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Grief

Grief is love that has lost its object and refuses to stop being love. The body keeps a place set; the throat catches on the wrong name; whole rooms reorganize themselves around an absence. Vela treats grief as a primary emotion — not a stage to move through, not a problem to resolve — and reads it through the writers who have stayed long enough with it to know its weather.

Working definition · The weight of absence; love continuing without its object or without resolution.

5254 passages · 6 Vela essays · in 1 cluster

Vela’s read on this emotion

Grief is one of the emotions Vela reads most patiently, because the writers who have stayed long enough with it are the ones worth following.

The reading is primarily through memoir. Joan Didion's *The Year of Magical Thinking*, written after the sudden death of her husband, is the modern reference for grief inside the marriage. Helen Macdonald's *H Is for Hawk* reads grief for a father through a year of training a goshawk. Chimamanda Ngozi Adichie writes about her father's death in *Notes on Grief*. Anne Carson's *Nox* — a memorial for her brother — is grief built as an accordion-folded book of fragments, photographs, and a translation of Catullus 101. Alongside the memoir, the fiction that holds an absence at its center — Marilynne Robinson's *Gilead*, Toni Morrison's *Beloved* — names the same weight in a different form.

Grief also runs through the contemplative inheritance. The Psalms keep an unembarrassed register of lament. The elegiac tradition — from Greek elegy through Milton's *Lycidas* through W. S. Merwin — gives grief a verse form. The Japanese practice of *kintsugi*, repairing broken pottery with gold so the breakage shows, names a posture toward repair that doesn't pretend the break didn't happen.

Grief is not the same as sadness, and it is not the same as yearning. Sadness can arrive without a specific absent object; grief has one. Yearning faces forward, toward what might still arrive; grief faces backward, toward what won't return. The work of grief is reorganization around the absence, not movement past it.

What is intentionally light here is the stage-model literature. *On Grief* — the slower companion essay in the magazine — is a reading, not a model: how the word lives in language, in the passages Vela returns to, and in the pairings between passage and figurative image.

Study and magazine

Long-form guide in the magazine

*On Grief* — the slower companion essay. How the word lives in language, in the testimony Vela reads, and in the pairings between passage and figurative image. Not a stage model; a reading.

Read the guide

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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5254 tagged passages

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    Oddly enough, it had never occurred to me not to have children simply because I had manic-depressive illness. Even in my blackest depressions, I never regretted having been born. It is true that I had wanted to die, but that is peculiarly different from regretting having been born. Overwhelmingly, I was enormously glad to have been born, grateful for life, and I couldn’t imagine not wanting to pass on life to someone else. All things considered, I had had a marvelous—albeit turbulent and occasionally awful—existence. Of course, I had had serious concerns: How could one not? Would I, for example, be able to take care of my children properly? What would happen to them if I got severely depressed? Much more frightening still, what would happen to them if I got manic, if my judgment became impaired, if I became violent or uncontrollable? How would it be to have to watch my own children struggle with depression, hopelessness, despair, or insanity if they themselves became ill? Would I watch them too hawkishly for symptoms or mistake their normal reactions to life as signs of illness? All of these were things I had thought about a thousand times, but never, not once, had I questioned having children. And despite the cold-bloodedness of the doctor who examined me and who told me I shouldn’t, I would have delighted in having a houseful of children, as David and I once had planned. But it just didn’t work out that way: David died, and Richard—the only man since David’s death that I wanted to have children with—already had three from a previous marriage. Not having children of my own is the single most intolerable regret of my life. I do, however, and very fortunately, have two nephews and a niece—each wonderful and quite remarkable in his or her own way—and I enjoy, beyond description, my relationships with them. Being an aunt is an extraordinarily pleasurable sort of thing, especially if your nephews and niece are reflective, independent, thoughtful, droll, smart, and imaginative people. It is impossible not to find their company delightful. My nephews, whose interests, like those of their father, have leaned toward the study of mathematics and economics, are quiet, witty, freethinking, gentle souled, and charming young men. My niece, considerably younger, is now eleven and, having already won a national writing award, is very determined to become a writer. One often finds her curled up in a chair, scribbling away, asking about words or people, tending to her many and various animals, or leaping mouth first into a family discussion to defend her point of view. She is fiery, sensitive, original, and disconcertingly able to hold her own against a very vociferously articulate pack of older brothers, parents, and sundry other adults. I cannot imagine the awful gap that would exist in my life without these three children.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    David was posted to the British Army Hospital in Hong Kong, and he made plans for me to visit him there. He wrote in detail about the evening events he had arranged for us, the people he wanted me to meet, and the picnics we would take to the islands nearby. I could not wait to be with him again. But then one night, not too long before I was to join him, I was at home writing a chapter for a textbook when there was a knock at my door. It was an odd hour, I was expecting no one, and for some even odder reason I suddenly remembered what my mother had said about how pilots’ wives dreaded the chaplain’s knock on the door. I opened the door, and it was a diplomatic courier with a letter from David’s commanding officer saying that David, who had been on general medical duty in Kathmandu, had died very suddenly of a massive heart attack. He was forty-four, and I was thirty-two. Very little sank in. I remember sitting down, picking up my work again, writing for a while, and then telephoning my mother. I spoke also with David’s parents and his commanding officer. Even when we were discussing plans for the funeral, which was significantly delayed because the army required an autopsy before David’s body could be returned to England, his death in no way seemed real to me. I went through all of the motions in a state of complete shock—I booked a flight, taught my seminar the next morning, ran a clinic staff meeting, renewed my passport, packed my clothes, and carefully gathered up all of David’s letters to me. Once I was on the airplane, I methodically put the letters into order according to when they had been written; I decided to wait until I got to London, however, before reading them. The next day, in Hyde Park, when I sat down to read, I found I could get through only the first half of the first letter. I started sobbing uncontrollably. To this day I have neither reopened nor reread any of his letters.

