Joy

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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• From Educated (2018)

  The music stopped my breath. I’d heard the piano played countless times before, to accompany hymns, but when Mary played it, the sound was nothing like that formless clunking. It was liquid, it was air. It was rock one moment and wind the next. The next day, when Mary returned from the school, I asked her if instead of money she would give me lessons. We perched on the piano bench and she showed me a few finger exercises. Then she asked what else I was learning besides the piano. Dad had told me what to say when people asked about my schooling. “I do school every day,” I said. “Do you meet other kids?” she asked. “Do you have friends?” “Sure,” I said. Mary returned to the lesson. When we’d finished and I was ready to go, she said, “My sister Caroline teaches dance every Wednesday in the back of Papa Jay’s. There are lots of girls your age. You could join.” That Wednesday, I left Randy’s early and pedaled to the gas station. I wore jeans, a large gray T-shirt, and steel-toed boots; the other girls wore black leotards and sheer, shimmering skirts, white tights and tiny ballet shoes the color of taffy. Caroline was younger than Mary. Her makeup was flawless and gold hoops flashed through chestnut curls. She arranged us in rows, then showed us a short routine. A song played from a boom box in the corner. I’d never heard it before but the other girls knew it. I looked in the mirror at our reflection, at the twelve girls, sleek and shiny, pirouetting blurs of black, white and pink. Then at myself, large and gray. When the lesson finished, Caroline told me to buy a leotard and dance shoes. “I can’t,” I said. “Oh.” She looked uncomfortable. “Maybe one of the girls can lend you one.” She’d misunderstood. She thought I didn’t have money. “It isn’t modest,” I said. Her lips parted in surprise. These Californian Moyles, I thought. “Well, you can’t dance in boots,” she said. “I’ll talk to your mother.” A few days later, Mother drove me forty miles to a small shop whose shelves were lined with exotic shoes and strange acrylic costumes. Not one was modest. Mother went straight to the counter and told the attendant we needed a black leotard, white tights and jazz shoes. “Keep those in your room,” Mother said as we left the store. She didn’t need to say anything else. I already understood that I should not show the leotard to Dad. That Wednesday, I wore the leotard and tights with my gray T-shirt over the top. The T-shirt reached almost to my knees, but even so I was ashamed to see so much of my legs. Dad said a righteous woman never shows anything above her ankle. The other girls rarely spoke to me, but I loved being there with them. I loved the sensation of conformity.

• From Educated (2018)

  She’d noticed the hours I spent in my room with Tyler’s old boom box, listening to the Mormon Tabernacle Choir, so she began looking for a voice teacher. It took a few weeks to find one, and another few weeks to persuade the teacher to take me. The lessons were much more expensive than the dance class had been, but Mother paid for them with the money she made selling oils. The teacher was tall and thin, with long fingernails that clicked as they flew across the piano keys. She straightened my posture by pulling the hair at the base of my neck until I’d tucked in my chin, then she stretched me out on the floor and stepped on my stomach to strengthen my diaphragm. She was obsessed with balance and often slapped my knees to remind me to stand powerfully, to take up my own space. After a few lessons, she announced that I was ready to sing in church. It was arranged, she said. I would sing a hymn in front of the congregation that Sunday. The days slipped away quickly, as days do when you’re dreading something. On Sunday morning, I stood at the pulpit and stared into the faces of the people below. There was Myrna and Papa Jay, and behind them Mary and Caroline. They looked sorry for me, like they thought I might humiliate myself. Mother played the introduction. The music paused; it was time to sing. I might have had any number of thoughts at that moment. I might have thought of my teacher and her techniques—square stance, straight back, dropped jaw. Instead I thought of Tyler, and of lying on the carpet next to his desk, staring at his woolen-socked feet while the Mormon Tabernacle Choir chanted and trilled. He’d filled my head with their voices, which to me were more beautiful than anything except Buck’s Peak. Mother’s fingers hovered over the keys. The pause had become awkward; the congregation shifted uncomfortably. I thought of the voices, of their strange contradictions—of the way they made sound float on air, of how that sound was soft like a warm wind, but so sharp it pierced. I reached for those voices, reached into my mind—and there they were. Nothing had ever felt so natural; it was as if I thought the sound, and by thinking it brought it into being. But reality had never yielded to my thoughts before. The song finished and I returned to our pew. A prayer was offered to close the service, then the crowd rushed me. Women in floral prints smiled and clasped my hand, men in square black suits clapped my shoulder. The choir director invited me to join the choir, Brother Davis asked me to sing for the Rotary Club, and the bishop—the Mormon equivalent of a pastor—said he’d like me to sing my song at a funeral. I said yes to all of them. Dad smiled at everyone.

• From Shoe Dog: A Memoir by the Creator of Nike (2016)

