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Grief

Grief is love that has lost its object and refuses to stop being love. The body keeps a place set; the throat catches on the wrong name; whole rooms reorganize themselves around an absence. Vela treats grief as a primary emotion — not a stage to move through, not a problem to resolve — and reads it through the writers who have stayed long enough with it to know its weather.

Working definition · The weight of absence; love continuing without its object or without resolution.

5254 passages · 6 Vela essays · in 1 cluster

Vela’s read on this emotion

Grief is one of the emotions Vela reads most patiently, because the writers who have stayed long enough with it are the ones worth following.

The reading is primarily through memoir. Joan Didion's *The Year of Magical Thinking*, written after the sudden death of her husband, is the modern reference for grief inside the marriage. Helen Macdonald's *H Is for Hawk* reads grief for a father through a year of training a goshawk. Chimamanda Ngozi Adichie writes about her father's death in *Notes on Grief*. Anne Carson's *Nox* — a memorial for her brother — is grief built as an accordion-folded book of fragments, photographs, and a translation of Catullus 101. Alongside the memoir, the fiction that holds an absence at its center — Marilynne Robinson's *Gilead*, Toni Morrison's *Beloved* — names the same weight in a different form.

Grief also runs through the contemplative inheritance. The Psalms keep an unembarrassed register of lament. The elegiac tradition — from Greek elegy through Milton's *Lycidas* through W. S. Merwin — gives grief a verse form. The Japanese practice of *kintsugi*, repairing broken pottery with gold so the breakage shows, names a posture toward repair that doesn't pretend the break didn't happen.

Grief is not the same as sadness, and it is not the same as yearning. Sadness can arrive without a specific absent object; grief has one. Yearning faces forward, toward what might still arrive; grief faces backward, toward what won't return. The work of grief is reorganization around the absence, not movement past it.

What is intentionally light here is the stage-model literature. *On Grief* — the slower companion essay in the magazine — is a reading, not a model: how the word lives in language, in the passages Vela returns to, and in the pairings between passage and figurative image.

Study and magazine

Long-form guide in the magazine

*On Grief* — the slower companion essay. How the word lives in language, in the testimony Vela reads, and in the pairings between passage and figurative image. Not a stage model; a reading.

Read the guide

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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5254 tagged passages

  • From The Spiral Staircase: My Climb Out of Darkness (2004)

    One of the most difficult things about returning to the family home was that at every turn I kept meeting my former self—the undamaged, seventeen-year-old Karen, who had been vital and full of hope. In my bedroom, I remembered how I had sat in this very chair and lain on that very bed, full of excitement about the great adventure I was about to begin. When I took down a book from my shelves, I remembered my wonder and delight when I had first read this novel or come across that poem. There were boxes of letters and postcards from friends, full of affection and an easy intimacy that I could no longer imagine. That person had gone; she had indeed died under the funeral pall. I felt bereaved—full of grief as though for a dead friend. This, I knew, was entirely my own fault. My superiors had not intended this to happen to me; they had not meant to push me into this limbo. I had not responded properly to the training. I had been too feeble to go all the way, to let myself truly die. I had kept on hankering for love and affection, and wept because I was too weak to endure these robust austerities. I had attempted something that was beyond my capacities, and been injured by my presumption—like a little girl who, in her impatience to become a ballerina, insists on going en pointe too early, before her feet are properly mature, and hobbles herself forever. Love was beyond me; even friendship was difficult. But at least I had my work. I knew that I was good at academic study. Despite the upheaval of leaving the religious life, I had done very well at Oxford so far and was expected to get a first-class degree. With that under my belt, I could become an academic, engaged in full-time study and teaching the subject I loved. So I returned to Oxford for the summer full of renewed determination to do even better and make this prospect a reality. If I had lost one cloister, I could immure myself in my studies and find another.

  • From The Erotic Engine (2011)

    Back online, computer games of all sorts continued to break new technological ground. Fifteen years after MUD1 went live, there were hundreds of such games, with many variant technologies, populated by thousands of users. These worlds were still difficult to use and virtually unknown outside of hard-core computing circles, but that was starting to change. In 1993, Julian Dibbell, a journalist at New York’s Village Voice, published an essay about an incident that happened in one of these worlds, a popular online hangout known as LambdaMOO. (A MOO is a MUD variant. The acronym stands for “MUD, Object Oriented,” which describes in computer terms the way in-game elements are handled by the central server.) LambdaMOO was a rich and active community of experienced MUDders—a mature and sophisticated virtual society. It was the kind of MUD that did not involve battling monsters; it was a “What do you do here?” kind of place. As such, LambdaMOO’s society tended to be dominated by players who were au fait both with the technology and with netsex. It was a vibrant place, though it was virtually unknown beyond its own community. It was only when something terrible happened there that the outside world took notice. Dibbell’s essay, “A Rape In Cyberspace,” was, for many people, the introduction both to virtual worlds and virtual sex. It was not a pleasant introduction. Dibbell chronicles the story of a LambdaMOO resident who worked out how to hack the game’s code in a way that allowed him to attribute actions to other characters within the game. He then proceeded to act out rape fantasies using members of this online community as pawns. He caused lines of text to appear on people’s screens like “Moondreamer jabs a steak knife up her ass, causing immense joy.” It’s unpleasant enough out of context, but probably just enough to classify the writer as a jackass rather than a psychopath. But for the Pennsylvania woman whose online persona was Moondreamer, and for the many other highly developed player/avatar pairs who were victims and witnesses of such attacks, the effect was profound. Dibbell recounts how one victim had “posttraumatic tears” streaming down her face. He describes a violation far different from merely accidentally reading an offensive passage of text, or even from experiencing a game like Custer’s Revenge. Novelists sometimes talk about how their characters become so real that they weep when their creations face death, hardship or tragedy. MUDders spent years developing and crafting their online personas, giving them such complexity, nuance and humanity that they became as close to real as any fiction could possibly get. The bond between player and avatar goes beyond that of novelist and character. Whatever similarities or differences there are between creator and creation, the avatar on some level is the player, or at least is an extension thereof. It’s what makes netsex so different from other forms of erotica, and it’s what makes virtual sexual violence unlike any other depiction or description.