  • From Comrade Loves of the Samurai (1972)

    Shyuzen's father was one of the Lord's hereditary courtiers. He was so outraged by the crime committed against his son that he swore to die by Hara-kiri on the same spot where his son had fallen. His mother also was a favourite of the Princess, the Lord's wife. She used to take part in the Princess's poetical gatherings. All night, with bare feet, she wept and mourned her son's death. She besought the Princess to Comrade-Love of the Samurai punish the murderer, saying: 'If the Lord pardons the murderer, there is no law or justice in the world.' Accordingly the Lord grudgingly resolved to condemn Ukyo to die by Hara-kiri. Shyusaï, who had carried the message to Shyuzen, contrived his own death also. Uneme had at that time received leave of absence from his master to visit his mother at Kanagawa, and did not know that Ukyo had been condemned to death. But Samanosuke wrote to him to say that Ukyo was to kill himself next morning at the Keiyoji temple at Asakusa. Uneme sent Samanosuke his thanks, and hastened at daybreak to the temple without even taking time to bid his mother farewell. As he Stood in the chief entrance to the temple, which was in the form of a low tower, several people Started talking noisily about Hara-kiri. They said: 'Early this morning a young samurai is coming here to kill himself. They say that he is very beautiful. Even an ugly son is dear to his parents; the father and mother of this young samurai will be smitten with despair at realising that so accomplished a son must die. Surely it is a pity to kill such a splendid young man.' Uneme could hardly restrain his tears on hearing these people. The temple quickly filled, and he hid himself behind a door and waited for the arrival of his darling Ukyo. Shortly after, a fine new litter was seen to approach, borne by several men, surrounded by guards. It Sopped opposite the door, and Ukyo descended from it with the utmost calmness. He was wearing a white silk garment embroidered with autumn flowers, having pale blue facings* and a skirt. He Stopped for a moment and looked about him. On the tombs were some thousands of wooden tablets bearing the names of those who were buried there. Among them rose a wild cherry tree with white blossom on the upper branches only. Ukyo looked at the pale, fading flowers, and softly murmured an old Chinese poem: The flowers wait for next Spring, Trusting that the same hands shall caress them. But men's hearts will no longer he the same, And you will only know that everything changes, 0 poor lovers.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    Some of my reluctance, no doubt, stemmed from a fundamental denial that what I had was a real disease. This is a common reaction that follows, rather counter-intuitively, in the wake of early episodes of manic-depressive illness. Moods are such an essential part of the substance of life, of one’s notion of oneself, that even psychotic extremes in mood and behavior somehow can be seen as temporary, even understandable, reactions to what life has dealt. In my case, I had a horrible sense of loss for who I had been and where I had been. It was difficult to give up the high flights of mind and mood, even though the depressions that inevitably followed nearly cost me my life. My family and friends expected that I would welcome being “normal,” be appreciative of lithium, and take in stride having normal energy and sleep. But if you have had stars at your feet and the rings of planets through your hands, are used to sleeping only four or five hours a night and now sleep eight, are used to staying up all night for days and weeks in a row and now cannot, it is a very real adjustment to blend into a three-piece-suit schedule, which, while comfortable to many, is new, restrictive, seemingly less productive, and maddeningly less intoxicating. People say, when I complain of being less lively, less energetic, less high-spirited, “Well, now you’re just like the rest of us,” meaning, among other things, to be reassuring. But I compare myself with my former self, not with others. Not only that, I tend to compare my current self with the best I have been, which is when I have been mildly manic. When I am my present “normal” self, I am far removed from when I have been my liveliest, most productive, most intense, most outgoing and effervescent. In short, for myself, I am a hard act to follow. And I miss Saturn very much.

  • From Austerlitz (2001)

