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Grief

Grief is love that has lost its object and refuses to stop being love. The body keeps a place set; the throat catches on the wrong name; whole rooms reorganize themselves around an absence. Vela treats grief as a primary emotion — not a stage to move through, not a problem to resolve — and reads it through the writers who have stayed long enough with it to know its weather.

Working definition · The weight of absence; love continuing without its object or without resolution.

5254 passages · 6 Vela essays · in 1 cluster

Vela’s read on this emotion

Grief is one of the emotions Vela reads most patiently, because the writers who have stayed long enough with it are the ones worth following.

The reading is primarily through memoir. Joan Didion's *The Year of Magical Thinking*, written after the sudden death of her husband, is the modern reference for grief inside the marriage. Helen Macdonald's *H Is for Hawk* reads grief for a father through a year of training a goshawk. Chimamanda Ngozi Adichie writes about her father's death in *Notes on Grief*. Anne Carson's *Nox* — a memorial for her brother — is grief built as an accordion-folded book of fragments, photographs, and a translation of Catullus 101. Alongside the memoir, the fiction that holds an absence at its center — Marilynne Robinson's *Gilead*, Toni Morrison's *Beloved* — names the same weight in a different form.

Grief also runs through the contemplative inheritance. The Psalms keep an unembarrassed register of lament. The elegiac tradition — from Greek elegy through Milton's *Lycidas* through W. S. Merwin — gives grief a verse form. The Japanese practice of *kintsugi*, repairing broken pottery with gold so the breakage shows, names a posture toward repair that doesn't pretend the break didn't happen.

Grief is not the same as sadness, and it is not the same as yearning. Sadness can arrive without a specific absent object; grief has one. Yearning faces forward, toward what might still arrive; grief faces backward, toward what won't return. The work of grief is reorganization around the absence, not movement past it.

What is intentionally light here is the stage-model literature. *On Grief* — the slower companion essay in the magazine — is a reading, not a model: how the word lives in language, in the passages Vela returns to, and in the pairings between passage and figurative image.

Study and magazine

Long-form guide in the magazine

*On Grief* — the slower companion essay. How the word lives in language, in the testimony Vela reads, and in the pairings between passage and figurative image. Not a stage model; a reading.

Read the guide

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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5254 tagged passages

  • From The Decameron (1353)

    There was nobody at hand to revive her with cold water or other remedies, and hence it was some time before she came to her senses. When, eventually, the strength returned to her poor exhausted body, bringing with it further tears and lamentations, she called out over and over again to her children and searched high and low for them in every cavern she could find. But when she saw that her efforts were useless and that the night was approaching, she began, prompted by an instinctive feeling that all was not entirely lost, to devote some attention to her own predicament. And, leaving the shore, she returned to the cave where she was in the habit of giving vent to her tears and sorrow. She had had nothing to eat since midday, and a little after tierce on the following morning, having spent the night in great fear and incredible anguish, she was compelled to start eating grass in order to appease her hunger. Having fed herself to the best of her ability, she then started brooding, tearfully, about what was to become of her. And whilst in the midst of these various reflections, she caught sight of a doe, which came towards her and disappeared into a nearby cave, emerging shortly afterwards and then running away into the woods. Getting up from where she was sitting, she entered the cave from which the doe had emerged, and inside she saw two newly born roebucks, no more than a few hours old, which seemed to her the sweetest and most charming sight it was possible to imagine. And since her own milk was not yet dry after her recent confinement, she picked them up tenderly and applied them to her breast. They showed no sign of refusing this favour, but took suck from her as though she were their own mother; and from then on they made no distinction between their mother and herself. Thus the lady felt she had found some company on this deserted island, and having become just as familiar with the doe as with the two roebucks, she resolved to remain there for the rest of her days on a diet of grass and water, bursting into tears whenever she remembered her past life with her husband and children. As a result of leading this sort of life, the gentle woman had turned quite wild when, a few months later, a small Pisan ship happened to be driven in by a storm, casting anchor in the same little bay where she herself had arrived, and lying there for several days.

  • From Trash (1988)

    I held Mama’s free hand anyway, stepping away every time the doctor came in to wash with the soap the hospital provided. Mavis let me have a bottle of her own lotion when my fingers began to dry and the skin along my thumbs split. “Aloe vera and olive oil,” she told me. “Use it on your mama, too.” I took the bottle over to rub it into the paper-thin skin on the backs of Mama’s hands. She barely seemed to notice, though a couple of her veins had leaked enough to make swollen, blue-black blotches. Mama’s eyes tracked past me and even as I rubbed one hand, the fingers of the other reached for the morphine pump. That drip, that precious drip. Mama no longer hissed and gasped with every breath. Now she murmured and whispered, sang a little, even said recognizable names sometimes—my sisters, her sisters, and people long dead. Every once in a while, her voice would startle, the words suddenly clear and outraged. “Goddamn!” loud in the room. Then, “Get me a cigarette, get me a cigarette,” as she came awake. Angry and begging at the same time, she cursed, “Goddamn it, just one,” before the morphine swept in and took her down again. That was not our mama. Our mama never begged, never backed up, never whined, moaned, and thrashed in her sheets. My sister Jo and I stared at her. This mama was eating us alive. Every time she started it again, that litany of curses and pleas, I hunkered down further in my seat. Jo rocked in her chair, arms hugging her shoulders and head down. Arlene, the youngest of us, had wrung her hands and wiped her eyes, and finally, deciding she was no use, headed on home. Jo and I had stayed, unspeaking, miserable, and desperate. On the third night after they gave her the pump, Mama hit some limit the nurses seemed determined to ignore. Her thumb beat time, but the pump lagged behind and the curses returned. The pleas became so heartbroken I expected the paint to start peeling off the walls. The curses became mewling growls. Finally, Jo gave me a sharp look and we stood up as one. She went over to try to force the window open, pounding the window frame till it came loose. I dug around in Jo’s purse, found her Marlboros, lit one, and held it to Mama’s lips. Jo went and stood guard at the door. Mama coughed, sucked, and smiled gratefully. “Baby,” she whispered. “Baby,” and fell asleep with ashes on her neck. Jo walked over and took the cigarette I still held. “Stupid damn rules,” she said bitterly. Mavis came in then, sniffed loudly, and shook her head at us. “You know you can’t do that.” “Do what?” Jo had disappeared the smoke as if it had never been.

