Joy
Joy is not happiness. Happiness is settled and recoverable on demand; joy is an arrival the body does not produce by trying. It rises through the chest, lifts the head, takes the eye outward — and it usually lands in a life that has known the opposite. Vela reads joy through writers who have refused to flatten it into positivity, and who keep insisting it is something the world gives, not something the self performs.
Working definition · Bright positive affect—pleasure, play, or relief that fills the present moment.
5966 passages · in 1 cluster
Vela’s read on this emotion
Joy is one of the easiest emotions to mis-handle on the page. The wellness register has been working on it for a decade, and the result has been a vocabulary that smooths joy into achievement: *find your joy*, *cultivate joy*, *practice joy daily*. The reading runs against that flattening.
The memoir that carries joy most honestly carries it next to its opposite. Trevor Noah's *Born a Crime* sets joy inside apartheid South Africa — the laughter at the kitchen table is real because the danger outside the kitchen is real. Joy Harjo's *Crazy Brave* — the title itself an instruction — reads joy as the inheritance the writer claims back from a childhood that tried to take it. Anne Frank's diary holds joy inside the annex: the writer at fifteen still capable of being delighted by a sentence, by a friendship, by an idea about her own future. Paul Kalanithi's *When Breath Becomes Air*, written in the last months of his life, treats joy as the recognition of having had this at all.
The contemplative tradition holds joy as a serious subject across centuries. The Psalms hold joy alongside lament without choosing between them. Augustine of Hippo, writing the *Confessions* in the late fourth century, names *gaudium* — joy — as a distinct affection of the soul, neither pleasure nor satisfaction. The Hasidic tradition, the Sufi poets, the early Franciscans each preserve a register of joy as a religious obligation: a refusal of despair held as faithfulness to the world.
Joy is not the same as happiness, pleasure, or contentment. Happiness is a temperament; joy is an arrival. Pleasure is sensory and short; joy can be sensory but is rarely brief. Contentment is the settled register that survives joy's absence; joy is the rise contentment makes room for. The four are kin; the reading keeps them distinct because the writers who have been most honest about each have kept them separate.
Study and magazine
Long-form guide in the magazine
An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.
Read the guidePassages
Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
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5966 tagged passages
From The Decameron (1353)
The king, who was a wise prince, was pleased with Martuccio's counsel and punctually following it, found himself thereby to have won his war. Wherefore Martuccio became in high favour with him and rose in consequence to great and rich estate. The report of these things spread over the land and it came presently to Costanza's ears that Martuccio Gomito, whom she had long deemed dead, was alive, whereupon the love of him, that was now grown cool in her heart, broke out of a sudden into fresh flame and waxed greater than ever, whilst dead hope revived in her. Therewithal she altogether discovered her every adventure to the good lady, with whom she dwelt, and told her that she would fain go to Tunis, so she might satisfy her eyes of that whereof her ears had made them desireful, through the reports received. The old lady greatly commended her purpose and taking ship with her, carried her, as if she had been her mother, to Tunis, where they were honourably entertained in the house of a kinswoman of hers. There she despatched Carapresa, who had come with them, to see what she could learn of Martuccio, and she, finding him alive and in great estate and reporting this to the old gentlewoman, it pleased the latter to will to be she who should signify unto Martuccio that his Costanza was come thither to him; wherefore, betaking herself one day whereas he was, she said to him, 'Martuccio, there is come to my house a servant of thine from Lipari, who would fain speak with thee privily there; wherefore, not to trust to others, I have myself, at his desire, come to give thee notice thereof.' He thanked her and followed her to her house, where when Costanza saw him, she was like to die of gladness and unable to contain herself, ran straightway with open arms to throw herself on his neck; then, embracing him, without availing to say aught, she fell a-weeping tenderly, both for compassion of their past ill fortunes and for present gladness.
From Every Woman's Battle: Discovering God's Plan for Sexual and Emotional Fulfillment (2003)
But God, in His sovereignty, looked beyond my weaknesses and saw my need for genuine intimacy. And in spite of my unfaithfulness, He’s been faithful to guide me toward that place of quiet rest in my relationships with my father, my husband, and myself. This was not an overnight trip from chaos to peacefulness like it was for Lela, but a long process—one that continues to this day. But before I tell you more about what God has done in me, I want to revisit a couple of the women whose stories were told in the first chapter of this book. They too have moved from the chaotic struggle of sexual compromise to a quiet place of rest. NO MORE STRANGERS IN THE BEDROOM Remember Rebecca, who fantasized about being seduced by a stranger in some exotic place in order to have an orgasm while making love with her husband? She now reports: I didn’t think that what I was doing was wrong at the time. I realize now that Craig was just as hurt over what I was thinking in my mind while we were having sex as I would have been if he had wanted to look at pornography while making love to me. Understanding how we each struggle to maintain sexual integrity has transformed our marriage, our bedroom in particular…. I did what you recommended…. We leave on a dim light and I open my eyes anytime I sense my mind wandering outside of our bedroom. It takes concentration, but when I relax and focus completely on Craig during sex and what we are experiencing together, I feel so close to him and so much closer to God as a result! I actually enjoy sex now rather than just tolerate it and let my mind wander. I never knew it could be this deeply gratifying. Inappropriate thoughts still try to creep in occasionally, but when I compare our old sex life to this new level of intimacy we’ve discovered by keeping our minds pure for each other, I’m inspired to redirect my thoughts back to the gift that God gave me in Craig. Rebecca is right. You will be tempted to resort to your old fantasies, your old masturbation habit, or your dysfunctional relational patterns. That doesn’t mean that you can’t have victory time and time again, however. With each thought taken captive, each inappropriate word not spoken, each extramarital advance you spurn, and each intimate sexual experience you enjoy with your husband, you will be reinforcing your victory and embracing God’s plan for your sexual and emotional fulfillment. FREE FROM THE WEB OF INTRIGUE Six years after MiamiMike escorted Jean into his condo for a dip in his hot tub and a sip of champagne, Jean gives this update:
