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Shame

Shame travels through the body before it reaches language — the head drops, the chest contracts, the eye refuses contact. Vela treats it as a primary emotion in its own right, not a flavor of guilt, and pays attention to how rarely it stays alone: it arrives bundled with anger, with exposure-dread, with the temptation to hide and the temptation to perform.

Working definition · The sense that the self, not only the act, is flawed, exposed, or unworthy.

5329 passages · 5 Vela essays · in 1 cluster

Vela’s read on this emotion

Shame is one of the emotions Vela returns to most often, because the writers who have written most honestly about being human keep coming back to it.

The reading is primarily through memoir. Mary Karr returns to shame across her body of work — the alcoholic father, the mother who left, the long re-encounter with her own younger self. Carmen Maria Machado, in *In the Dream House*, writes about shame inside intimate-partner abuse in a register the genre had not previously held: the shame of staying, the shame of having seen, the shame of needing to tell. The testimony of the AIDS years — the personal essays and oral histories that came out of ACT UP, the activist coalition that confronted the early epidemic — keeps shame as a constant under-tone, alongside the rage.

Shame also runs through the Christian theological inheritance. Augustine of Hippo, writing the *Confessions* in the late fourth century, installed a particular shape of shame in the Western conscience — and almost every Christian thinker since has inherited that installation, ratified it, or argued against it. The lineage runs carefully through the reading.

Shame is not the same as guilt. Guilt is about an act — *I did a bad thing.* Shame is about the self — *I am a bad thing.* The two often arrive together, but they cost the person carrying them different things, and Vela reads them separately.

Shame travels in a family. Humiliation, mortification, embarrassment, exposure-dread, chagrin — each has its own pitch, but the family resemblance is unmistakable.

What is intentionally light here is the contemporary clinical literature. The choice is editorial: testimony is more textured than measurement. *On Shame* — the slower companion essay in the magazine — tracks the word's history and weight; this page opens onto the passages, the pairings, and the writers who have made shame a serious subject.

Study and magazine

Long-form guide in the magazine

*On Shame* — the slower companion essay. How the word lives in language, how it travels in the passages Vela reads, and how it differs from its near cousins. The historical pillar *Augustine, or How the West Learned to Be Ashamed* tracks the installation of the Western inheritance.

Read the guide

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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5329 tagged passages

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    The fact that manic-depressive illness is a genetic disease brings with it, not surprisingly, very complicated and often difficult emotions. At one extreme is the terrible shame and guilt one can be made to feel. Many years ago, when I was living in Los Angeles, I went to a physician recommended to me by a colleague. After examining me, and after finding out that I had been on lithium for many years, he asked me an extended series of questions about my psychiatric history. He also asked me whether or not I planned to have children. Having generally been treated with intelligence and compassion by my various doctors up to that point, I had no reason to be anything but direct about my extensive history of mania and depression, although I also made it clear that I was, in the vernacular, a “good lithium responder.” I told him that I very much wanted to have children, which immediately led to his asking me what I planned to do about taking lithium during pregnancy. I started to tell him that it seemed obvious to me that the dangers of my illness far outweighed any potential problems that lithium might cause a developing fetus, and that I therefore would choose to stay on lithium. Before I finished, however, he broke in to ask me if I knew that manic-depressive illness was a genetic disease. Stifling for the moment an urge to remind him that I had spent my entire professional life studying manic-depressive illness and that, in any event, I wasn’t entirely stupid, I said, “Yes, of course.” At that point, in an icy and imperious voice that I can hear to this day, he stated—as though it were God’s truth, which he no doubt felt that it was—“You shouldn’t have children. You have manic-depressive illness.” I felt sick, unbelievably and utterly sick, and deeply humiliated. Determined to resist being provoked into what would, without question, be interpreted as irrational behavior, I asked him if his concerns about my having children stemmed from the fact that, because of my illness, he thought I would be an inadequate mother or simply that he thought it was best to avoid bringing another manic-depressive into the world. Ignoring or missing my sarcasm, he replied, “Both.” I asked him to leave the room, put on the rest of my clothes, knocked on his office door, told him to go to hell, and left. I walked across the street to my car, sat down, shaking, and sobbed until I was exhausted. Brutality takes many forms, and what he had done was not only brutal but unprofessional and uninformed. It did the kind of lasting damage that only something that cuts so quick and deep to the heart can do.

  • From The Girls (2016)

    “Why’d you hang out with them, then?” she asked. My first impulse was to avoid the subject. I’d have to pin down all the edges. Act out the whole morality play: the regret, the warnings. I tried to sound businesslike. “People were falling into that kind of thing all the time, back then,” I said. “Scientology, the Process people. Empty-chair work. Is that still a thing?” I glanced at her—she was waiting for me to go on. “It was partly bad luck, I guess. That it was the group I found.” “But you stayed.” I could feel the full force of Sasha’s curiosity for the first time. “There was a girl. It was more her than Russell.” I hesitated. “Suzanne.” It was odd to say her name, to let it live in the world. “She was older,” I said. “Not by much, really, but it felt like a lot.” “Suzanne Parker?” I stared across the fire at Sasha. “I looked some things up today,” she said. “Online.” I’d once lost hours to that kind of stuff. The fan sites or whatever you called them. The stranger corners. The website devoted to Suzanne’s artwork from prison. Watercolors of mountain ranges, puffball clouds, the captions filled with misspellings. I’d felt a pang, imagining Suzanne working with great concentration, but closed the website when I saw the photo: Suzanne, in blue jeans and a white T-shirt—her jeans stuffed with middle-aged fat, her face a vacant scrim. The thought of Sasha gorging on that macabre glut made me uneasy. Packing herself with particulars: the autopsy reports, the testimony the girls gave of that night, like the transcript of a bad dream. “It’s nothing to be proud of,” I said. Recounting the usual things—it was awful. Not glamorous, not enviable. “There wasn’t anything about you,” Sasha said. “Not that I could find.” I felt a lurch. I wanted to tell her something valuable, my existence traced with enough care that I would become visible. “It’s better that way,” I said. “So the lunatics don’t search me out.” “But you were there?” “I lived there. Basically. For a while. I didn’t kill anyone or anything.”

