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Shame

Shame travels through the body before it reaches language — the head drops, the chest contracts, the eye refuses contact. Vela treats it as a primary emotion in its own right, not a flavor of guilt, and pays attention to how rarely it stays alone: it arrives bundled with anger, with exposure-dread, with the temptation to hide and the temptation to perform.

Working definition · The sense that the self, not only the act, is flawed, exposed, or unworthy.

5329 passages · 5 Vela essays · in 1 cluster

Vela’s read on this emotion

Shame is one of the emotions Vela returns to most often, because the writers who have written most honestly about being human keep coming back to it.

The reading is primarily through memoir. Mary Karr returns to shame across her body of work — the alcoholic father, the mother who left, the long re-encounter with her own younger self. Carmen Maria Machado, in *In the Dream House*, writes about shame inside intimate-partner abuse in a register the genre had not previously held: the shame of staying, the shame of having seen, the shame of needing to tell. The testimony of the AIDS years — the personal essays and oral histories that came out of ACT UP, the activist coalition that confronted the early epidemic — keeps shame as a constant under-tone, alongside the rage.

Shame also runs through the Christian theological inheritance. Augustine of Hippo, writing the *Confessions* in the late fourth century, installed a particular shape of shame in the Western conscience — and almost every Christian thinker since has inherited that installation, ratified it, or argued against it. The lineage runs carefully through the reading.

Shame is not the same as guilt. Guilt is about an act — *I did a bad thing.* Shame is about the self — *I am a bad thing.* The two often arrive together, but they cost the person carrying them different things, and Vela reads them separately.

Shame travels in a family. Humiliation, mortification, embarrassment, exposure-dread, chagrin — each has its own pitch, but the family resemblance is unmistakable.

What is intentionally light here is the contemporary clinical literature. The choice is editorial: testimony is more textured than measurement. *On Shame* — the slower companion essay in the magazine — tracks the word's history and weight; this page opens onto the passages, the pairings, and the writers who have made shame a serious subject.

Study and magazine

Long-form guide in the magazine

*On Shame* — the slower companion essay. How the word lives in language, how it travels in the passages Vela reads, and how it differs from its near cousins. The historical pillar *Augustine, or How the West Learned to Be Ashamed* tracks the installation of the Western inheritance.

Read the guide

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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5329 tagged passages

  • From City of Night (1963)

    This is a familiar story. Many tell you this for whatever purpose. Hustling, it emphasizes your masculinity for a score. For the others—even, sometimes, the very effeminate—this may be a symbolic subterfuge to emphasize the quandary of being in that world.... With this man, though, Im convinced beyond any doubt that what hes just told me is true.... I notice an untanned circle about his finger from which he has probably just removed a ring. “Ive only been with two men in my life—that way—” he went on slowly. “And those two times, nothing really happened. I just—... And, once—...” He broke off abruptly. “What I mean is that Ive never really done anything,” he said. “Oh, sure, Ive known for a long time. I guess—I guess thats largely the reason I got married, but I didnt really know, then.... Now Ive got a kid nine years old.... But things—from the beginning—they didnt go right. Thats mainly why she wanted a kid.... And then I started driving to the beaches, I guess to make sure there was a whole world ready to welcome me when I finally decided to join it—if I ever decided to. I always came there with the intention of meeting someone. But then I would see a screaming fairy—and suddenly I’d be ashamed. It’s very strange—but I couldnt bear to look into his eyes, afraid, I guess, that he’d look back at me with recognition. And I didnt want a fairy, I knew that I didnt even want them to look at me in that strange, piercing way. So I would drive away—but then I’d come back.... I’d seen you before. One time I almost talked to you. You see, I’d see you there alone—then youd go off with someone youd just met. So—well—I knew—well, that if I talked to you, youd at least talk back to me. I mean—those people I’d see you with, many of them were—well—obvious, and so—” Turning to look at him—a man still not middle-aged, with still the hint of the attractive youngman he had been—I understood something of his struggle. That thought disturbs me, and I say quickly: “It’s getting cool, isnt it?” “Very cool,” he said. A long silence. “Will you stay with me tonight?” he asked me. The breeze is rising rapidly. The sun is now a blaze of white fusing with the glaring ocean. I cant help asking: “Are you sure you want me to?” “Yes,” he said—but uncertainly. “I think Im sure. Yes, Im sure.” Quickly, as if once having said that, he was resisting the instant compulsion to reverse himself, he said: “Im on vacation—I told you that already, didnt I? My wife—she—...