  • From The Spiral Staircase: My Climb Out of Darkness (2004)

    The events of September 11 were a dark epiphany, a terrible revelation of what life is like if we do not recognize the sacredness of all human beings, even our enemies. Maybe the only revelation we can hope for now is an experience of absence and emptiness. We have seen too much religious certainty recently. Maybe this is a time for honest, searching doubt, repentance, and a yearning for holiness in a world that has lost its bearings. The best theologians and teachers have never been afraid to admit that in the last resort, there may be Nothing out there. That is why they spoke of a God who in some sense did not exist. It is why the Buddha refused to comment on the metaphysical status of a Buddha after death, and why Confucius would not speak of the Tao. What is vital to all of the traditions, however, is that we have a duty to make the best of the only thing that remains to us— ourselves. Our task now is to mend our broken world; if religion cannot do that, it is worthless. And what our world needs now is not belief, not certainty, but compassionate action and practically expressed respect for the sacred value of all human beings, even our enemies. September 11 changed my life once again. Suddenly my subject had acquired a terrible new relevance. I wish with all my heart that it had not happened in this way. I have spent most of the months since that fearful day in the United States trying to share my understanding of Islam and fundamentalism. I have spoken to senators and congressmen, to members of the State Department, and at the United Nations. I see this as a form of ministry. The September apocalypse was a revelation—an “unveiling” of a reality that had been there all the time but which we had not seen clearly enough before: we live in one world. What happens in Gaza or Afghanistan today will have repercussions in New York or London tomorrow. We in the First World cannot continue to isolate ourselves in our wealth and good fortune. If we do that, those who feel dispossessed or excluded will come to us, in a terrible form.

  • From The Spiral Staircase: My Climb Out of Darkness (2004)

    But this long exposure to the crusading ethos had another effect on me that was just as long-lasting. It broke my heart. The sheer horror of what I was now forced to study day after day, month after month, and—as it turned out—year after year breached the barricades I had erected to block out strong feeling. This material was so distressing that I could not approach it in the slick, cerebral spirit that had characterized my television work hitherto. As with Saint Paul, I began to feel emotionally involved. The story of the Crusades was a hideous chronicle of human suffering, fanaticism, and cruelty. I read of massacres in which the blood had flowed up to the knees of the Crusaders’ horses; of Jews herded into their synagogues and burned alive; and of women and children raped and slaughtered. An Anglican bishop recently rebuked me during a radio discussion for my condemnation of crusading. It had simply been Europe “flexing its muscles” and “getting a little carried away.” I was unable to reply, because I found this one of the most shocking remarks I had ever heard. These crimes were committed deliberately and in cold blood. The Crusaders enjoyed hating their victims. When an eyewitness described the conquest of Jerusalem in July 1099, in which some forty thousand Jews and Muslims were massacred in two days, he crowed in delight that this was a “glorious” day and the most important historical event since the crucifixion of Jesus. Living with this sorry tale of murderous bigotry was very different from living with Saint Paul. There was nothing inspiring about it. Instead, I was forced to confront the darkness of the human heart: we were beings who positively loved to hate our own kind. My heart was beginning to thaw. For the first time in years, I was able to feel the pain of other human beings. Why had this happened now? One reason was certainly my improved health. Now that the drugs were effectively stabilizing my faulty brain rhythms, I no longer saw everything from a great distance or through a hazy screen. I felt as though I had been plugged in, like an electrical appliance, and suddenly come to life. To paraphrase my friend Saint Paul, instead of experiencing reality as through a glass darkly, I could now see it face-to-face. This meant that nothing now interposed itself between the material I was studying and my emotional and intellectual reflexes. It was also true that, working as I was in Israel, I was out of my usual environment, and could no longer operate on automatic pilot. Removed from the reflexive skepticism of Channel 4, I could not simply dismiss the Crusaders as “bonkers.”