  • From The Girls (2016)

    label. “She doesn’t like her tits,” Julian said, pulsing the back of her neck, “but I tell her they’re nice.” “Sasha!” Zav affected upset. “You have great tits.” I flushed, hurrying to finish the dishes. “Yeah,” Julian said, his hand still on her neck. “Zav would tell you if you didn’t.” “I always tell the truth,” Zav said. “He does,” Julian said. “That’s true.” “Show me,” Zav said. “They’re too small,” Sasha said. Her mouth was tight like she was making fun of herself, and she shifted in her seat. “They’ll never sag, so that’s good,” Julian said. Tickling her shoulder. “Let Zav see.” Sasha’s face reddened. “Do it, babe,” Julian said, a harshness in his voice making me glance over. I caught Sasha’s eye—I told myself the look in her face was pleading. “Come on, you guys,” I said. The boys turned with amused surprise. Though I think they were tracking where I was all along. That my presence was a part of the game. “What?” Julian said, his face snapping into innocence. “Just cool it,” I told him. “Oh, it’s fine,” Sasha said. Laughing a little, her eyes on Julian. “What exactly are we doing?” Julian said. “What exactly should we ‘cool’?” He and Zav snorted—how quickly all the old feelings came back, the humiliating interior fumble. I crossed my arms, looking to Sasha. “You’re bothering her.” “Sasha’s fine,” Julian said. He tucked a strand of her hair behind her ear—she smiled faintly and with effort. “Besides,” he went on, “are you really someone who should be lecturing us?” My heart tightened. “Didn’t you, like, kill someone?” Julian said.

  • From Tropic of Cancer (1934)

    Marlowe is blubbering. He imagines they are his teeth. It is my last dinner at the dramatist’s home. They have just rented a new piano, a concert grand. I meet Sylvester coming out of the florist’s with a rubber plant in his arms. He asks me if I would carry it for him while he goes for the cigars. One by one I’ve fucked myself out of all these free meals which I had planned so carefully. One by one the husbands turn against me, or the wives. As I walk along with the rubber plant in my arms I think of that night a few months back when the idea first occurred to me. I was sitting on a bench near the Coupole, fingering the wedding ring which I had tried to pawn off on a garçon at the Dôme. He had offered me six francs for it and I was in a rage about it. But the belly was getting the upper hand. Ever since I left Mona I had worn the ring on my pinkie. It was so much a part of me that it had never occurred to me to sell it. It was one of those orange-blossom affairs in white gold. Worth a dollar and a half once, maybe more. For three years we went along without a wedding ring and then one day when I was going to the pier to meet Mona I happened to pass a jewelry window on Maiden Lane and the whole window was stuffed with wedding rings. When I got to the pier Mona was not to be seen. I waited for the last passenger to descend the gangplank, but no Mona. Finally I asked to be shown the passenger list. Her name was not on it. I slipped the wedding ring on my pinkie and there it stayed. Once I left it in a public bath, but then I got it back again. One of the orange blossoms had fallen off. Anyway, I was sitting there on the bench with my head down, twiddling the ring, when suddenly someone clapped me on the back. To make it brief, I got a meal and a few francs besides. And then it occurred to me, like a flash, that no one would refuse a man a meal if only he had the courage to demand it. I went immediately to a café and wrote a dozen letters. “Would you let me have dinner with you once a week? Tell me what day is most convenient for you.” It worked like a charm. I was not only fed... I was feasted. Every night I went home drunk. They couldn’t do enough for me, these generous once-a-week souls. What happened to me between times was none of their affair. Now and then the thoughtful ones presented me with cigarettes, or a little pin money.