  As we neared the summit, the path grew narrow. I mentioned that it reminded me of a trail I’d hiked in the Himalayas. Sarah and the boyfriend stared. Himalayas? Now she was really impressed. And he was really put out. As the summit came slowly into view, the climb became tricky, treacherous. She seized my hand. “The Japanese have a saying,” her boyfriend shouted over his shoulder, to us, to everyone. “A wise man climbs Fuji once. A fool climbs it twice.” No one laughed. Though I wanted to, at his Easter egg clothing. On the very top we came to a large wooden torii gate. We sat beside it and waited. The air was strange. Not quite dark, not quite light. Then the sun crept above the horizon. I told Sarah and her boyfriend that the Japanese place torii gates at sacral borderlands, portals between this world and the world beyond. “Wherever you pass from the profane to the sacred,” I said, “you’ll find a torii gate.” Sarah liked that. I told her that Zen masters believed mountains “flow,” but that we can’t always perceive the flow with our limited senses, and indeed, in that moment, we did feel as if Fuji was flowing, as if we were riding a wave across the world. Unlike the climb up, the climb down took no effort, and no time. At the bottom I bowed and said good-bye to Sarah and the Easter egg. “Yoroshiku ne.” Nice meeting you. “Where you headed?” Sarah asked. “I think I’m going to stay at the Hakone Inn tonight,” I said. “Well,” she said, “I’m coming with you.” I took a step back. I looked at the boyfriend. He scowled. I realized at last that he wasn’t her boyfriend. Happy Easter. WE SPENT TWO days at the inn, laughing, talking, falling. Beginning. If only this could never end, we said, but of course it had to. I had to go back to Tokyo, to catch a flight home, and Sarah was determined to move on, see the rest of Japan. We made no plans to see each other again. She was a free spirit, she didn’t believe in plans. “Good-bye,” she said. “Hajimemashite,” I said. Lovely meeting you. Hours before I boarded my plane, I stopped at the American Express office. I knew she’d have to stop there, too, at some point, to get money from the Candy Bar People. I left her a note: “You’ve got to fly over Portland to get to the East Coast… why not stop for a visit?” MY FIRST NIGHT home, over dinner, I told my family the good news. I’d met a girl. Then I told them the other good news. I’d saved my company. I turned and looked hard at my twin sisters. They spent half of every day crouched beside the telephone, waiting to pounce on it at the first ring. “Her name is Sarah,” I said. “So if she calls, please… be nice.”

• From Shoe Dog: A Memoir by the Creator of Nike (2016)

  And despite our fears, despite the risks and downsides, going public was the best way to sustain growth. And yet, in the midst of those intense discussions, in the middle of one of the most trying years in the company’s history, those Buttface meetings were nothing but a joy. Of all those hours spent at Sunriver, not one minute felt like work. It was us against the world, and we felt damned sorry for the world. That is, when we weren’t righteously pissed off at it. Each of us had been misunderstood, misjudged, dismissed. Shunned by bosses, spurned by luck, rejected by society, shortchanged by fate when looks and other natural graces were handed out. We’d each been forged by early failure. We’d each given ourselves to some quest, some attempt at validation or meaning, and fallen short. Hayes couldn’t become a partner because he was too fat. Johnson couldn’t cope in the so-called normal world of nine-to-five. Strasser was an insurance lawyer who hated insurance—and lawyers. Woodell lost all his youthful dreams in one fluke accident. I got cut from the baseball team. And I got my heart broken. I identified with the born loser in each Buttface, and vice versa, and I knew that together we could become winners. I still didn’t know exactly what winning meant, other than not losing, but we seemed to be getting closer to a defining moment when that question would be settled, or at least more sharply defined. Maybe going public would be that moment. Maybe going public would finally ensure that Nike would live on. If I had any doubts about Blue Ribbon’s management team in 1976, they were mainly about me. Was I doing right by the Buttfaces, giving them so little guidance? When they did well I’d shrug and deliver my highest praise: Not bad. When they erred I’d yell for a minute or two, then shake it off. None of the Buttfaces felt the least threatened by me—was that a good thing? Don’t tell people how to do things, tell them what to do and let them surprise you with their results. It was the right tack for Patton and his GIs. But did that make it right for a bunch of Buttfaces? I worried. Maybe I should be more hands-on. Maybe we should be more structured. But then I’d think: Whatever I’m doing, it must be working, because mutinies are few. In fact, ever since Bork, no one had thrown a genuine tantrum, about anything, not even what they were paid, which is unheard of in any company, big or small. The Buttfaces knew I wasn’t paying myself much, and they trusted that I was paying them what I could. Clearly the Buttfaces liked the culture I’d created. I trusted them, wholly, and didn’t look over their shoulders, and that bred a powerful two-way loyalty. My management style wouldn’t have worked for people who wanted to be guided, every step, but this group found it liberating, empowering.

• From Shoe Dog: A Memoir by the Creator of Nike (2016)

  Entering the final lap, Shorter and Virgin were in front. Penny and I were jumping up and down. “We’re going to get two,” we said, “we’re going to get two!” And then we got three. Shorter and Virgin took first and second, and Bjorklund plunged ahead of Bill Rodgers at the tape to take third. I was covered with sweat. Three Olympians… in Nikes! The next morning, rather than take a victory lap at Hayward, we set up camp at the Nike store. While Johnson and I mingled with customers, Penny manned the silk-screen machine and churned out Nike T-shirts. Her craftsmanship was exquisite; all day long people came in to say they’d seen someone wearing a Nike T-shirt on the street and they just had to have one for themselves. Despite our continual melancholy about Pre, we allowed ourselves to feel joy, because it was becoming clear that Nike was doing more than making a good show. Nike was dominating those trials. Virgin took the 5,000 meters in Nikes. Shorter won the marathon in Nikes. Slowly, in the shop, in the town, we heard people whispering, Nike Nike Nike. We heard our name more than the name of any athlete. Besides Pre. Saturday afternoon, walking into Hayward to visit Bowerman, I heard someone behind me say, “Jeez, Nike is really kicking Adidas’s ass.” It might have been the highlight of the weekend, of the year, followed closely by the Puma sales rep I spotted moments later, leaning against a tree and looking suicidal. Bowerman was there strictly as a spectator, which was strange for him, and us. And yet he was wearing his standard uniform: the ratty sweater, the low ball cap. At one point he formally requested a meeting in a small office under the east grandstand. The office wasn’t really an office, more like a closet, where the groundskeepers stored their rakes and brooms and a few canvas chairs. There was barely room for the coach and Johnson and me, never mind the others invited by the coach: Hollister, and Dennis Vixie, a local podiatrist who worked with Bowerman as a shoe consultant. As we shut the door I noticed Bowerman didn’t look like himself. At Pre’s funeral he’d seemed old. Now he seemed lost. After a minute of small talk he started bellowing. He complained that he wasn’t getting any “respect” anymore from Nike. We’d built him a home lab, and supplied him with a lasting machine, but he said that he was constantly asking in vain for raw materials from Exeter. Johnson looked horrified. “What materials?” he asked. “I ask for shoe uppers and my requests are ignored!” Bowerman said. Johnson turned to Vixie. “I sent you the uppers!” he said. “Vixie—didn’t you get them?” Vixie looked perplexed. “Yes, I got them.” Bowerman took off his ball cap, put it back on, took it off. “Yeah, well,” he grumbled, “but you didn’t send the outer soles.” Johnson’s face reddened. “I sent those, too! Vixie?”