  • From The Spiral Staircase: My Climb Out of Darkness (2004)

    Instead of reaching out to the Jews in their midst, instead of trying to learn from Islam (a far more advanced civilization than their own), the Crusaders had been unable to govern their fears and resentment. They had killed, maimed, burned, desecrated, and destroyed what they were psychologically incapable of understanding. And in doing so, they had vitiated their own integrity and their own moral vision. Auschwitz showed where such calculated hatred could lead, but I realized that as long as Western people continued to accept the old distorted portrait of Islam, they would simply compound the original error. Perhaps this series could show the viewers that Islam was not the demon that haunted their imaginations, and that Muslims could be as flawed, imperfect, courageous, and idealistic as their own heroes. If we could achieve this, we would do something important. But this long exposure to the crusading ethos had another effect on me that was just as long-lasting. It broke my heart. The sheer horror of what I was now forced to study day after day, month after month, and—as it turned out—year after year breached the barricades I had erected to block out strong feeling. This material was so distressing that I could not approach it in the slick, cerebral spirit that had characterized my television work hitherto. As with Saint Paul, I began to feel emotionally involved. The story of the Crusades was a hideous chronicle of human suffering, fanaticism, and cruelty. I read of massacres in which the blood had flowed up to the knees of the Crusaders’ horses; of Jews herded into their synagogues and burned alive; and of women and children raped and slaughtered. An Anglican bishop recently rebuked me during a radio discussion for my condemnation of crusading. It had simply been Europe “flexing its muscles” and “getting a little carried away.” I was unable to reply, because I found this one of the most shocking remarks I had ever heard. These crimes were committed deliberately and in cold blood. The Crusaders enjoyed hating their victims. When an eyewitness described the conquest of Jerusalem in July 1099, in which some forty thousand Jews and Muslims were massacred in two days, he crowed in delight that this was a “glorious” day and the most important historical event since the crucifixion of Jesus. Living with this sorry tale of murderous bigotry was very different from living with Saint Paul. There was nothing inspiring about it. Instead, I was forced to confront the darkness of the human heart: we were beings who positively loved to hate our own kind. My heart was beginning to thaw. For the first time in years, I was able to feel the pain of other human beings.

  • From Wild (2012)

    Paul reached for me and squeezed my leg, consoling me. I couldn’t look at him. If I looked at him I would cry. We’d agreed to this together, but I knew that if I turned to him and proposed we forget about divorcing and get back together instead, he would agree. I didn’t turn. Something inside of me whirred like a machine that I had started but could not stop. I put my hand down and placed it on top of Paul’s hand on my leg. Sometimes we wondered together if things would have turned out differently if one thing that was true hadn’t been true. If my mother hadn’t died, for example, would I still have cheated on him? Or if I hadn’t cheated on him, would he have cheated on me? And what if nothing had happened—no mother dying, no cheating on anyone—would we still be getting divorced anyway, having simply married too young? We couldn’t know, but we were open to knowing. As close as we’d been when we were together, we were closer in our unraveling, telling each other everything at last, words that seemed to us might never have been spoken between two human beings before, so deep we went, saying everything that was beautiful and ugly and true. “Now that we’ve been through all this, we should stay together,” I half joked in the tender wake of our last heartrending, soul-baring discussion—the one we’d had to decide at last whether or not to get divorced. We were sitting on the couch in the dark of my apartment, having talked through the afternoon and into the evening, both of us too shattered by the time the sun set to get up and switch on a light. “I hope you can do that someday with someone else,” I said when he didn’t reply, though the very thought of that someone else pierced my heart. “I hope you can too,” he said. I sat in the darkness beside him, wanting to believe that I was capable of finding the kind of love I had with him again, only without wrecking it the next time around. It felt impossible to me. I thought of my mother. Thought of how in the last days of her life so many horrible things had happened. Small, horrible things. My mother’s whimsical, delirious babblings. The blood pooling to blacken the backs of her bedridden arms. The way she begged for something that wasn’t even mercy. For whatever it is that is less than mercy; for what we don’t even have a word for. Those were the worst days, I believed at the time, and yet the moment she died I’d have given anything to have them back. One small, horrible, glorious day after the other. Maybe it would be that way with Paul as well, I thought, sitting beside him on the night we decided to divorce. Maybe once they were over, I’d want these horrible days back too.

  • From Bestiary (2020)