From Becoming Myself: A Psychiatrist's Memoir (2017)
Those days at camp were free of academic stress, and I basked in my love for her and took care of my young campers and played and taught tennis and made friends with guys who were interested in something other than medicine. One year my fellow counselor was Paul Horn, who became a well-known flutist, and we remained friends until his death. Aside from these summer interludes, my undergraduate years were relentlessly grim, involving huge classes and minimal contact with professors. However, despite the tension and the unimaginative lectures, I found the content of all my science courses fascinating. That was especially true for organic chemistry—I found the benzene ring, with its beauty and simplicity, coupled to endless complexity, fascinating, and for two summers I earned pocket money tutoring other students in the subject. My favorite courses, though, were my three electives—all literature courses: Modern American Poetry, World Drama, and The Rise of the Novel. I felt alive in these courses and relished reading the books and writing the papers, the only papers I wrote in college. My course on world drama stands out in my mind. It was the smallest class I attended—only forty students—and the content was enthralling. In that class I had my only memorable personal contact with a teacher, an attractive middle-aged woman who wore her blonde hair in a tight bun and once asked me to come to her office. She critiqued my paper on Prometheus Bound by Aeschylus in the most positive manner, informing me that my writing was superb and my thinking original, and asked if I had considered a career in the humanities. To this day I remember her shining face—she was the only professor who ever knew my name. Aside from a B+ in one German course, I had a straight A+ record in college, but, even so, applying to medical school was a nerve-wracking process. I applied to nineteen schools and received eighteen rejections and one acceptance (to GW Medical School, which could not reject a GW undergraduate with a near 4.0 average). Somehow the anti-Semitism in the medical school quota didn’t outrage me—it was ubiquitous, I had never known anything else, and, following my parents’ example, simply took it for granted. I never took an activist posture or even seethed at the vast unfairness of the system. Looking back now, I believe my lack of outrage was due to my lack of self-esteem—I had bought into the worldview of my oppressors. I can still feel the shivers of exhilaration I experienced when I received my letter of admission from GW: it was the greatest thrill of my life. I rushed to the phone to call Marilyn. She tried to be enthusiastic but had never really doubted I would be accepted. My life changed after that—suddenly, I had free time. I picked up a Dostoevsky novel and began reading again.
From Shoe Dog: A Memoir by the Creator of Nike (2016)
That night we stayed at a hotel on the edge of town, in a suite painted and decorated in an unsettling shade of brown. The color of burned toast, we agreed. Sunday morning we spent in the pool, hiding from the sun, sharing the shade beneath the diving board. At some point I raised the subject of our future. I was leaving the next day for a long and vital trip to Japan, to cement my relationship with Onitsuka, I hoped. When I returned, later that summer, we couldn’t keep “dating,” I told her. Portland State frowned on teacher-student relationships. We’d have to do something to formalize our relationship, to set it above reproach. Meaning, marriage. “Can you handle arranging a wedding by yourself while I’m gone?” I said. “Yes,” she said. There was very little discussion, or suspense, or emotion. There was no negotiation. It all felt like a foregone conclusion. We went inside the burned-toast suite and phoned Penny’s house. Dot answered, first ring. I gave her the news, and after a long, strangling pause she said: “You son of a bitch.” Click. Moments later she phoned back. She said she’d reacted impulsively because she’d been planning to spend the summer having fun with Penny, and she’d felt disappointed. Now she said it would be almost as much fun to spend the summer planning Penny’s wedding. We phoned my parents next. They sounded pleased, but my sister Jeanne had just gotten married and they were a bit weddinged out. We hung up, looked at each other, looked at the brown wallpaper, and the brown rug, and both sighed. So this is life. I kept saying to myself, over and over, I’m engaged, I’m engaged. But it didn’t sink in, maybe because we were in a hotel in the middle of a heat wave in exurban Sacramento. Later, when we got home and went to a Zell’s and picked out an engagement ring with an emerald stone, it started to feel real. The stone and setting cost five hundred dollars—that was very real. But I never once felt nervous, never asked myself with that typical male remorse, Oh, God, what have I done? The months of dating and getting to know Penny had been the happiest of my life, and now I would have the chance to perpetuate that happiness. That’s how I saw it. Basic as Accounting 101. Assets equal liabilities plus equity. Not until I left for Japan, not until I kissed my fiancée good-bye and promised to write as soon as I got there, did the full reality, with all its dimensions and contours, hit me. I had more than a fiancée, a lover, a friend. I had a partner. In the past I’d told myself Bowerman was my partner, and to some extent Johnson. But this thing with Penny was unique, unprecedented. This alliance was life-altering. It still didn’t make me nervous, it just made me more mindful.