• From Shoe Dog: A Memoir by the Creator of Nike (2016)

  1964 T he notice arrived right around Christmas, so I must have driven down to the waterfront warehouse the first week of 1964. I don’t recall exactly. I know it was early morning. I can see myself getting there before the clerks unlocked the doors. I handed them the notice and they went into the back and returned with a large box covered in Japanese writing. I raced home, scurried down to the basement, ripped open the box. Twelve pairs of shoes, creamy white, with blue stripes down the sides. God, they were beautiful. They were more than beautiful. I’d seen nothing in Florence or Paris that surpassed them. I wanted to put them on marble pedestals, or in gilt-edged frames. I held them up to the light, caressed them as sacred objects, the way a writer might treat a new set of notebooks, or a baseball player a rack of bats. Then I sent two pairs to my old track coach at Oregon, Bill Bowerman. I did so without a second thought, since it was Bowerman who’d first made me think, really think , about what people put on their feet. Bowerman was a genius coach, a master motivator, a natural leader of young men, and there was one piece of gear he deemed crucial to their development. Shoes. He was obsessed with how human beings are shod. In the four years I’d run for him at Oregon, Bowerman was constantly sneaking into our lockers and stealing our footwear. He’d spend days tearing them apart, stitching them back up, then hand them back with some minor modification, which made us either run like deer or bleed. Regardless of the results, he never stopped. He was determined to find new ways of bolstering the instep, cushioning the midsole, building out more room for the forefoot. He always had some new design, some new scheme to make our shoes sleeker, softer, lighter. Especially lighter. One ounce sliced off a pair of shoes, he said, is equivalent to 55 pounds over one mile. He wasn’t kidding. His math was solid. You take the average man’s stride of six feet, spread it out over a mile (5,280 feet), you get 880 steps. Remove one ounce from each step—that’s 55 pounds on the button. Lightness, Bowerman believed, directly translated to less burden, which meant more energy, which meant more speed. And speed equaled winning. Bowerman didn’t like to lose. (I got it from him.) Thus lightness was his constant goal. Goal is putting it kindly. In quest of lightness he was willing to try anything. Animal, vegetable, mineral, any material was eligible if it might improve on the standard shoe leather of the day. That sometimes meant kangaroo skin. Other times, cod. You haven’t lived until you’ve competed against the fastest runners in the world wearing shoes made of cod. There were four or five of us on the track team who were Bowerman’s podiatry guinea pigs, but I was his pet project.

• From H Is for Hawk (2014)

  Now my hawk is tame enough to sit bareheaded. From her perch by the window she watches the curtains move over a carpet furred with dust. She won’t yet be picked up without a bate. But I’m working on that. From the sofa I flick a thumbnail-sized scrap of steak towards her. It falls with a sticky thwick on the vinyl cloth beneath her perch. She looks down at it. Frowns. Turns her head to one side to inspect it more carefully. Then hops down with a scratch of talons and a rattle of feathers, picks the meat delicately from the floor and swallows it. Gone. For a while she stands there, as if trying to remember something she has forgotten, then bounces back onto the perch with brio, all shaggy trousers and waggy tail. I wait a while, then send another scrap of flesh her way. Thwick. Hop. Swallow. Hop. I lower myself to the floor and sit there for a while. Shuffling slowly sideways on my rump, I watch the hawk out of the corner of my eye. She tenses. I stop. She untenses. I move. She tenses. I stop again. I inch across the carpet until I reach that hair-fine juncture where any movement nearer will make her bate from the perch. Breathing as carefully as if I were about to take an extravagantly long rifle-shot, I slowly – so slowly – extend my garnished fist towards her. I can almost taste the hawk’s indecision; the air is thick with it. But – joy! – she is looking at the food in front of her. She leans forward as if to pick it from the glove, but then something inside her snaps. With an awful clang of the metal ring of the perch against its steel base, she bates away from me. Damn. I take her up onto the glove for a few mouthfuls of food. When she is settled back on her perch, we play the game again. Flick. Hop. Flick. She’s solved the puzzle of where the food is coming from and some part of her is reconsidering my place in her world. She watches me intently as I inch towards her and again extend the garnished glove. She leans across and snaps up my gift of steak. My heart leaps. She takes another piece, and then another, smacking her glossy black chops.