  • From Educated (2018)

    He dropped my wrist and I fell to the floor. I could hear his steps moving down the hall. I stood and quietly locked the bathroom door, then I stared into the mirror at the girl clutching her wrist. Her eyes were glassy and drops slid down her cheeks. I hated her for her weakness, for having a heart to break. That he could hurt her, that anyone could hurt her like that, was inexcusable. I’m only crying from the pain, I told myself. From the pain in my wrist. Not from anything else . This moment would define my memory of that night, and of the many nights like it, for a decade. In it I saw myself as unbreakable, tender as stone. At first I merely believed this, until one day it became the truth. Then I was able to tell myself, without lying, that it didn’t affect me, that he didn’t affect me, because nothing affected me. I didn’t understand how morbidly right I was. How I had hollowed myself out. For all my obsessing over the consequences of that night, I had misunderstood the vital truth: that its not affecting me, that was its effect. [image "Chapter 13 Silence in the Churches" file=Image00015.jpg] In September the twin towers fell. I’d never heard of them until they were gone. Then I watched as planes sank into them, and I stared, bewildered, at the TV as the unimaginably tall structures swayed, then buckled. Dad stood next to me. He’d come in from the junkyard to watch. He said nothing. That evening he read aloud from the Bible, familiar passages from Isaiah, Luke, and the Book of Revelation, about wars and rumors of wars. Three days later, when she was nineteen, Audrey was married—to Benjamin, a blond-haired farm boy she’d met waitressing in town. The wedding was solemn. Dad had prayed and received a revelation: “There will be a conflict, a final struggle for the Holy Land,” he’d said. “My sons will be sent to war. Some of them will not come home.” I’d been avoiding Shawn since the night in the bathroom. He’d apologized. He’d come into my room an hour later, his eyes glassy, his voice croaking, and asked me to forgive him. I’d said that I would, that I already had. But I hadn’t. At Audrey’s wedding, seeing my brothers in their suits, those black uniforms, my rage turned to fear, of some predetermined loss, and I forgave Shawn. It was easy to forgive: after all, it was the End of the World. For a month I lived as if holding my breath. Then there was no draft, no further attacks. The skies didn’t darken, the moon didn’t turn to blood. There were distant rumblings of war but life on the mountain remained unchanged. Dad said we should stay vigilant, but by winter my attention had shifted back to the trifling dramas of my own life.

  • From H Is for Hawk (2014)

    He was certain that these fantasies had been shaped by his early abuse, and they shamed and horrified him, for in them he played the role of the abuser , just like his father and the masters who had beaten him. Therapy with Bennet had not taken these urges away. They never left him. Late in his life he wrote a pornographic novel about spanking schoolboys: it was a prolonged and awful confession. But he locked it away and never showed it to anyone. All his life he suppressed his desires. But sometimes, just sometimes, he could speak of them through other selves. Colonel Cully is one of them: a hawk wracked with desire to hurt a boy who is also a bird – a boy who is also himself. You can see the whole of his life’s tragedy there in one small scene. Though White had fled from the world of school, he never escaped the models it had given him on how to conduct his life. At school you had to pass tests and ordeals to prove you were brave. You tested your bravery in the playing fields, and through the beatings by masters and prefects. And there were the ceremonies of cruelty of the boys themselves: the initiations and ordeals that were the price of entrance into the school, and later into boys’ secret societies. White had put his hand between the cocked hammer of an unloaded revolver and its frame before the trigger was pulled. The pain was a triumph; in bearing the agony, he proved he could belong . But White was not always the victim in these rituals. School taught him that as he suffered at the hands of older boys, so he should punish the younger. He joined gangs and terrorised those weaker than himself, testing them as he had been tested. One term the test was to jump from a window in Big School fourteen feet to the ground. Puppy Mason was too scared to do it, so White assisted in pushing him out. When the fall broke his leg in three places, they were impressed by his silence. He told the masters that he had tripped over a twig on the headmaster’s garden path. Puppy had been tested, had behaved heroically, and his membership of the fraternity was approved. I knew nothing of such things. I knew about being hurt: the impossibly clumsy child that was me scraped her knees, tripped, grazed herself, hit her head on open windows and bled terribly. But I did not understand the logic behind ordeals of belonging. I did not see pain and bravery as steps toward gaining self-reliance, as necessary parts of growing up. But still I noticed, when I read The Sword in the Stone , that whenever the Wart became an animal, he seemed to be in danger.

  • From Get Out of Your Head: Stopping the Cycle of Anxious Thoughts (2020)

    If our toddler is throwing a fit in the grocery store, we correct him, redirect him—yet we have allowed our minds to have outright meltdowns with zero correction. For eighteen months straight, I thought I was a victim of the arguments against God rising within me. For too many years of my life, I thought I was a victim of the negativity rising within me. Do you relate to what I’m saying? Have you also spent way too much of your life believing you are a victim to your thoughts? Paul tells us that we don’t have to live this way, that we can take captive our thoughts. And in so doing, we can wield our power for good and for God, slaying strongholds left and right. The Interrupting Thought This promise of wielding power over our thoughts sounds great, doesn’t it? Yet I sense a small question from you: “Um…how?” As in, “Thanks, Jennie. Sounds terrific. But how on earth do I get that done?” Throughout the coming chapters you and I will learn how to go to war with the weapons that God has given us, weapons that can take out seven strategic enemies that attack us and undermine our efforts to maintain steady, sound minds. The big picture here is this: We have chaotic thought lives. These thoughts often lead to wild emotions, true? Emotions that tell us how to behave. Those behaviors dramatically affect our relationships, continuing that downward spiral we looked at previously. What we’re saying, then, is that how we think directly results in how we live. This may sound terrifying, but, in fact, it’s exciting. You’ll have to trust me for now. This is what I know: while we may not be able to take every thought captive in every situation we face every day, we can learn to take one thought captive and, in doing so, affect every other thought to come. So what is the one thought that can successfully interrupt every negative thought pattern? It’s this: I have a choice. That’s it. The singular, interrupting thought is this one: I have a choice. If you have trusted in Jesus as your Savior, you have the power of God in you to choose! You are no longer a slave to passions, to lusts, to strongholds, to sin of any kind. You have a God-given, God-empowered, God-redeemed ability to choose what you think about. You have a choice regarding where you focus your energy. You have a choice regarding what you live for. I have a choice. We are not subject to our behaviors, genes, or circumstances. We are not subject to our passions, lusts, or emotions. We are not subject to our thoughts. We have a choice because we are conquerors who possess weapons to destroy strongholds. Now, we rarely get to choose our circumstances, but Paul said we have a choice about how we think about those sometimes-challenging things.