From Becoming Myself: A Psychiatrist's Memoir (2017)
CHAPTER TWENTY-TWO OXFORD AND THE ENCHANTED COINS OF MR. SFICA M y many years at Stanford often blur together in my memory, but my sabbaticals stand out clearly etched in my mind. During the early 1970s I continued to teach medical students and residents and enlisted many of them as collaborators in psychotherapy research. I published journal articles on group therapy for alcoholics and group therapy for bereaved spouses. At some point my publisher asked me to undertake a second edition of my group therapy textbook. Knowing this project would require my full attention, I applied for a six-month sabbatical, and, in 1974, Marilyn and I and our five-year-old son, Ben, left for Oxford, where I would have an office in the psychiatry department of the Warneford Hospital. Our daughter, Eve, had begun college at Wesleyan, and my other two sons remained behind to finish the school year in Palo Alto under the care of old friends, who would stay with them in our home. We had rented a house in the center of Oxford, but shortly before we arrived, a British airliner crashed, killing all passengers, including the father of the rental family. So, at the last minute, we scrambled to find another Oxford residence. When we found that none were available, we rented a charming old thatched-roof cottage in the small one-pub village of Black Bourton, about thirty minutes away from Oxford. Black Bourton was small, very British, and very secluded: perfect conditions for writing! Revising a textbook is demanding and dull work, but necessary if the book is to remain relevant. I analyzed some research I had just completed, seeking to understand more about what really helped patients during therapy. I had given a large sample of successful group therapy patients a questionnaire of fifty-five statements (related to catharsis, understanding, support, guidance, universality, group cohesiveness, etc.), and just on a whim at the last minute, I threw in a cluster of five unorthodox statements I labeled as “existential factors”—statements such as “recognizing that no matter how close I get to others, I must still face life alone,” or “recognizing there is no escape from some of life’s pain and from death.” I had asked patients to sort these into piles (a “Q sort”) from least to most helpful, and was amazed to find that this whole throw-in category of existential factors ranked far higher than I had expected. Clearly, existential factors were playing a greater role in effective group therapy than we had realized, and I set about making this explicit in a new chapter. As I was starting to address this idea I received a call from the United States informing me that I had just been awarded the prestigious Strecker Award in psychiatry. I was very pleased, of course, but not for long. Two days later, an official letter arrived providing details: I was required to give an address to a large audience in Pennsylvania a year hence. No problem with that.
From Henry Miller on Writing (1964)
But here’s the passage … it follows right after that: ‘And yet there was something more; besides the logical thought, which was often a hindrance, a troublesome though inseparable accident, besides the sensation, always a pleasure and a delight, besides these there were the indefinable, inexpressible images which all fine literature summons to the mind. As the chemist in his experiments is sometimes astonished to find unknown, unexpected elements in the crucible or the receiver, as the world of material things is considered by some a thin veil of the immaterial universe, so he who reads wonderful prose or verse is conscious of suggestions that cannot be put into words, which do not rise from the logical sense, which are rather parallel to than connected with the sensuous delight. The world so disclosed is rather the world of dreams, rather the world in which children sometimes live, instantly appearing, and instantly vanishing away, a world beyond all expression or analysis, neither of the intellect nor of the senses….’” “It is beautiful,” she said, as I put the book down. “But don’t you try to write like that. Let Arthur Machen write that way, if he wishes. You write your own way.” I sat down at the table again. A bottle of Chartreuse was standing beside my coffee. As I poured a thimbleful of the fiery green liqueur into my glass, I said: “There’s only one thing missing now: a harem .” “Pop supplied the Chartreuse,” she said. “He was so delighted with those pages.” “Let’s hope he’ll like the next fifty pages as much.” “You’re not writing the book for him, Val. You’re writing it for us .” “That’s true,” I said. “I forget that sometimes.” It occurred to me then that I hadn’t told her anything yet about the outline of the real book. “There’s something I have to tell you,” I began. “Or should I? Maybe I ought to keep it to myself a while longer.” She begged me not to tease. “All right, I’ll tell you. It’s about the book I intend to write one day. I’ve got the notes for it all written out. I wrote you a long letter about it, when you were in Vienna or God knows where. I couldn’t send the letter because you gave me no address. Yes, this will really be a book … a huge one. About you and me.” “Didn’t you keep the letter?” “No. I tore it up. Your fault! But I’ve got the notes. Only I won’t show them to you yet.” “Why?” “Because I don’t want any comments. Besides, if we talk about it I may never write the book. Also, there are some things I wouldn’t want you to know about until I had written them out.” “You can trust me,” she said.
From The Decameron (1353)
Messer Lizio hearing all this from his wife, said, for that he was an old man and maybe therefore somewhat cross-grained, 'What nightingale is this to whose song she would sleep? I will yet make her sleep to the chirp of the crickets.' Caterina, coming to know this, more of despite than for the heat, not only slept not that night, but suffered not her mother to sleep, still complaining of the great heat. Accordingly, next morning, the latter repaired to her husband and said to him, 'Sir, you have little tenderness for yonder girl; what mattereth it to you if she lie in the gallery? She could get no rest all night for the heat. Besides, can you wonder at her having a mind to hear the nightingale sing, seeing she is but a child? Young folk are curious of things like themselves. Messer Lizio, hearing this, said, 'Go to, make her a bed there, such as you think fit, and bind it about with some curtain or other, and there let her lie and hear the nightingale sing to her heart's content.' The girl, learning this, straightway let make a bed in the gallery and meaning to lie there that same night, watched till she saw Ricciardo and made him a signal appointed between them, by which he understood what was to be done. Messer Lizio, hearing the girl gone to bed, locked a door that led from his chamber into the gallery and betook himself likewise to sleep. As for Ricciardo, as soon as he heard all quiet on every hand, he mounted a wall, with the aid of a ladder, and thence, laying hold of certain toothings of another wall, he made his way, with great toil and danger, if he had fallen, up to the gallery, where he was quietly received by the girl with the utmost joy. Then, after many kisses, they went to bed together and took delight and pleasure one of another well nigh all that night, making the nightingale sing many a time. The nights being short and the delight great and it being now, though they thought it not, near day, they fell asleep without any covering, so overheated were they what with the weather and what with their sport, Caterina having her right arm entwined about Ricciardo's neck and holding him with the left hand by that thing which you ladies think most shame to name among men.