• From Educated (2018)

  No one had believed us after all. If we asked Dad for help, she was sure he’d call us both liars. I told her our parents had changed and we should trust them. Then I boarded a plane and took myself five thousand miles away. If I felt guilty to be documenting my sister’s fears from such a safe distance, surrounded by grand libraries and ancient chapels, I gave only one indication of it, in the entry’s last line: Cambridge is less beautiful tonight . —DREW HAD COME WITH me to Cambridge, having been admitted to a master’s program in Middle Eastern studies. I told him about my conversation with Audrey. He was the first boyfriend in whom I confided about my family—really confided, the truth and not just amusing anecdotes. Of course all that is in the past, I said. My family is different now. But you should know. So you can watch me. In case I do something crazy. The first term passed in a flurry of dinners and late-night parties, punctuated by even later nights in the library. To qualify for a PhD, I had to produce a piece of original academic research. In other words, having spent five years reading history, I was now being asked to write it. But to write what? While reading for my master’s thesis, I’d been surprised to discover echoes of Mormon theology in the great philosophers of the nineteenth century. I mentioned this to David Runciman, my supervisor. “That’s your project,” he said. “You can do something no one has done: you can examine Mormonism not just as a religious movement, but as an intellectual one.” I began to reread the letters of Joseph Smith and Brigham Young. As a child I’d read those letters as an act of worship; now I read them with different eyes, not the eyes of a critic, but also not the eyes of a disciple. I examined polygamy, not as a doctrine but as a social policy. I measured it against its own aims, as well as against other movements and theories from the same period. It felt like a radical act. My friends in Cambridge had become a kind of family, and I felt a sense of belonging with them that, for many years, had been absent on Buck’s Peak. Sometimes I felt damned for those feelings. No natural sister should love a stranger more than a brother, I thought, and what sort of daughter prefers a teacher to her own father? But although I wished it were otherwise, I did not want to go home. I preferred the family I had chosen to the one I had been given, so the happier I became in Cambridge, the more my happiness was made fetid by my feeling that I had betrayed Buck’s Peak. That feeling became a physical part of me, something I could taste on my tongue or smell on my own breath. I bought a ticket to Idaho for Christmas.

• From Educated (2018)

  Learning to dance felt like learning to belong. I could memorize the movements and, in doing so, step into their minds, lunging when they lunged, reaching my arms upward in time with theirs. Sometimes, when I glanced at the mirror and saw the tangle of our twirling forms, I couldn’t immediately discern myself in the crowd. It didn’t matter that I was wearing a gray T-shirt—a goose among swans. We moved together, a single flock. We began rehearsals for the Christmas recital, and Caroline called Mother to discuss the costume. “The skirt will be how long?” Mother said. “And sheer? No, that’s not going to work.” I heard Caroline say something about what the other girls in the class would want to wear. “Tara can’t wear that,” Mother said. “If that’s what the other girls are wearing, she will stay home.” On the Wednesday after Caroline called Mother, I arrived at Papa Jay’s a few minutes early. The younger class had just finished, and the store was flooded with six-year-olds, prancing for their mothers in red velvet hats and skirts sparkling with sequins of deep scarlet. I watched them wiggle and leap through the aisles, their thin legs covered only by sheer tights. I thought they looked like tiny harlots. The rest of my class arrived. When they saw the outfits, they rushed into the studio to see what Caroline had for them . Caroline was standing next to a cardboard box full of large gray sweatshirts. She began handing them out. “Here are your costumes!” she said. The girls held up their sweatshirts, eyebrows raised in disbelief. They had expected chiffon or ribbon, not Fruit of the Loom. Caroline had tried to make the sweatshirts more appealing by sewing large Santas, bordered with glitter, on the fronts, but this only made the dingy cotton seem dingier. Mother hadn’t told Dad about the recital, and neither had I. I didn’t ask him to come. There was an instinct at work in me, a learned intuition. The day of the recital, Mother told Dad I had a “thing” that night. Dad asked a lot of questions, which surprised Mother, and after a few minutes she admitted it was a dance recital. Dad grimaced when Mother told him I’d been taking lessons from Caroline Moyle, and I thought he was going to start talking about California socialism again, but he didn’t. Instead he got his coat and the three of us walked to the car. The recital was held at the church. Everyone was there, with flashing cameras and bulky camcorders. I changed into my costume in the same room where I attended Sunday school. The other girls chatted cheerfully; I pulled on my sweatshirt, trying to stretch the material a few more inches. I was still tugging it downward when we lined up on the stage. Music played from a stereo on the piano and we began to dance, our feet tapping in sequence.

• From Shoe Dog: A Memoir by the Creator of Nike (2016)