  • From Tropic of Cancer (1934)

    I wouldn’t care then what happened to me: I wouldn’t need a job or friends or books or anything. If she could only make me believe that there was something more important on earth than myself. Jesus, I hate myself! But I hate these bastardly cunts even more—because they’re none of them any good. “You think I like myself,” he continues. “That shows how little you know about me. I know I’m a great guy. … I wouldn’t have these problems if there weren’t something to me. But what eats me up is that I can’t express myself. People think I’m a cunt-chaser. That’s how shallow they are, these high brows who sit on the terrasse all day chewing the psychologic cud. … That’s not so bad, eh—psychologic cud? Write it down for me. I’ll use it in my column next week. … By the way, did you ever read Stekel? Is he any good? It looks like nothing but case histories to me. I wish to Christ I could get up enough nerve to visit an analyst… a good one, I mean. I don’t want to see these little shysters with goatees and frock coats, like your friend Boris. How do you manage to tolerate those guys? Don’t they bore you stiff? You talk to anybody, I notice. You don’t give a goddamn. Maybe you’re right. I wish I weren’t so damned critical. But these dirty little Jews who hang around the Dôme, Jesus, they give me the creeps. They sound just like textbooks. If I could talk to you every day maybe I could get things off my chest. You’re a good listener. I know you don’t give a damn about me, but you’re patient. And you don’t have any theories to exploit. I suppose you put it all down afterward in that notebook of yours. Listen, I don’t mind what you say about me, but don’t make me out to be a cunt-chaser—it’s too simple. Some day I’ll write a book about myself, about my thoughts. I don’t mean just a piece of introspective analysis… I mean that I’ll lay myself down on the operating table and I’ll expose my whole guts… every goddamned thing. Has anybody ever done that before?—What the hell are you smiling at? Does it sound naïf?” I’m smiling because whenever we touch on the subject of this book which he is going to write some day things assume an incongruous aspect. He has only to say “my book” and immediately the world shrinks to the private dimensions of Van Norden and Co. The book must be absolutely original, absolutely perfect. That is why, among other things, it is impossible for him to get started on it. As soon as he gets an idea he begins to question it. He remembers that Dostoevski used it, or Hamsun, or somebody else. “I’m not saying that I want to be better than them, but I want to be different,” he explains.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    These discrepancies between what one is, what one is brought up to believe is the right way of behaving toward others, and what actually happens during these awful black manias, or mixed states, are absolute and disturbing beyond description—particularly, I think, for a woman brought up in a highly conservative and traditional world. They seem a very long way from my mother’s grace and gentleness, and farther still from the quiet seasons of cotillions, taffetas and silks, and elegant gloves that slid up over the elbows and had pearl buttons at the wrist, when one had no worries other than making sure that the seams in one’s stockings were straight before going to Sunday-night dinners at the Officers’ Club. For the most important and shaping years of my life I had been brought up in a straitlaced world, taught to be thoughtful of others, circumspect, and restrained in my actions. We went as a family to church every Sunday, and all of my answers to adults ended with a “ma’am” or a “sir.” The independence encouraged by my parents had been of an intellectual, not socially disruptive, nature. Then, suddenly, I was unpredictably and uncontrollably irrational and destructive. This was not something that could be overcome by protocol or etiquette. God, conspicuously, was nowhere to be found. Navy Cotillion, candy-striping, and Tiffany’s Table Manners for Teenagers could not, nor were they ever intended to be, any preparation or match for madness. Uncontrollable anger and violence are dreadfully, irreconcilably, far from a civilized and predictable world. I had, ever since I could remember, inclined in the direction of strong and exuberant feelings, loving and living with what Delmore Schwartz called “the throat of exaltation.” Inflammability, however, always lay just the other side of exaltation. These fiery moods were, at least initially, not all bad: in addition to giving a certain romantic tumultuousness to my personal life, they had, over the years, added a great deal that was positive to my professional life. Certainly, they had ignited and propelled much of my writing, research, and advocacy work. They had driven me to try and make a difference. They had made me impatient with life as it was and made me restless for more. But, always, there was a lingering discomfort when the impatience or ardor or restlessness tipped over into too much anger. It did not seem consistent with being the kind of gentle, well-bred woman I had been brought up to admire and, indeed, continue to admire.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    my ardor and zeal (if indeed worthy of the name) have been so careless and languid, that I confess I have failed innumerable times to execute my office properly, and had not He, of His boundless goodness, assisted me, all that zeal had been fleeting and vain. Nay, I even acknowledge, that if the same goodness had not assisted me, those mental endowments which the Lord bestowed upon me would, at His judgment-seat, prove me more and more guilty of sin and sloth. For all these reasons, I testify and declare that I trust to no other security for my salvation than this, and this only, viz. that as God is the Father of mercy, He will show Himself such a Father to me, who acknowledge myself to be a miserable sinner. As to what remains, I wish that, after my departure out of this life, my body be committed to the earth (after the form and manner which is used in this Church and city), till the day of a happy resurrection arrive. As to the slender patrimony which God has bestowed upon me, and of which I have determined to dispose in this will and testament, I appoint Anthony Calvin, my very dear brother, my heir, but in the way of honor only, giving to him for his own the silver cup which I received as a present from Varanius, and with which I desire he will be contented. Everything else belonging to my succession I give him in trust, begging he will at his death leave it to his children. To the Boys’ School I bequeath out of my succession ten gold pieces; as many to poor strangers; and as many to Joanna, the daughter of Charles Constans, and myself by affinity. To Samuel and John, the sons of my brother, I bequeath, to be paid by him at his death, each four hundred gold pieces; and to Anna, and Susanna, and Dorothy, his daughters, each three hundred gold pieces; to David, their brother, in reprehension of his juvenile levity and petulance, I leave only twenty-five gold pieces. This is the amount of the whole patrimony and goods which the Lord has bestowed on me, as far as I can estimate, setting a value both on my library and mova-bles, and all my domestic utensils, and, generally, my whole means and effects; but should they produce a larger sum, I wish the surplus to be divided proportionally among all the sons and daughters of my brother, not excluding David, if, through the goodness of God, he shall have returned to good behavior.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    his poems, least of all on moral grounds; but this is precisely what happened. Prurient minds have read between his lines what he never intended to put there, and imagined offences of which he was not guilty even in thought.1279 And what made the case blacker against him was his subsequent Protestantism. Because he became a leader of the Reformed Church, free-thinkers and livers and the adherents of the old faith have brought up against him the fact that in the days of his worldly and luxurious life he had used their language, and been as pagan and impure as they. The book had scarcely begun its career, and the praises had scarcely begun to be received, ere Beza fell seriously sick. Sobered by his gaze into the eyes of death, his conscience rebuked him for his duplicity in receiving ecclesiastical benefices as if he was a faithful son of the Church, whereas he was at heart a Protestant; for his cowardice in cloaking his real opinions; for his negligence in not keeping the promise he had voluntarily made to the woman he had secretly married four years before; and for the general condition of his private and public life. The teachings of Wolmar came back to him. This world seemed very hollow;. its praises and honors very cloying. The call to a higher, purer, nobler life was heard, and he obeyed; and, although only convalescent, leaving father and fatherland, riches and honors, he fled from the city of his triumphs and his trials, and, taking Claudine Denosse with him, crossed the border into Switzerland,1280 and on Oct. 23, 1548, entered the city of Geneva. He was doubtless attracted thither because his intimate friend Jean Crespin, one of the witnesses of his secret alliance, was living there, likewise a fugitive for religion’s sake—and there lived John Calvin. From being the poet of the Renaissance, bright, witty, free, Beza, from the hour he joined the Reformed Church, became a leader in all its affairs and one of the chiefs of Protestantism.1281 § 168. Beza at Lausanne and as a Delegate to the German Princes. Beza’s earliest business after greeting Calvin was to marry in church Claudine Denosse. Then he looked around for an occupation that would support him. He considered for a time going into the printing business with Crespin, but on his return from a visit to Wolmar at Tübingen he yielded to the persuasions of Pierre Viret, who entertained him as he was passing through Lausanne, and on Nov. 6, 1549, became professor of Greek in the Academy there,1282and entered upon a course of great usefulness and influence.