From Becoming Myself: A Psychiatrist's Memoir (2017)
One day I brought my computer to the school, waited until the end of class, and begged or bribed—I forget which, perhaps both—the teacher to print a precious hard copy of the work to date. Inspiration came quickly in Bali. Without mail, a telephone, or other distractions, I wrote better and more rapidly than ever before. In my two months there I wrote four of the ten stories. In each story I spent a great deal of time disguising the identity of the patients. I altered the patients’ appearances, occupations, ages, nationalities, marital status, and often even gender. I wanted to be entirely certain that no one could possibly recognize them, and, of course, I would send the patient the finished story and ask for written permission. In our downtime, Marilyn and I explored the island. We adored the graceful Balinese and admired their art, dancing, puppetry, carving, and painting, and we marveled at the religious parades. The beach-walking and snorkeling were heavenly. One day our driver took us, along with two bicycles, to one of Bali’s highest points, and we coasted several miles downhill through villages, passing stands selling slices of jackfruit and durian. To my surprise, chess was popular in Bali, and I found games everywhere. I often went early to a nearby restaurant to play chess with the waiter. My agreement with Marilyn was to spend the second half of the sabbatical year in Europe. I love tropical islands, and Marilyn loves France, and throughout our marriage we have compromised. Marilyn had just officially left her administrative position at Stanford (though she has stayed on until this day as a senior scholar), and she still had some professional duties that took her back to Palo Alto on our way to Europe. I stopped in Hawaii for a writing retreat on Oahu at our Japanese host’s lovely condo, where I wrote two more stories. Finally, after five weeks, Marilyn rang the bell, informing me it was time to resume our trip. Next stop, Bellagio, Italy. A year earlier we had each applied and been accepted for residence at the Rockefeller Foundation Center in Bellagio, she to work on her women’s memoirs of the French Revolution, and I to work on my book of psychotherapy tales. A residency at Bellagio must be one of the greatest perks of academia. Only a short walk from Lake Como, the Rockefeller compound has beautiful gardens, a superb chef, who hand-made the pasta and served a different variety every night, and a handsome central villa that houses the thirty scholars and provides a separate study for each. The scholars met together at mealtimes and for evening seminars, where we each presented our work. Marilyn and I wrote each morning and in the afternoons we often took the ferryboat to one of the small, charming villages on Lake Como. I spent a great deal of time with one of the other scholars, Stanley Elkins, a marvelous comic novelist.
From Becoming Myself: A Psychiatrist's Memoir (2017)
Laden with gifts, we returned to our hotel room and saw yet another gift: a boat, two feet long, with fluttering sails entirely made of chocolate. Marilyn and I happily munched away. The following day I signed books at Hestia Bookstore, a small shop in the center of Athens. I’ve done dozens of bookstore signings before and since, but this was the granddaddy of all signings. The queue led out of the store and continued for eight blocks, causing considerable traffic disruption. People not only bought new books at the store but also brought with them some previously bought books for me to sign. Writing their names was taxing, as most were foreign to me—for example, Docia, Ianthe, Nereida, Tatiana—and difficult to spell. Customers were then asked to print their names in large letters on yellow slips of paper to hand to me with their books. Many were taking photographs, but that held up the line and soon they were asked not to take photos. After an hour the book purchasers were told I would be able to sign a maximum of only four, and then, an hour later, three, and eventually only one old book along with new books. Even so, the signing lasted almost four hours, and I signed over eight hundred new books and a great many more older ones. Recently I was saddened to hear that the venerable Hestia Bookstore had closed its doors for good, a victim of the Greek monetary crisis. The great majority of bookstore customers in that line were women—as is always the case at my book signings—and I had the singular experience of having at least fifty lovely Greek women whisper in my ear, “I love you.” Lest it get to my head, Stavros pulled me aside and told me that Greek women use those words frequently, with a more casual meaning than Americans. T he signing at the Hestia Bookstore came to mind ten years later, when an elderly British physician asked to see me in consultation. Dissatisfied with his life as a bachelor and his own unrealized potential, he was highly ambivalent about consulting me: on the one hand, he wanted my help; on the other, he was also deeply envious of my success as a writer, because he was convinced that he, too, had the talent for writing fine books. Toward the end of our consultation, he recounted a key story that had haunted him for fifty years, ever since he had spent two years in Greece teaching English at a girls’ school. At the end of the farewell ceremonies, just as he was preparing to leave, a beautiful young Greek student gave him a goodbye hug and whispered in his ear, “I love you.” Ever since then, he had thought of that young student, heard her whispered words in his mind, and tortured himself for not having had the courage to embark upon the life that was meant for him.
From Another Country (1962)
He clung to LeRoy, whose arms tightened around him. “Poor boy,” LeRoy murmured again, “poor boy.” Eric buried his face in LeRoy’s neck and LeRoy’s body shook a little— the chest and belly of a man! —and then he pushed Eric away and guided him toward the stream and they sat down beside it. “I guess you know, now,” LeRoy said, after a long silence, while Eric trailed his hand in the water, “what they saying about us in this town. I don’t care but it can get us in a lot of trouble and you got to stop coming to see me, Eric.” He had not known what they were saying, or he had been unable to allow himself to know; but he knew now. He said, staring into the water, and with a totally mysterious abandon, “Well, if we’ve got the name, we might as well have the game is how I see it. I don’t give a shit about those people, let them all go to hell; what have they got to do with you and me?” LeRoy looked briefly over at Eric and smiled. “You a nice boy, Eric, but you don’t know the score. Your Daddy owns half the folks in this town, ain’t but so much they can do to you. But what they can do to me—–! ” And he spread his hands wide. “I won’t let anything happen to you.” LeRoy laughed. “You better get out of this town. Declare, they going to lynch you before they get around to me.” He laughed again and rubbed his hand in Eric’s bright red hair. Eric grabbed his hand. They looked at each other, and a total, a dreadful silence fell. “Boy,” LeRoy said, weakly. And then, after a moment, “You really out for trouble, ain’t you?” And then nothing was said. They lay together beside the stream. That day. That day. Had he known where that day would lead him would he have writhed as he did, in such an anguished joy, beneath the great weight of his first lover? But if he had known, or been capable of caring, where such a day might lead him, it could never have been his necessity to bring about such a day. He was frightened and in pain and the boy who held him so relentlessly was suddenly a stranger; and yet this stranger worked in Eric an eternal, a healing transformation. Many years were to pass before he could begin to accept what he, that day, in those arms, with the stream whispering in his ear, discovered; and yet that day was the beginning of his life as a man. What had always been hidden was to him, that day, revealed and it did not matter that, fifteen years later, he sat in an armchair, overlooking a foreign sea, still struggling to find the grace which would allow him to bear that revelation.