  • From Educated (2018)

    “I only hope he has made some impression on you.” I didn’t understand. “Come this way,” he said, turning toward the chapel. “I have something to say to you.” I walked behind him, noticing the silence of my own footfalls, aware that my Keds didn’t click elegantly on stone the way the heels worn by other girls did. Dr. Kerry said he’d been watching me. “You act like someone who is impersonating someone else. And it’s as if you think your life depends on it.” I didn’t know what to say, so I said nothing. “It has never occurred to you,” he said, “that you might have as much right to be here as anyone.” He waited for an explanation. “I would enjoy serving the dinner,” I said, “more than eating it.” Dr. Kerry smiled. “You should trust Professor Steinberg. If he says you’re a scholar—‘pure gold,’ I heard him say—then you are.” “This is a magical place,” I said. “Everything shines here.” “You must stop yourself from thinking like that,” Dr. Kerry said, his voice raised. “You are not fool’s gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you . You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself—even gold appears dull in some lights—but that is the illusion. And it always was.” I wanted to believe him, to take his words and remake myself, but I’d never had that kind of faith. No matter how deeply I interred the memories, how tightly I shut my eyes against them, when I thought of my self, the images that came to mind were of that girl, in the bathroom, in the parking lot. I couldn’t tell Dr. Kerry about that girl. I couldn’t tell him that the reason I couldn’t return to Cambridge was that being here threw into great relief every violent and degrading moment of my life. At BYU I could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real—more believable—than the stone spires. To myself I pretended there were other reasons I couldn’t belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn’t belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do.

  • From Educated (2018)

    unexpectedly. “We’re going to the doctor,” he said. I started to say I wouldn’t go, but then I saw his face. He looked as though he had a question but knew there was no point in asking it. The tense line of his mouth, the narrowing of his eyes. This is what distrust looks like, I thought. Given the choice between seeing an evil socialist doctor, and admitting to my boyfriend that I believed doctors were evil socialists, I chose to see the doctor. “I’ll go today,” I said. “I promise. But I’d rather go alone.” “Fine,” he said. He left, but now I had another problem. I didn’t know how to go to a doctor. I called a friend from class and asked if she’d drive me. She picked me up an hour later and I watched, perplexed, as she drove right past the hospital a few blocks from my apartment. She took me to a small building north of campus, which she called a “clinic.” I tried to feign nonchalance, act as though I’d done this before, but as we crossed the parking lot I felt as though Mother were watching me. I didn’t know what to say to the receptionist. My friend attributed my silence to my throat and explained my symptoms. We were told to wait. Eventually a nurse led me to a small white room where she weighed me, took my blood pressure, and swabbed my tongue. Sore throats this severe were usually caused by strep bacteria or the mono virus, she said. They would know in a few days. When the results came back, I drove to the clinic alone. A balding middle-aged doctor gave me the news. “Congratulations,” he said. “You’re positive for strep and mono. Only person I’ve seen in a month to get both.” “Both?” I whispered. “How can I have both?” “Very, very bad luck,” he said. “I can give you penicillin for the strep, but there’s not much I can do for the mono. You’ll have to wait it out. Still, once we’ve cleared out the strep, you should feel better.” The doctor asked a nurse to bring some penicillin. “We should start you on the antibiotics right away,” he said. I held the pills in my palm and was reminded of that afternoon when Charles had given me ibuprofen. I

  • From Educated (2018)

    “I’ve never understood it, either,” I said. There was a tense silence. He was waiting for me to say my line: that I was praying for faith. And I had prayed for it, many, many times. Perhaps both of us were thinking of our history, or perhaps only I was. I thought of Joseph Smith, who’d had as many as forty wives. Brigham Young had had fifty-five wives and fifty-six children. The church had ended the temporal practice of polygamy in 1890, but it had never recanted the doctrine. As a child I’d been taught—by my father but also in Sunday school—that in the fullness of time God would restore polygamy, and in the afterlife, I would be a plural wife. The number of my sister wives would depend on my husband’s righteousness: the more nobly he lived, the more wives he would be given. I had never made my peace with it. As a girl I had often imagined myself in heaven, dressed in a white gown, standing in a pearly mist across from my husband. But when the camera zoomed out there were ten women standing behind us, wearing the same white dress. In my fantasy I was the first wife but I knew there was no guarantee of that; I might be hidden anywhere in the long chain of wives. For as long as I could remember, this image had been at the core of my idea of paradise: my husband, and his wives. There was a sting in this arithmetic: in knowing that in the divine calculus of heaven, one man could balance the equation for countless women. I remembered my great-great-grandmother. I had first heard her name when I was twelve, which is the year that, in Mormonism, you cease to be a child and become a woman. Twelve was the age when lessons in Sunday school began to include words like purity and chastity. It was also the age that I was asked, as part of a church assignment, to learn about one of my ancestors. I asked Mother which ancestor I should choose, and without thinking she said, “Anna Mathea.” I said the name aloud. It floated off my tongue like the beginning of a fairy tale. Mother said I should honor Anna Mathea because she had given me a gift: her voice. “It was her voice that brought our family to the church,” Mother said. “She heard Mormon missionaries preaching in the streets of Norway. She prayed, and God blessed her with faith, with the knowledge that Joseph Smith was His prophet. She told her father, but he’d heard stories about the Mormons and wouldn’t allow her to be baptized. So she sang for him.

