toward the door, Henry turned back to look at me. I started mumbling, “I’m really sorry. I’m really sor—” “Don’t worry about this, Bryan,” he said, cutting me off. “Just come back.” I looked at him and struggled to say something appropriate, something reassuring, something that expressed my gratitude to him for being so patient with me. But I couldn’t think of anything to say. Henry looked at me and smiled. The guard was shoving him toward the door roughly. I didn’t like the way Henry was being treated, but he continued to smile until, just before the guard could push him fully out of the room, he planted his feet to resist the officer’s shoving. He looked so calm. Then he did something completely unexpected. I watched him close his eyes and tilt his head back. I was confused by what he was doing, but then he opened his mouth and I understood. He began to sing. He had a tremendous baritone voice that was strong and clear. It startled both me and the guard, who stopped his pushing. I’m pressing on, the upward way New heights I’m gaining, every day Still praying as, I’m onward bound Lord, plant my feet on Higher Ground. It was an old hymn they used to sing all the time in the church where I grew up.
From Born a Crime: Stories from a South African Childhood (2016)
She never let me see us as victims. We were victims, me and my mom, Andrew and Isaac. Victims of apartheid. Victims of abuse. But I was never allowed to think that way, and I didn’t see her life that way. Cutting my father out of our lives to pacify Abel, that was her choice. Supporting Abel’s workshop was her choice. Isaac was her choice. She had the money, not him. She wasn’t dependent. So in my mind, she was the one making the decision. It is so easy, from the outside, to put the blame on the woman and say, “You just need to leave.” It’s not like my home was the only home where there was domestic abuse. It’s what I grew up around. I saw it in the streets of Soweto, on TV, in movies. Where does a woman go in a society where that is the norm? When the police won’t help her? When her own family won’t help her? Where does a woman go when she leaves one man who hits her and is just as likely to wind up with another man who hits her, maybe even worse than the first? Where does a woman go when she’s single with three kids and she lives in a society that makes her a pariah for being a manless woman? Where she’s seen as a whore for doing that? Where does she go? What does she do? But I didn’t comprehend any of that at the time. I was a boy with a boy’s understanding of things. I distinctly remember the last time we argued about it, too. It was sometime after the bicycle, or when she was moving into her shack in the backyard. I was going off, begging her for the thousandth time. “Why? Why don’t you just leave?” She shook her head. “Oh, baby. No, no, no. I can’t leave.” “Why not?” “Because if I leave he’ll kill us.” She wasn’t being dramatic. She didn’t raise her voice. She said it totally calm and matter-of-fact, and I never asked her that question again. — Eventually she did leave. What prompted her to leave, what the final breaking point was, I have no idea. I was gone. I was off becoming a comedian, touring the country, playing shows in England, hosting radio shows, hosting television shows. I’d moved in with my cousin Mlungisi and made my own life separate from hers. I couldn’t invest myself anymore, because it would have broken me into too many pieces. But one day she bought another house in Highlands North, met someone new, and moved on with her life. Andrew and Isaac still saw their dad, who, by that point, was just existing in the world, still going through the same cycle of drinking and fighting, still living in a house paid for by his ex-wife. Years passed. Life carried on.