    Austerlitz, Vera told me how in autumn we would often stand by the upper enclosure wall of the Schénborn Garden to watch the squirrels burying their treasures. Whenever we came home afterwards, I had to read aloud from your favorite book about the changing seasons, said Vera, even though you knew it by heart from the first line to the last, and she added that I never tired of the winter pictures in particular, scenes showing hares, deer, and partridges transfixed with astonishment as they stared at the ground covered with newly fallen snow, and Vera said that every time we reached the page which described the snow falling through the branches of the trees, soon to shroud the entire forest floor, I would look up at her and ask: But if it’s all white, how do the squirrels know where they’ve buried their hoard? Ale kdyz vSechno zakryje snih, jak veverky najdou to misto, kde si schovaly zasoby? Those were your very words, the question which constantly troubled you. How indeed do the squirrels know, what do we know ourselves, how do we remember, and what is it we find in the end? It was six years after their farewell outside the gates of the Trade Fair in HoleSovice, so Vera continued, that she learned how Agata was sent east in September 1944 with one and a half thousand others who had been interned in Terezin. For a long time after that, said Vera, she herself had been almost incapable of thinking of Agata, of what must have become of her, and of her own life continuing into a pointless future. For weeks she was hardly in her right mind, she had felt a kind of dragging outside her body, she had tried to pick up broken threads and could not believe that everything had really happened as it did. None of her endless attempts later to find out my whereabouts in England or my father’s in France had produced any results. Whatever she tried, it was as if all traces were lost in the sand, for at the time, with an army of censors causing havoc in the postal services, it often took months to get an answer from abroad. Perhaps, Vera surmised, said Austerlitz, it would have been different if she could have turned in person to the appropriate authorities, but she lacked both the opportunity and the means to do so. And in this way the years had raced by, seeming in retrospect like a single leaden day. She had indeed gone into the teaching profession and did what was necessary to maintain herself, but almost all her feelings had been extinguished, and she had not truly breathed since that time. Only in the books written in earlier times did she sometimes think she found some faint idea of what it might be like to be alive. Such remarks of Vera’s were often followed by a long silence, said Austerlitz, as if neither of us knew what to say, and the hours passed by almost imperceptibly in the darkened flat in the Sporkova. Towards evening, when I said goodbye to Vera, holding her weightless hands in mine, she suddenly remembered how, on the day of my departure from the Wilsonova Station, Agata had turned to her when the train

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    2–4, where God forbids the use of the proverb in Israel: "The fathers have eaten sour grapes, and the children’s teeth are set on edge," and where the principle is laid down: "The soul that sinneth, it shall die."1833 On the individualizing principle of Pelagius this objection is very, natural, and is irrefragable; but in the system of Augustine, where mankind appears as an organic whole, and Adam as the representative of human nature and as including all his posterity, it partially loses its force. Augustine thus makes all men sharers in the fall, so that they are, in fact, punished for what they themselves did in Adam. But this by no means fully solves the difficulty. He should have applied his organic view differently, and should have carried it farther. For if Adam must not be isolated from his descendants, neither must original sin be taken apart from actual sin. God does not punish the one without the other. He always looks upon the life of man as a whole; upon original sin as the fruitful mother of actual sins; and he condemns a man not for the guilt of another, but for making the deed of Adam his own, and repeating the fall by his own voluntary transgression. This every one does who lives beyond unconscious infancy. But Augustine, as we have already, seen, makes even infancy subject to punishment for original sin alone, and thus unquestionably trenches not only upon the righteousness of God, but also upon his love, which is the beginning and end of his ways, and the key to all his works. To sum up the Augustinian doctrine of sin: This fearful power is universal; it rules the species, as well as individuals; it has its seat in the moral character of the will, reaches thence to the particular actions, and from them reacts again upon the will; and it subjects every man, without exception, to the punitive justice of God. Yet the corruption is not so great as to alter the substance of man, and make him incapable of redemption. The denial of man’s capacity for redemption is the Manichaean error, and the opposite extreme to the Pelagian denial of the need of redemption. "That is still good," says Augustine, "which bewails lost good; for had not something good remained in our nature, there would be no grief over lost good for punishment."1834 Even in the hearts of the heathen the law of God is not wholly obliterated,1835 and even in the life of the most abandoned men there are some good works. But these avail nothing to salvation. They are not truly good, because they proceed from the turbid source of selfishness. Faith is the root, and love the motive, of all truly good actions, and this love is shed abroad in our hearts by the Holy Ghost.

  • From Tropic of Cancer (1934)

    And the funny thing is again that I could travel all around the globe but America would never enter my mind; it was even further lost than a lost continent, because with the lost continents I felt some mysterious attachment, whereas with America I felt nothing at all. Now and then, it’s true, I did think of Mona, not as of a person in a definite aura of time and space, but separately, detached, as though she had blown up into a great cloudlike form that blotted out the past. I couldn’t allow myself to think about her very long; if I had I would have jumped off the bridge. It’s strange. I had become so reconciled to this life without her, and yet if I thought about her only for a minute it was enough to pierce the bone and marrow of my contentment and shove me back again into the agonizing gutter of my wretched past. For seven years I went about, day and night, with only one thing on my mind—her . Were there a Christian so faithful to his God as I was to her we would all be Jesus Christs today. Day and night I thought of her, even when I was deceiving her. And now sometimes, in the very midst of things, sometimes when I feel that I am absolutely free of it all, suddenly, in rounding a corner perhaps, there will bob up a little square, a few trees and a bench, a deserted spot where we stood and had it out, where we drove each other crazy with bitter, jealous scenes. Always some deserted spot, like the Place de l’Estrapade, for example, or those dingy, mournful streets off the Mosque or along that open tomb of an Avenue de Breteuil which at ten o’clock in the evening is so silent, so dead, that it makes one think of murder or suicide, anything that might create a vestige of human drama. When I realize that she is gone, perhaps gone forever, a great void opens up and I feel that I am falling, falling, falling into deep, black space. And this is worse than tears, deeper than regret or pain or sorrow; it is the abyss into which Satan was plunged. There is no climbing back, no ray of light, no sound of human voice or human touch of hand. How many thousand times, in walking through the streets at night, have I wondered if the day would ever come again when she would be at my side: all those yearning looks I bestowed on the buildings and statues, I had looked at them so hungrily, so desperately, that by now my thoughts must have become a part of the very buildings and statues, they must be saturated with my anguish.