  • From Educated (2018)

    sound of footsteps in the hall, and when I heard them I became deranged. Charles could not see me like this. He could not know that for all my pretenses—my makeup, my new clothes, my china place settings—this is who I was. I convulsed, arching my body and ripping my wrist away from Shawn. I’d caught him off guard; I was stronger than he’d expected, or maybe just more reckless, and he lost his hold. I sprang for the door. I’d made it through the frame and had taken a step into the hallway when my head shot backward. Shawn had caught me by the hair, and he yanked me toward him with such force that we both tumbled back and into the bathtub. The next thing I remember, Charles was lifting me and I was laughing —a shrill, demented howl. I thought if I could just laugh loudly enough, the situation might still be saved, that Charles might yet be convinced it was all a joke. Tears streamed from my eyes—my big toe was broken—but I kept cackling. Shawn stood in the doorway looking awkward. “Are you okay?” Charles kept saying. “Of course I am! Shawn is so, so, so—funny.” My voice strangled on the last word as I put weight on my foot and a wave of pain swept through me. Charles tried to carry me but I pushed him off and walked on the break, grinding my teeth to stop myself from crying out, while I slapped playfully at my brother. Charles didn’t stay for supper. He fled to his jeep and I didn’t hear from him for several hours, then he called and asked me to meet him at the church. He wouldn’t come to Buck’s Peak. We sat in his jeep in the dark, empty parking lot. He was crying. “You didn’t see what you thought you saw,” I said. If someone had asked me, I’d have said Charles was the most important thing in the world to me. But he wasn’t. And I would prove it to him. What was important to me wasn’t love or friendship, but my ability to lie convincingly to myself: to believe I was strong. I could never forgive Charles for knowing I wasn’t. I became erratic, demanding, hostile. I devised a bizarre and ever- evolving rubric by which I measured his love for me, and when he failed to meet it, I became paranoid. I surrendered to rages, venting all my savage anger, every fearful resentment I’d ever felt toward Dad or Shawn,

  • From Educated (2018)

    could almost forget, allow what had been to blend into what was. But the contrast here was too great, the world before my eyes too fantastical. The memories were more real—more believable—than the stone spires. To myself I pretended there were other reasons I couldn’t belong at Cambridge, reasons having to do with class and status: that it was because I was poor, had grown up poor. Because I could stand in the wind on the chapel roof and not tilt. That was the person who didn’t belong in Cambridge: the roofer, not the whore. I can go to school, I had written in my journal that very afternoon. And I can buy new clothes. But I am still Tara Westover. I have done jobs no Cambridge student would do. Dress us any way you like, we are not the same. Clothes could not fix what was wrong with me. Something had rotted on the inside, and the stench was too powerful, the core too rancid, to be covered up by mere dressings. Whether Dr. Kerry suspected any part of this, I’m not sure. But he understood that I had fixated on clothes as the symbol of why I didn’t, and couldn’t, belong. It was the last thing he said to me before he walked away, leaving me rooted, astonished, beside that grand chapel. “The most powerful determinant of who you are is inside you,” he said. “Professor Steinberg says this is Pygmalion. Think of the story, Tara.” He paused, his eyes fierce, his voice piercing. “She was just a cockney in a nice dress. Until she believed in herself, then it didn’t matter what dress she wore.” The program ended and I returned to BYU. Campus looked the way it always had, and it would have been easy to forget Cambridge and settle back into the life I’d had there. But Professor Steinberg was determined that I not forget. He sent me an application for something called the Gates Cambridge Scholarship, which, he explained, was a little like the Rhodes Scholarship, but for Cambridge instead of Oxford. It would provide full funding for me to study at Cambridge, including tuition, room and board. As far as I was concerned it was comically out of reach for someone like me, but he insisted that it was not, so I applied. Not long after, I noticed another difference, another small shift. I was spending an evening with my friend Mark, who studied ancient languages. Like me, and almost everyone at BYU, Mark was Mormon. “Do you think people should study church history?” he asked. “I do,” I said. “What if it makes them unhappy?” I thought I knew what he meant, but I waited for him to explain. “Many women struggle with their faith after they learn about polygamy,” he said. “My mother did. I don’t think she’s ever understood it.”