  • From Introduction to the Hebrew Bible and Deutero-Canonical Books (2018)

    an Aramaic paraphrase of Genesis found among the Dead Sea Scrolls, has a colorful retelling of the story of Abram and Sarai in Egypt. First, Abram is warned in a dream that the Egyptians will try to kill him, and that Sarai must protect him by saying that he is her brother. The Egyptians are amazed at the beauty of Sarai and describe it to Pharaoh in detail. Sure enough, the pharaoh takes Sarai and tries to kill Abram, but Sarai says he is her brother. Then God afflicts Pharaoh with “a chastising spirit” so that he is unable to approach Sarai, much less have intercourse with her. Finally, Abram is asked to pray for the king, and only then do the Egyptians learn the cause of the affliction—that Sarai is Abram’s wife. Pharaoh’s outrage is tempered by the fact that he needs Abram to pray for him and expel the evil spirit, and so he sends Abram away with lavish gifts. In this form of the story, the primary concern again is that Sarai not be defiled, but the actual deception is placed in her mouth rather than in Abram’s, and it has an honorable and urgent motive. Fathers and Sons Another set of issues is raised in the Abraham cycle by the question of an heir who should inherit the promise. At first, Abraham worries that “the heir to my house is Eliezer of Damascus” (Gen 15:2). Then he has a child, Ishmael, by Hagar, Sarah’s slave girl. Here again there is an ethnographic aspect to the story: Ishmael becomes the ancestor of a desert tribe. Like the story of Jacob and Esau, the account of Ishmael explains how Israel was defined over against its neighbors by divine choices that seem quite arbitrary. But this story, too, raises moral questions, not only for modern sensibilities. The story is told twice, with variations, in Genesis 16 (J) and 21 (E). In the J account, the conflict between Hagar and Sarai arises when Hagar becomes pregnant and looks on Sarai with contempt. Abram makes no attempt to defend her but allows Sarai to do as she pleases, so that Hagar has to flee. The angel of the Lord intervenes and persuades Hagar to return, by promising that her son will have plentiful offspring, even though he will be “a wild ass of a man” and will live “at odds with his kin.” But Hagar is also told to submit to her mistress.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    7-17-75Patient has elected to resume lithium because of the severity of her depressive episodes. Will begin with lithium 300mg. BID [twice a day]. 7-25-75Vomiting. 8-5-75Tolerating lithium. Feeling depressed at realization she was more hypomanic than she believed. 9-30-75Patient has stopped lithium again. Very important, she says, to prove she can handle stress without it. 10-2-75Persists in not taking lithium. Already hypomanic. Patient well aware of it. 10-7-75Patient has resumed lithium because of increased irritability, insomnia, and inability to concentrate.Part of my stubbornness can be put down to human nature. It is hard for anyone with an illness, chronic or acute, to take medications absolutely as prescribed. Once the symptoms of an illness improve or go away, it becomes even more difficult. In my case, once I felt well again I had neither the desire nor incentive to continue taking my medication. I didn’t want to take it to begin with; the side effects were hard for me to adjust to; I missed my highs; and, once I felt normal again, it was very easy for me to deny that I had an illness that would come back. Somehow I was convinced that I was an exception to the extensive research literature, which clearly showed not only that manic-depressive illness comes back, but that it often comes back in a more severe and frequent form. It was not that I ever thought lithium was an ineffective drug. Far from it. The evidence for its efficacy and safety was compelling. Not only that, I knew it worked for me. It certainly was not that I had any moral arguments against psychiatric medications. On the contrary. I had, and have, no tolerance for those individuals—especially psychiatrists and psychologists—who oppose using medications for psychiatric illnesses; those clinicians who somehow draw a distinction between the suffering and treatability of “medical illnesses” such as Hodgkin’s disease or breast cancer, and psychiatric illnesses such as depression, manic-depression, or schizophrenia. I believe, without doubt, that manic-depressive illness is a medical illness; I also believe that, with rare exception, it is malpractice to treat it without medication. All of these beliefs aside, however, I still somehow thought that I ought to be able to carry on without drugs, that I ought to be able to continue to do things my own way.