  • From The Well of Loneliness (1928)

    With set lips and tight throat Stephen watched this intruder as she scuttled to and fro doing Collins’ duties. She would sit and scowl at poor Winefred darkly, devising small torments to add to her labours — such as stepping on dustpans and upsetting their contents, or hiding away brooms and brushes and slop- cloths — until Winefred, distracted, would finally unearth them irom the most inappropriate places. ‘’Owever did them slop-cloths get in ’ere! ’ she would mut- ter, discovering them under a nursery cushion. And her face would grow blotched with anxiety and fear as she glanced to- wards Mrs. Bingham. But at night, when the child lay lonely and wakeful, these acts that had proved a consolation in the morning, having sprung from a desperate kind of loyalty to Collins — these acts would seem trivial and silly and useless, since Collins could neither know of them nor see them, and the tears that had been held in check through the day would well under Stephen’s eyelids. Nor could she, in those lonely watches of the night-time, pluck up courage enough to reproach the Lord Jesus, who, she felt, could have helped her quite well had He chosen to accord her a housemaid’s knee. 28 THE WELL OF LONELINESS She would think: ‘ He loves neither me nor Collins — He wants all the pain for Himself; He won’t share it) ? And then she would fee) contrite: ‘Oh, I’m sorry, Lord Jesus, cause I do know You love all miserable sinners!’ And the thought that perhaps she had been unjust to Jesus would reduce her to still further tears. Very dreadful indeed were those nights spent in weeping, spent in doubting the Lord and His servant Collins. The hours would drag by in intolerable blackness, that in passing seemed to envelop Stephen’s body, making her feel now hot and now cold. The grandfather clock on the stairs ticked so loudly that her head ached to hear its unnatural ticking — when it chimed, which it did at the hours and the half-hours, its voice seemed to shake the whole house with terror, until Stephen would creep down under the bed-clothes to hide from she knew not what. But presently, huddled beneath the blankets, the child would be soothed by a warm sense of safety, and her nerves would relax, while her body grew limp with the drowsy softness of bed. Then suddenly a big and most comforting yawn, and another, and another, until darkness and Collins and tall clocks that menaced, and Stephen herself, were all blended and merged into some- thing quite friendly, a harmonious whole, neither fearful nor doubting — the blessed illusion we call sleep. 2

  • From The Decameron (1353)

    You can all imagine the girl’s distress and agony, for she loved him more dearly than her very self. Bursting into floods of tears, she called out to him over and over again, but all to no avail; and eventually, having run her fingers over the whole of his body and discovered that he was completely cold, she was forced to acknowledge that he was dead. Stricken with anguish, not knowing what to do or say, her tears streaming down her cheeks, she ran to fetch her maidservant, who knew about her affair with Gabriotto, and poured out all the sorrow and misery she was feeling. The two women wept for some time, gazing down together upon Gabriotto’s lifeless features, and then the girl said to her maidservant: ‘Now that God has taken this man away from me, I shall live no longer. But before I proceed to kill myself, I want us to do all things necessary to preserve my good name, to keep our love a secret, and to ensure that his body, from which his noble spirit has departed, will receive a proper burial.’ ‘Do not talk of killing yourself, my daughter,’ said the maidservant. ‘For though you may have lost him in this life, if you kill yourself you will lose him in the next life as well, because you will end up in Hell, which is the last place I would expect to find the soul of so virtuous a youth as Gabriotto. It is far better that you should be of good cheer and give some thought to assisting his soul by means of prayers and other good works, just in case he needs them on account of some peccadillo he may have committed. As to burying his body, the quickest way would be to do it here and now in the garden. Nobody will ever find out, because nobody knows that he was ever here. But if you do not like this idea, let us carry him from the garden and leave him outside, where he will be found in the morning and taken to his own house to be buried by his kinsfolk.’ Though she was filled with despair and wept the whole time, the girl was not deaf to her maidservant’s advice. Rejecting the first of her suggestions, she seized upon the second, saying: ‘I am sure that God would not wish me to permit so precious a youth, a man whom I love so deeply and to whom I am married, to be buried like a dog or left lying in the street. I have given him my own tears, and I am determined that he shall have the tears of his kinsfolk. What is more, I am beginning to see how we can manage it.’