  The picnic was on Awaji, a tiny island off Kobe. We took a small boat to get there, and when we arrived we saw long tables set up along the beach, each one covered with platters of seafood and bowls of noodles and rice. Beside the tables were tubs filled with cold bottles of soda and beer. Everyone was wearing bathing suits and sunglasses and laughing. People I’d only known in a reserved, corporate setting were being silly and carefree. Late in the day there were competitions. Team-building exercises like potato sack relays and foot races along the surf. I showed off my speed, and everyone bowed to me as I crossed the finish line first. Everyone agreed that Skinny Gaijin was very fast. I was picking up the language, slowly. I knew the Japanese word for shoe: gutzu. I knew the Japanese word for revenue: shunyu. I knew how to ask the time, and directions, and I learned a phrase I used often: Watakushi domo no kaisha ni tsuite no joh hou des. Here is some information about my company. Toward the end of the picnic I sat on the sand and looked out across the Pacific Ocean. I was living two separate lives, both wonderful, both merging. Back home I was part of a team, me and Woodell and Johnson—and now Penny. Here in Japan I was part of a team, me and Kitami and all the good people of Onitsuka. By nature I was a loner, but since childhood I’d thrived in team sports. My psyche was in true harmony when I had a mix of alone time and team time. Exactly what I had now. Also, I was doing business with a country I’d come to love. Gone was the initial fear. I connected with the shyness of the Japanese people, with the simplicity of their culture and products and arts. I liked that they tried to add beauty to every part of life, from the tea ceremony to the commode. I liked that the radio announced each day exactly which cherry trees, on which corner, were blossoming, and how much. My reverie was interrupted when a man named Fujimoto sat beside me. Fiftyish, slouch-shouldered, he had a gloomy air that seemed more than middle-age melancholy. Like a Japanese Charlie Brown. And yet I could see that he was making a concerted effort to extend himself, to be cheerful toward me. He forced a big smile and told me that he loved America, that he longed to live there. I told him that I’d just been thinking how much I loved Japan. “Maybe we should trade places,” I said. He smiled ruefully. “Any time.” I complimented his English. He said he’d learned it from the American GIs. “Funny,” I said, “the first things I learned about Japanese culture, I learned from two ex-GIs.” The first words his GIs taught him, he said, were, “Kiss my ass!” We had a good laugh about that.

• From Shoe Dog: A Memoir by the Creator of Nike (2016)

  The howling grew louder. So Strasser picked up his binder and threw it against the wall. “Fuck all you guys,” he said. The binder burst open, pages flew everywhere, and the laughter was deafening. Even Strasser couldn’t help himself. He had to join in. Little wonder that Strasser’s nickname was Rolling Thunder. Hayes, meanwhile, was Doomsday. Woodell was Weight. (As in Dead Weight.) Johnson was Four Factor, because he tended to exaggerate and therefore everything he said needed to be divided by four. No one took it personally. The only thing truly not tolerated at a Buttface was a thin skin. And sobriety. At day’s end, when everybody had a scratchy throat from all the abusing and laughing and problem-solving, when our yellow legal pads were filled with ideas, solutions, quotations, and lists upon lists, we’d shift ground to the bar at the lodge and continue the meeting over drinks. Many drinks. The bar was called the Owl’s Nest. I love to close my eyes and remember us storming through the entrance, scattering all other patrons. Or making friends of them. We’d buy drinks for the house, then commandeer a corner and continue laying into each other about some problem or idea or harebrained scheme. Say the problem was midsoles not getting from Point A to Point B. Round and round we’d go, everyone speaking at once, a chorale of name-calling and finger-pointing, all made louder, and funnier, and somehow clearer, by the booze. To anyone in the Owl’s Nest, to anyone in the corporate world, it would have looked inefficient, inappropriate. Even scandalous. But before the bartender gave last call, we’d know full well why those midsoles weren’t getting from Point A to Point B, and the person responsible would be contrite, and put on notice, and we’d have ourselves a creative solution. The only person who didn’t join us in these late-night revels was Johnson. He’d typically go for a head-clearing run, then retreat to his room and read in bed. I don’t think he ever set foot in the Owl’s Nest. Or knew where it was. We’d always have to spend the first part of the next morning updating him on what we’d decided in his absence.

• From City of Night (1963)

  An I climbed that fence, an there he is, that horse, jes starin me in the eye, an me starin back at him. An, man, I tell you; that horse, he smiled at me—crooked, you know—but smiling. An I figure he jes started roaming, like me—an somehow I knowed he was lookin for me. See, we’re in the same spot—both beginning. An I smiled back.... An, man, that horse understood! He nods his head, saying yes. Yes! So I jumped on him, an I rode away.... Along them beautiful plains, those crazy clouds— ooo-ee! —man, I couldda been going to Heaven an I wouldnuh been any Happier.... But then these three mean studs ride up to me on horses—an they say Im stealing this here guy’s horse. Stealing it, man! If anything, we stole each other.... So I figure, hell, they are gonna lynch me, like I seen in the flix.... But I was jes a kid an that man they took me to, the owner, he was kinda nice. He understands, an he offers me a gig.... But it was not like I figgered. I jes worked aroun the place, doing, you know, odd things. It was not that I minded it or nothin. It was jes this: I never got to be near that horse no more—except when I got drunk,” he smiled. “Then I would go an find him—an he would be waiting there for me, his neck up straight, waiting. An we’d take off again. It happen over an over. I jes couldnt keep away from that Horse.... Then, one time, the owner, he says he hates to do it but hes gonna get me busted to teach me a lesson if I do it again. Well, it happen again. I got high, an I rode that horse into them hills—and this time I got busted, jes like the man said. The cop said I was a menace.... So I left that place.... An what bugs me: I never said goodbye to my Horse.... And when I left, I think: Well, hell, it ain like in the movies”.... It was the only note—perhaps not even there—of bitterness I remember ever having detected in his voice. But now he laughed: “I figure then my saddle days is over—thumbing days beginning. Yahoo!... An this guy gives me a ride—an that was the first guy ever put the make on me. See—you wone believe it, but it is the truth—when we got to this motel, he says we will stay there overnight. An I was deadass tired, so I say sure....