  • From H Is for Hawk (2014)

    Despite several affairs with women, White’s fantasies were sadistic and directed mostly at pubescent boys. He was certain that these fantasies had been shaped by his early abuse, and they shamed and horrified him, for in them he played the role of the abuser, just like his father and the masters who had beaten him. Therapy with Bennet had not taken these urges away. They never left him. Late in his life he wrote a pornographic novel about spanking schoolboys: it was a prolonged and awful confession. But he locked it away and never showed it to anyone. All his life he suppressed his desires. But sometimes, just sometimes, he could speak of them through other selves. Colonel Cully is one of them: a hawk wracked with desire to hurt a boy who is also a bird – a boy who is also himself. You can see the whole of his life’s tragedy there in one small scene. Though White had fled from the world of school, he never escaped the models it had given him on how to conduct his life. At school you had to pass tests and ordeals to prove you were brave. You tested your bravery in the playing fields, and through the beatings by masters and prefects. And there were the ceremonies of cruelty of the boys themselves: the initiations and ordeals that were the price of entrance into the school, and later into boys’ secret societies. White had put his hand between the cocked hammer of an unloaded revolver and its frame before the trigger was pulled. The pain was a triumph; in bearing the agony, he proved he could belong. But White was not always the victim in these rituals. School taught him that as he suffered at the hands of older boys, so he should punish the younger. He joined gangs and terrorised those weaker than himself, testing them as he had been tested. One term the test was to jump from a window in Big School fourteen feet to the ground. Puppy Mason was too scared to do it, so White assisted in pushing him out. When the fall broke his leg in three places, they were impressed by his silence. He told the masters that he had tripped over a twig on the headmaster’s garden path. Puppy had been tested, had behaved heroically, and his membership of the fraternity was approved. I knew nothing of such things. I knew about being hurt: the impossibly clumsy child that was me scraped her knees, tripped, grazed herself, hit her head on open windows and bled terribly. But I did not understand the logic behind ordeals of belonging. I did not see pain and bravery as steps toward gaining self-reliance, as necessary parts of growing up.

  • From Educated (2018)

    The drive back to the site is silent. It’s only five miles but it feels like fifty. We arrive and I limp toward the shop. Dad and Richard are inside. I’d been limping before because of my toe, so my new hobble isn’t so noticeable. Still, Richard takes one look at my face, streaked with grease and tears, and knows something is wrong; Dad sees nothing. I pick up my screw gun and drive screws with my left hand, but the pressure is uneven, and with my weight gathered on one foot, my balance is poor. The screws bounce off the painted tin, leaving long, twisting marks like curled ribbons. Dad sends me home after I ruin two sheets. That night, with a heavily wrapped wrist, I scratch out a journal entry. I ask myself questions. Why didn’t he stop when I begged him? It was like getting beaten by a zombie, I write. Like he couldn’t hear me. Shawn knocks. I slide my journal under the pillow. His shoulders are rounded when he enters. He speaks quietly. It was a game, he says. He had no idea he’d hurt me until he saw me cradling my arm at the site. He checks the bones in my wrist, examines my ankle. He brings me ice wrapped in a dish towel and says that next time we’re having fun, I should tell him if something is wrong. He leaves. I return to my journal. Was it really fun and games? I write. Could he not tell he was hurting me? I don’t know. I just don’t know. I begin to reason with myself, to doubt whether I had spoken clearly: what had I whispered and what had I screamed? I decide that if I had asked differently, been more calm, he would have stopped. I write this until I believe it, which doesn’t take long because I want to believe it. It’s comforting to think the defect is mine, because that means it is under my power. I put away my journal and lie in bed, reciting this narrative as if it is a poem I’ve decided to learn by heart. I’ve nearly committed it to memory when the recitation is interrupted. Images invade my mind—of me on my back, arms pressed above my head. Then I’m in the parking lot. I look down at my white stomach, then up at my brother. His expression is unforgettable: not anger or rage. There is no fury in it. Only pleasure, unperturbed. Then a part of me understands, even as I begin to argue against it, that my humiliation was the cause of that pleasure. It was not an accident or side effect. It was the objective. This half-knowledge works in me like a kind of possession, and for a

  • From Educated (2018)

    Charles and I spent the next afternoon in the park, rocking lazily in tire swings. I told him about the scholarship. I’d meant it as a brag, but for some reason my fears came out with it. I said I shouldn’t even be in college, that I should be made to finish high school first. Or to at least start it. Charles sat quietly while I talked and didn’t say anything for a long time after. Then he said, “Are you angry your parents didn’t put you in school?” “It was an advantage!” I said, half-shouting. My response was instinctive. It was like hearing a phrase from a catchy song: I couldn’t stop myself from reciting the next line. Charles looked at me skeptically, as if asking me to reconcile that with what I’d said only moments before. “Well, I’m angry,” he said. “Even if you aren’t.” I said nothing. I’d never heard anyone criticize my father except Shawn, and I wasn’t able to respond to it. I wanted to tell Charles about the Illuminati, but the words belonged to my father, and even in my mind they sounded awkward, rehearsed. I was ashamed at my inability to take possession of them. I believed then—and part of me will always believe— that my father’s words ought to be my own. — EVERY NIGHT FOR A MONTH, when I came in from the junkyard, I’d spend an hour scrubbing grime from my fingernails and dirt from my ears. I’d brush the tangles from my hair and clumsily apply makeup. I’d rub handfuls of lotion into the pads of my fingers to soften the calluses, just in case that was the night Charles touched them. When he finally did, it was early evening and we were in his jeep, driving to his house to watch a movie. We were just coming parallel to Fivemile Creek when he reached across the gearshift and rested his hand on mine. His hand was warm and I wanted to take it, but instead I jerked away as if I’d been burned. The response was involuntary, and I wished immediately that I could take it back. It happened again when he tried a second time. My body convulsed, yielding to a strange, potent instinct. The instinct passed through me in the form of a word, a bold lyric, strong, declarative. The word was not new. It had been with me for a