  • From The Well of Loneliness (1928)

    ‘I can’t write any more, it’s gone from me, Puddle — he’s taken it with him.’ And then would come tears, and the tears would go splashing down on to the paper, blotting the poor in- adequate lines that meant little or nothing as their author well knew, to her own added desolation. There she would sit like a woebegone child, and Puddle would think how childish she seemed in this her first encounter with grief, and would marvel because of the physical strength of the creature, that went so ill with those tears. And because her own tears were vexing her eyes she must often speak rather sharply to Stephen. Then Stephen would go off and swing her large dumb-bells, seeking the relief of bodily movement, seeking to wear out her muscular body because her mind was worn out by Sorrow. August came and Williams got the hunters in from grass. Stephen would sometimes get up very early and help with the exercising of the horses, but in spite of this the old man’s heart misgave him, she seemed strangely averse to discussing the hunting. He would think: ‘ Maybe it’s ’er father’s death, but the in- stinct be pretty strong in ’er blood, she’ll be all right after ’er’s ’ad ’er first gallop.’ And perhaps he might craftily point to Raftery. “Look, Miss Stephen, did ever you see such quarters? ’E’s a mighty fine doer, keeps ’imself fit on grass! I do believe as ’e does it on purpose; I believe ’e’s afraid ’e’ll miss a day’s huntin’.’ THE WELL OF LONELINESS 137 But the autumn slipped by and the winter was passing. Hounds met at the very gates of Morton, yet Stephen forbore to send those orders to the stables for which Williams was anxiously waiting. Then one morning in March he could bear it no longer, and he suddenly started reproaching Stephen: ‘ Yer lettin’ my orses go stale in their boxes. It’s a scandal, Miss Stephen, and you such a rider, and our stables the finest bar none in the county, and yer father so almighty proud of yer ridin’! And then: ‘ Miss Stephen — yer’ll not give it up? Won’t yer’ hunt Raftery day after to-morrow? The ’ounds is meetin’ quite near by Upton — Miss Stephen, say yer won’t give it all up!’ There were actually tears in his worried old eyes, and so to console him she answered briefly: ‘ Very well then, I’ll hunt the day after to-morrow.’ But for some strange reason that she did not understand, this prospect had quite ceased to give her pleasure. 2

  • From The Decameron (1353)

    As for the common people and a large proportion of the bourgeoisie, they presented a much more pathetic spectacle, for the majority of them were constrained, either by their poverty or the hope of survival, to remain in their houses. Being confined to their own parts of the city, they fell ill daily in their thousands, and since they had no one to assist them or attend to their needs, they inevitably perished almost without exception. Many dropped dead in the open streets, both by day and by night, whilst a great many others, though dying in their own houses, drew their neighbours’ attention to the fact more by the smell of their rotting corpses than by any other means. And what with these, and the others who were dying all over the city, bodies were here, there and everywhere. Whenever people died, their neighbours nearly always followed a single, set routine, prompted as much by their fear of being contaminated by the decaying corpse as by any charitable feelings they may have entertained towards the deceased. Either on their own, or with the assistance of bearers whenever these were to be had, they extracted the bodies of the dead from their houses and left them lying outside their front doors, where anyone going about the streets, especially in the early morning, could have observed countless numbers of them. Funeral biers would then be sent for, upon which the dead were taken away, though there were some who, for lack of biers, were carried off on plain boards. It was by no means rare for more than one of these biers to be seen with two or three bodies upon it at a time; on the contrary, many were seen to contain a husband and wife, two or three brothers and sisters, a father and son, or some other pair of close relatives. And times without number it happened that two priests would be on their way to bury someone, holding a cross before them, only to find that bearers carrying three or four additional biers would fall in behind them; so that whereas the priests had thought they had only one burial to attend to, they in fact had six or seven, and sometimes more. Even in these circumstances, however, there were no tears or candles or mourners to honour the dead; in fact, no more respect was accorded to dead people than would nowadays be shown towards dead goats. For it was quite apparent that the one thing which, in normal times, no wise man had ever learned to accept with patient resignation (even though it struck so seldom and unobtrusively), had now been brought home to the feeble-minded as well, but the scale of the calamity caused them to regard it with indifference.

  • From The Decameron (1353)

    The women would have comforted her and bidden her arise, not yet knowing her; but after they had bespoken her awhile in vain, they sought to lift her and finding her motionless, raised her up and knew her at once for Salvestra and for dead; whereupon all who were there, overcome with double pity, set up a yet greater clamour of lamentation. The news soon spread abroad among the men without the church and came presently to the ears of her husband, who was amongst them and who, without lending ear to consolation or comfort from any, wept a great while; after which he recounted to many of those who were there the story of that which had befallen that night between the dead youth and his wife; and so was the cause of each one's death made everywhere manifest, the which was grievous unto all. Then, taking up the dead girl and decking her, as they use to deck the dead, they laid her beside Girolamo on the same bier and there long bewept her; after which the twain were buried in one same tomb, and so these, whom love had not availed to conjoin on life, death conjoined with an inseparable union." THE NINTH STORY [Day the Fourth] SIR GUILLAUME DE ROUSSILLON GIVETH HIS WIFE TO EAT THE HEART OF SIR GUILLAUME DE GUARDESTAING BY HIM SLAIN AND LOVED OF HER, WHICH SHE AFTER COMING TO KNOW, CASTETH HERSELF FROM A HIGH CASEMENT TO THE GROUND AND DYING, IS BURIED WITH HER LOVER Neifile having made an end of her story, which had awakened no little compassion in all the ladies her companions, the king, who purposed not to infringe Dioneo his privilege, there being none else to tell but they twain, began, "Gentle ladies, since you have such compassion upon ill-fortuned loves, it hath occurred to me to tell you a story whereof it will behove you have no less pity than of the last, for that those to whom that which I shall tell happened were persons of more account than those of whom it hath been spoken and yet more cruel was the mishap that befell them.