• From Tipping the Velvet (1998)

  But I do miss her; and she was a lovely looker - though not quite as lovely, if you don’t mind my saying so, as her sister has gone and turned out ...’ I didn’t mind, for I knew that he was only flirting - indeed, it was rather pleasant to be flirted with by an old beau of Alice’s. Instead I asked him about the hall - about how it did, who he had had there, what they had sung. At the end of it he picked up a pen that lay on his desk, and began to fiddle with it. ‘And when are we to have Miss Butler back again?’ he asked. ‘I gather you and she’ve teamed up properly now.’ I stared, then felt my cheeks grow red; but he only meant, of course, the act: ‘I hear you’re working the halls together; and are quite a pair, by all accounts.’ Now I smiled. ‘How did you find that out? I am very quiet about it with my family.’ ‘I read the Era, don’t I? “Kitty Butler and Nan King”. I know a stage-name when I see one ...’ I laughed, ‘Oh, isn’t it funny, Tony? Isn’t it just the most marvellous thing? We are in Cinderella at the minute, at the Brit. Kitty’s the Prince, and I’m Dandini. I have to speak, sing, dance, slap my thigh, the works, in velvet breeches. And the crowd go mad for it!’ He smiled at my pleasure - it was lovely to be allowed to be pleased with myself, at last! - then shook his head. ‘Your folks, from what I’ve heard them say, don’t know the half of it. Why don’t you have them up to see you on the stage? Why the big secret?’ I shrugged, then hesitated; then, ‘Alice doesn’t care for Kitty ...’ I said. ‘And you and Kitty: you’re still in her pocket? You’re still struck with her like you always was?’ I nodded. He sniffed. ‘Then, she’s a lucky girl ...’ He seemed only to be flirting again; but I had the queerest impression, too, that he knew more than he was letting on - and didn’t care a fig about it. I answered, ‘I’m the lucky one,’ and held his gaze. He tapped with his pen again upon his blotter. ‘Maybe.’ Then he winked. I stayed at the Palace until it became rather obvious that Tony had other business to get on with, then took my leave of him. Once outside, I stood again before the foyer doors, reluctant to resign the reek of beer and grease-paint and confront the altogether different scents of Whitstable, our Parlour and our home.

• From Educated (2018)

  our noses and onto the painted iron. Luke slipped out of his shirt, grabbed hold of the sleeves and tore them, leaving huge gashes a breeze could pass through. I wouldn’t have dreamed of doing anything so radical, but after the twentieth purlin my back was sticky with sweat, and I flapped my T-shirt to make a fan, then rolled up my sleeves until an inch of my shoulders was visible. When Dad saw me a few minutes later, he strode over and yanked the sleeves down. “This ain’t a whorehouse,” he said. I watched him walk away and, mechanically, as if I weren’t making the decision, rerolled them. He returned an hour later, and when he caught sight of me he paused mid-step, confused. He’d told me what to do, and I hadn’t done it. He stood uncertainly for a moment, then crossed over to me, took hold of both sleeves and jerked them down. He didn’t make it ten steps before I’d rolled them up again. I wanted to obey. I meant to. But the afternoon was so hot, the breeze on my arms so welcome. It was just a few inches. I was covered from my temples to my toes in grime. It would take me half an hour that night to dig the black dirt out of my nostrils and ears. I didn’t feel much like an object of desire or temptation. I felt like a human forklift. How could an inch of skin matter? — I WAS HOARDING MY PAYCHECKS, in case I needed the money for tuition. Dad noticed and started charging me for small things. Mother had gone back to buying insurance after the second car accident, and Dad said I should pay my share. So I did. Then he wanted more, for registration. “These Government fees will break you,” he said as I handed him the cash. That satisfied Dad until my test results arrived. I returned from the junkyard to find a white envelope. I tore it open, staining the page with grease, and looked past the individual scores to the composite. Twenty- two. My heart was beating loud, happy beats. It wasn’t a twenty-seven, but it opened up possibilities. Maybe Idaho State. I showed Mother the score and she told Dad. He became agitated, then he shouted that it was time I moved out. “If she’s old enough to pull a paycheck, she’s old enough to pay rent,”

• From H Is for Hawk (2014)

  I moved to London to try and make it, and I didn’t know what I was doing. And I met your dad out on a job once and he talked to me. He gave me lots of advice. He helped me. He didn’t have to, but he did. He saved my life. He was amazing . . . ’ And he tailed off, and looked embarrassed, and I stepped forward and gave him a hug, because I didn’t know what to say. And more and more people came up and talked about Dad; and all the old guard were there, snappers from back in the 1960s, and I finally got to put names to the bylines I’d seen so many times. They told me they liked the story. They said it was nice to know that my father was a born journalist. That the boy in short trousers was already the man they’d known, the man who had always got the picture, had always pulled the story from the jaws of defeat. Down in the Press Club after the service the drinks were poured. And poured. And poured some more. Everyone became increasingly expansive, rushed up to tell me stories about my father . The stories got more slurred as the drinking went on, and the hugs and cheek-kisses increasingly off-target. ‘Another drink?’ said one pressman. ‘Just a soft drink,’ I said, and back he came with a vast glass of wine. ‘Um, is there any soft drink?’ I said, embarrassed. He frowned. ‘That’s what I brought you. This is a soft drink.’ I left with a song in my heart. I felt my family had expanded by about two hundred people, and everything was going to be fine. Bless you, Dad , I thought. I always thought you were a legend, and it turns out you really, really were . All the way home on the train I thought of Dad and the terrible mistake I had made. I’d thought that to heal my great hurt, I should flee to the wild. It was what people did. The nature books I’d read told me so. So many of them had been quests inspired by grief or sadness. Some had fixed themselves to the stars of elusive animals. Some sought snow geese. Others snow leopards. Others cleaved to the earth, walked trails, mountains, coasts and glens. Some sought wildness at a distance, others closer to home. ‘ Nature in her green, tranquil woods heals and soothes all afflictions,’ wrote John Muir. ‘ Earth hath no sorrows that earth cannot heal.’ Now I knew this for what it was: a beguiling but dangerous lie. I was furious with myself and my own unconscious certainty that this was the cure I needed. Hands are for other human hands to hold.