From Saint Thomas Aquinas Collection (22 Books) (2016)
Secondly, from the effect of man’s salvation; for, as is said Qq. Vet et Nov. Test., qu. 83, “it is in the power of the Giver to have pity when, or as much as, He wills. Hence He came when He knew it was fitting to succor, and when His boons would be welcome. For when by the feebleness of the human race men’s knowledge of God began to grow dim and their morals lax, He was pleased to choose Abraham as a standard of the restored knowledge of God and of holy living; and later on when reverence grew weaker, He gave the law to Moses in writing; and because the gentiles despised it and would not take it upon themselves, and they who received it would not keep it, being touched with pity, God sent His Son, to grant to all remission of their sin and to offer them, justified, to God the Father.” But if this remedy had been put off till the end of the world, all knowledge and reverence of God and all uprightness of morals would have been swept away from the earth. Thirdly, this appears fitting to the manifestation of the Divine power, which has saved men in several ways—not only by faith in some future thing, but also by faith in something present and past. Reply to Objection 1: This gloss has in view the mercy of God, which leads us to glory. Nevertheless, if it is referred to the mercy shown the human race by the Incarnation of Christ, we must reflect that, as Augustine says (Retract. i), the time of the Incarnation may be compared to the youth of the human race, “on account of the strength and fervor of faith, which works by charity”; and to old age—i.e. the sixth age—on account of the number of centuries, for Christ came in the sixth age. And although youth and old age cannot be together in a body, yet they can be together in a soul, the former on account of quickness, the latter on account of gravity. And hence Augustine says elsewhere (Qq. lxxxiii, qu. 44) that “it was not becoming that the Master by Whose imitation the human race was to be formed to the highest virtue should come from heaven, save in the time of youth.” But in another work (De Gen. cont. Manich. i, 23) he says: that Christ came in the sixth age—i.e. in the old age—of the human race. Reply to Objection 2: The work of the Incarnation is to be viewed not as merely the terminus of a movement from imperfection to perfection, but also as a principle of perfection to human nature, as has been said.
From Tropic of Capricorn (1934)
She made you aware of it whether you wished to be or no. The nigger blood, as I say, and the fact that her mother was a trollop. The mother was white, of course. Who the father was nobody knew, not even Valeska herself. Everything was going along smoothly until the day an officious little Jew from the vice-president’s office happened to espy her. He was horrified, so he informed me confidentially, to think that I had employed a colored person as my secretary. He spoke as though she might contaminate the messengers. The next day I was put on the carpet. It was exactly as though I had committed sacrilege. Of course I pretended that I hadn’t observed anything unusual about her, except that she was extremely intelligent and extremely capable. Finally the president himself stepped in. There was a short interview between him and Valeska during which he very diplomatically proposed to give her a better position in Havana. No talk of the blood taint. Simply that her services had been altogether remarkable and that they would like to promote her—to Havana. Valeska came back to the office in a rage. When she was angry she was magnificent. She said she wouldn’t budge. Steve Romero and Hymie were there at the time and we all went out to dinner together. During the course of the evening we got a bit tight. Valeska’s tongue was wagging. On the way home she told me that she was going to put up a fight; she wanted to know if it would endanger my job. I told her quietly that if she were fired I would quit too. She pretended not to believe it at first. I said I meant it, that I didn’t care what happened. She seemed to be unduly impressed; she took me by the two hands and she held them very gently, the tears rolling down her cheeks. That was the beginning of things. I think it was the very next day that I slipped her a note saying that I was crazy about her. She read the note sitting opposite me and when she was through she looked me square in the eye and said she didn’t believe it. But we went to dinner again that night and we had more to drink and we danced and while we were dancing she pressed herself against me lasciviously. It was just the time, as luck would have it, that my wife was getting ready to have another abortion. I was telling Valeska about it as we danced. On the way home she suddenly said—“Why don’t you let me lend you a hundred dollars?”
From Bad Behavior (1988)
But I’d still have the pleasure of feeling it for you. It doesn’t have to be returned.” He wanted to put his hands on either side of her head and squeeze. She looked at him intently. “I said that to someone recently,” she said. “Do you suppose it’s a trend of some kind?” The wind blew away her bangs, baring her white forehead. He kissed the sudden openness. She dropped her head against his shoulder. An old woman in a pink coat bearing a sequined flower with a disturbing burst of petals on her lapel looked at them and smiled. Her white face was heavy with wrinkles and pink makeup, and her smile seemed difficult under the weight. She sat on the short brick wall about two feet away from them. “I’m not making myself clear,” said Daisy. She lifted her head and looked at him with wide, troubled eyes. “If you’re nice to me, I’ll probably make you unhappy. I’ve done that to people.” “You couldn’t make me unhappy.” “I’m only nice to people who are mostly mean to me. Once somebody told me to stay away from so-and-so because he beat up girls. They said he broke his girlfriend’s jaw.” She paused, for emphasis, he supposed. The old lady was beginning to look depressed. “So I began flirting with him like wild. Isn’t that sick?” “What happened?” asked Joey with interest. “Nothing. He went to Bellevue before anything could. But isn’t it awful? I actually wanted this nut to hit me.” She paused again. “Aren’t you disgusted?” “Oh, I don’t know.” The old lady rose slowly, head down, and walked away with stiff, painful steps. Her coat blew open; her blue-veined legs were oddly pretty. Daisy turned to watch her. “See,” she said. “She’s disgusted even if you aren’t. We’ve ruined her day.” — Every day after work, he walked Daisy to a corner two blocks away from her apartment so he wouldn’t meet her boyfriend, David. There was a drugstore on the corner with colored perfume bottles nesting in fistfuls of crepe paper in the window. The druggist, a middle-aged man with a big stomach and a disappointed face, stood at the door and watched them say good-bye. It was a busy corner; traffic ran savagely in the street, and people stamped by, staring in different directions, clutching their packages, briefcases and huge, screaming radios, their faces concentrated but empty.