From Another Country (1962)
Lorenzo put on something at once bell-like and doleful, by the Modern Jazz Quartet. “Here.” He looked up. Harold stood above him with a glowing stick. He sat up, smiling vaguely, and carefully picked up his beer from the floor before taking the stick from Harold. Harold watched him, smiling intensely, as he took a long, shaky drag. He took a swallow of his beer and gave the stick back. Harold inhaled deeply and expertly, and rubbed his chest. “Come on over to the window,” Belle called. Her voice sounded high and pleased, like a child’s. And, exactly as though he were responding to a child, Vivaldo, though he preferred to remain alone on the sofa, walked over to the window. Harold followed him. Belle and Lorenzo sat on the floor, sharing a stick between them, and staring out at the New York rooftops. “It’s strange,” Belle said. “It’s so ugly by day and so beautiful at night.” “Let’s go up on the roof,” said Lorenzo. “Oh! What a groovy idea!” They gathered up the makings, and the beer, and Belle picked up a blanket; and, like children, they tiptoed out of the apartment, up the stairs to the roof. And there they seemed bathed in silence, all alone. Belle spread the blanket, which was not big enough for them all. She and Lorenzo shared it. Vivaldo took another large drag and squatted on the edge of the roof, his arms hugging his knees. “Don’t do that, man,” Lorenzo whispered, “you’re too near the edge, I can’t bear to watch it.” Vivaldo smiled and moved back, stretching out on his belly beside them . “I’m sorry. I’m like that, too. I can hang over the edge myself, but I can’t watch anybody else do it.” Belle grabbed his hand. He looked up at her pale, thin face, framed by the black hair. She smiled, and she was prettier than she had seemed in the bar. “I like you,” she said. “You’re a real groovy cat. Lorenzo always said you were, but I never believed him.” Her accent, too, was more noticeable now; she sounded like the simplest and most innocent of country girls—if country girls were innocent, and he supposed, at some point in their lives, they had to be. “Why, thank you,” he said. Lorenzo, palely caught in the lights of heaven and earth, grinned over at him. Vivaldo pulled his hand from Belle’s hand and reached over and struck Lorenzo lightly on the cheek. “I like you, too, both of you.” “How you feeling, dad?” It was Harold, who seemed to be quite far away. “I feel wonderful.”
From Push (1996)
Like geeses from the lake. I see the wings beating beating hear geeses. It's more birds than geeses. Where so many birds come from. I see flying. Feel flying. Am flying. Far up, but my body down in circle. Precious is bird. Someone is holding my hand. It's Rita. She is massage my hand. I come back from being a bird to hear beautiful girl crying. Smell Mama. Carl, the way his knees on either side of my neck. Girl say, "Thank you for letting me share." She say, 'This is a Tuesday night beginner's meeting, to share raise your hand." I raise my hand. My hand is going up through the smell of Mama, my hand is pushing Daddy's dick out my face. "I was rape by my father. And beat." No one is talking except me. "Mama push my head down in her ..." I can't talk no more. Beautiful girl whisper to me, "Are you through?" I say yes. She say, "Pick the next person." I look up from my shoes, Nikes; girls got they hand up. I pick girl in overalls with blue eyes. Grab Rita's hand, listen. Listen to girl rape by brother, listen to old woman rape by her father; don't remember till he die when she is 65 years old. Girls, old women, white women, lotta white women. Girl's younger sister murdered by the cult? Jewish girl, we had money on Long Island (like Westchester), my father was a prominent child psychiatrist. It started when I was about nine years old. Girls like Jermaine is, I am a proud lesbian. But it's the only thing I'm proud of; I was confine to a mental institution for fourteen years, diagnosed as a schizophrenia— What am I hearing! One hour and a half women talk. Can this be done happen to so many people? I know I am not lying! But is they? I thought cult was in movie. What kinda world this babies raped. A father break a girl's arm. Sweet talk you suck his dick. All kinda women here. Princess girls, some fat girls, old women, young women. One thing we got in common, no the thing, is we was rape. Afterwards we go out for coffee. I have never been "out for coffee" before. Rita put her arm around my shoulder, I order hot chocolate 'cause that's what I like. Blond girl who is airline stewardess say, "Precious! That's a beautiful name!" I'm alive inside. A bird is my heart. Mama and Daddy is not win. I'm winning. I'm drinking hot chocolate in the Village wif girls—all kind who love me. How that is so I don't know. How Mama and Daddy know me sixteen years and hate me, how a stranger meet me and love me.