• From Educated (2018)

  small circle of friends. Then I set out to obliterate the barriers that separated me from them. I tasted red wine for the first time, and my new friends laughed at my pinched face. I discarded my high-necked blouses and began to wear more fashionable cuts—fitted, often sleeveless, with less restrictive necklines. In photos from this period I’m struck by the symmetry: I look like everyone else. In April I began to do well. I wrote an essay on John Stuart Mill’s concept of self-sovereignty, and my supervisor, Dr. David Runciman, said that if my dissertation was of the same quality, I might be accepted to Cambridge for a PhD. I was stunned: I, who had sneaked into this grand place as an impostor, might now enter through the front door. I set to work on my dissertation, again choosing Mill as the topic. One afternoon near the end of term, when I was eating lunch in the library cafeteria, I recognized a group of students from my program. They were seated together at a small table. I asked if I could join them, and a tall Italian named Nic nodded. From the conversation I gathered that Nic had invited the others to visit him in Rome during the spring holiday. “You can come, too,” he said. We handed in our final essays for the term, then boarded a plane. On our first evening in Rome, we climbed one of the seven hills and looked out over the metropolis. Byzantine domes hovered over the city like rising balloons. It was nearly dusk; the streets were bathed in amber. It wasn’t the color of a modern city, of steel, glass and concrete. It was the color of sunset. It didn’t look real. Nic asked me what I thought of his home, and that was all I could say: it didn’t look real. At breakfast the next morning, the others talked about their families. Someone’s father was a diplomat; another’s was an Oxford don. I was asked about my parents. I said my father owned a junkyard. Nic took us to the conservatory where he’d studied violin. It was in the heart of Rome and was richly furnished, with a grand staircase and resonant halls. I tried to imagine what it would have been like to study in such a place, to walk across marble floors each morning and, day after day, come to associate learning with beauty. But my imagination failed me. I could only imagine the school as I was experiencing it now, as a kind of museum, a relic from someone else’s life. For two days we explored Rome, a city that is both a living organism

• From H Is for Hawk (2014)

  Fractious gusts of wind rattle the hedgerows, blowing voluminous shoals of leaves over us as we walk up the track. There’s sticky mud, and pheasant prints in it. Flocks of fieldfares chak chak and dodge in the hawthorns by the cow field, breaking low when we get too near, bouncing over the hedge and away in thrushy strobes of black and white. It’s nice to see them. Proper winter is here. And Mabel is fizzing with happiness, wagging her tail in barely suppressed excitement, tummy feathers fluffed over her grippy toes, eyes gleaming silver in the sun. If this hawk could speak, she’d be singing under her breath. Something has changed inside me. Today it’s hard to slip into the exquisite, wordless sharpness of being a hawk. Or rather, the hawk seems more human today. A rabbit lopes across the path twenty yards away and she chases it; swings up into a poplar, clutching onto a thin, near-vertical branch and leaning into the wind, narrow as a stoat. She looks about. Sees something. Goes to the next tree, looks down. Then flies back to the first one. I proffer my fist. She comes down immediately, and off we go again. Raah, she says. More. By the hayrolls we sneak through the side of the wood, and then make our way to the corner of the top field. I’m a little blurry. I’ve combated the drug- induced tiredness with two double espressos at breakfast and a caffeinated soda after lunch. I’m hoping that the drugs will prevent the rampant paranoia that this excess of caffeine will inevitably provoke. Mabel clocks a pile of woodpigeons on plough a quarter of a mile away and makes as if to bate at them. ‘Don’t be daft, Mabes,’ I say, but she bates anyway. Pah. She looks me directly in the face. Give me something to chase! I do. We walk through chest-high thistles at the corner of the next field, hawk held high as I negotiate the thorns. She’s gripping hard with all eight talons, bracing herself against the oncoming gusts of wind. And then out of nowhere, coming out of the ground right from where the tip of my shadow ends, a cock pheasant in bronze and bottle green, all rackety tail and sharp primaries, clatters up from the dry grass, gos already close behind. He turns downwind. She’s gaining on him. No more than six inches behind the tip of his tail. But she hasn’t flown much in winds like this, and mistimes her attack; is pushed by the wind a little askew, and the pheasant pulls away, climbs up over the wood. She follows, and both are lost to view.

• From Educated (2018)