  • From Tropic of Cancer (1934)

    She used to say to me, Mona, in her fits of exaltation, “you’re a great human being,” and though she left me here to perish, though she put beneath my feet a great howling pit of emptiness, the words that lie at the bottom of my soul leap forth and they light the shadows below me. I am one who was lost in the crowd, whom the fizzing lights made dizzy, a zero who saw everything about him reduced to mockery. Passed me men and women ignited with sulfur, porters in calcium livery opening the jaws of hell, fame walking on crutches, dwindled by the skyscrapers, chewed to a frazzle by the spiked mouth of the machines. I walked between the tall buildings toward the cool of the river and I saw the lights shoot up between the ribs of the skeletons like rockets. If I was truly a great human being, as she said, then what was the meaning of this slavering idiocy about me? I was a man with body and soul, I had a heart that was not protected by a steel vault. I had moments of ecstasy and I sang with burning sparks. I sang of the Equator, her red-feathered legs and the islands dropping out of sight. But nobody heard. A gun fired across the Pacific falls into space because the earth is round and pigeons fly upside down. I saw her looking at me across the table with eyes turned to grief; sorrow spreading inward flattened its nose against her spine; the marrow churned to pity had turned liquid. She was light as a corpse that floats in the Dead Sea. Her fingers bled with anguish and the blood turned to drool. With the wet dawn came the tolling of bells and along the fibers of my nerves the bells played ceaselessly and their tongues pounded in my heart and clanged with iron malice. Strange that the bells should toll so, but stranger still the body bursting, this woman turned to night and her maggot words gnawing through the mattress. I moved along under the Equator, heard the hideous laughter of the green-jawed hyena, saw the jackal with silken tail and the dick-dick and the spotted leopard, all left behind in the Garden of Eden. And then her sorrow widened, like the bow of a dreadnought and the weight of her sinking flooded my ears. Slime wash and sapphires slipping, sluicing through the gay neurons, and the spectrum spliced and the gunwales dipping. Soft as lion-pad I heard the gun carriages turn, saw them vomit and drool: the firmament sagged and all the stars turned black. Black ocean bleeding and the brooding stars breeding chunks of fresh-swollen flesh while overhead the birds wheeled and out of the hallucinated sky fell the balance with mortar and pestle and the bandaged eyes of justice.

  • From The Well of Loneliness (1928)

    Later on she was to learn, when she knew him better, that these disconcerting lapses of interest, amounting as they did to a breach of good manners, were highly characteristic of the man, and must of necessity be accepted by all who accepted Jonathan Brockett. And now here he was back again in England, sitting next to Stephen at the Carringtons’ luncheon. And as though they had met but a few hours ago, he took her up calmly just where he had left her. ‘May I come in to-morrow?’ ‘Well—I’m awfully busy.’ ‘But I want to come, please; I can talk to Puddle.’ ‘I’m afraid she’ll be out.’ ‘Then I’ll just sit and wait until she comes in; I’ll be quiet as a mouse.’ ‘Oh, no, Brockett, please don’t; I should know you were there and that would disturb me.’ ‘I see. A new book?’ ‘Well, no—I’m trying to write some short stories; I’ve got a commission from The Good Housewife.’ ‘Sounds thrifty. I hope you’re getting well paid.’ Then after a rather long pause: ‘How’s Raftery?’ For a second she did not answer, and Brockett, with quick intuition, regretted his question. ‘Not . . . not. . . .’ he stammered. ‘Yes,’ she said slowly, ‘Raftery’s dead—he went lame. I shot him.’ He was silent. Then he suddenly took her hand and, still without speaking, pressed it. Glancing up, she was surprised by the look in his eyes, so sorrowful it was, and so understanding. He had liked the old horse, for he liked all dumb creatures. But Raftery’s death could mean nothing to him; yet his sharp, grey eyes had now softened with pity because she had had to shoot Raftery. She thought: ‘What a curious fellow he is. At this moment I suppose he actually feels something almost like grief—it’s my grief he’s getting— and to-morrow, of course, he’ll forget all about it.’ Which was true enough. Brockett could compress quite a lot of emotion into an incredibly short space of time; could squeeze a kind of emotional beef-tea from all those with whom life brought him in contact—a strong brew, and one that served to sustain and revivify his inspiration. 2 For ten days Stephen heard nothing more of Brockett; then he rang up to announce that he was coming to dinner at her flat that very same evening. ‘You’ll get awfully little to eat,’ warned Stephen, who was tired to death and who did not want him. ‘Oh, all right, I’ll bring some dinner along,’ he said blithely, and with that he hung up the receiver. At a quarter-past eight he arrived, late for dinner and loaded like a pack-mule with brown paper parcels. He looked cross; he had spoilt his new reindeer gloves with mayonnaise that had oozed through a box containing the lobster salad.