From The Decameron (1353)
The page did his errand to the lady, who, like a well-bred and discreet woman as she was, believing him to be some great gentleman, commanded, to show him that she had his coming in gree, that a great gilded cup, which stood before her, should be washed and filled with wine and carried to the gentleman; and so it was done. Messer Torello, taking her ring in his mouth, contrived in drinking to drop it, unseen of any, into the cup, wherein having left but a little wine, he covered it again and despatched it to the lady. Madam Adalieta, taking the cup and uncovering it, that she might accomplish his usance, set it to her mouth and seeing the ring, considered it awhile, without saying aught; then, knowing it for that which she had given to Messer Torello at parting, she took it up and looking fixedly upon him whom she deemed a stranger, presently recognized him; whereupon, as she were waxen mad, she overthrew the table she had before her and cried out, saying, 'It is my lord, it is indeed Messer Torello!' Then, running to the place where he sat, she cast herself as far forward as she might, without taking thought to her clothes or to aught that was on the table, and clipped him close in her arms nor could, for word or deed of any there, be loosed from his neck till she was bidden of Messer Torello contain herself somewhat, for that time enough would yet be afforded her to embrace him. She accordingly having arisen and the nuptials being by this all troubled, albeit in part more joyous than ever for the recovery of such a gentleman, every one, at Messer Torello's request, abode quiet; whereupon he related to them all that had betided him from the day of his departure up to that moment, concluding that the gentleman, who, deeming him dead, had taken his lady to wife, must not hold it ill if he, being alive, took her again unto himself.
From Survival of the Prettiest: The Science of Beauty (1999)
In the real world you don’t need to be a Prince of Midnight or a Playmate of the Month to attract a partner, but the initial combustion between potential mates hinges precariously on looks. Social psychologists Elaine Hatfield and Susan Sprecher assert that “at the beginning of a romance there is probably nothing that counts more.” Hatfield began her research on attractiveness in the 1960s after organizing an undergraduate dance where she matched half the couples on what she called “social desirability” (intelligence and personality) and the other half randomly. She was clearly missing something since the carefully matched pairs were no happier than the randomly flung-together pairs. Then she took a look at looks. Anyone matched with a good-looking partner was not only happy but took a phone number. Twenty years later, psychologists matched one hundred gay men at a tea dance. They found that virtually all of the men, regardless of their own level of attractiveness, preferred the most attractive partners and wished to see them again. Preferences based on looks turn up from Australia to Zambia. In 1990 psychologist David Buss interviewed over ten thousand people from thirty-seven cultures between the ages of fourteen and seventy about their mating preferences. Around the world, kindness was a highly valued quality in a mate, but physical attractiveness and good looks were on everyone’s top ten list of important and desirable qualities. Western cultures have been accused of placing extreme value on physical beauty. But in Buss’s study, people in more than one third of the non-Western and non-North American countries placed more importance on the looks of their mates than did college students in the United States. Buss and his colleague, psychologist Steven Gangestad, found that prevalence of parasitic diseases and not exposure to supermodels was the key factor in determining how much a culture valued physical beauty in a mate. Cultures with a higher prevalence of parasitic diseases are even more likely to place a very high value on physical beauty because beautiful features such as a glorious mane of hair, clear skin, and a lean muscular body are visual certificates of health.
From Little Women (1868)
With a blissful sense of burdens lifted off, Meg and Jo closed their weary eyes, and lay at rest, like storm-beaten boats safe at anchor in a quiet harbor. Mrs. March would not leave Beth's side, but rested in the big chair, waking often to look at, touch, and brood over her child, like a miser over some recovered treasure. Laurie meanwhile posted off to comfort Amy, and told his story so well that Aunt March actually 'sniffed' herself, and never once said "I told you so". Amy came out so strong on this occasion that I think the good thoughts in the little chapel really began to bear fruit. She dried her tears quickly, restrained her impatience to see her mother, and never even thought of the turquoise ring, when the old lady heartily agreed in Laurie's opinion, that she behaved 'like a capital little woman'. Even Polly seemed impressed, for he called her a good girl, blessed her buttons, and begged her to "come and take a walk, dear", in his most affable tone. She would very gladly have gone out to enjoy the bright wintry weather, but discovering that Laurie was dropping with sleep in spite of manful efforts to conceal the fact, she persuaded him to rest on the sofa, while she wrote a note to her mother. She was a long time about it, and when she returned, he was stretched out with both arms under his head, sound asleep, while Aunt March had pulled down the curtains and sat doing nothing in an unusual fit of benignity. After a while, they began to think he was not going to wake up till night, and I'm not sure that he would, had he not been effectually roused by Amy's cry of joy at sight of her mother. There probably were a good many happy little girls in and about the city that day, but it is my private opinion that Amy was the happiest of all, when she sat in her mother's lap and told her trials, receiving consolation and compensation in the shape of approving smiles and fond caresses. They were alone together in the chapel, to which her mother did not object when its purpose was explained to her. "On the contrary, I like it very much, dear," looking from the dusty rosary to the well-worn little book, and the lovely picture with its garland of evergreen. "It is an excellent plan to have some place where we can go to be quiet, when things vex or grieve us. There are a good many hard times in this life of ours, but we can always bear them if we ask help in the right way. I think my little girl is learning this." "Yes, Mother, and when I go home I mean to have a corner in the big closet to put my books and the copy of that picture which I've tried to make.