From Bad Behavior (1988)
She smiled and looked at the happy lions snoozing on the designer sheets. He put his hand on hers. “The first night I came here, you were uncertain, kind of shy. You came out and admitted it, you asked me questions. You trusted me. Tonight when you were mad, you didn’t put on a phony smile. You let off steam, told me how you felt. You didn’t treat me like a customer. That’s nice. There’s hardly anybody that’ll be real with you like that anymore. Sometimes even my wife isn’t honest with me.” She looked up from the smiling lions. “You shouldn’t come to prostitutes looking for honesty.” “You’re not a prostitute. Don’t say that about yourself.” “What do you think I am?” “You just happen to be a pretty, sexy girl who, uh—” “I have sex for money.” “Well, all right.” He slapped her thigh nervously. “You’re right. You’re a prostitute.” It sounded so horrible. “But you’re still a wonderful girl.” He grabbed her and snuggled her. “You don’t know me.” “You’re wonderful.” He squeezed her like he wanted to break her ribs. She shoved her pelvis against him, threw her arms and one leg around him and squeezed with all her slippery might. She smiled with half-closed eyes, and bit her grinning lip. He squeezed harder. She jammed her elbows into his sides and he made a meek “whoof” noise. He dropped his arms, panting. “God, you’re strong. How did such a small person get so strong?” She grinned like a wolf. “I dunno.” She let go and rolled off, and padded into the bathroom. He followed her. “Are you a gymnast? A dancer?” “No. I used to work out with weights in school.” She dabbed between her legs with a nubbly white washcloth. “University?” “Yeah.” She grabbed a fat economy-size jar of mentholated mouthwash, threw her head back and dumped a big splash into her mouth. Her cheeks worked vigorously as she sloshed it to and fro. “Do you show your strength in the way you deal with people? I mean, outside of this place?” She spat a green burst of mouthwash into the sink and looked at him. “Yeah. I do.” “How do you make them aware of it?” She leaned against the sink, facing him with her arms behind her, her face thoughtful and soft. “I just...don’t let people sway my thinking. I don’t mold myself to fit what other people think I am.” She came forward and put her arms around him. “It’s interesting that you find strength in women attractive.” “Why?” “Don’t most older men like passive, dependent women?” “Oh, that’s an awful stereotype. Don’t believe it.” “Is your wife a strong woman?” “Yes, she is.” “Is she a lawyer too?” “No. She’s an antiquarian. She’s got a small rare-book business.” “Did you meet her in college?” “Yes.