  • From Tropic of Cancer (1934)

    Lazare and I watched the train pull out, the train that was bearing her away; she was leaning out of the window, just as she had leaned out of the window when I left her in New York, and there was that same, sad, inscrutable smile on her face, that last-minute look which is intended to convey so much, but which is only a mask that is twisted by a vacant smile. Only a few days before, she had clung to me desperately and then something happened, something which is not even clear to me now, and of her own volition she boarded the train and she was looking at me again with that sad, enigmatic smile which baffles me, which is unjust, unnatural, which I distrust with all my soul. And now it is I, standing in the shadow of the viaduct, who reach out for her, who cling to her desperately and there is that same inexplicable smile on my lips, the mask that I have clamped down over my grief. I can stand here and smile vacantly, and no matter how fervid my prayers, no matter how desperate my longing, there is an ocean between us; there she will stay and starve, and here I shall walk from one street to the next, the hot tears scalding my face. It is that sort of cruelty which is embedded in the streets; it is that which stares out from the walls and terrifies us when suddenly we respond to a nameless fear, when suddenly our souls are invaded by a sickening panic. It is that which gives the lampposts their ghoulish twists, which makes them beckon to us and lure us to their strangling grip; it is that which makes certain houses appear like the guardians of secret crimes and their blind windows like the empty sockets of eyes that have seen too much. It is that sort of thing, written into the human physiognomy of the streets which makes me flee when overhead I suddenly see inscribed “Impasse Satan.” That which makes me shudder when at the very entrance to the Mosque I observe that it is written: “Mondays and Thursdays tuberculosis; Wednesdays and Fridays syphilis.” In every Metro station there are grinning skulls that greet you with “Défendez-vous contre la syphilis!” Wherever there are walls, there are posters with bright venomous crabs heralding the approach of cancer. No matter where you go, no matter what you touch, there is cancer and syphilis. It is written in the sky; it flames and dances, like an evil portent.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    I found my way to Harrods to pick out a black hat for the funeral and then had lunch with David’s commanding officer at his club. He was, by virtue of his job, chief psychiatrist for the British army; by temperament, he was kind, direct, and tremendously understanding. He was used to dealing with women whose husbands had died unexpectedly, knew desperate denial when he saw it, and clearly grasped that I had not even begun to comprehend the reality of David’s death. He talked to me for a long time about David, about the many years he had known and worked with him, and what a wonderful doctor and person he had been. He also said he thought it might be “terribly difficult, but a good idea” if he read me portions of the autopsy report. Ostensibly, this was to reassure me that the massiveness of David’s heart attack was such that no treatment or medical intervention would have helped. In actuality, it was clear he knew that the cold-blooded medical language would shock me into beginning to deal with the finality of it all. It certainly helped, although it was not so much the gruesome medical details that lurched me toward reality; it was, instead, the brigadier’s statement that “a young officer had accompanied the body of Colonel Laurie on the Royal Air Force plane from Hong Kong to Brize Norton airfield.” David no longer was Colonel Laurie; he no longer was Dr. Laurie; he was a body. The British army was unbelievably kind to me. By definition the army is used to death, especially sudden death, and much that is healing comes from their traditions. The rituals of military funerals are in themselves predictable, reassuring, dignified, religious, and dreadfully final. David’s friends and fellow officers were blunt, witty, matter-of-fact, and deeply compassionate. They made clear the expectation that I would handle things well, but they also did every conceivable thing possible to make a terrible situation more bearable. They never left me alone, but they never hovered; they kept me plied with sherry and scotch; they offered me legal counsel. They frequently, openly, and humorously discussed David; they left little room for denial. During the funeral itself, the brigadier insisted I sing along with the hymns, kept his arm around me during particularly difficult times, and laughed out loud when I whispered to him, during a somewhat overdone eulogy about officers and gentlemen, that I wished I could just get up and say that David had been great in bed. Despite my revulsion at the grotesque reduction of a man who had been six feet three inches tall into a small box of ashes, and an overwhelming desire to stay back from the grave site, he again pushed me forward to watch, to take it in, to believe it to be so.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    I had come at last to some sort of terms with David’s death. Visiting his grave in Dorset one cold, sunny day, I was taken aback by the loveliness of the churchyard in which he was buried. I had not remembered very much of it from the funeral, and certainly not its tranquillity and beauty. The deathly quietness was a certain kind of consolation, I suppose, but not necessarily the kind one would seek. I put a bouquet of long-stemmed violets on his grave and sat, tracing the letters of his name in the granite, remembering our times together in England and Washington and Los Angeles. It seemed a very long time ago, but I could see him still, tall and handsome, standing, arms crossed and laughing, at the top of a hill, during one of our walks in the English countryside; I still could feel his presence next to mine, kneeling together in a strange intimacy, at the communion rail in St. Paul’s; and I still could feel, with absolute clarity, his arms tight around me, holding the world at bay, giving me comfort and safety in the midst of total desolation. I wished more than anything that he could see that I was well, and that I somehow could repay him for his kindness and his belief in me. But mostly, as I was sitting there in the graveyard, I thought of all of the things that David had missed by dying young. And then, after an hour or more of being lost in my thoughts, I was caught up short by the realization that I had been thinking, for the first time, about how much David had missed, rather than what we together would miss. David had loved and accepted me in an extraordinary way; his steadiness and kindness had sustained and saved me, but he was gone. Life—because of him, and despite his death—went on. And now, four years after his death, I found a very different kind of love and a renewed belief in life. These came by way of an elegant, moody, and totally charming Englishman whom I had met early in the year. We both knew that, due to personal and professional circumstances, our affair would have to end once the year did, but it was—despite or because of this—a relationship that succeeded, finally, in restoring love and laughter and desire to a walled-in life and a thoroughly iced heart.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    I spent the rest of my time in England with friends and, bit by bit, began to understand that the future I had assumed, and the love and support I had come to depend upon, were gone. There were a thousand things I remembered once David had died. And there were many, many regrets: for lost opportunities, unnecessary and damaging arguments, and a deepening realization that there was absolutely nothing that could be done to change that which was true. There were so many dreams lost: all of our plans for a house full of children were lost; all of seemingly everything was lost. But grief, fortunately, is very different from depression: it is sad, it is awful, but it is not without hope. David’s death did not plunge me into unendurable darkness; suicide never crossed my mind. And there was very real solace in the offsetting and enormous kindness of friends, family, and even strangers. The day I left England to return to America, for instance, an agent at the British Airways ticket counter asked me if my trip had been for business or holiday. My composure, which had been airtight for almost two weeks, suddenly snapped. I explained, through a flood of tears, the circumstances of my visit; the agent immediately upgraded my seat and put me where I could have as much privacy as possible. He must have sent the word ahead to the stewardesses, because they too were unusually kind, solicitous, and left me to my thoughts. Since that day, whenever possible, I fly British Airways. And, each time, I am reminded of the importance of small kindnesses. I returned home to a tremendous amount of work, which was genuinely helpful, and, unnervingly, to several letters from David, which had arrived in my absence. In the days to follow I received two other letters, long delayed in the mail, and then, inevitably and terribly, they stopped. The shock of David’s death gradually disappeared over time. Missing him never has. Several years after his death I was asked to speak about it. I ended with a poem written by Edna St. Vincent Millay: Time does not bring relief; you all have lied Who told me time would ease me of my pain! I miss him in the weeping of the rain; I want him at the shrinking of the tide; The old snows melt from every mountain-side, And last year’s leaves are smoke in every lane; But last year’s bitter loving must remain Heaped on my heart, and my old thoughts abide. There are a hundred places where I fear To go,—so with his memory they brim. And entering with relief some quiet place Where never fell his foot or shone his face I say, “There is no memory of him here!” And so stand stricken, so remembering him. Time finally did bring relief. But it took its own, and not terribly sweet, time in doing so.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    They Tell Me It Rained [image file=image_rsrcW1.jpg] The accumulated pain and uncertainty from David’s death, as well as from my own illness, for several years very much lowered and narrowed my expectations of life. I drew into myself and, for all intents and purposes, shuttered my heart from any unnecessary exposure to the world. I worked hard. Running a clinic, teaching, doing research, and writing books were no substitute for love, but they were interesting and gave some meaning to my badly interrupted life. Having finally cottoned onto the disastrous consequences of starting and stopping lithium, I took it faithfully and found that life was a much stabler and more predictable place than I had ever reckoned. My moods were still intense and my temperament rather quick to the boil, but I could make plans with far more certainty and the periods of absolute blackness were fewer and less extreme. Still, I was unquestionably raw and unhealed inside. At no point in the eight years since I had joined the faculty—despite the repeated, long months of manias and depressions, my suicide attempt, and David’s death—had I taken off any extended time from work, or away from Los Angeles, in order to heal and bind up the massive and long-standing wounds. So dipping into that most fabulous of all professorial perks, I decided to take a year’s sabbatical leave in England. Like St. Andrews many years before, it turned out to be a gentle and wonderful interlude. Love, long periods of time to myself, and a marvelous life in London and Oxford gave both my mind and heart the chance to slowly put back together most of that which had been ripped apart.