  • From Tropic of Cancer (1934)

    I thought of those skinny little runts, who look like bellhops and messenger boys, that one sees on pornographic post cards in little bookshop windows occasionally, the mysterious phantoms who inhabit the Rue de la Lune and other malodorous quarters of the city. I didn’t like very much the idea of advertising my physiog in the company of these élite. But, since I was assured that the photographs were for a strictly private collection, and since it was destined for Munich, I gave my consent. When you’re not in your home town you can permit yourself little liberties, particularly for such a worthy motive as earning your daily bread. After all, I hadn’t been so squeamish, come to think of it, even in New York. There were nights when I was so damned desperate, back there, that I had to go out right in my own neighborhood and panhandle. We didn’t go to the show places familiar to the tourists, but to the little joints where the atmosphere was more congenial, where we could play a game of cards in the afternoon before getting down to work. He was a good companion, the photographer. He knew the city inside out, the walls particularly; he talked to me about Goethe often, and the days of the Hohenstaufen, and the massacre of the Jews during the reign of the Black Death. Interesting subjects, and always related in some obscure way to the things he was doing. He had ideas for scenarios too, astounding ideas, but nobody had the courage to execute them. The sight of a horse, split open like a saloon door, would inspire him to talk of Dante or Leonardo da Vinci or Rembrandt; from the slaughterhouse at Villette he would jump into a cab and rush me to the Trocadéro Museum, in order to point out a skull or a mummy that had fascinated him. We explored the 5th, the 13th, the 19th and the 20th arrondissements thoroughly. Our favorite resting places were lugubrious little spots such as the Place Nationale, Place des Peupliers, Place de la Contrescarpe, Place Paul-Verlaine. Many of these places were already familiar to me, but all of them I now saw in a different light owing to the rare flavor of his conversation. If today I should happen to stroll down the Rue du Château-des-Rentiers, for example, inhaling the fetid stench of the hospital beds with which the 13th arrondissement reeks, my nostrils would undoubtedly expand with pleasure, because, compounded with that odor of stale piss and formaldehyde, there would be the odors of our imaginative voyages through the charnel house of Europe which the Black Death had created. Through him I got to know a spiritual-minded individual named Kruger, who was a sculptor and painter. Kruger took a shine to me for some reason or other; it was impossible to get away from him once he discovered that I was willing to listen to his “esoteric” ideas.

  • From The Girls (2016)

    surface with no place to retreat, and even the kid was mad at him. I was ashamed for bringing him around, for how he’d caused such a fuss, and Suzanne was staring at me, so I knew exactly what a stupid idea it had been. Tom looked at me for help, but he saw the distance in my face, the way I slid my eyes back to the ground. “I just think you should be careful,” Tom said. Suzanne snorted. “We should be careful?” “I was a lifeguard,” he said, his voice cracking. “People can drown even in shallow water.” But Suzanne wasn’t listening, making a face at Donna. Their shared disgust including me, I thought. I couldn’t bear it. “Relax,” I said to Tom. Tom looked wounded. “This is an awful place.” “You should leave, then,” Suzanne said. “Doesn’t that sound like a good idea?” The rattle of speed in her, the vacant, vicious smile—she was being meaner than she needed to be. “Can I talk to you for a second?” Tom said to me. Suzanne laughed. “Oh, man. Here we go.” “Just for a second,” he said. When I hesitated, Suzanne sighed. “Go talk to him,” she said. “Christ.” Tom walked away from the others and I followed him with halting steps, as if distance could prevent contagion. I kept glancing back to the group, the girls heading to the porch. I wanted to be among them. I was furious with Tom, his silly pants, his thatchy hair. “What?” I said. Impatient, my lips tight. “I don’t know,” Tom said, “I just think—” He hesitated, darting a look at the house, pulling at his shirt. “You can come back with me right now, if you want. There’s a party tonight,” he said. “At the International House.” I could picture it. The Ritz crackers, earnest groups crammed around bowls of watery ice. Talking SDS and comparing reading lists. I half shrugged, the barest shift of a shoulder. He seemed to understand this gesture for the falsehood it was. “Maybe I should write down my number for you,” Tom said. “It’s the hall phone, but you can just ask for me.”