  and a fossil. Bleached structures from antiquity lay like dried bones, embedded in pulsating cables and thrumming traffic, the arteries of modern life. We visited the Pantheon, the Roman Forum, the Sistine Chapel. My instinct was to worship, to venerate. That was how I felt toward the whole city: that it should be behind glass, adored from a distance, never touched, never altered. My companions moved through the city differently, aware of its significance but not subdued by it. They were not hushed by the Trevi Fountain; they were not silenced by the Colosseum. Instead, as we moved from one relic to the next, they debated philosophy—Hobbes and Descartes, Aquinas and Machiavelli. There was a kind of symbiosis in their relationship to these grand places: they gave life to the ancient architecture by making it the backdrop of their discourse, by refusing to worship at its altar as if it were a dead thing. On the third night there was a rainstorm. I stood on Nic’s balcony and watched streaks of lightning race across the sky, claps of thunder chasing them. It was like being on Buck’s Peak, to feel such power in the earth and sky. The next morning was cloudless. We took a picnic of wine and pastries to the grounds of the Villa Borghese. The sun was hot, the pastries ambrosial. I could not remember ever feeling more present. Someone said something about Hobbes, and without thinking I recited a line from Mill. It seemed the natural thing, to bring this voice from the past into a moment so saturated with the past already, even if the voice was mixed with my own. There was a pause while everyone checked to see who had spoken, then someone asked which text the line was from, and the conversation moved forward. For the rest of the week, I experienced Rome as they did: as a place of history, but also as a place of life, of food and traffic and conflict and thunder. The city was no longer a museum; it was as vivid to me as Buck’s Peak. The Piazza del Popolo. The Baths of Caracalla. Castel Sant’Angelo. These became as real to my mind as the Princess, the red railway car, the Shear. The world they represented, of philosophy, science, literature—an entire civilization—took on a life that was distinct from the life I had known. At the Galleria Nazionale d’Arte Antica, I stood before Caravaggio’s Judith Beheading Holofernes and did not once think about chickens.

• From H Is for Hawk (2014)

  Just a thin trunk with a few charcoal branches, already damp in the steaming air. And I stare at the remains of the tree and breathe the smoke and fog from the air and Erin makes a face at me and I make one back. ‘That,’ he says, ‘was excellent.’ It was. A ritual burn, a ceremony of strange, protective magic. Bad things had fled from that burning tree. We laugh all the way back to the house, leaving the skeleton upright in the snow. And later that day Mum and I fly back to London. I drive her home, promise to see her soon, then make my way to Cambridge, and Stuart and Mandy’s house. I run to their door . I cannot wait to see my hawk. There she is, perched in their garden, fat and happy in a crowd of pointers with wagging tails. I thank Stuart for looking after her while I was gone. He stands by the patio doors, strangely drawn and tired. ‘No worries,’ he says. ‘I’ve not done much with her, to be honest. I’ve had flu. It’s been terrible. I’ve been in bed all Christmas. Just thrown her food. ’ ‘Poor Stu,’ Mandy says, coming towards the table with three cups of coffee and a packet of open biscuits. ‘He’s really been in the wars.’ I look at my friends and my heart crumples. They have spent so many hours helping me, have shown me so much love. And I had taken it all for granted. ‘Thank you. Thank you so much,’ I say. ‘I love you guys. I really do.’ I say it with as much feeling as I can. I am not just thanking them for looking after my hawk. I get up to give Stuart a hug. ‘Don’t catch it,’ he says, backing away. I hug him anyway. On this breezy August day in 1939 White is in Ireland hiding from the war. He knows he ought to enlist, but he’s persuaded himself his flight here is not mere cowardice. He’d be wasted as a soldier, he thinks. He has a more important thing to do – finishing his epic about the Matter of Britain that will solve the problem of why humans fight at all. And that is why he has come here to County Mayo, and rented Sheskin Lodge to write in, a crumbling aristocratic bungalow with a glassed-in winter garden set amid acres of feral rhododendron and pine. He sits in the torn-leather armchair in the room with the peeling walls.

• From H Is for Hawk (2014)

  Most of the dunes are hidden by pines – the forest was planted here in the 1920s to give us timber for future wars – and the highwaymen long gone. But it still feels dangerous, half-buried, damaged. I love it because of all the places I know in England, it feels to me the wildest. It’s not an untouched wilderness like a mountaintop, but a ramshackle wildness in which people and the land have conspired to strangeness. It’s rich with the sense of an alternative countryside history; not just the grand, leisured dreams of landed estates, but a history of industry , forestry , disaster , commerce and work. I couldn’t think of a more perfect place to find goshawks. They fit this strange Breckland landscape to perfection, because their history is just as human. It’s a fascinating story. Goshawks once bred across the British Isles. ‘ There are divers Sorts and Sizes of Goshawks , ’ wrote Richard Blome in 1618, ‘which are different in Goodness, force and hardiness according to the several Countries where they are Bred; but no place affords so good as those of Moscovy , Norway , and the North of Ireland , especially in the County of Tyrone . ’ But the qualities of goshawks were forgotten with the advent of Land Enclosure, which limited the ability of ordinary folk to fly hawks, and the advent of accurate firearms that made shooting, rather than falconry, high fashion. Goshawks became vermin, not hunting companions. Their persecution by gamekeepers was the final straw for a goshawk population already struggling from habitat loss. By the late nineteenth century British goshawks were extinct. I have a photograph of the stuffed remains of one of the last birds to be shot; a black-and-white snapshot of a bird from a Scottish estate, draggled, stuffed and glassy-eyed. They were gone. But in the 1960s and 1970s, falconers started a quiet, unofficial scheme to bring them back. The British Falconers’ Club worked out that for the cost of importing a goshawk from the Continent for falconry, you could afford to bring in a second bird and release it. Buy one, set one free. It wasn’t a hard thing to do with a bird as self-reliant and predatory as a gos. You just found a forest and opened the box. Like-minded falconers started doing this all over Britain. The hawks came from Sweden, Germany and Finland: most were huge, pale, taiga forest gosses. Some were released on purpose. Some were simply lost. They survived, found each other and bred, secretly and successfully. Today their descendants number around four hundred and fifty pairs. Elusive, spectacular , utterly at home, the fact of these British goshawks makes me happy. Their existence gives the lie to the thought that the wild is always something untouched by human hearts and hands. The wild can be human work.