  • From Educated (2018)

    That was how Dad and Shawn became comrades, even if they only agreed on one thing: that my brush with education had made me uppity, and that what I needed was to be dragged through time. Fixed, anchored to a former version of myself. Shawn had a gift for language, for using it to define others. He began searching through his repertoire of nicknames. “Wench” was his favorite for a few weeks. “Wench, fetch me a grinding wheel,” he’d shout, or “Raise the boom, Wench!” Then he’d search my face for a reaction. He never found one. Next he tried “Wilbur.” Because I ate so much, he said. “That’s some pig,” he’d shout with a whistle when I bent over to fit a screw or check a measurement. Shawn took to lingering outside after the crew had finished for the day. I suspect he wanted to be near the driveway when Charles drove up it. He seemed to be forever changing the oil in his truck. The first night he was out there, I ran out and jumped into the jeep before he could say a word. The next night he was quicker on the draw. “Isn’t Tara beautiful?” he shouted to Charles. “Eyes like a fish and she’s nearly as smart as one.” It was an old taunt, blunted by overuse. He must have known I wouldn’t react on the site so he’d saved it, hoping that in front of Charles it might still have sting. The next night: “You going to dinner? Don’t get between Wilbur and her food. Won’t be nothin’ left of you but a splat on the pavement.” Charles never responded. We entered into an unspoken agreement to begin our evenings the moment the mountain disappeared in the rearview mirror. In the universe we explored together there were gas stations and movie theaters; there were cars dotting the highway like trinkets, full of people laughing or honking, always waving, because this was a small town and everybody knew Charles; there were dirt roads dusted white with chalk, canals the color of beef stew, and endless wheat fields glowing bronze. But there was no Buck’s Peak. During the day, Buck’s Peak was all there was—that and the site in Blackfoot. Shawn and I spent the better part of a week making purlins to finish the barn roof. We used a machine the size of a mobile home to press them into a Z shape, then we attached wire brushes to grinders and blasted away the rust so they could be painted. When the paint was dry we stacked them next to the shop, but within a day or two the wind from

  • From Educated (2018)

    talked about a lot, in which half a dozen people had been martyred by a tyrannical government. To have misunderstood it on this scale—five versus six million—seemed impossible. I found Vanessa before the next lecture and apologized for the joke. I didn’t explain, because I couldn’t explain. I just said I was sorry and that I wouldn’t do it again. To keep that promise, I didn’t raise my hand for the rest of the semester. — THAT SATURDAY, I SAT at my desk with a stack of homework. Everything had to be finished that day because I could not violate the Sabbath. I spent the morning and afternoon trying to decipher the history textbook, without much success. In the evening, I tried to write a personal essay for English, but I’d never written an essay before—except for the ones on sin and repentance, which no one had ever read—and I didn’t know how. I had no idea what the teacher meant by the “essay form.” I scribbled a few sentences, crossed them out, then began again. I repeated this until it was past midnight. I knew I should stop—this was the Lord’s time—but I hadn’t even started the assignment for music theory, which was due at seven A.M. on Monday. The Sabbath begins when I wake up, I reasoned, and kept working. I awoke with my face pressed to the desk. The room was bright. I could hear Shannon and Mary in the kitchen. I put on my Sunday dress and the three of us walked to church. Because it was a congregation of students, everyone was sitting with their roommates, so I settled into a pew with mine. Shannon immediately began chatting with the girl behind us. I looked around the chapel and was again struck by how many women were wearing skirts cut above the knee. The girl talking to Shannon said we should come over that afternoon to see a movie. Mary and Shannon agreed but I shook my head. I didn’t watch movies on Sunday. Shannon rolled her eyes. “She’s very devout,” she whispered. I’d always known that my father believed in a different God. As a child, I’d been aware that although my family attended the same church as

  • From Educated (2018)

    “Doctors can’t cure a migraine before it happens,” Dad chimed in, “but the Lord can!” As we walked to his jeep, Charles said, “Does your house always smell like that?” “Like what?” “Like rotted plants.” I shrugged. “You must have smelled it,” he said. “It was strong. I’ve smelled it before. On you. You always smell of it. Hell, I probably do, too, now.” He sniffed his shirt. I was quiet. I hadn’t smelled anything. — DAD SAID I WAS BECOMING “uppity.” He didn’t like that I rushed home from the junkyard the moment the work was finished, or that I removed every trace of grease before going out with Charles. He knew I’d rather be bagging groceries at Stokes than driving the loader in Blackfoot, the dusty town an hour north where Dad was building a milking barn. It bothered him, knowing I wanted to be in another place, dressed like someone else. On the site in Blackfoot, he dreamed up strange tasks for me to do, as if he thought my doing them would remind me who I was. Once, when we were thirty feet in the air, scrambling on the purlins of the unfinished roof, not wearing harnesses because we never wore them, Dad realized that he’d left his chalk line on the other side of the building. “Fetch me that chalk line, Tara,” he said. I mapped the trip. I’d need to jump from purlin to purlin, about fifteen of them, spaced four feet apart, to get the chalk, then the same number back. It was exactly the sort of order from Dad that was usually met with Shawn saying, “She’s not doing that.” “Shawn, will you run me over in the forklift?” “You can fetch it,” Shawn said. “Unless your fancy school and fancy boyfriend have made you too good for it.” His features hardened in a way that was both new and familiar. I shimmied the length of a purlin, which took me to the framing beam at the barn’s edge. This was more dangerous in one sense—if I fell to the right, there would be no purlins to catch me—but the framing beam was thicker, and I could walk it like a tightrope.