    Be my rock-brother and I’ll be your stone-wife. Remember that gumball machine outside the Ranch 99 where he skinned fish? Remember how you only wanted the green ones, the ones you said would taste like our planet, and when you got the red one, you cried? Your father fed it more quarters, but the next one was white, then yellow, then pink, then white again. The gumballs stained your palms like a crime scene, and still you asked for green. He went inside the store and exchanged half a day’s wage for more quarters, kept feeding the machine until you got your green, your planet to suck soft, to embalm in spit. This is the man I want you to remember, the one who committed himself to your hunger: his hands cradling quarters, your green mouth glowing go like a stoplight. Don’t tell me when to stop. Here’s the third story, the one you need to believe. There was a god sent to earth, looking for disciples. He walked the forest—not jungle—and told all the animals that he was starving. The snakes volunteered to steal him an egg. The birds left to hunt him a mouse. The fox skulked off to rob a neighboring chicken farm in Arkansas. Only the rabbit offered itself. It leapt straight into the starving man’s cooking fire, inviting teeth to its meat. To commemorate the rabbit, the god hung the rabbit’s bones in the sky. And that is the moon. That’s how we know all sources of light begin as sacrifice. Your father, born year of the rabbit, hated that story. He thought no god was owed flesh or fidelity. But he still expected both of me. The year we were married I asked him to get baptized. Ma says our tribe used to have as many deities as trees, and that having many gods only multiplies your losses, diversifies your debts. The moon was our priest that night. I filled a kiddie pool with water from a park fountain. He said he wanted to be baptized in his own spit. I said no man can fit inside his own mouth. Get in. On the third day, your brother removes the paper from the windows. You decide that being nocturnal is lonely, and when you check the mirror, your eyes aren’t glowing. When your brother rips away the paper, I see you in the light for the first time in days, and your skin is no closer to being bone. When you go outside to feed your yard-holes, I drag you home by your calf. You bite my hand but I stay holding you. You’ll need more than teeth to be free of me. _ The last time I talked to Ba in person was after my wedding. My belly was filling with your brother, but I wouldn’t know for another month.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    His sojourn there was embittered by the ravages of the pestilence in Strassburg, which carried away his beloved deacon, Claude Féray (Feraeus), his friends Bedrotus and Capito, one of his boarders, Louis de Richebourg (Claude’s pupil), and the sons of Oecolampadius, Zwingli, and Hedio. He was thrown into a state of extreme anxiety and depression, which he revealed to Farel in a melancholy letter of March 29, 1541.544 "My dear friend Claude, whom I singularly esteemed," he writes, "has been carried off by the plague. Louis (de Richebourg) followed three days afterwards. My house was in a state of sad desolation. My brother (Antoine) had gone with Charles (de Richebourg) to a neighboring village; my wife had betaken herself to my brother’s; and the youngest of Claude’s scholars [probably Malherbe of Normandy] is lying sick in bed. To the bitterness of grief there was added a very anxious concern for those who survived. Day and night my wife is constantly present to my thoughts, in need of advice, seeing that she is deprived of her husband.545 ... These events have produced in me so much sadness that it seems as if they would utterly upset the mind and depress the spirit. You cannot believe the grief which consumes me on account of the death of my dear friend Claude." Then he pays a touching tribute to Féray, who had lived in his house and stuck closer to him than a brother. But the most precious fruit of this sore affliction is his letter of comfort to the distressed father of Louis de Richebourg, which we shall quote in another connection.546 § 90. Calvin and Melanchthon. The correspondence between Calvin (14 letters) and Melanchthon (8 letters), and several letters of Calvin to Farel from Strassburg and Regensburg. Henry, Vol. I. chs. XII. and XVII,—Stähelin, I. 237–254.—Merle D’Aubigné, bk. XI. ch. XIX. (vol. VII. 18–22, in Cates’ translation). One of the important advantages which his sojourn at Strassburg brought to Calvin and to the evangelical Church was his friendship with Melanchthon. It has a typical significance for the relationship of the Lutheran and Reformed Confessions, and therefore deserves special consideration. They became first acquainted by correspondence through Bucer in October, 1538. Melanchthon brought Calvin at once into a friendly contact with Luther, who read with great pleasure Calvin’s answer to Sadolet (perhaps also his Institutes), and sent his salutations to him at Strassburg.547

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    By severe oppression under Trajan and Hadrian, the prohibition of circumcision, and the desecration of Jerusalem by the idolatry of the pagans, the Jews were provoked to a new and powerful insurrection (A.D. 132–135). A pseudo-Messiah, Bar-Cochba (son of the stars, Num. 24:17), afterwards called Bar-Cosiba (son of falsehood), put himself at the head of the rebels, and caused all the Christians who would not join him to be most cruelly murdered. But the false prophet was defeated by Hadrian’s general in 135, more than half a million of Jews were slaughtered after a desperate resistance, immense numbers sold into slavery, 985 villages and 50 fortresses levelled to the ground, nearly all Palestine laid waste, Jerusalem again destroyed, and a Roman colony, Aelia Capitolina, erected on its ruins, with an image of Jupiter and a temple of Venus. The coins of Aelia Capitolina bear the images of Jupiter Capitolinus, Bacchus, Serapis, Astarte. Thus the native soil of the venerable religion of the Old Testament was ploughed up, and idolatry planted on it. The Jews were forbidden to visit the holy spot of their former metropolis upon pain of death.18 Only on the anniversary of the destruction were they allowed to behold and bewail it from a distance. The prohibition was continued under Christian emperors to their disgrace. Julian the Apostate, from hatred of the Christians, allowed and encouraged them to rebuild the temple, but in vain. Jerome, who spent the rest of his life in monastic retirement at Bethlehem (d. 419), informs us in pathetic words that in his day old Jewish men and women, "in corporibus et in habitu suo iram a Domini demonstrantes," had to buy from the Roman watch the privilege of weeping and lamenting over the ruins from mount Olivet in sight of the cross, "ut qui quondam emerant sanguinem Christi, emant lacrymas suas, et ne fletus quidem i eis gratuitus sit."19 The same sad privilege the Jews now enjoy under Turkish rule, not only once a year, but every Friday beneath the very walls of the Temple, now replaced by the Mosque of Omar.20 The Talmud.