  • From The Well of Loneliness (1928)

    Then loud sobbing as though some very young child had fallen down and hurt itself badly. And there in a small, creaky, wicker bath-chair sat Williams, being bumped along over the paddock by a youthful niece, who had come to Morton to take care of the old and now feeble couple; for Williams had had his first stroke that Christmas, in addition to which he was almost childish. God only knew who had told him this thing; the secret had been very carefully guarded by Stephen, who, knowing his love for the horse, had taken every precaution to spare him. Yet now here he was with his face all twisted by the stroke and the sobs that kept on rising. He was trying to lift his half-paralysed hand which kept dropping back on to the arm of the bath-chair; he was trying to get out of the bath-chair and run to where Raftery lay stretched out in the sunshine; he was trying to speak again, but his voice had grown thick so that no one could understand him. Stephen thought that his mind had begun to wander, for now he was surely not screaming ‘Raftery’ any more, but something that sounded like: ‘Master!’ and again, ‘Oh, Master, Master!’ She said: ‘Take him home,’ for he did not know her; ‘take him home. You’d no business to bring him here at all—it’s against my orders. Who told him about it?’ And the young girl answered: ‘It seemed ’e just knowed—it was like as though Raftery told ’im. . . .’ Williams looked up with his blurred, anxious eyes. ‘Who be you?’ he inquired. Then he suddenly smiled through his tears. ‘It be good to be seein’ you, Master—seems like a long while. . . .’ His voice was now clear but exceedingly small, a small, far away thing. If a doll had spoken, its voice might have sounded very much as the old man’s did at that moment. Stephen bent over him. ‘Williams, I’m Stephen—don’t you know me? It’s Miss Stephen. You must go straight home and get back to bed—it’s still rather cold on these early spring mornings—to please me, Williams, you must go straight home. Why, your hands are frozen!’ But Williams shook his head and began to remember. ‘Raftery,’ he mumbled, ‘something’s ’appened to Raftery.’ And his sobs and his tears broke out with fresh vigour, so that his niece, frightened, tried to stop him. ‘Now uncle be qui-et I do be-seech ’e! It’s so bad for ’e carryin’ on in this wise. What will auntie say when she sees ’e all mucked up with weepin’, and yer poor nose all red and dir-ty? I’ll be takin’ ’e ’ome as Miss Stephen ’ere says. Now, uncle dear, do be qui-et!’

  • From Trash (1988)

    “We are not stupid. We do pretty well with what we have.” I’d set out to put that on the page—but often I would go south. By that I mean I would not wind up where I intended. I started “Meanest Woman Ever Left Tennessee” to work out in my own mind what it must have been like to have been my grandmother—and her mother, my great-grandma about whom I knew almost nothing, except that her children hated her and that she had lived a long time. How’d that work? I wondered, and made up a fictional Mattie Lee, a pretend Shirley. I gave the children names that actually figured in my grandmother’s conversations—names of cousins, second cousins, and lost uncles. I worked it out as if it were a movie, or the kind of story people in my family simply would not tell. Contrary to the myth of southern families passing stories along on the porch, people in my family kept secrets and only hinted at what might have happened. Some days I think the way to make a storyteller is to refuse to tell her what happened—as my mama and aunts did with me. I had to make up my great-grandmother, and I did it in a story that was originally to be about her daughter—a story I started when I was still in college, and my mother told me my grandmother had died—but three months after the funeral was past, and long past any hope I might have had of going to Greenville, attending the funeral or learning anything about how she had died. “In a ditch,” my Uncle Jack told me a decade later. “Had a stroke halfway between our house and your Uncle Bo’s. Just lay down and died.” “Oh.” I just stood there. “Oh.” I was living in Tallahassee then, in a feminist collective household, and fiercely determined to learn more about my grandmother, my aunts, even legendary Great-grandma Shirley. But my uncle’s brutal comment was all I gathered in that visit, and almost as soon as I asked about it, one of my aunts denied that was how it happened. “She didn’t die down there. She died in the hospital two whole days later. She just fell in that ditch and lay there awhile before we went out and found her.”

  • From Trash (1988)

    A t a picnic at my aunt’s farm, the only time the whole family ever gathered, my sister Billie and I chased chickens into the barn. Billie ran right through the open doors and out again, but I stopped, caught by a shadow moving over me. My Cousin Tommy, eight years old as I was, swung in the sunlight with his face as black as his shoes—the rope around his neck pulled up into the sunlit heights of the barn, fascinating, horrible. Wasn’t he running ahead of us? Someone came up behind me. Someone began to scream. My mama took my head in her hands and turned my eyes away. Jesse and I have been lovers for a year now. She tells me stories about her childhood, about her father going off each day to the university, her mother who made all her dresses, her grandmother who always smelled of dill bread and vanilla. I listen with my mouth open, not believing but wanting, aching for the fairy tale she thinks is everyone’s life. “What did your grandmother smell like?” I lie to her the way I always do, a lie stolen from a book. “Like lavender,” stomach churning over the memory of sour sweat and snuff. I realize I do not really know what lavender smells like, and I am for a moment afraid she will ask something else, some question that will betray me. But Jesse slides over to hug me, to press her face against my ear, to whisper, “How wonderful to be part of such a large family.” I hug her back and close my eyes. I cannot say a word. I was born between the older cousins and the younger, born in a pause of babies and therefore outside, always watching. Once, way before Tommy died, I was pushed out on the steps while everyone stood listening to my Cousin Barbara. Her screams went up and down in the back of the house. Cousin Cora brought buckets of bloody rags out to be burned. The other cousins all ran off to catch the sparks or poke the fire with dogwood sticks. I waited on the porch making up words to the shouts around me. I did not understand what was happening. Some of the older cousins obviously did, their strange expressions broken by stranger laughs. I had seen them helping her up the stairs while the thick blood ran down her legs. After a while the blood on the rags was thin, watery, almost pink. Cora threw them on the fire and stood motionless in the stinking smoke.