  • From Educated (2018)

    I limped through the pasture until Dad was out of sight, then collapsed in the tall wheatgrass. I was shaking, gulping mouthfuls of air that never made it to my lungs. I didn’t understand why I was crying. I was alive. I would be fine. The angels had done their part. So why couldn’t I stop trembling? I was light-headed when I crossed the last field and approached the house, but I burst through the back door, as I’d seen my brothers do, as Robert and Emma had done, shouting for Mother. When she saw the crimson footprints streaked across the linoleum, she fetched the homeopathic she used to treat hemorrhages and shock, called Rescue Remedy, and put twelve drops of the clear, tasteless liquid under my tongue. She rested her left hand lightly on the gash and crossed the fingers of her right. Her eyes closed. Click click click. “There’s no tetanus,” she said. “The wound will close. Eventually. But it’ll leave a nasty scar.” She turned me onto my stomach and examined the bruise—a patch of deep purple the size of a human head—that had formed a few inches above my hip. Again her fingers crossed and her eyes closed. Click click click. “You’ve damaged your kidney,” she said. “We’d better make a fresh batch of juniper and mullein flower.” — THE GASH BELOW MY knee had formed a scab—dark and shiny, a black river flowing through pink flesh—when I came to a decision. I chose a Sunday evening, when Dad was resting on the couch, his Bible propped open in his lap. I stood in front of him for what felt like hours, but he didn’t look up, so I blurted out what I’d come to say: “I want to go to school.” He seemed not to have heard me. “I’ve prayed, and I want to go,” I said. Finally, Dad looked up and straight ahead, his gaze fixed on something behind me. The silence settled, its presence heavy. “In this family,” he said, “we obey the commandments of the Lord.” He picked up his Bible and his eyes twitched as they jumped from line to line. I turned to leave, but before I reached the doorway Dad spoke again. “You remember Jacob and Esau?” “I remember,” I said. He returned to his reading, and I left quietly. I did not need any explanation; I knew what the story meant. It meant that I was not the daughter he had raised, the daughter of faith. I had tried to sell my birthright for a mess of pottage.

  • From City of Night (1963)

    He squashes the cigarette into a butt-crammed ashtray; the butts squirm like gutted white worms. “You still wanna make the ten bucks?” he asked me abruptly. I panic. I think hes lost interest; and I realize uncomfortably how important it is, to me, that he still want me. “Yeah, sure,” I said, trying to sound casual. “Yeah!—say yes sir, punk!—aint you got Respect for your elders?—hell, Im twice as old as you are, dont forget that... Greedy bastards—allasame.... Well, then, for chrissake, I aint even got a quarter’s worth from you,” he says, coming back to the bed. “Now stop squirming and dont hold it—relax, if youre gonna go along with it—at least pretend you enjoy it—what the hell, I should pay and you act like you dont give a damn?—punks, allasame. I was like you once—you believe it?” he says, “and now look at me, playing the other side of this goddam game. What the hell, pal, people change, remember that, dont forget it for a moment, remember that and dont be so fuckin cocky. Now lay back, close your goddam eyes and stop staring at me like Im a goddam creep—hell, I aint ashamed of nothing. Pretend Im some milkfed chick back in—wherever the hell youre from.... Thats it, thats better.... Relax.... Thats it....” Later, he adjusted his robe modestly again, reached for his pants, handed me a $10.00 bill. “Thats what you came for, aint it?—so take it,” he said looking at me very long. I take the bill, crush it quickly into my pocket. Suddenly the room is explodingly hot. I want to leave quickly. “And say thankyou, cantcha?” he adds, looking away now. The roles we have just played for each other seem to materialize harshly now that it’s over. “And heres three more bucks for cabfare,” he said. “It’s always goodluck to give cabfare,” he added. “You-wanna-come-back-sometime?... Hell, I dont care. I can pick up a different punk any night, see—and no skinny wiseass punk pulls any shit on me, pal, I know judo like the best of em.... But youre kinda new, I like that. Available, but kinda new.... Take my advice, I know what Im tellinya, go Home and get Married,” he says guiltily, “that streetll swallow you so deep you wont know where you got sucked in, and it wont even throw you up like bad beer, itll digestya—” He gnashed his teeth harshly. “Hell, youll become a part of the 42nd Street army of punks—sleeping in movies, cant make it; everybodys had you: the dayll come nobody wants you—then what?... Bad scene, bad scene.... So you wanna see me again or not?