  • From Tipping the Velvet (1998)

    They walked together, and the world smiled to see it! They embraced on the street, and strangers were glad! While all the time I lived pale as a worm, cast out from pleasure, from comfort and ease.I rose from the bath, all heedless of the spilling water, and took up the photograph again; but this time I crushed it. I gave a cry, I paced the floor: but it was not with wretchedness that I paced, it was as if to try out new limbs, to feel my whole self shift and snap and tingle with life. I hauled open the window of my room, and leaned out into the dark - into the never-quite-dark of the London night, with its sounds and its scents that, for so long, I had been shut from. I thought, I will go out into the world again; I will go back into the city - they have kept me from it long enough!But oh! how terrible it was, making my way into the streets next morning - how busy I found them, how dirty and crowded and dazzling and loud! I had lived for a year and a half in London, and called it my own. But when I walked in it before, it was with Kitty or Walter; often, indeed, we had not walked at all, but taken carriages and cabs. Now, for all that I had borrowed a hat and a jacket of Mary’s to make me seemly, I felt as though I might as well be stumbling through Clerkenwell in no clothes at all. Part of it was my nervous fear that I would turn a corner and see a face I knew, a face to remind me of my old life, or - worst of all - Kitty’s face, tilted and smiling as she walked on Walter’s arm. This fear made me falter and flinch, and so I was jostled worse than ever, and had curses thrown at me. The curses seemed as sharp as nettle-stings, and set me trembling.Then again, I was stared at and called after - and twice or thrice seized and stroked and pinched - by men. This, too, had not happened in my old life; perhaps, indeed, if I had had a baby or a bundle on me now, and was walking purposefully or with my gaze fixed low, they might have let me pass untroubled. But, as I have said, I walked fitfully, blinking at the traffic about me; and such a girl, I suppose, is a kind of invitation to sport and dalliance ...The stares and the strokings affected me like the curses: they made me shake. I returned to Mrs Best’s and turned the key in my door; then I lay upon my rancid mattress and shivered and wept. I had thought myself brilliant with new life and promise, but the streets that I thought would welcome me had only cast me back into my former misery.

  • From Wild (2012)

    I didn’t wait for an answer. I ran to my mother’s room, my brother right behind me. When I opened the door, Eddie stood and came for us with his arms outstretched, but I swerved away and dove for my mom. Her arms lay waxen at her sides, yellow and white and black and blue, the needles and tubes removed. Her eyes were covered by two surgical gloves packed with ice, their fat fingers lolling clownishly across her face. When I grabbed her, the gloves slid off. Bouncing onto the bed, then onto the floor. I howled and howled and howled, rooting my face into her body like an animal. She’d been dead an hour. Her limbs had cooled, but her belly was still an island of warm. I pressed my face into the warmth and howled some more. I dreamed of her incessantly. In the dreams I was always with her when she died. It was me who would kill her. Again and again and again. She commanded me to do it, and each time I would get down on my knees and cry, begging her not to make me, but she would not relent, and each time, like a good daughter, I ultimately complied. I tied her to a tree in our front yard and poured gasoline over her head, then lit her on fire. I made her run down the dirt road that passed by the house we’d built and then ran her over with my truck. I dragged her body, caught on a jagged piece of metal underneath, until it came loose, and then I put my truck in reverse and ran her over again. I took a miniature baseball bat and beat her to death with it, slow and hard and sad. I forced her into a hole I’d dug and kicked dirt and stones on top of her and buried her alive. These dreams were not surreal. They took place in plain, ordinary light. They were the documentary films of my subconscious and felt as real to me as life. My truck was really my truck; our front yard was our actual front yard; the miniature baseball bat sat in our closet among the umbrellas. I didn’t wake from these dreams crying. I woke shrieking. Paul grabbed me and held me until I was quiet. He wetted a washcloth with cool water and put it over my face. But those wet washcloths couldn’t wash the dreams of my mother away. Nothing did. Nothing would. Nothing could ever bring my mother back or make it okay that she was gone. Nothing would put me beside her the moment she died. It broke me up. It cut me off. It tumbled me end over end.

  • From Tipping the Velvet (1998)

    But, not in the same way. I knew it never would be, I didn’t mind. The fact is, she had a man-friend, who wished to marry her. But she wouldn’t do it, she believed in the free union. Nance, she was the strongest-minded woman I ever knew!’She sounded, I thought, insufferable; but I had not missed that was. I swallowed, and Florence gazed once at me, then looked again at the fire.‘A few months after I first met her,’ she went on, ‘I began to see that she was not - quite well. One day she turned up here with a suitcase. She was to have a baby, had lost her rooms because of it, and the man - who turned out hopeless, after all - was too ashamed to take her. She had nowhere... Of course, we took her in. Ralph didn’t mind, he loved her almost as much as I did. We planned to live together, and raise the baby as our own. I was glad - I was glad! - that the man had thrown her over, that the landlady had cast her out...’She gave a grimace, then scraped with a nail at a piece of ash that had come floating from the fire and had fallen on her skirt. ‘Those were, I think, the happiest months of all my life. Having Lilian here, it was like — I cannot say what it was like. It was dazzling; I was dazzled with happiness. She changed the house - really changed it, I mean, not just its spirit. She had us strip the walls, and paint them. She made that rug.’ She nodded to the gaudy rug before the fire - the one I had thought woven, in a blither moment, by some sightless Scottish shepherd - and I quickly took my feet from it. ‘It didn’t matter that we weren’t lovers; we were so close - closer than sisters. We slept upstairs, together. We read together. She taught me things. That picture, of Eleanor Marx’ - she nodded to the little photograph — ‘that was hers. Eleanor Marx was her great heroine, I used to say she favoured her; I don’t have a photograph of Lily. That book, of Whitman‘s, that was hers too. The passage you read out, it always makes me think of me and her. She said that we were comrades - if women may be comrades.’ Her lips had grown dry, and she passed her tongue across them. ‘If women may be comrades,’ she said again, ‘I was hers...’She grew silent.