From Little Women (1868)
There might have been cause for maternal anxiety, if Demi had not given convincing proofs that he was a true boy, as well as a budding philosopher, for often, after a discussion which caused Hannah to prophesy, with ominous nods, "That child ain't long for this world," he would turn about and set her fears at rest by some of the pranks with which dear, dirty, naughty little rascals distract and delight their parent's souls. Meg made many moral rules, and tried to keep them, but what mother was ever proof against the winning wiles, the ingenious evasions, or the tranquil audacity of the miniature men and women who so early show themselves accomplished Artful Dodgers? "No more raisins, Demi. They'll make you sick," says Mamma to the young person who offers his services in the kitchen with unfailing regularity on plum-pudding day. "Me likes to be sick." "I don't want to have you, so run away and help Daisy make patty cakes." He reluctantly departs, but his wrongs weigh upon his spirit, and by-and-by when an opportunity comes to redress them, he outwits Mamma by a shrewd bargain. "Now you have been good children, and I'll play anything you like," says Meg, as she leads her assistant cooks upstairs, when the pudding is safely bouncing in the pot. "Truly, Marmar?" asks Demi, with a brilliant idea in his well-powdered head. "Yes, truly. Anything you say," replies the shortsighted parent, preparing herself to sing, "The Three Little Kittens" half a dozen times over, or to take her family to "Buy a penny bun," regardless of wind or limb. But Demi corners her by the cool reply... "Then we'll go and eat up all the raisins." Aunt Dodo was chief playmate and confidante of both children, and the trio turned the little house topsy-turvy. Aunt Amy was as yet only a name to them, Aunt Beth soon faded into a pleasantly vague memory, but Aunt Dodo was a living reality, and they made the most of her, for which compliment she was deeply grateful. But when Mr. Bhaer came, Jo neglected her playfellows, and dismay and desolation fell upon their little souls. Daisy, who was fond of going about peddling kisses, lost her best customer and became bankrupt. Demi, with infantile penetration, soon discovered that Dodo like to play with 'the bear-man' better than she did him, but though hurt, he concealed his anguish, for he hadn't the heart to insult a rival who kept a mine of chocolate drops in his waistcoat pocket, and a watch that could be taken out of its case and freely shaken by ardent admirers. Some persons might have considered these pleasing liberties as bribes, but Demi didn't see it in that light, and continued to patronize the 'the bear-man' with pensive affability, while Daisy bestowed her small affections upon him at the third call, and considered his shoulder her throne, his arm her refuge, his gifts treasures surpassing worth.
From Little Women (1868)
That was the name of the little brown house Mr. Brooke had prepared for Meg's first home. Laurie had christened it, saying it was highly appropriate to the gentle lovers who 'went on together like a pair of turtledoves, with first a bill and then a coo'. It was a tiny house, with a little garden behind and a lawn about as big as a pocket handkerchief in the front. Here Meg meant to have a fountain, shrubbery, and a profusion of lovely flowers, though just at present the fountain was represented by a weather-beaten urn, very like a dilapidated slopbowl, the shrubbery consisted of several young larches, undecided whether to live or die, and the profusion of flowers was merely hinted by regiments of sticks to show where seeds were planted. But inside, it was altogether charming, and the happy bride saw no fault from garret to cellar. To be sure, the hall was so narrow it was fortunate that they had no piano, for one never could have been got in whole, the dining room was so small that six people were a tight fit, and the kitchen stairs seemed built for the express purpose of precipitating both servants and china pell-mell into the coalbin. But once get used to these slight blemishes and nothing could be more complete, for good sense and good taste had presided over the furnishing, and the result was highly satisfactory. There were no marble-topped tables, long mirrors, or lace curtains in the little parlor, but simple furniture, plenty of books, a fine picture or two, a stand of flowers in the bay window, and, scattered all about, the pretty gifts which came from friendly hands and were the fairer for the loving messages they brought. I don't think the Parian Psyche Laurie gave lost any of its beauty because John put up the bracket it stood upon, that any upholsterer could have draped the plain muslin curtains more gracefully than Amy's artistic hand, or that any store-room was ever better provided with good wishes, merry words, and happy hopes than that in which Jo and her mother put away Meg's few boxes, barrels, and bundles, and I am morally certain that the spandy new kitchen never could have looked so cozy and neat if Hannah had not arranged every pot and pan a dozen times over, and laid the fire all ready for lighting the minute 'Mis. Brooke came home'. I also doubt if any young matron ever began life with so rich a supply of dusters, holders, and piece bags, for Beth made enough to last till the silver wedding came round, and invented three different kinds of dishcloths for the express service of the bridal china.
From Little Women (1868)
Carrol, Florence's mamma, was ordered to buy, have made, and marked a generous supply of house and table linen, and send it as her present, all of which was faithfully done, but the secret leaked out, and was greatly enjoyed by the family, for Aunt March tried to look utterly unconscious, and insisted that she could give nothing but the old-fashioned pearls long promised to the first bride. "That's a housewifely taste which I am glad to see. I had a young friend who set up housekeeping with six sheets, but she had finger bowls for company and that satisfied her," said Mrs. March, patting the damask tablecloths, with a truly feminine appreciation of their fineness. "I haven't a single finger bowl, but this is a setout that will last me all my days, Hannah says." And Meg looked quite contented, as well she might. A tall, broad-shouldered young fellow, with a cropped head, a felt basin of a hat, and a flyaway coat, came tramping down the road at a great pace, walked over the low fence without stopping to open the gate, straight up to Mrs. March, with both hands out and a hearty... "Here I am, Mother! Yes, it's all right." The last words were in answer to the look the elder lady gave him, a kindly questioning look which the handsome eyes met so frankly that the little ceremony closed, as usual, with a motherly kiss. "For Mrs. John Brooke, with the maker's congratulations and compliments. Bless you, Beth! What a refreshing spectacle you are, Jo. Amy, you are getting altogether too handsome for a single lady." As Laurie spoke, he delivered a brown paper parcel to Meg, pulled Beth's hair ribbon, stared at Jo's big pinafore, and fell into an attitude of mock rapture before Amy, then shook hands all round, and everyone began to talk. "Where is John?" asked Meg anxiously. "Stopped to get the license for tomorrow, ma'am." "Which side won the last match, Teddy?" inquired Jo, who persisted in feeling an interest in manly sports despite her nineteen years. "Ours, of course. Wish you'd been there to see." "How is the lovely Miss Randal?" asked Amy with a significant smile. "More cruel than ever. Don't you see how I'm pining away?" and Laurie gave his broad chest a sounding slap and heaved a melodramatic sigh. "What's the last joke? Undo the bundle and see, Meg," said Beth, eying the knobby parcel with curiosity. "It's a useful thing to have in the house in case of fire or thieves," observed Laurie, as a watchman's rattle appeared, amid the laughter of the girls. "Any time when John is away and you get frightened, Mrs. Meg, just swing that out of the front window, and it will rouse the neighborhood in a jiffy. Nice thing, isn't it?" and Laurie gave them a sample of its powers that made them cover up their ears. "There's gratitude for you!