From Bad Behavior (1988)
She hung up rather gratified that she’d slighted and irritated him. She paced a bit more and then settled down in the living area, where she stared into space. She remembered a story she’d read once in which the main character, an older woman who was pining to see a boy she’d likely never see again, found accidental solace in late-night TV, where she saw an actor who looked like an older version of her young heartthrob. Leisha had, after all, wanted to be an actress at one point. Susan found the remote-control unit and flicked on the TV. It was on the pornographic cable station. No one there resembled Leisha. Neither did anyone on Get Smart, Love That Bob or the Japanese horror movie. The last channel she tried revealed a nameless old Italian thing about international espionage, which had a murky, kinky sexual flavor that held her interest for several minutes. And, in fact, there was a dark, intense woman who was playing an intellectual slut. If Leisha had ever become an actress, this was probably the kind of role she’d get, but Susan doubted she had the tenacity to land roles even like this one. She flicked off the TV. It embarrassed her to hold such a low opinion of Leisha’s ability, but it wasn’t a reflection of contempt. Leisha was simply meant to feel and be, not to do. But what an arrogant thing to close off Leisha’s possibilities like that. After all, no one who knew Susan six years before could have predicted exactly where she would wind up, and some people had been surprised. She put her head back on the couch and closed her eyes. She imagined Leisha as an actress in a sci-fi movie, playing a tiny queen in silver lamé. She saw her as a mother in a blue-and-white-checked blouse, kneeling on the floor to play a game with her child. She saw her as an aging hipster in a bar, her eyes made up in flames of black and silver, complaining about her current relationship to whoever would listen. She saw her as a bag lady. Then the images peeled away and she saw her standing in empty space, wearing the tight Capri pants she used to wear, a dreamy, half-smiling girl, her intensity momentarily muted by some inner reflection. She looked at this girl and realized that, with all the falseness and silliness between them, she had cared for her, and been cared for in return. She wanted to talk to her, and tomorrow she would try again. She sat in the living area for almost an hour thinking about what she might say to her, and what Leisha might say back.
From Bad Behavior (1988)
Connie looked up. “I understand what you’re saying, but that wasn’t the case with Alice. I never acted vulnerable around her. And actually I don’t really agree with you. I may have done that to you because I responded to you sexually, but in general, I don’t.” Deana shrugged. “Well, I only know what I’ve seen. I’m just trying to come up with an answer for you because you seem so distressed.” She stood and collected the dishes. Her fingers and hands, Constance thought, had an exposed, strangely cold and receptive quality, like the nose of a puppy. As she was watching her clear the table and take the dishes to the kitchen, she could see the many aspects of her lover come forward and shyly recede with each movement; her rigid, stubborn arms, her strong shoulders positioned in a soft, demure curve, her stern chin, her luminous forehead, her odd way of stiffly holding back and gently, curiously moving forward—all spoke of her radial gradations of tenderness, sorrow and radiant, fanlike intelligence. — She woke up in the middle of the night, slumberously thinking of Franklin. “I love you,” he said. “I love you in a way I’ve never loved anyone.” “I don’t know what you mean,” she said. “He’s just crazed,” said his friends. “Frank’s hyper, that’s all.” What would happen if she went to his party? Would he fall all over her and rave about how glad he was to see her, then disappear for the rest of the night? Would it hurt her feelings? She imagined Alice standing near a table of ravaged snacks, holding a plastic cup of alcohol, a little hat neatly sitting on her blow-dried head. It wasn’t true that Alice had no unhappiness. She had a schizophrenic mother who lived in a state mental hospital (Alice’s family wasn’t wealthy) and who sometimes didn’t know her. Alice felt that she wasn’t accepted as an artist by her circle, and sometimes would get so upset about it that she’d scream and throw things. “I feel like a piece of shit,” she once said to Connie. Connie turned and put her stomach and breasts against Deana’s warm back. She thought about the first woman she’d had a crush on, a beautiful stripper with black hair and bitter blue eyes. She had gone to see her strip and was irretrievably moved by the resigned but arrogant turn of her strong chin, the way she casually offered and rigidly withheld her body, as well as her tacky black lingerie. “You don’t love women. You’re just trying to live out some kind of porno fantasy invented by men with the corniest props you can find,” a gay woman had told her.