  • From Tropic of Cancer (1934)

    She used to say to me, Mona, in her fits of exaltation, “you’re a great human being,” and though she left me here to perish, though she put beneath my feet a great howling pit of emptiness, the words that lie at the bottom of my soul leap forth and they light the shadows below me. I am one who was lost in the crowd, whom the fizzing lights made dizzy, a zero who saw everything about him reduced to mockery. Passed me men and women ignited with sulfur, porters in calcium livery opening the jaws of hell, fame walking on crutches, dwindled by the skyscrapers, chewed to a frazzle by the spiked mouth of the machines. I walked between the tall buildings toward the cool of the river and I saw the lights shoot up between the ribs of the skeletons like rockets. If I was truly a great human being, as she said, then what was the meaning of this slavering idiocy about me? I was a man with body and soul, I had a heart that was not protected by a steel vault. I had moments of ecstasy and I sang with burning sparks. I sang of the Equator, her red-feathered legs and the islands dropping out of sight. But nobody heard. A gun fired across the Pacific falls into space because the earth is round and pigeons fly upside down. I saw her looking at me across the table with eyes turned to grief; sorrow spreading inward flattened its nose against her spine; the marrow churned to pity had turned liquid. She was light as a corpse that floats in the Dead Sea. Her fingers bled with anguish and the blood turned to drool. With the wet dawn came the tolling of bells and along the fibers of my nerves the bells played ceaselessly and their tongues pounded in my heart and clanged with iron malice. Strange that the bells should toll so, but stranger still the body bursting, this woman turned to night and her maggot words gnawing through the mattress. I moved along under the Equator, heard the hideous laughter of the green-jawed hyena, saw the jackal with silken tail and the dick-dick and the spotted leopard, all left behind in the Garden of Eden. And then her sorrow widened, like the bow of a dreadnought and the weight of her sinking flooded my ears. Slime wash and sapphires slipping, sluicing through the gay neurons, and the spectrum spliced and the gunwales dipping. Soft as lion-pad I heard the gun carriages turn, saw them vomit and drool: the firmament sagged and all the stars turned black. Black ocean bleeding and the brooding stars breeding chunks of fresh-swollen flesh while overhead the birds wheeled and out of the hallucinated sky fell the balance with mortar and pestle and the bandaged eyes of justice.