  • From The Girls (2016)

    Zav sucked his teeth, then let loose a nervous laugh. My voice sounded strangled. “Of course not.” “But you knew what they were going to do,” Julian said. Grinning with the thrill of capture. “You were there with Russell Hadrick and shit.” “Hadrick?” Zav said. “Are you shitting me?” I tried to rein in the hysterical lean coming into my voice. “I was barely around.” Julian shrugged. “That’s not what it sounded like.” “You don’t really believe that.” But there was no entry point in any of their faces. “Sasha said you told her so,” Julian went on. “Like you could have done it, too.” I inhaled sharply. The pathetic betrayal: Sasha had told Julian everything I’d said. “So show us,” Zav said, turning back to Sasha. I was already invisible again. “Show us the famous tits.” “You don’t have to,” I said to her. Sasha flicked her eyes in my direction. “It isn’t a big deal or anything,” she said, her tone dripping with cool, obvious disdain. She plucked her neckline away from her chest and looked pensively down her shirt. “See?” Julian said, smiling hard at me. “Listen to Sasha.” — I had gone to one of Julian’s recitals when Dan and I were still close. Julian must have been nine years old or so. He was good at the cello, I remembered, his tiny arms going about their mournful adult work. His nostrils rimed with snot, the instrument in careful balance. It didn’t seem possible that the boy who had called forth those sounds of longing and beauty was the same almost-man who watched Sasha now, a cold varnish on his eyes. She pulled her shirt down, her face flushed but mostly dreamy. The impatient, professional tug she gave when the neckline caught on her bra. Then both pale breasts were exposed, her skin marked by the line of her bra. Zav exclaimed approvingly. Reaching to thumb a rosy nipple while Julian looked on. I had long outlived whatever usefulness I had here. 1969

  • From The Girls (2016)

    over at me. “Did he show you the fountain in the backyard?” she said. “He got it from Rome. Mitch’s place has high vibes,” she went on, “all the ions, ’cause of the ocean.” I reddened, trying to concentrate on separating the garlic from its woody husks. The buzz of the radio suddenly seemed nasty, polluting, the announcer talking too fast. They’d all been there, I understood, to Mitch’s strange house by the sea. I’d enacted some pattern, been defined, neatly, as a girl, providing a known value. There was something almost comforting about it, the clarity of purpose, even as it shamed me. I didn’t understand that you could hope for more. I hadn’t seen the fountain. I did not say so. Donna’s eyes were bright. “You know,” she said, “Suzanne’s parents are actually real rich. Propane or something. She never was homeless or anything, either.” She was working the dough on the counter as she spoke. “Didn’t end up in any hospital. Any of that shit she says. Just scratched herself up with a paper clip, on some freaky jag.” I was queasy from the stench of food scraps softening in the sink. I shrugged like I didn’t much care either way. Donna went on. “You don’t believe me,” she said. “But it’s true. We were up in Mendocino. Crashing with an apple farmer. She’d done too much acid, just started working away at herself with that clip until we made her quit. She didn’t even bleed, though.” When I didn’t respond, Donna slammed the dough into a bowl. Punching it down. “Think whatever you want,” she said. — Suzanne came into her bedroom later, while I was changing. I hunched myself protectively over my naked chest: Suzanne noticed and seemed ready to mock me but stopped herself. I saw the scars on her wrist but didn’t indulge the uneasy questions—Donna was just jealous. Never mind Donna and her stiff Vaseline hair, shanky and foul as a muskrat’s. “Last night was a trip,” Suzanne said. I pulled away when she tried to sling her arm around me.

  • From The Letter to the Hebrews (The New Daily Study Bible) (2002)

    Some 200 years after this came the terrible persecution by the Emperor Diocletian. When peace came after the storm, the one test some wanted to apply to every surviving member of the Church was: ‘Did you deny Christ and so save your life?’ And, if any had denied their Lord, they would have shut the door on them once and for all. The sociologist Kermit Eby tells of a French churchman who, when asked what he did during the French Revolution, whispered: ‘I survived.’ This is the condemnation of those who loved life more than they loved Christ. It was never meant to be built up into a doctrine that there is no forgiveness for post-baptismal sin. Who can possibly say that another person is beyond the forgiveness of God? What it is meant to show is the terrible seriousness of choosing existence instead of loyalty to Christ. The writer to the Hebrews goes on to say a tremendous thing. Those who fall away crucify Christ again . This is the point of the great Quo vadis legend. It tells how, in the Neronic persecution, Peter was caught in Rome and his courage failed. Down the Appian Way, he fled for his life. Suddenly, there was a figure standing in his path. It was Jesus himself. ‘ Domine ,’ said Peter, ‘ quo vadis? Lord, where are you going?’ ‘I am going back to Rome to be crucified again, this time in your place.’ And Peter, shamed into heroism, turned back to Rome and died a martyr’s death. Late in Roman history, there was an emperor who tried to put back the clock. Julian wanted to destroy Christianity and bring back the old gods. His attempt ended in defeat. The playwright Henrik Ibsen makes him say: ‘Where is he now? Has he been at work elsewhere since that happened at Golgotha? … Where is he now? What if that , at Golgotha, near Jerusalem, was but a wayside matter, a thing done, as it were, in the passing? What if he goes on and on, suffers and dies and conquers again and again, from world to world?’ There is a certain truth there. Behind the thought of the writer to the Hebrews, there is a tremendous conception. He saw the cross as an event which opened a window into the heart of God. He saw it as showing in a moment of time the suffering love which is forever in that heart. The cross said to men and women: ‘That is how I have always loved you and always will love you. This is what your sin does to me and always will do to me. This is the only way I can ever redeem you.’ As long as there is sin, there is always in God’s heart this agony of suffering and redeeming love.