From Saint Thomas Aquinas Collection (22 Books) (2016)
Reply to Objection 2: As the Son of God “became man, and was circumcised in the flesh, not for His own sake, but that He might make us to be God’s through grace, and that we might be circumcised in the spirit; so, again, for our sake He was presented to the Lord, that we may learn to offer ourselves to God” [*Athanasius, on Lk. 2:23]. And this was done after His circumcision, in order to show that “no one who is not circumcised from vice is worthy of Divine regard” [*Bede, on Lk. 2:23]. Reply to Objection 3: For this very reason He wished the legal victims to be offered for Him who was the true Victim, in order that the figure might be united to and confirmed by the reality, against those who denied that in the Gospel Christ preached the God of the Law. “For we must not think,” says Origen (Hom. xiv in Luc.) “that the good God subjected His Son to the enemy’s law, which He Himself had not given.” Reply to Objection 4: The law ofLev. 12:6, 8 “commanded those who could, to offer, for a son or a daughter, a lamb and also a turtle dove or a pigeon: but those who were unable to offer a lamb were commanded to offer two turtle doves or two young pigeons” [*Bede, Hom. xv in Purif.]. “And so the Lord, who, ‘being rich, became poor for our [Vulg.: ‘your’] sakes, that through His poverty we [you] might be rich,” as is written 2 Cor. 8:9, “wished the poor man’s victim to be offered for Him” just as in His birth He was “wrapped in swaddling clothes and laid in a manger” [*Bede on Lk. 1]. Nevertheless, these birds have a figurative sense. For the turtle dove, being a loquacious bird, represents the preaching and confession of faith; and because it is a chaste animal, it signifies chastity; and being a solitary animal, it signifies contemplation. The pigeon is a gentle and simple animal, and therefore signifies gentleness and simplicity. It is also a gregarious animal; wherefore it signifies the active life. Consequently this sacrifice signified the perfection of Christ and His members. Again, “both these animals, by the plaintiveness of their song, represented the mourning of the saints in this life: but the turtle dove, being solitary, signifies the tears of prayer; whereas the pigeon, being gregarious, signifies the public prayers of the Church” [*Bede, Hom. xv in Purif.]. Lastly, two of each of these animals are offered, to show that holiness should be not only in the soul, but also in the body.
From Bad Behavior (1988)
It was like nursery rhymes; they were two cute girls walking down the street talking harmless nonsense, while all around them the world was in full operation. Desperate vendors displayed miserable items arranged on dirty blankets—T-shirts, ratty sweaters and vinyl belts, wrinkled old magazines, faded books and records. Garbage flapped in the streets and humans walked up and down the sidewalks, on their way to perform hundreds of actions in a remarkably orderly fashion. The sun was evenly warm and pleasant and it seemed as though this was all that anyone could expect out of life. Susan felt an ache of futile tenderness for Leisha and she impulsively reached out and stroked her four serial earrings the way she would pet a cat. It was sometime during her second year in New York that their conversations began to seem like frantic attempts to wring each other for support that neither could give. Leisha became involved with an abusive rock musician. She called Susan, it seemed, only when she was hysterical in a phone booth after a fight with him. When he left her for a singer, Leisha went to Bellevue, was discharged, slit her wrists, went home to Michigan and returned in a state of quasi-hysteria that remained constant for the rest of the time Susan knew her. She immediately moved back in with the musician, who had been dumped by the singer. She was dropped by most of her Michigan friends, who said that she was too self-indulgent and theatrical to cope with. Susan didn’t know if what they said was true or not, but it seemed unkind. She wanted to remain loyal to Leisha, but she was floundering so thoroughly herself that when they talked they seemed like drowning people clinging to each other for life.