  • From The Girls (2016)

    — Mitch drove us back to the ranch. I was silent, looking out the windows. The passing houses seemed long dormant, the fancy cars shrouded in their putty-colored covers. Suzanne was sitting in the front. She turned around to smile at me from time to time. An apology, I could tell, but I was stone-faced, my heart a tight fist. A grief that I didn’t fully indulge. I was shoring up the bad feelings, I suppose, like I could preempt sorrow with my bravado, with the careless way I thought about Suzanne to myself. And I’d had sex: so what? It was no big deal, another working of the human body. Like eating, something rote and accessible to everyone. All the pious and pastel urgings to wait, to make yourself into a present for your future husband: there was relief in the plainness of the actual act. I watched Suzanne from the backseat, watched her laugh at something Mitch said and roll down the window. Her hair lifting in the rush. — Mitch pulled up at the ranch. “Later, girls,” he said, raising a pink palm. Like he’d taken us for ice cream, some innocent outing, and was returning us to the cradle of our parents’ house. Suzanne had gone immediately in search of Russell, cleaving from me without a word. I realized later that she must have been giving Russell a report. Letting him know how Mitch had seemed, whether we’d made him happy enough to change his mind. At the time, I only noticed the abandonment. I tried to busy myself, peeling garlic in the kitchen with Donna. Smashing cloves between the flat blade of a knife and the counter like she showed me. Donna slid the radio knob from one end of the dial to the other and back, getting varying degrees of static and alarming strains of Herb Alpert. She gave up finally and returned to jabbing at a mess of black dough. “Roos put Vaseline in my hair,” Donna said. She gave a shake and her hair barely moved. “It’s gonna be real soft when I wash it.” I didn’t answer. Donna could tell I was distracted and catted her eyes

  • From The Girls (2016)

    shake out. But there wasn’t anything but the awful, immediate knowledge —we had never been close. I had not meant anything. I could sense curious eyes on me, the truckers who bought bags of sunflower seeds from the gas station and spit neat streams of tobacco on the ground. Their fatherly gaits and cowboy hats. I knew they were assessing the facts of my aloneness. My bare legs and long hair. My furious shock must have sent out some protective scrum, warning them off—they left me alone. Finally I caught sight of a white Plymouth approaching. Tamar didn’t turn off the ignition. I got into the passenger side, gratitude for Tamar’s familiar face making me fumble. Her hair was wet. “I didn’t have time to dry it,” she said. The look she gave me was kind but mystified. I could tell she wanted to ask questions, but she must have known that I wouldn’t explain. The hidden world that adolescents inhabit, surfacing from time to time only when forced, training their parents to expect their absence. I was already disappeared. “Don’t worry,” she said. “He didn’t tell your mom you took off. I told him that you’d show up and then she’d just be worried for no reason.” Already my grief was doubling, absence my only context. Suzanne had left me, for good. A frictionless fall, the shock of missing a step. Tamar searched her purse with one hand until she found a small gold box, overlaid with pink stamped leather. Like a card case. There was a single joint inside, and she nodded to the glove compartment—I found a lighter. “Don’t tell your dad?” She inhaled, eyes on the road. “He might ground me, too.” — Tamar was telling the truth: my father hadn’t called my mother, and though he was shaky with rage, he was sheepish, too, his daughter a pet he’d forgotten to feed. “You could’ve been hurt,” he said, like an actor guessing at his lines. Tamar calmly patted his back on her way to the kitchen, then poured herself a Coke. Leaving me with his hot, nervous breath, his blinky, frightened face. He regarded me across the living room, his upset trailing off. Everything that had happened—I was unafraid of this, my father’s