  • From Trash (1988)

    You can’t talk about patriarchy or class or confrontation strategies. I made jokes on the telephone, wrote letters full of healthy recipes and vitamin therapies. I pretended for her sake and my own that nothing was going to happen, that cancer is an everyday occurrence (and it is) and death is not part of the scenario. Push it down. Don’t show it. Don’t tell anybody what is really going on. My mama makes do when the whole world cries out for things to stop, to fall apart, just once for all of us to let our anger show. My mama clamps her teeth, laughs her bitter laugh, and does whatever she thinks she has to do with no help, thank you, from people who only want to see her wanting something she can’t have anyway. Five, ten, twenty years—my mama has had cancer for twenty years. “That doctor, the one in Tampa in ’71, the one told me I was gonna die, that sucker choked himself on a turkey bone. People that said what a sad thing it was—me having cancer, and surely meant to die—hell, those people been run over by pickups and dropped down dead with one thing and another, while me, I just go on. It’s something, an’t it?” It’s something. Piece by piece, my mother is being stolen from me. After the hysterectomy, the first mastectomy, another five years later, her teeth that were easier to give up than to keep, the little toes that calcified from too many years working waitress in bad shoes, hair and fingernails that drop off after every bout of chemotherapy, my mama is less and less the mountain, more and more the cave—the empty place from which things have been removed. “With what they’ve taken off me, off Granny, and your Aunt Grace—shit, you could almost make another person.” A woman, a garbage creation, an assembly of parts. When I drink I see her rising like bats out of deep caverns, a gossamer woman—all black edges, with a chrome uterus and molded glass fingers, plastic wire rib cage and red unblinking eyes. My mama, my grandmother, my aunts, my sister, and me—every part of us that can be taken has been. “Flesh and blood needs flesh and blood,” my mama sang for me once, and laughing added, “But we don’t need as much of it as we used to, huh?” When Mama talked, I listened. I believed it was the truth she was telling me. I watched her face as much as I listened to her words. She had a way of dropping her head and covering her bad teeth with her palm. I’d say, “Don’t do that.” And she’d laugh at how serious I was. When she laughed with me, that shadow, so gray under her eyes, lightened, and I felt for a moment—powerful, important, never so important as when I could make her laugh.

  • From The Well of Loneliness (1928)

    She lugged the bath-chair round with a jolt and trundled it, lurching, towards the cottage. All the way back down the big north paddock Williams wept and wailed and tried to get out, but his niece put one hefty young hand on his shoulder; with the other she guided the lurching bath-chair. Stephen watched them go, then she turned to the groom. ‘Bury him here,’ she said briefly. 4 Before she left Morton that same afternoon, she went once more into the large, bare stables. The stables were now completely empty, for Anna had moved her carriage horses to new quarters nearer the coachman’s cottage. Over one loosebox was a warped oak board bearing Collins’ stud-book title, ‘Marcus,’ in red and blue letters; but the paint was dulled to a ghostly grey by encroaching mildew, while a spider had spun a large, purposeful web across one side of Collins’ manger. A cracked, sticky wine bottle lay on the floor; no doubt used at some time for drenching Collins, who had died in a fit of violent colic a few months after Stephen herself had left Morton. On the window-sill of the farthest loosebox stood a curry comb and a couple of brushes; the comb was being eaten by rust, the brushes had lost several clumps of bristles. A jam pot of hoof-polish, now hard as stone, clung tenaciously to a short stick of firewood which time had petrified into the polish. But Raftery’s loosebox smelt fresh and pleasant with the curious dry, clean smell of new straw. A deep depression towards the middle showed where his body had lain in sleep, and seeing this Stephen stooped down and touched it for a moment. Then she whispered: ‘Sleep peacefully, Raftery.’ She could not weep, for a great desolation too deep for tears lay over her spirit—the great desolation of things that pass, of things that pass away in our lifetime. And then of what good, after all, are our tears, since they cannot hold back this passing away—no, not for so much as a moment? She looked round her now at the empty stables, the unwanted, uncared for stables of Morton. So proud they had been that were now so humbled, even unto cobwebs and dust were they humbled; and they had the feeling of all disused places that have once teemed with life, they felt pitifully lonely. She closed her eyes so as not to see them. Then the thought came to Stephen that this was the end, the end of her courage and patient endurance—that this was somehow the end of Morton. She must not see the place any more; she must, she would, go a long way away. Raftery had gone a long way away—she had sent him beyond all hope of recall—but she could not follow him over that merciful frontier, for her God was more stern than Raftery’s; and yet she must fly from her love for Morton.