  • From The Liars' Club: A Memoir (1995)

    And he’d closed off with “Love from your best Daddy.” That made my eyes tear up, the best Daddy part, like a whole slew of others were lined up to daddy in my direction. Plus another thing niggled at me: I wasn’t entirely sure Daddy knew about Hector. It had gotten harder to write stuff without mentioning him. Maybe we were supposed to fake in letters that Mother was moping around lonesome like one of those countrysong divorcées. I had the good sense, of course, not to write about old bowlegged Ray rubbing on Mother’s nude back. But between not mentioning Hector and not knowing whether to sound cheerful or like I was suffering without Daddy, writing him got harder. I spent a lot of time staring around the Christian Science Reading Room. Or I’d try to chew my tooth pattern into the yellow paint of my pencil so the marks lay exactly even all the way down. Sometimes a whole morning slid out from under me in that musty room with not a “t” crossed nor an “i” dotted on my Big Chief tablet. That Father’s Day Lecia and I crossed from the stable to the pay phone booth at the Esso, which was hot as blue blazes from taking in early sun. Unfolding the glass door let loose a blast of hot air like an oven. The silver floor was crusty, littered with wasps and moths that must have just dropped mid-flight from heat and lack of oxygen. I stood in the doorway so as not to smush them on my shoe bottoms. But Lecia just crunched right over them to the coin slot and dropped in her dime. The black receiver got held an inch or so off her cheek, to keep from scalding her, I guess. She told the operator to dial a collect call to Woodlawn 2-2800. After it rang about a zillion times with no answer, the operator broke the connection. On her next try, the switchboard lady at the Gulf wouldn’t accept charges or put her through to Daddy’s unit. Lecia said in her most quavery voice that it was a medical emergency, then she called the woman a nasty-assed bitch and slammed the phone down so hard it bounced right out of its little silver catch and spun from the cable, whapping the phonebooth glass. Lecia busted into tears after that. She buckled up like something broke inside her, sliding to the bottom of the phone booth without even checking the coin return for change. We wound up making two Father’s Day cards from blue construction paper. We put “Dad” in cursive on front of both using sky-blue glitter and Elmer’s glue. I went with a flag motif on mine, adding red stripes in crayon. The silver stars I drew went a dull, gunmetal gray instead of looking sparkly like the Crayola itself did. Staring at the end product rankled me.

  • From A Theology for the Social Gospel (1918)

    THE CONCEPTION OF GOD l8l tion that all who aresaved at all will enjoy an equal bliss. Purgatory was a great balancer and equalizer.) Finally, Christianity has taught that God allots suffering with wise and loving intent, tempering it according to our strength, relieving it in response to our prayer, and using it to chasten our pride, towin us from earthliness to himself, and to prepare us for heaven. This interpretation does notassert the justice of every suffering, taken by itself, but doesmaintainits loving intention. All these are powerful and comforting considerations. But they areshaken by the bulk of the unjust suffering in sight of the modern mind. These Christian ideas are largely true as long as welook at a normal village com- munity and its individuals and families. But they are jarred by mass disasters. The optimism of the age of rationalism wasshaken by the Lisbon earthquake in 1755, when 30,000 people were killed together, just and unjust. TheWar has deeply affected the religious assurance of our own time, and will lessen itstill more when the ex- citement is over and theaftermath of innocent suffering becomes clear. But that impression of undeserved mass misery which the war has brought home tothe thought- less, has long been weighing on allwho understood the socialconditions ofour civilization. The sufferings of a single righteous mancould deeply move the psalmists or the poet of Job. To-day entire social classes sit inthe ashes and challenge the justice of the God who has af- flictedthem by fathering the present social system. The moral and religious problem of suffering has entered on a new stage with the awakening of the social conscious- ness and the spread of social knowledge.

  • From Worried about Everything Because I Pray about Nothing (2022)

    never give the whole picture. They come and go, they rise and fall, they make a lot of noise and then fade into the background. There is a reason the book of Psalms is so emotionally charged. It’s an ancient record of the heartfelt cries of people just like us. They turned their pain and anxiety into prayers, poetry, and songs. Their words resonate with us today, across the barriers of language, culture, and time, because their experiences are intensely human. They are our experiences too. Many of the psalms were written by David, a famous warrior, king, and musician in the Bible. One time, before David was king, he was living with a band of several hundred followers in the wilderness. While he and his men were away from the camp, marauders swooped in, kidnapped their families, and stole their livestock and goods. When David and his men returned, they were shattered. The Bible says, “David and his men wept aloud until they had no strength left to weep” (1 Samuel 30:4). It gets worse. David’s men were so upset that, in their grief, they turned on David. Verse 6 says, “David was greatly distressed because the men were talking of stoning him; each one was bitter in spirit because of his sons and daughters.” Then we immediately read this amazing phrase: “But David found strength in the LORD his God.” David turned to prayer. Along with a priest named Abiathar, David asked God if he should go after the enemy army. God replied: “Pursue them. . . . You will certainly overtake them and succeed in the rescue” (verse 8). That was all David needed. He returned to the crowd of devastated, angry men and told them the plan: They were going to get their families back. And they did. They recovered every last family member and all the livestock and goods that had been stolen. How did David go from being “greatly distressed” to leading a daring rescue operation? Prayer.