From Bad Behavior (1988)
He felt a sort of painful fondness. He remembered having a similar feeling when he ran into a girl he’d been crazy about in college and saw that she’d gotten fat and was buying a box of Pampers. It was strange to be having that feeling now for someone he met in a brothel. It was almost a year later when he went into Manhattan one afternoon to do Christmas shopping. The city had a different quality during the day. When he thought of daytime Manhattan, the first thing he imagined was a pretty young woman with dark, wavy hair and an unnatural burst of red on both cheeks, walking down the wide, crowded sidewalks more quickly and sharply than anyone had to, her worn, brightly colored shoes marching in close, narrow steps, her cheap, fashionable jacket open to show her belted waist, her handbag held tightly under her arm, her head turned away from anyone who might look at her, turned so she could skim the window displays as she clipped by, one hand jammed into a pocket of her jacket, nothing swinging loose. And then he thought of a lumbering, middle-aged man in a suit, his glasses on the tip of his nose, a lace of greasy crumbs on his lapels, his briefcase clutched at his side, rolling down the street as fast as his plump body would go, jacket flapping open, his bored eyes skimming quickly over the girl and every other girl like her as he rushed to the office. There was something sad and poignant about this image, but that didn’t prevent him from spending as much time staring at girls as he spent shopping. At the end of the day he’d found only two gifts—a sweater-guard made of twin silver bunnies for a teenaged niece and, for Sylvia, an elegant old-fashioned wristwatch from a Village watch shop. By the time he had found these gifts it was late afternoon and he was hungry. The watch shop was close to a particular café he liked because the food was good and because he enjoyed looking at the strangely dressed young people who often went there. The hostess, a tall girl with a high, perspiring forehead and pleasantly freckled cheeks, smiled as she ran toward him with a long plastic menu, and immediately raced him to a corner table that had yellow flowers in a green bottle on it. “Enjoy,” she panted, and ran off. He shook off his heavy coat and looked over the crowd with relish. He picked up the menu and glanced at the table on his left. From then on the rest of the people in the room became a herd of anonymous colored shapes that could’ve been eating their fingers for all he cared. Jane was sitting next to him.
From Saint Thomas Aquinas Collection (22 Books) (2016)
IN this parable there are three points to be noted. Firstly, the manifold misery of sinners: “A certain man went down from Jerusalem.” Secondly, is shown the manifold pity of Christ to the sinner: “A certain Samaritan, as he journeyed, came where he was; and when he saw him he had compassion on him, and went to him, and bound up his wounds, pouring in oil and wine, and set him on his own beast, and brought him to an inn, and took care of him. And on the morrow when he departed, he took out two-pence, and gave them to the host, and said unto him, Take care of him; and whatsoever thou spendest more, when I come again I will repay thee.” Thirdly, the rule which is given to us for imitation: “Go, and do thou likewise.” I. On the first head it is to be noted, that men incur a fourfold misery when they sin. (1) They are deprived of heavenly glory: “went down from Jerusalem,” &c., Gloss. That man by the falling away of trifling, to miseries, and to the infirmity of this sad and changeable life, descends from the heavenly Jerusalem. The wicked shall hide themselves, “for fear of the Lord, and for the glory of His Majesty,” Isai. 2:19. (2) The wicked are subjected under wicked spirits: “and fell among thieves,” Gloss. In the power of the evil spirits: “and that they may recover themselves out of the snare of the devil who are taken captive by him at his will,” 2 S. Tim. 2:26 (3) They are despoiled of their good possessions: “which stripped him of his raiment,” Gloss. It refers to the garments of spiritual grace: “into a malicious soul wisdom shall not enter; nor dwell in the body that is subject unto sin,” Wisdom 1:4. (4) They are wounded in their natural good things: “and wounded him;” bring wounds upon him, that is, sins, by which the integrity of human nature is violated. “If there were not natural good things vices could not harm them; but now what they do is to take away integrity, beauty, virtue, and salvation” (S. Augustine).
From Bad Behavior (1988)
“I was a regular of hers, and we saw each other on the outside. She had short hair like yours, only hers was orange.” He smiled, as though this disclosed a revealing element that firmly established a relationship between Stephanie and the orange-haired girl. “As a matter of fact, she used this place to collect material for her work. She was extremely bright and very aware of all the contradictions she embodied by being here.” He smiled gently. “She could talk about it endlessly.” She pulled off her skirt and lay down next to him, supporting herself on one elbow. They talked about fiction in The New Yorker and The Atlantic. She ranted against the trendy writers she despised. They talked about dance performances they’d seen. He described a piece at the Dance Theater Workshop in which the dancers waved large Styrofoam animals at each other and rolled around in paint. She thought it sounded idiotic, but felt tender toward his robustly curious delight in this goofy spectacle. “I have a Workshop membership and every now and then I get invited to fabulous parties, where all the boys wear long coats and earrings, and all the girls have hair like yours.” He beamed. She thought: At this rate, I’m not going to have to do anything. They talked about her past, her coldly perfect father, her sad, passive mother, her sister on lithium, her college major, her first romance. He listened gravely. He began to stroke her arm hairs, and then her arm. He had a seductive touch; she moved closer to him and he put his arms around her. He caressed her as if he were trying to discover the places she most inhabited—not romantically, but tenderly, with a sense of exploration. She was not aroused, exactly, but it was pleasant; it had been a long time since anyone had touched her like this. She murmured, “The way you touch reminds me of my mother.” “How so?” “Her touch is very seductive. I don’t even like her, but when she starts to touch me, I suddenly become totally vulnerable to her. It’s frightening.” He liked this a lot. “That’s beautiful,” he said. The intercom buzzed, announcing that they had ten more minutes. She “took care of him” quickly, and they stood to dress. She stuck her feet back in her high heels, and cheerfully tore the sheets off the bed. He zipped up his pants, handed her an extra twenty and told her it had been a relaxing hour. She said yes, actually, it had been for her too, and then trotted off to stuff the wadded-up sheets in a reeking wicker basket. She walked him downstairs, feeling ungainly and knees-out in her tight skirt. She was aware of him looming and lurking darkly behind her as she came under the speculative, moody gaze of three potential Romeos. “And here’s Perry,” said Christine brightly.