  • From The Well of Loneliness (1928)

    She peered with her red-rimmed, short-sighted eyes, only half understanding, but she did as they told her. Then she got up without so much as a word, and went back to the room with the eye-shaped window. Still in silence she squatted on the floor by the bed, like a dumb, faithful dog who endured without speaking. And they let her alone, let her have her poor way, for this was not their Calvary but Jamie’s. The nurse arrived, a calm, practical woman: ‘You’d better lie down for a bit,’ she told Jamie, and in silence Jamie lay down on the floor. ‘No, my dear—please go and lie down in the studio.’ She got up slowly to obey this new voice, lying down, with her face to the wall, on the divan. The nurse turned to Stephen: ‘Is she a relation?’ Stephen hesitated, then she shook her head. ‘That’s a pity, in a serious case like this I’d like to be in touch with some relation, some one who has a right to decide things. You know what I mean—it’s double pneumonia.’ Stephen said dully: ‘No—she’s not a relation.’ ‘Just a friend?’ the nurse queried. ‘Just a friend,’ muttered Stephen. 6 They went back that evening and stayed the night. Mary helped with the nursing; Stephen looked after Jamie. ‘Is she a little—I mean the friend—is she mental at all, do you know?’ The nurse whispered, ‘I can’t get her to speak—she’s anxious, of course; still, all the same, it doesn’t seem natural.’ Stephen said: ‘No—it doesn’t seem natural to you.’ And she suddenly flushed to the roots of her hair. Dear God, the outrage of this for Jamie! But Jamie seemed quite unconscious of outrage. From time to time she stood in the doorway peering over at Barbara’s wasted face, listening to Barbara’s painful breathing, and then she would turn her bewildered eyes on the nurse, on Mary, but above all on Stephen. ‘Jamie—come back and sit down by the stove; Mary’s there, it’s all right.’ Came a queer, halting voice that spoke with an effort: ‘But . . . Stephen . . . we quarrelled.’ ‘Come and sit by the stove—Mary’s with her, my dear.’ ‘Hush, please,’ said the nurse, ‘you’re disturbing my patient.’ 7 Barbara’s fight against death was so brief that it hardly seemed in the nature of a struggle. Life had left her no strength to repel this last foe— or perhaps it was that to her he seemed friendly. Just before her death she kissed Jamie’s hand and tried to speak, but the words would not come—those words of forgiveness and love for Jamie. Then Jamie flung herself down by the bed, and she clung there, still in that uncanny silence.

  • From The Well of Loneliness (1928)

    ‘I’ve wanted her to have a healthy body,’ he explained, ‘that’s why I’ve let her run more or less wild; but perhaps we'd better have a governess now, as you say; a French governess, my dear, if you’d prefer one — Later on I’ve always meant to engage THE WELL OF LONELINESS 55 a bluestocking, some woman who’s been to Oxford. I want Stephen to have the finest education that care and money can give her.’ But once again Anna began to protest. ‘ What’s the good of it all for a girl? ° she argued. ‘ Did you love me any less because I couldn’t do mathematics? Do you love me less now because I count on my fingers? ’ He kissed her. ‘ That’s different, you’re you,’ he said, smil- ing, but a look that she knew well had come into his eyes, a cold, resolute expression, which meant that all persuasion was likely to be unavailing. Presently they went upstairs to the nursery, and Sir Philip shaded the candle with his hand, while they stood together gazing down at Stephen — the child was heavily asleep. “Look, Philip,’ whispered Anna, pitiful and shaken, ‘ look, Philip — she’s got two big tears on her cheek!’ He nodded, slipping his arm around Anna: ‘ Come away,’ he muttered, ‘ we may wake her.’ CHAPTER 6 I "Rs. BrncHam departed unmourned and unmourning, and in her stead reigned Mademoiselle Duphot, a youthful French governess with a long, pleasant face that reminded Stephen of a horse. This equine resemblance was fortunate in one way — Stephen took to Mademoiselle Duphot at once — but it did not make for respectful obedience. On the contrary, Stephen felt very familiar, kindly familiar and quite at her ease; she petted Mademoiselle Duphot. Mademoiselle Duphot was lonely and homesick, and it must be admitted that she liked being petted. Stephen would rush off to get her a cushion, or a footstool or her glass of milk at eleven. “Comme elle est gentille, cette drôle de petite fille, elle a si bon cœur, would think Mademoiselle Duphot, and somehow geography would not seem to matter quite so much, or arithmetic either — in vain did Mademoiselle try to be strict, her pupil could always beguile her. Mademoiselle Duphot knew nothing about horses, in spite of the fact that she looked so much like one, and Stephen would complacently entertain her with long conversations anent splints and spavins, cow hocks and colic, all mixed up together in a kind of wild veterinary jumble. Had Williams been listening, he might well have rubbed his chin, but Williams was not there to listen. As for Mademoiselle Duphot, she was genuinely impressed: ' Mais quel type, quel type!’ she was always exclaiming. ‘ Vous êtes déjà une vraie petite Amazone, Stévenne.’ < N’est-ce pas? ° agreed Stephen, who was picking up French.

  • From Under the Banner of Heaven (2003)