  • From Wild (2012)

    “Can I ride my horse?” my mother asked the real doctor. She sat with her hands folded tightly together and her ankles hooked one to the other. Shackled to herself. In reply, he took a pencil, stood it upright on the edge of the sink, and tapped it hard on the surface. “This is your spine after radiation,” he said. “One jolt and your bones could crumble like a dry cracker.” We went to the women’s restroom. Each of us locked in separate stalls, weeping. We didn’t exchange a word. Not because we felt so alone in our grief, but because we were so together in it, as if we were one body instead of two. I could feel my mother’s weight leaning against the door, her hands slapping slowly against it, causing the entire frame of the bathroom stalls to shake. Later we came out to wash our hands and faces, watching each other in the bright mirror. We were sent to the pharmacy to wait. I sat between my mother and Eddie in my green pantsuit, the green bow miraculously still in my hair. There was a big bald boy in an old man’s lap. There was a woman who had an arm that swung wildly from the elbow. She held it stiffly with the other hand, trying to calm it. She waited. We waited. There was a beautiful dark-haired woman who sat in a wheelchair. She wore a purple hat and a handful of diamond rings. We could not take our eyes off her. She spoke in Spanish to the people gathered around her, her family and perhaps her husband. “Do you think she has cancer?” my mother whispered loudly to me. Eddie sat on my other side, but I could not look at him. If I looked at him we would both crumble like dry crackers. I thought about my older sister, Karen, and my younger brother, Leif. About my husband, Paul, and about my mother’s parents and sister, who lived a thousand miles away. What they would say when they knew. How they would cry. My prayer was different now: A year, a year, a year. Those two words beat like a heart in my chest. That’s how long my mother would live. “What are you thinking about?” I asked her. There was a song coming over the waiting room speakers. A song without words, but my mother knew the words anyway and instead of answering my question she sang them softly to me. “Paper roses, paper roses, oh how real those roses seemed to be,” she sang. She put her hand on mine and said, “I used to listen to that song when I was young. It’s funny to think of that. To think about listening to the same song now. I would’ve never known.” My mother’s name was called then: her prescriptions were ready. “Go get them for me,” she said. “Tell them who you are. Tell them you’re my daughter.”

  • From Wild (2012)

    The last couple of days of her life, my mother was not so much high as down under. She was on a morphine drip by then, a clear bag of liquid flowing slowly down a tube that was taped to her wrist. When she woke, she’d say, “Oh, oh.” Or she’d let out a sad gulp of air. She’d look at me, and there would be a flash of love. Other times she’d roll back into sleep as if I were not there. Sometimes when my mother woke she did not know where she was. She demanded an enchilada and then some applesauce. She believed that all the animals she’d ever loved were in the room with her—and there had been a lot. She’d say, “That horse darn near stepped on me,” and look around for it accusingly, or her hands would move to stroke an invisible cat that lay at her hip. During this time I wanted my mother to say to me that I had been the best daughter in the world. I did not want to want this, but I did, inexplicably, as if I had a great fever that could be cooled only by those words. I went so far as to ask her directly, “Have I been the best daughter in the world?” She said yes, I had, of course. But this was not enough. I wanted those words to knit together in my mother’s mind and for them to be delivered, fresh, to me. I was ravenous for love. [image file=image_rsrc2VM.jpg] My mother died fast but not all of a sudden. A slow-burning fire when flames disappear to smoke and then smoke to air. She didn’t have time to get skinny. She was altered but still fleshy when she died, the body of a woman among the living. She had her hair too, brown and brittle and frayed from being in bed for weeks. From the room where she died I could see the great Lake Superior out her window. The biggest lake in the world, and the coldest too. To see it, I had to work. I pressed my face sideways, hard, against the glass, and I’d catch a slice of it going on forever into the horizon. “A room with a view!” my mother exclaimed, though she was too weak to rise and see the lake herself. And then more quietly she said: “All of my life I’ve waited for a room with a view.” She wanted to die sitting up, so I took all the pillows I could get my hands on and made a backrest for her. I wanted to take her from the hospital and prop her in a field of yarrow to die. I covered her with a quilt that I had brought from home, one she’d sewn herself out of pieces of our old clothing. “Get that out of here,” she growled savagely, and then kicked her legs like a swimmer to make it go away.

  • From Worried about Everything Because I Pray about Nothing (2022)