  • From Little Sister: A Memoir (2019)

    She and I shared the same sense of humor and were kindred spirits on account of each of us having recently broken up with a boyfriend. Her boss had a way of inviting us for drinks after work at the 99 Club, a pub frequented by Boston’s equivalent of Wall Street traders. It was a pleasant way to end the day before I headed to my evening classes at Boston University, where I was now enrolled. One afternoon, as he was leaving the office, he asked in an offhand way, “Want to catch a drink at the 99?” “Sure,” I replied, thinking I could have one quick drink before evening school. I walked into the pub. He was there at the bar, talking to the bartender, and he offered me a seat on the barstool next to him, a broad smile across his face. A drink was awaiting me. What I next remember is waking up in my own bed in the pitch black, naked, in pain and aware that a man was getting out of my bed. I was jolted out of my sleepiness and stared in shocked silence as the man slipped into his trousers, picked up his shoes, and tiptoed out of my bedroom. His gait, the eyeglasses—they told me who he was, the broker who had offered to buy me a drink. The apartment door shut behind him, and I lay motionless, racking my brain to try to recreate the events of the prior evening. For hours I lay awake—too stunned to cry, too mortified to call anyone. How did this happen? How could I have let it happen? The next morning, I was the first to arrive at the office, taking my place at the receptionist’s desk that faced the elevators, and thus allowed me to greet each person who arrived. Long after normal starting hours, the elevator door opened and out stepped the criminal of the prior evening. I grabbed a telephone as though I were engaged in conversation, refusing to look at him as he strode past my desk and on to his elegant office. Will he apologize to me? I wondered. How naïve I was to think there might be any remorse in that man. Did he think perhaps that I had no idea what had transpired, that I was dead to the world when he sneaked out of my apartment? I wanted to scream at him, to punch him in the face, but that would entail sharing my nightmare with the whole office. Would anyone even believe me? I had never heard of such a thing happening to a person—it would be my word against his—he the big producer versus me the pretty receptionist who wore miniskirts. A combination of shame and the fear of retaliation silenced me.

  • From Tropic of Cancer (1934)

    Circumstances had placed me in a position where fortunately I could be of aid to them; I secured jobs for them, I harbored them, and I fed them when necessary. They were very grateful, I must say; so much so, in fact that they made my life miserable with their attentions. Two of them were saints, if I know what a saint is; particularly Gupte who was found one morning with his throat cut from ear to ear. In a little boarding house in Greenwich Village he was found one morning stretched out stark naked on the bed, his flute beside him, and his throat gashed, as I say, from ear to ear. It was never discovered whether he had been murdered or whether he had committed suicide. But that’s neither here nor there. ... I’m thinking back to the chain of circumstances which has brought me finally to Nanantatee’s place. Thinking how strange it is that I should have forgotten all about Nanantatee until the other day when lying in a shabby hotel room on the Rue Cels. I’m lying there on the iron bed thinking what a zero I have become, what a cipher, what a nullity, when bango! out pops the word: NONENTITY! That’s what we called him in New York—Nonentity. Mister Nonentity. I’m lying on the floor now in that gorgeous suite of rooms he boasted of when he was in New York. Nanantatee is playing the good Samaritan; he has given me a pair of itchy blankets, horse blankets they are, in which I curl up on the dusty floor. There are little jobs to do every hour of the day—that is, if I am foolish enough to remain indoors. In the morning he wakes me rudely in order to have me prepare the vegetables for his lunch: onions, garlic, beans, etc. His friend, Kepi, warns me not to eat the food—he says it’s bad. Bad or good what difference? Food! That’s all that matters. For a little food I am quite willing to sweep his carpets with a broken broom, to wash his clothes and to scrape the crumbs off the floor as soon as he has finished eating. He’s become absolutely immaculate since my arrival: everything has to be dusted now, the chairs must be arranged a certain way, the clock must ring, the toilet must flush properly. ... A crazy Hindu if ever there was one! And parsimonious as a string bean. I’ll have a great laugh over it when I get out of his clutches, but just now I’m a prisoner, a man without caste, an untouchable. ...

  • From The Girls (2016)