From Best Erotic Romance
He didn’t have to wait long. He didn’t know if he could have. She stuttered his name, once, and then he was rewarded with the intake of her breath that was often the only sound she made when she came. It was all held in her body, the pulled-tight muscles, her eyes shuttered closed and then opened on his face, the nails that found their place in his skin. And he followed, whispered her name, Madeline, Madeline, into her ear. Into her neck. Into the clover and the dirt and the corn next door and the wind that wasn’t. And most of all, to all the parts of Maddy that met him and matched him, that took him in fully. They stayed, tied together with spent desire and the recovering sound of their breaths. He tried to let his forehead rest to hers but ended up thunking her hard enough that they both said Ow and then started to laugh. When he finally rolled away, it seemed like the sun hadn’t moved at all, as though they’d stopped time in the middle of the field, in the middle of the day. A pinprick at the side of his hip; he swore out loud before he realized what it was. A bee or a pricker. From the sting of it, maybe both. “Aw, baby,” she said. She was trying not to laugh as he rolled on his side, both of them eyeing the rising pink welt on his bare hip. “It was worth it,” he said, as he moved back toward her, letting her head rest in the crook of his arm. The fences could wait. The clover would grow on its own. The bees would do what they did. And the prickers too. Whatever happened, it was worth it to be here, now, surrounded by the sting and the sweet. HONEY CHANGES EVERYTHING Emerald Kim wrestled her armload of groceries through the back door and kicked it shut behind her. Setting the bags on the kitchen counter, she glanced at the blinking light on the answering machine and pressed Play. “Kim, it’s Maria. I’ve been meaning to call you. Drake told me about Terry, and I’m so sorry—we both are. Keep in touch, and if there’s anything I can do, please let me know.” She paused. Kim could picture Maria’s blue eyes shining with sincerity, delicate features emanating concern. “As you may know, Drake’s not altogether certain about his job either at this point. Anyway, feel free to give me a call, Kim. Take care.”
From Bad Behavior (1988)
When he got on the highway to Westchester, he used his pushbutton device to roll down the windows and drove too fast. When he arrived home he walked through the entire first floor of his house, turning on all the lights. His wife really was out of town, and he didn’t like to be alone in a dimly lit house. The refrigerator was clean and neatly stacked with food his wife had prepared for him. He got into his pajamas and slippers and made himself a sandwich of cold cuts and mayonnaise. He stood at the kitchen counter and ate the sandwich from a paper plate with a smiling cat face on it. He thought of Lisette lying across the bed like an arrangement of fruit, her shoulder snuggled against her cheek, watching him clean himself in the bathroom with a cheap pink loofah. She had a curious, sober look on her round face. She’s an intelligent girl, he thought. You can see it in her eyes. Why hadn’t he told her that he was a veterinarian? He had never lied to a prostitute before. He made himself a piña colada, with lots of crushed ice and a tiny straw—his wife had left a Dixie cup of red-and-white straws next to the blender—and went to bed. — The next night, he drove into Manhattan to see her again. “Boy, I’m glad to see you tonight,” she said as she clacked into the room with the sheet. “Are you? Why?” He stood to let her crack the sheet above the bed. “Oh, it’s been sort of a bad night. I couldn’t stand to deal with another idiot.” “I’m sure you get some pretty undesirable people in here.” “You said it.” “Nobody violent or anything, I hope?” “No, just stupid.” She floated the sheet down and turned to curl against him. Later, they lay folded together, listening to the sad gurgle of the fish tank. “Look at those poor, dumb things swimming around in there,” she said. “They haven’t got any idea of the filth going on in here.” “What did you mean about the men who come here? When you said they’re…just stupid.” He’d said “stupid” too loud.