From Little Women (1868)
A drop of rain on her cheek recalled her thoughts from baffled hopes to ruined ribbons. For the drops continued to fall, and being a woman as well as a lover, she felt that, though it was too late to save her heart, she might her bonnet. Now she remembered the little umbrella, which she had forgotten to take in her hurry to be off, but regret was unavailing, and nothing could be done but borrow one or submit to a drenching. She looked up at the lowering sky, down at the crimson bow already flecked with black, forward along the muddy street, then one long, lingering look behind, at a certain grimy warehouse, with 'Hoffmann, Swartz, & Co.' over the door, and said to herself, with a sternly reproachful air... "It serves me right! what business had I to put on all my best things and come philandering down here, hoping to see the Professor? Jo, I'm ashamed of you! No, you shall not go there to borrow an umbrella, or find out where he is, from his friends. You shall trudge away, and do your errands in the rain, and if you catch your death and ruin your bonnet, it's no more than you deserve. Now then!" With that she rushed across the street so impetuously that she narrowly escaped annihilation from a passing truck, and precipitated herself into the arms of a stately old gentleman, who said, "I beg pardon, ma'am," and looked mortally offended. Somewhat daunted, Jo righted herself, spread her handkerchief over the devoted ribbons, and putting temptation behind her, hurried on, with increasing dampness about the ankles, and much clashing of umbrellas overhead. The fact that a somewhat dilapidated blue one remained stationary above the unprotected bonnet attracted her attention, and looking up, she saw Mr. Bhaer looking down. "I feel to know the strong-minded lady who goes so bravely under many horse noses, and so fast through much mud. What do you down here, my friend?" "I'm shopping." Mr. Bhaer smiled, as he glanced from the pickle factory on one side to the wholesale hide and leather concern on the other, but he only said politely, "You haf no umbrella. May I go also, and take for you the bundles?" "Yes, thank you." Jo's cheeks were as red as her ribbon, and she wondered what he thought of her, but she didn't care, for in a minute she found herself walking away arm in arm with her Professor, feeling as if the sun had suddenly burst out with uncommon brilliancy, that the world was all right again, and that one thoroughly happy woman was paddling through the wet that day. "We thought you had gone," said Jo hastily, for she knew he was looking at her. Her bonnet wasn't big enough to hide her face, and she feared he might think the joy it betrayed unmaidenly.
From The Decameron (1353)
Then, after they had all three discoursed awhile of each one's various adventures and wept and rejoiced together amain, Perrot and Jamy would have reclad the count, who would on nowise suffer it, but willed that Jamy, having first assured himself of the promised guerdon, should, the more to shame the king, present him to the latter in that his then plight and in his groom's habit. Accordingly, Jamy, followed by the count and Perrot, presented himself before the king, and offered, provided he would guerdon him according to the proclamation made, to produce to him the count and his children. The king promptly let bring for all three a guerdon marvellous in Jamy's eyes and commanded that he should be free to carry it off, whenas he should in very deed produce the count and his children, as he promised. Jamy, then, turning himself about and putting forward the count his horseboy and Perrot, said, 'My lord, here be the father and the son; the daughter, who is my wife and who is not here, with God's aid you shall soon see.' The king, hearing this, looked at the count and albeit he was sore changed from that which he was used to be, yet, after he had awhile considered him, he knew him and well nigh with tears in his eyes raised him--for that he was on his knees before him--to his feet and kissed and embraced him. Perrot, also, he graciously received and commanded that the count should incontinent be furnished anew with clothes and servants and horses and harness, according as his quality required, which was straightway done. Moreover, he entreated Jamy with exceeding honour and would fain know every particular of his[130] past adventures. Then, Jamy being about to receive the magnificent guerdons appointed him for having discovered the count and his children, the former said to him, 'Take these of the munificence of our lord the king and remember to tell thy father that thy children, his grandchildren and mine, are not by their mother born of a vagabond.' Jamy, accordingly, took the gifts and sent for his wife and mother to Paris, whither came also Perrot's wife; and there they all foregathered in the utmost joyance with the count, whom the king had reinstated in all his good and made greater than he ever was. Then all, with Gautier's leave, returned to their several homes and he until his death abode in Paris more worshipfully than ever." [Footnote 130: _Quære_, the Count's?] THE NINTH STORY [Day the Second] BERNABO OF GENOA, DUPED BY AMBROGIUOLO, LOSETH HIS GOOD AND COMMANDETH THAT HIS INNOCENT WIFE BE PUT TO DEATH. SHE ESCAPETH AND SERVETH THE SOLDAN IN A MAN'S HABIT. HERE SHE LIGHTETH UPON THE DECEIVER OF HER HUSBAND AND BRINGETH THE LATTER TO ALEXANDRIA, WHERE, HER TRADUCER BEING PUNISHED, SHE RESUMETH WOMAN'S APPAREL AND RETURNETH TO GENOA WITH HER HUSBAND, RICH