    She watched me through the smoke. I felt shamed. For doubting Suzanne or thinking it was strange to share. For the limits of my carpeted bedroom at home. I shoved my hands in my shorts. This wasn’t bullshit dabbling, like my mother’s afternoon workshops. “I get it,” I said. And I did, and tried to isolate the flutter of solidarity in myself. The dress Suzanne chose for me stank like mouse shit, my nose twitching as I pulled it over my head, but I was happy wearing it—the dress belonged to someone else, and that endorsement released me from the pressure of my own judgments. “Good,” Suzanne said, surveying me. I ascribed more meaning to her pronouncement than I ever had to Connie’s. There was something grudging about Suzanne’s attention, and that made it doubly valued. “Let me braid your hair,” she said. “Come here. It’ll tangle if you dance with it loose.” I sat on the floor in front of Suzanne, her legs on either side of me, and tried to feel comfortable with the closeness, the sudden, guileless intimacy. My parents were not affectionate, and it surprised me that someone could just touch me at any moment, the gift of their hand given as thoughtlessly as a piece of gum. It was an unexplained blessing. Her tangy breath on my neck as she swept my hair to one side. Walking her fingers along my scalp, drawing a straight part. Even the pimples I’d seen on her jaw seemed obliquely beautiful, the rosy flame an inner excess made visible. — Both of us were silent as she braided my hair. I picked up one of the reddish rocks from the floor, lined up beneath the mirror like the eggs of a foreign species. “We lived in the desert for a while,” Suzanne said. “That’s where I got that.” She told me about the Victorian they had rented in San Francisco. How they’d had to leave after Donna had accidentally started a fire in the bedroom. The time spent in Death Valley where they were all so sunburned they couldn’t sleep for days. The remains of a gutted, roofless

  • From I Know Why the Caged Bird Sings (1969)

    During the winter, we had collected a bowl of snow and poured Pet milk over it, and sprinkled it with sugar and called it ice cream. Momma beamed and Uncle Willie was proud when Bailey regaled the customers with our exploits. We were drawing cards for the Store and objects of the town's adoration. Our journey to magical places alone was a spot of color on the town's drab canvas, and our return made us even more the most enviable of people. High spots in Stamps were usually negative: droughts, floods, lynchings and deaths. Bailey played on the country folks' need for diversion. Just after our return he had taken to sarcasm, picked it up as one might pick up a stone, and put it snufflike under his lip. The double entendres, the two-pronged sentences, slid over his tongue to dart rapier-like into anything that happened to be in the way. Our customers, though, generally were so straight thinking and speaking that they were never hurt by his attacks. They didn't comprehend them. “Bailey Junior sound just like Big Bailey. Got a silver tongue. Just like his daddy.” “I hear tell they don't pick cotton up there. How the people live then?” Bailey said that the cotton up North was so tall, if ordinary people tried to pick it they'd have to get up on ladders, so the cotton farmers had their cotton picked by machines. For a while I was the only recipient of Bailey's kindness. It was not that he pitied me but that he felt we were in the same boat for different reasons, and that I could understand his frustration just as he could countenance my withdrawal. I never knew if Uncle Willie had been told about the incident in St. Louis, but sometimes I caught him watching me with a far-off look in his big eyes. Then he would quickly send me on some errand that would take me out of his presence. When that happened I was both relieved and ashamed. I certainly didn't want a cripple's sympathy (that would have been a case of the blind leading the blind), nor did I want Uncle Willie, whom I loved in my fashion, to think of me as being sinful and dirty. If he thought so, at least I didn't want to know it. Sounds came to me dully, as if people were speaking through their handkerchiefs or with their hands over their mouths. Colors weren't true either, but rather a vague assortment of shaded pastels that indicated not so much color as faded familiarities. People's names escaped me and I began to worry over my sanity. After all, we had been away less than a year, and customers whose accounts I had formerly remembered without consulting the ledger were now complete strangers. People, except Momma and Uncle Willie, accepted my unwillingness to talk as a natural outgrowth of a reluctant return to the South.

  • From The Letter to the Hebrews (The New Daily Study Bible) (2002)

    (3) Sometimes when a criminal was being led to judgment or to execution, a dagger, with point upwards, was fixed below his chin so that he could not bow his head to avoid being recognized, but had to keep it up so that all could see his face and know his dishonour. When that was done, the person was said to be tetrachēlismenos. In the end, we have to meet the eyes of God. We may avert our gaze from people we are ashamed to meet; but we are compelled to look God in the face. The American sociologist Kermit Eby writes in The God in You: ‘At some time or other, a man must stop running from himself and his God – possibly because there is just no other place to run to.’ To each one of us, there comes a time when we have to meet that God from whose eyes nothing can ever be concealed. THE PERFECT HIGH PRIEST Hebrews 4:14–16 Since then, we have a high priest, great in his nature, who has passed through the heavens, Jesus, the Son of God, let us hold fast to our creed. For we have not a high priest who is such that he cannot feel with us in our weaknesses; but one who has gone through every temptation, just in the same way as we have, and who is without sin. Let us then confidently approach his throne of grace, that we may receive mercy and find grace to help as need demands. HERE, we are coming to closer grips with the great characteristic conception of Hebrews – that of Jesus as the perfect high priest. His task is to bring the voice of God to men and women, and to usher them into the presence of God. The high priest at one and the same time must perfectly know what it is to be human and also know God. That is what this epistle claims for Jesus. (1) This passage begins by stressing the sheer greatness and absolute deity of Jesus. He is great in his nature, not by worldly honours or by any external trappings but in his own essential being. He has passed through the heavens. That may mean one of two things. In the New Testament, the word heaven is used in different ways. It can mean the heaven of the sky, and it can mean the heaven of the presence of God. This may mean that Jesus has passed through every heaven that may be and is in the very presence of God. It can mean what Christina Rossetti meant in the carol ‘In the bleak midwinter’ when she said: ‘Heaven cannot hold Him.’ Jesus is so great that even heaven is too small a place for him. No one ever stressed the sheer greatness of Jesus in the same way as the writer to the Hebrews. (2) Then he turns to the other side.

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