From Bad Behavior (1988)
She lay on Bobby’s futon and thought of Steve. He was a quiet man whom she considered brilliant. He worked in the public relations department of a magazine neither one respected. They saw each other almost every night, they had keys to each other’s apartment. They had private jokes and several cute nicknames apiece. Sometimes it seemed as if they spoke a language foreign to other people, that there was something closeted and defeated in their closeness. But they made each other happy. There was, in magazine-speak, a “real connection.” She opened her eyes. “Connection” was a vague word when applied to humans. What did it mean? She remembered a man she’d had a short affair with before she’d met Steve. He was a sweet, practical person who never read books, rarely went out, and didn’t seem to care strongly about anything except a few close friends and a martial art he practiced with fanatic zeal. They had nothing in common. In most ways he bored her. Yet when she touched him she felt a sensitivity in his body, a sense of receptivity that she rarely encountered in men. When he held her against his chest, she felt secure and protected in a way that had nothing to do with his muscular body. She felt that they were nourishing each other in some important, invisible way. But they could barely hold a conversation. At times she had thought that this was the only kind of connection you could have with people—intense, inexplicable and ultimately incomplete. During the months that her friendship with Leisha was beginning to wane, she would think, Well, I can’t talk to her and I don’t respect her, but she has a beauty that can perhaps only be appreciated on a nonintellectual level. Like a sudden flame of piercing movement in an unexceptional dancer, or the grace and spirit of an animal. She remembered them walking down St. Marks together doing an acting-class exercise. One person would say something and the other person would repeat it, with slight changes in words or expression. Susan thought it was pointless, but Leisha loved the exercise. “I love to walk down the street and look at people,” began Leisha. “You love to walk down the street looking at people.” “People look at me when I walk down the street.” “You like it when people look at you.” “You like it when people look at you.” “I’m scared when people look at me.” “I’m scared when people look at me.” “But you like it.” “Do you like it?” “It makes me nervous and I pull my earrings.” “You pull your earrings all the time.” “I hate to pull my earrings.” “I want to pet your earrings.” “You want to pet my earrings.”
From Bad Behavior (1988)
She took off her checked dress, button by button, very neatly. Her body was extremely pretty: white, curvy and plump. When she took off her high heels he saw that her legs were a little too short and her ankles a bit thick, but he liked them anyway. She folded her dress over the aluminum chair and turned to him with an uptilted chin, looking as if she might break into a trot, like a pony. She was proud of her body. Her pride was pitiful in the stupid room. It made him feel superior and tender. He gushed a smile and held out his arms. She met him with a surprisingly strong hug, the pouncing grab of a playful animal. “Goodness, you’re healthy.” She grinned and squeezed him. “What do you want to do?” “We’ll play it by ear. Don’t be nervous. It’s going to be lovely.” The way she touched became unsure. She talked to him as they touched, and her crude, frank words were like pungent flowers against the gray of her shyness. When he touched her hips, he thought he could feel her innermost life on the sensitive surface of her body. — “It was like a honeymoon,” he said to her afterward. “Just like I knew it would be.” “Oh, it was not.” Her face was in the mirror; she was swiping her mouth with lipstick. “Don’t be silly.” “Have you ever been married?” “Uh-uh.” “Then you don’t know what a honeymoon is like.” She was right, though. It wasn’t like a honeymoon at all. — She walked him to the door and he kissed her in front of the other girls. The stretch-pants woman smiled. “Good night, Fred,” she said.