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    I had come at last to some sort of terms with David’s death. Visiting his grave in Dorset one cold, sunny day, I was taken aback by the loveliness of the churchyard in which he was buried. I had not remembered very much of it from the funeral, and certainly not its tranquillity and beauty. The deathly quietness was a certain kind of consolation, I suppose, but not necessarily the kind one would seek. I put a bouquet of long-stemmed violets on his grave and sat, tracing the letters of his name in the granite, remembering our times together in England and Washington and Los Angeles. It seemed a very long time ago, but I could see him still, tall and handsome, standing, arms crossed and laughing, at the top of a hill, during one of our walks in the English countryside; I still could feel his presence next to mine, kneeling together in a strange intimacy, at the communion rail in St. Paul’s; and I still could feel, with absolute clarity, his arms tight around me, holding the world at bay, giving me comfort and safety in the midst of total desolation. I wished more than anything that he could see that I was well, and that I somehow could repay him for his kindness and his belief in me. But mostly, as I was sitting there in the graveyard, I thought of all of the things that David had missed by dying young. And then, after an hour or more of being lost in my thoughts, I was caught up short by the realization that I had been thinking, for the first time, about how much David had missed, rather than what we together would miss. David had loved and accepted me in an extraordinary way; his steadiness and kindness had sustained and saved me, but he was gone. Life—because of him, and despite his death—went on. And now, four years after his death, I found a very different kind of love and a renewed belief in life. These came by way of an elegant, moody, and totally charming Englishman whom I had met early in the year. We both knew that, due to personal and professional circumstances, our affair would have to end once the year did, but it was—despite or because of this—a relationship that succeeded, finally, in restoring love and laughter and desire to a walled-in life and a thoroughly iced heart.

  • From An Unquiet Mind: A Memoir of Moods and Madness (1995)

    David was posted to the British Army Hospital in Hong Kong, and he made plans for me to visit him there. He wrote in detail about the evening events he had arranged for us, the people he wanted me to meet, and the picnics we would take to the islands nearby. I could not wait to be with him again. But then one night, not too long before I was to join him, I was at home writing a chapter for a textbook when there was a knock at my door. It was an odd hour, I was expecting no one, and for some even odder reason I suddenly remembered what my mother had said about how pilots’ wives dreaded the chaplain’s knock on the door. I opened the door, and it was a diplomatic courier with a letter from David’s commanding officer saying that David, who had been on general medical duty in Kathmandu, had died very suddenly of a massive heart attack. He was forty-four, and I was thirty-two. Very little sank in. I remember sitting down, picking up my work again, writing for a while, and then telephoning my mother. I spoke also with David’s parents and his commanding officer. Even when we were discussing plans for the funeral, which was significantly delayed because the army required an autopsy before David’s body could be returned to England, his death in no way seemed real to me. I went through all of the motions in a state of complete shock—I booked a flight, taught my seminar the next morning, ran a clinic staff meeting, renewed my passport, packed my clothes, and carefully gathered up all of David’s letters to me. Once I was on the airplane, I methodically put the letters into order according to when they had been written; I decided to wait until I got to London, however, before reading them. The next day, in Hyde Park, when I sat down to read, I found I could get through only the first half of the first letter. I started sobbing uncontrollably. To this day I have neither reopened nor reread any of his letters.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    name of Christianity and the cause of the gospel."1231 Afterwards when a war in self-defence was inevitable, he reluctantly gave his consent, but protested against all excesses.1232 Calvin did not live to weep over the terrible massacre of St. Bartholomew’s day, nor to rejoice over the Edict of Nantes; but his spirit accompanied "the Church of the Desert," whose motto was the burning bush (Ex. 3:2); and every Huguenot who left France for the sake of his faith, carried to his new home in Switzerland, or Brandenburg, or Holland, or England, or America, a profound reverence for the name of John Calvin. Calvin and the Waldenses. The Waldenses are the only mediaeval sect which survives to this day, because they progressed with the Reformation and adhered to the Bible as their rule of faith.1233 They sent a deputation of two of their pastors, in 1530, to Oecolampadius at Basel, Bucer and Capito at Strassburg, and Berthold Haller at Bern, for information concerning the principles of the Reformation, and made common cause with the Protestants.1234 They were distinguished for industry, virtue, and simple, practical piety, but their heresy attracted the attention of the authorities. They were cited before the Parliament at Aix, and the heads of their families were condemned to death in November, 1540. The execution of the atrocious sentence was delayed till the king’s wishes should be ascertained. In February, 1541, Francis granted them pardon for the past, but required them to recant within three months. They adhered to their faith. On the 28th of April, 1545, a fiendish scheme of butchery—under the direction of Baron d’Oppède, military governor of Provence, and Cardinal Tournon, the bigoted and bloodthirsty archbishop of Lyons—was carried out against these innocent people. Their chief towns of Merindol and Cabrières, together with twenty-eight villages, were destroyed, the women outraged, and about four thousand persons slaughtered. Great numbers of the Waldenses sought refuge in flight. The noble and humane Bishop Sadolet of Carpentras, received them kindly, and interceded for them with the King. Four thousand went to Geneva. Calvin started a subscription for them, provided them with lodging and employment at the fortifications, and made every effort to get the Swiss Cantons to intercede with King Francis in behalf of those Waldenses who remained in France. He travelled to Bern, Zürich, and Aarau for this purpose. He even intended to go to Paris, but was prevented by sickness. The Cantons actually wrote to the king in the strongest terms, but he rebuked them for meddling with his affairs. Viret visited the French court with letters of recommendation from the Swiss Cantons and the Smalkaldian League, but likewise without result.1235 Since that time there has been a fraternal intercourse between the Waldenses and the French Swiss, and many of their most useful pastors were educated at Geneva and Lausanne.

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