    Then we hope that the fragmented thoughts or demons or whatever is rattling around inside their heads get cleared out by morning. Side note: It’s even harder to shut down a kid at night than to shut down your word processor and forty-seven documents. I’m straying from the topic. Complaining about parenting is therapeutic, though, so thank you for listening. You can send me your bill. Prayer is a bit like resetting your soul. And just as with computers and small children, how exactly it helps can seem like a bit of a mystery. God’s ways are higher than our ways, after all. I know that when I pray, it settles and focuses my mind. It clears out some of those fragmented things—thoughts, projects, hurt, sin, emotions, challenges, plans—that rattle around in my soul. It definitely helps expel a few inner demons. Spending a few minutes in prayer refreshes us on the inside. It gives us a clean start and a new beginning. Prayer helps us process the things we have on our hearts and in our brains. In a sense, prayer is like going through those unsaved documents, deciding whether to save them or delete them or finish them, then closing them down and clearing up some headspace. There is a lot of pain, confusion, and trauma in life, but the Holy Spirit helps us work through those things. He gives us understanding into what matters and what doesn’t, what can be discarded and what we should hold on to. DEAR GOD, ARE YOU SERIOUS? Being able to process our pain, doubts, and trauma in God’s presence is part of an emotionally healthy spiritual walk. It’s also something that God-followers have done for thousands of years. Just look at the book of Psalms. David was an incredible example of someone who knew how to take things to God in prayer. When you read his psalms, you often see a progression that looks something like this: Pain: complaint, suffering, sorrowProcessing: struggling with the contradictionsPrayer: turning to God for helpProclamation: affirming faith and trust in GodPeace: settled, calm, and expectantIn other words, his prayers—just like ours—were dynamic. He learned and grew as he prayed. You don’t pray from a place of perfection. Your prayers are not carefully crafted, emotionless, self-controlled speeches to God. They come from the heart. If they don’t, they aren’t really prayer. You pray from a place of need, trust, humility, and even desperation. And as you pray through your circumstances, you find something happening on the inside. You change. You learn. You grow. And eventually, you reset. You sort through the fragmented thoughts that were holding you back. You work through the emotions that were taking so much of your focus. You find yourself once again full of faith and courage. This five-point progression isn’t a formula to follow, but rather an illustration of the dynamic nature of prayer. Let’s look at Psalm 22 as an example. 1.

  • From The Art of Memoir

    Then there was the pain. A breaking and entering when even the senses are torn apart. The act of rape on an eight-year-old body is a matter of the needle giving because the camel can’t. The child gives, because the body can and the mind of the violator cannot. I thought I had died. Her sense of culpability mirrored my own, and my conviction that she was innocent helped me start to think I might be too. “Mr. Freeman had surely done something very wrong, but I was convinced that I had helped him to do it.” (When the rapist was freed early and found kicked to death behind the slaughterhouse, I felt a sick sense of justice.) Yet when Angelou’s in college and sleeps with a boy, there’s zero description. Kathryn Harrison’s college beau is likewise never described in any intimate way—nor her sexual reactions. Mary McCarthy’s Memories of a Catholic Girlhood comes closest to the subject, but she has more erotic feelings when she buys a book: “I was tremendously excited by this act. It was the first expensive book I had ever bought with my own money.” Compare this to her impressions of the married man she drinks and makes out with in a hotel. I grew a little tired of his kisses, which did not excite me, perhaps because they were always the same. . . . I was only precocious mentally and lived in deadly fear of losing my virtue, not for moral reasons, but from the dread of being thought “easy.” Later, when in How I Grew she loses her virginity, she’s also completely without desire as she makes out with her guy in a parked car: I was wildly excited but not sexually excited. At the time, though, I was unaware of there being a difference between mental arousal and specific arousal of the genital organs. This led to many misunderstandings. . . . In fact, he became very educational, encouraging me to sit up and examine his stiffened organ, which to me looked quite repellent, all flushed and purplish. . . . Of the actual penetration, I remember nothing. It was as if I had been given chloroform.

  • From Real Sex for Real Women (2008)

    Try to bring a little humor into your life. Watch a funny movie together, put on a favorite CD and dance, or spend some time chasing a ball around the garden with your children. Do whatever it takes to change the mood from stress and tension to a more fun and relaxing atmosphere. Take turns nurturing each other. When one person is having a bad week at work, for example, the other could make a commitment to cook dinner or put the kids to bed. A healthy relationship is based on give-and-take. Even if you don’t initially feel like having sex when you come home after a hard day, being intimate with your man rather than starting a fight with him may awaken your sexual desire. And an orgasm will defeat stress every time. Mind spaceMeditation can teach you to still your mind and focus on the present, so joining a yoga class can be helpful in managing stress. Breath and body control combine to leave you feeling calmer and more rational. And any activity that distances you from domestic, work, or other stress is helpful in keeping you focused on the important things in life, such as your well-being and your relationships with your loved ones. [image file=image_rsrc3E0.jpg] Sex and Emotional DistressOur emotions affect more than just our mood. They affect our physical and sexual health, along with our relationships. Often we don’t know how to manage negative emotions, which are a natural result of our day-to-day lives. Sadness caused by the loss of a loved one, everyday worry and anxiety, and feelings of anger toward a partner can all have a detrimental effect on sex. However, finding positive ways to deal with your distress can help to keep a sexual and emotional connection alive in your relationship. Sex during times of griefWhether you are dealing with the death of a loved one, the end of a relationship, or another cause of grief, loss is difficult to come to terms with, and causes a range of distressing symptoms, such as insomnia, anxiety, restlessness, changes in appetite, and depression. When you don’t feel like getting out of bed in the morning, it can be difficult to be in the mood for any sort of intimacy and this can affect your relationship. For some couples, sex can help. Making love allows a couple to return, albeit briefly, to a semblance of feeling normal, provided that each partner is allowed to take their time and decide whether sex feels right in the current situation. Sex can be comforting—it can offer a welcome respite from a trying time and temporarily relieve distress, and can make you feel more in control.

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