    As more and more Saints were killed, the Missourians walked right up to the shop, poked the barrels of their guns between the logs, and fired at the heap of groaning bodies from point-blank range. When the Missourians detected no further movement inside, they entered and found a ten-year-old boy, Sardius Smith, cowering under the bellows. The youth begged for his life, but a Missourian named William Reynolds put a gun to the boy’s head. Sardius’s younger brother, who was shot through the hip but survived by feigning death beneath the corpses, later reported that one of the Gentiles begged Reynolds not to shoot Sardius, on account of his youth, at which point Reynolds responded by explaining that Mormon children needed to be exterminated because “nits will make lice.” And then he dispassionately blasted the top of the boy’s skull off. All told, eighteen Saints were slaughtered in and around the blacksmith shop. The event became known as the Haun’s Mill Massacre, and was stamped into the Latter-day Saints’ collective memory. More than 160 years later, Mormons still speak of it with indignation and undiminished rage. Joseph Smith was sixteen miles away when the carnage occurred at Haun’s Mill, supervising the defense of Far West, which was being surrounded by ten thousand Missouri troops. He learned of the calamity the night after it happened, and sank into a black depression. Over the months since the discord had escalated into increasingly bloody clashes, Joseph had waffled between aggressively fighting back and seeking a peaceful end to the conflict through compromise. After the massacre at Haun’s Mill, the prophet seemed to suddenly recognize that if he engaged in a full-blown war with the Gentiles, he and his followers would be annihilated. Immediately upon having this epiphany, Joseph dispatched five Mormons to meet with the Gentiles and “beg like a dog for peace.” The general of the Missouri Militia informed them that there was only one way for the Saints to avert imminent eradication: without delay, they would have to deliver Joseph and six other Mormon leaders to face charges of treason; provide monetary compensation to the Missourians for property that had been plundered and destroyed; surrender all Mormon weapons; and then abandon the state of Missouri altogether. The conditions were unreasonably harsh, yet Joseph had no real choice but to accept them. Addressing the faithful in Far West, he put on a brave face and announced, “I shall offer myself up as a sacrifice to save your lives and save the Church. Be of good cheer, my brethren. Pray earnestly to the Lord to deliver your leaders from their enemies. I bless you all in the name of Christ.” The Saints surrendered on November 1. Joseph, his brother Hyrum, and five other Mormon leaders were taken into custody by the Missourians, hastily court-martialed, and found guilty of treason—a capital crime.

  • From The Decameron (1353)

    In course of time the lady again conceived and in due season bore a male child, to her husband's great joy; but, that which he had already done sufficing him not, he addressed himself to probe her to the quick with a yet sorer stroke and accordingly said to her one day with a troubled air, 'Wife, since thou hast borne this male child, I have nowise been able to live in peace with these my people, so sore do they murmur that a grandson of Giannucolo should become their lord after me; wherefore I misdoubt me, an I would not be driven forth of my domains, it will behove me do in this case that which I did otherwhen and ultimately put thee away and take another wife.' The lady gave ear to him with a patient mind nor answered otherwhat then, 'My lord, study to content thyself and to satisfy thy pleasure and have no thought of me, for that nothing is dear to me save in so much as I see it please thee.' Not many days after, Gualtieri sent for the son, even as he had sent for the daughter, and making a like show of having him put to death, despatched him to Bologna, there to be brought up, even as he had done with the girl; but the lady made no other countenance nor other words thereof than she had done of the girl; whereat Gualtieri marvelled sore and affirmed in himself that no other woman could have availed to do this that she did; and had he not seen her tender her children with the utmost fondness, what while it pleased him, he had believed that she did this because she recked no more of them; whereas in effect he knew that she did it of her discretion. His vassals, believing that he had caused put the children to death, blamed him sore, accounting him a barbarous man, and had the utmost compassion of his wife, who never answered otherwhat to the ladies who condoled with her for her children thus slain, than that that which pleased him thereof who had begotten them, pleased her also.

  • From The Decameron (1353)

    Meanwhile, broad day come and these things being recounted to Messer Negro, he betook himself, sorrowful unto death, to the palace, in company with many of his friends, and being there acquainted by the Provost with the whole matter, demanded resentfully[249] that his daughter should be restored to him. The Provost, choosing rather to accuse himself of the violence he would have done her than to be accused of her, first extolled the damsel and her constancy and in proof thereof, proceeded to tell that which he had done; by reason whereof, seeing her of so excellent a firmness, he had vowed her an exceeding love and would gladly, an it were agreeable to him, who was her father, and to herself, espouse her for his lady, notwithstanding she had had a husband of mean condition. Whilst they yet talked, Andrevuola presented herself and weeping, cast herself before her father and said, 'Father mine, methinketh there is no need that I recount to you the story of my boldness and my illhap, for I am assured that you have heard and know it; wherefore, as most I may, I humbly ask pardon of you for my default, to wit, the having without your knowledge taken him who most pleased me to husband. And this boon I ask of you, not for that my life may be spared me, but to die your daughter and not your enemy.' So saying, she fell weeping at his feet. [Footnote 249: Lit. complaining, making complaint (_dolendosi_).] Messer Negro, who was an old man and kindly and affectionate of his nature, hearing these words, began to weep and with tears in his eyes raised his daughter tenderly to her feet and said, 'Daughter mine, it had better pleased me that thou shouldst have had such a husband as, according to my thinking, behoved unto thee; and that thou shouldst have taken such an one as was pleasing unto thee had also been pleasing to me; but that thou shouldst have concealed him, of thy little confidence in me, grieveth me, and so much the more as I see thee to have lost him, ere I knew it. However, since the case is so, that which had he lived, I had gladly done him, to content thee, to wit, honour, as to my son-in-law, be it done him, now he is dead.' Then, turning to his sons and his kinsfolk, he commanded that great and honourable obsequies should be prepared for Gabriotto.