  • From Educated (2018)

    across from my sister, the reverence and power in his words. Audrey told Dad that she had accepted the power of the Atonement long ago, and had forgiven her brother. She said that I had provoked her, had stirred up anger in her. That I had betrayed her because I’d given myself over to fear, the realm of Satan, rather than walking in faith with God. I was dangerous, she said, because I was controlled by that fear, and by the Father of Fear, Lucifer. That is how my sister ended her letter, by telling me I was not welcome in her home, or even to call her unless someone else was on the line to supervise, to keep her from succumbing to my influence. When I read this, I laughed out loud. The situation was perverse but not without irony: a few months before, Audrey had said that Shawn should be supervised around children. Now, after our efforts, the one who would be supervised was me. — WHEN I LOST MY SISTER, I lost the family. I knew my father would pay my brothers the same visit he’d paid her. Would they believe him? I thought they would. After all, Audrey would confirm it. My denials would be meaningless, the rantings of a stranger. I’d wandered too far, changed too much, bore too little resemblance to the scabby-kneed girl they remembered as their sister. There was little hope of overpowering the history my father and sister were creating for me. Their account would claim my brothers first, then it would spread to my aunts, uncles, cousins, the whole valley. I had lost an entire kinship, and for what? It was in this state of mind that I received another letter: I had won a visiting fellowship to Harvard. I don’t think I have ever received a piece of news with more indifference. I knew I should be drunk with gratitude that I, an ignorant girl who’d crawled out of a scrap heap, should be allowed to study at that grand place, but I couldn’t summon the fervor. I had begun to conceive of what my education might cost me, and I had begun to resent it. —

  • From Educated (2018)

    I flipped the light switch and saw Shawn sitting across the room, pointing a pistol at me. He lowered it. “I thought you were...someone else.” “Obviously,” I said. We stood awkwardly for a moment, then I went to bed. The next morning, after Dad left for the junkyard, I told Mother one of my fake stories about BYU needing her tax returns. She knew I was lying —I could tell because when Dad came in unexpectedly and asked why she was copying the returns, she said the duplicates were for her records. I took the copies and returned to BYU. Shawn and I exchanged no words before I left. He never asked why I’d been sneaking into my own house at three in the morning, and I never asked who he’d been waiting for, sitting up in the middle of the night, with a loaded pistol. — THE FORMS SAT ON my desk for a week before Robin walked with me to the post office and watched me hand them to the postal worker. It didn’t take long, a week, maybe two. I was cleaning houses in Draper when the mail came, so Robin left the letter on my bed with a note that I was a Commie now. I tore open the envelope and a check fell onto my bed. For four thousand dollars. I felt greedy, then afraid of my greed. There was a contact number. I dialed it. “There’s a problem,” I told the woman who answered. “The check is for four thousand dollars, but I only need fourteen hundred.” The line was silent. “Hello? Hello?” “Let me get this straight,” the woman said. “You’re saying the check is for too much money? What do you want me to do?” “If I send it back, could you send me another one? I only need fourteen hundred. For a root canal.” “Look, honey,” she said. “You get that much because that’s how much you get. Cash it or don’t, it’s up to you.” I had the root canal. I bought my textbooks, paid rent, and had money

  • From H Is for Hawk (2014)

    When I was a student I took a paper on Tragedy as part of my English degree. This was not without irony, for I was comprehensively tragic. I wore black, smoked filterless Camels, skulked about the place with kohl-caked eyes and failed to write a single essay about Greek Tragedy, Jacobean Tragedy, Shakespearian Tragedy, or indeed do much at all. I’d like to write Miss Macdonald a glowing report, one of my supervisors noted drily, but as I’ve never seen her and have no idea what she looks like, this I cannot do. But I read all the same. I read a lot. And I found there were myriad definitions of this thing called tragedy that had wormed its way through the history of literature; and the simplest of all was this: that it is the story of a figure who, through some moral flaw or personal failing, falls through force of circumstance to his doom. It was the Tragedy paper that led me to read Freud, because he was still fashionable back then, and because psychoanalysts had their shot at explaining tragedy too. And after reading him I began to see all sorts of psychological transferences in my falconry books. I saw those nineteenth-century falconers were projecting onto their hawks all the male qualities they thought threatened by modern life: wildness, power, virility, independence and strength. By identifying with their hawks as they trained them, they could introject, or repossess, those qualities. At the same time they could exercise their power by ‘civilising’ a wild and primitive creature. Masculinity and conquest: two imperial myths for the price of one. The Victorian falconer assumed the power and strength of the hawk. The hawk assumed the manners of the man. For White, too, falconry involved strange projections, but of very different qualities. His young German goshawk was a living expression of all the dark, discreditable desires within himself he’d tried to repress for years: it was a thing fey, fairy, feral, ferocious and cruel. He had tried for so long to be a gentleman. Tried to fit in, to adhere to all the rules of civilised society, to be normal, to be like everyone else. But his years at Stowe and his analysis and the fear of war had brought him to breaking point. He had refused humanity in favour of hawks, but he could not escape himself. Once again White was engaged in a battle to civilise the perversity and unruliness within himself. Only now he had put those things in the hawk, and he was trying to civilise them there. He found himself in a strange, locked battle with a bird that was all the things he longed for, but had always fought against. It was a terrible paradox. A proper tragedy. No wonder living with Gos brought him nearly to madness.

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