  • From The Decameron (1353)

    The merchant his friend and the lady, hearing these words, wept, and when he had made an end of his speech, they comforted him and promised him upon their troth to do that which he asked, if it came to pass that he died. He tarried not long, but presently departed this life and was honourably interred of them. A few days after, the merchant having despatched all his business in Rhodes and purposing to return to Cyprus on board a Catalan carrack that was there, asked the fair lady what she had a mind to do, for that it behoved him return to Cyprus. She answered that, an it pleased him, she would gladly go with him, hoping for Antiochus his love to be of him entreated and regarded as a sister. The merchant replied that he was content to do her every pleasure, and the better to defend her from any affront that might be offered her, ere they came to Cyprus, he avouched that she was his wife. Accordingly, they embarked on board the ship and were given a little cabin on the poop, where, that the fact might not belie his words, he lay with her in one very small bed. Whereby there came about that which was not intended of the one or the other of them at departing Rhodes, to wit, that--darkness and commodity and the heat of the bed, matters of no small potency, inciting them,--drawn by equal appetite and forgetting both the friendship and the love of Antiochus dead, they fell to dallying with each other and before they reached Baffa, whence the Cypriot came, they had clapped up an alliance together.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    Döllinger was excommunicated for his opposition to the Vatican decree of infallibility (1870), but still remains a Catholic, and could not become a Protestant without retracting his work on the Reformation. He would, however, write a very different work now, and present the Reformation as a blessing rather than a calamity to Germany, in the light of the events which have passed since 1870. In one of his Akademische Vorträge, the first volume of which has just reached me (Nördlingen, 1888, p. 76), he makes the significant confession, that for many years the events In Germany from 1517 to 1552 were to him an unsolved riddle, and an object of sorrow and grief, seeing then only the result of division of the church and the nation into hostile camps; but that a closer study of the mediaeval history of Rome and Germany, and the events of the last years, have given him a better understanding and more hopeful view of the renewed and reunited German nation as a noble instrument in the hands of Providence. This is as far as he can go from his standpoint. § 125. Ein feste Burg ist unser Gott. I conclude this volume with Luther’s immortal hymn, which is the best expression of his character, and reveals the secret of his strength as well as the moving power of the Reformation.1007 A tower of strength1008 our God is still, A good defense1009 and weapon; He helps us free from all the ill That us hath overtaken. Our old, mortal foe1010 Now aims his fell blow, Great might and deep guile His horrid coat-of-mail;1011 On earth is no one like him.1012 Ein’ feste Burg ist unser Gott, Ein’ gute Wehr und Waffen. Er hilft uns frei aus aller Noth, Die uns jetzt hat betroffen. Der alt’ böse Feind, Mit Ernst er’s jetzt meint; Gross’ Macht und viel List, Sein grausam Rüstung ist, Auf Erd’ ist nicht sein’s Gleichen. By might of ours can naught be done:1013 Our fate were soon decided. But for us fights the champion,1014 By God himself provided. Who Is this, ask ye? Jesus Christ! ÕTis he! Lord of Sabaoth, True God and Saviour both, Omnipotent in battle.1015 Mit unsrer Macht ist nichts gethan, Wir sind gar bald verloren: Es streit’t für uns der rechte Mann, Den Gott hat selbst erkoren. Fragst du, wer Der ist? Er heisst Jesus Christ, Der Herr Zebaoth, Und ist kein andrer Gott; Das Feld muss Er behalten. Did devils fill the earth and air,1016 All eager to devour us, Our steadfast hearts need feel no care, Lest they should overpower us. The grim Prince of hell, With rage though he swell, Hurts us not a whit, Because his doom is writ: A little word can rout1017 him. Und wenn die Welt voll Teufel wär’ Und wollt uns gar verschlingen, So fürchten wir uns nicht zu sehr, Es soll uns doch gelingen. Der Fürst dieser Welt, Wie sau’r er sich stellt, Thut er uns doch nichts;

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    (3) The attack of Julian upon Christianity brought out no reply on the spot,123 but subsequently several refutations, the chief one by Cyril of Alexandria († 444), in ten books "against the impious Julian," still extant and belonging among his most valuable works. About the same time Theodoret wrote an apologetic and polemic work: "The Healing of the Heathen Affections," in twelve treatises, in which he endeavors to refute the errors of the false religion by comparison of the prophecies and miracles of the Bible with the heathen oracles, of the apostles with the heroes and lawgivers of antiquity, of the Christian morality with the immorality of the heathen world. § 12. Augustine’s City of God. Salvianus. (4) Among the Latin apologists we must mention Augustine, Orosius, and Salvianus, of the fifth century. They struck a different path from the Greeks, and devoted themselves chiefly to the objection of the heathens, that the overthrow of idolatry and the ascendency of Christianity were chargeable with the misfortunes and the decline of the Roman empire. This objection had already been touched by Tertullian, but now, since the repeated incursions of the barbarians, and especially the capture and sacking of the city of Rome under the Gothic king Alaric in 410, it recurred with peculiar force. By way of historical refutation the Spanish presbyter Orosius, at the suggestion of Augustine, wrote an outline of universal history in the year 417. Augustine himself answered the charge in his immortal work "On the city of God," that is) the church of Christ, in twenty-two books, upon which he labored twelve years, from 413 to 426, amidst the storms of the great migration and towards the close of his life. He was not wanting in appreciation of the old Roman virtues, and he attributes to these the former greatness of the empire, and to the decline of them he imputes her growing weakness. But he rose at the same time far above the superficial view, which estimates persons and things by the scale of earthly profit and loss, and of temporary success. "The City of God" is the most powerful, comprehensive, profound, and fertile production in refutation of heathenism and vindication of Christianity, which the ancient church has bequeathed to us, and forms a worthy close to her literary contest with Graeco-Roman paganism.124 It is a grand funeral discourse upon the departing universal empire of heathenism, and a lofty salutation to the approaching universal order of Christianity. While even Jerome deplored in the destruction of the city the downfall of the empire as the omen of the approaching doom of the world,125 the African father saw in it only a passing revolution preparing the way for new conquests of Christianity.

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