Fear

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Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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• From The Principles of Psychology (Volume 1 of 2) (1890)

  Curiosity. Already pretty low down among vertebrates we find that any object may excite attention, provided it be only novel, and that attention may be followed by approach and exploration by nostril, lips, or touch. Curiosity and fear form a couple of antagonistic emotions liable to be awakened by the same outward thing, and manifestly both useful to their possessor. The spectacle of their alternation is often amusing enough, as in the timid approaches and scared wheelings which sheep or cattle will make in the presence of some new object they are investigating. I have seen alligators in the water act in precisely the same way towards a man seated on the beach in front of them—gradually drawing near as long as he kept still, frantically careering back as soon as he made a movement. Inasmuch as new objects may always be advantageous, it is better that an animal should not absolutely fear them. But, inasmuch as they may also possibly be harmful, it is better that he should not be quite indifferent to them either, but on the whole remaining on the que vive, ascertain as much about them, and what they may be likely to bring forth, as he can, before settling down to rest in their presence. Some such susceptibility for being excited and irritated by the mere novelty, as such, of any movable feature of the environment must form the instinctive basis of all human curiosity; though, of course, the superstructure absorbs contributions from so many other factors of the emotional life that the original root may be hard to find. With what is called a scientific curiosity, and with metaphysical wonder, the practical instinctive root has probably nothing to do. The stimuli here are not objects, but ways of conceiving objects; and the emotions and actions they give rise to are to be classed, with many other aesthetic manifestations, sensitive and motor, as incidental features of our mental life. The philosophic brain responds to an inconsistency or a gap in its knowledge, just as the musical brain responds to a discord in what it hears. At certain ages the sensitiveness to particular gaps and the pleasure of resolving particular puzzles reach their maximum, and then it is that stores of scientific knowledge are easiest and most naturally laid in. But these effects may have had nothing to do with the uses for which the brain was originally gives; and it is probably only within a few centuries, since religious beliefs and economic applications of science have played a prominent part in the conflicts of one race with another, that they may have helped to 'select' for survival a particular type of brain. I shall have to consider this matter of incidental and supernumerary faculties in Chapter XXVIII.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  I now proceed to urge the vital point of my whole theory, which is this: If we fancy some strong emotion, and then try to abstract from our consciousness of it all the feelings of its bodily symptoms, we find we have nothing left behind, no 'mind-stuff' out of which the emotion can be constituted, and that a cold and neutral state of intellectual perception is all that remains. It is true that, although most people when asked say that their introspection verifies this statement, some persist in saying theirs does not. Many cannot be made to understand the question. When you beg them to imagine away every feeling of laughter and of tendency to laugh from their consciousness of the ludicrousness of an object, and then to tell you what the feeling of its ludicrousness would be like, whether it be anything more than the perception that the object belongs to the class 'funny,' they persist in replying that the thing proposed is a physical impossibility, and that they always must laugh if they see a funny object. Of course the task proposed is not the practical one of seeing a ludicrous object and annihilating one's tendency to laugh. It is the purely speculative one of subtracting certain elements of feeling from an emotional state supposed to exist in its fulness, and saying what the residual elements are. I cannot help thinking that all who rightly apprehend this problem will agree with the proposition above laid down. What kind of an emotion of fear would be left if the feeling neither of quickened heart-beats nor of shallow breathing, neither of trembling lips nor of weakened limbs, neither of goose-flesh nor of visceral stirrings, were present, it is quite impossible for me to think. Can one fancy the state of rage end picture no ebullition in the chest, no flushing of the face, no dilatation of the nostrils, no clenching of the teeth, no impulse to vigorous action, but in their stead limp muscles, calm breathing, and a placid face? The present writer, for one, certainly cannot. The rage is as completely evaporated as the sensation of its so-called manifestations, and the only thing that can possibly be supposed to take its place is some cold-blooded and dispassionate judicial sentence, confined entirely to the intellectual realm, to the effect that a certain person or persons merit chastisement for their sins. In like manner of grief: what would it be without its tears, its sobs, its suffocation of the heart, its pang in the breast-bone? A feelingless cognition that certain circumstances are deplorable, and nothing more. Every passion in turn tells the same story. A purely disembodied human emotion is a nonentity. I do not say that it is a contradiction in the nature of things, or that pure spirits are necessarily condemned to cold intellectual lives; but I say that for us, emotion dissociated from all bodily feeling is inconceivable. The more closely I scrutinize my states, the more persuaded I become that whatever moods, affections, and passions I have are in very truth constituted by, and made up of, those bodily changes which we ordinarily call their expression or consequence; and the more it seems to me that if I were to become corporeally anæsthetic, I should be excluded from the life of the affections, harsh and tender alike, and drag out an existence of merely cognitive or intellectual form. Such an existence, although it seems to have been the ideal of ancient sages, is too apathetic to be keenly sought after by those born after the revival of the worship of sensibility, a few generations ago.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  The movements we have studied hitherto have been automatic and reflex, and (on the first occasion of their performance, at any rate) unforeseen by the agent. The movements to the study of which we now address ourselves, being desired and intended beforehand, are of course done with full prevision of what they are to be. It follows from this that voluntary movements must be secondary, not primary functions of our organism. This is the first point to understand in the psychology of Volition. Reflex, instinctive, and emotional movements are all primary performances. The nerve-centres are so organized that certain stimuli pull the trigger of certain explosive parts; and a creature going through one of these explosions for the first time undergoes an entirely novel experience. The other day I was standing at a railroad station with a little child, when an express-train went thundering by. The child, who was near the edge of the platform, started, winked, had his breathing convulsed, turned pale, burst out crying, and ran frantically towards me and hid his face. I have no doubt that this youngster was almost as much astonished by his own behavior as he was by the train, and more than I was, who stood by. Of course if such a reaction has many times occurred we learn what to expect of ourselves, and can then foresee our conduct, even though it remain as involuntary and uncontrollable as it was before. But if, in voluntary action properly so-called, the act must be foreseen, it follows that no creature not endowed with divinatory power can perform an act voluntarily for the first time. Well, we are no more endowed with prophetic vision of what movements lie in our power, than we are endowed with prophetic vision of what sensations we are capable of receiving. As we must wait for the sensations to be given us, so we must wait for the movements to be performed involuntarily,[447] before we can frame ideas of what either of these things are. We learn all our possibilities by the way of experience. When a particular movement, having once occurred in a random, reflex, or involuntary way, has left an image of itself in the memory, then the movement can be desired again, proposed as an end, and deliberately willed. But it is impossible to see how it could be willed before. A supply of ideas of the various movements that are possible left in the memory by experiences of their involuntary performance is thus the first prerequisite of the voluntary life.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "All physicians who have been much engaged in general practice have seen cases of dyspepsia in which constant low spirits and occasional attacks of terror rendered the patient's condition pitiable in the extreme. I have observed these cases often, and have watched them closely, and I have never seen greater suffering of any kind than I have witnessed during these attacks. . . . Thus, a man is suffering from what we call nervous dyspepsia. Some day, we will suppose in the middle of the afternoon, without any warning or visible cause, one of these attacks of terror comes on. The first thing the man feels is great but vague discomfort. Then he notices that his heart is beating much too violently. At the same time shocks or flashes as of electrical discharges, so violent as to be almost painful, pass one after another through his body and limbs. Then in a few minutes he falls into a condition of the most intense fear. He is not afraid of anything; he is simply afraid. His mind is perfectly clear. He looks for a cause his wretched condition, but sees none. Presently his terror is such that he trembles violently and utters low moans; his body is damp with perspiration; his mouth is perfectly dry; and at this stage there are no tears in his eyes, though his suffering is intense. When the climax of the attack is reached and passed, there is a copious flow of tears, or else a mental condition in which the person weeps upon the least provocation. At this stage a large quantity of pale urine is passed. Then the heart's action becomes again normal, and the attack passes off."[424] Again:

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "We have seen that the graver the peril becomes, the more do the reactions which are positively harmful to the animal prevail in number and inefficacy. We already saw that the trembling and the palsy make it incapable of flight or defence; we have also convinced ourselves that in the most decisive moments of danger we are less able to see [or to think] than when we are tranquil. In face of such facts we must admit that the phenomena of fear cannot all be accounted for by 'selection.' Their extreme degrees are morbid phenomena which show an imperfection in the organism. We might almost say that Nature had not been able to frame a substance which should be excitable enough to compose the brain and spinal marrow, and yet which should not be so excited by exceptional stimulation as to overstep in its reactions those physiological bounds which are useful to the conservation of the creature."[445] Professor Bain, if I mistake not, had long previously commented upon fear in a similar way. Mr. Darwin accounts for many emotional expressions by what he calls the principle of antithesis. In virtue of this principle, if a certain stimulus prompted a certain set of movements, then a contrary-feeling stimulus would prompt exactly the opposite movements, although these might otherwise have neither utility nor significance. It is in this wise that Darwin explains the expression of impotence, raised eyebrows, and shrugged shoulders, dropped arms and open palms, as being the antithesis of the frowning brow, the thrown-back shoulders, and clenched fists of rage, which is the emotion of power. No doubt a certain number of movements can be formulated under this law; but whether it expresses a causal principle is more than doubtful. It has been by most critics considered the least successful of Darwin's speculations on this subject. To sum up, we see the reason for a few emotional reactions; for others a possible species of reason may be guessed; but others remain for which no plausible reason can even be conceived. These may be reactions which are purely mechanical results of the way in which our nervous centres are framed, reactions which, although permanent in us now, may be called accidental as far as their origin goes. In fact, in an organism as complex as the nervous system there must be many such reactions, incidental to others evolved for utility's sake, but which would never themselves have been evolved independently, for any utility they might possess. Sea-sickness, the love of music, of the various intoxicants, nay, the entire æsthetic life of man, we have already traced to this accidental origin. It would be foolish to suppose that none of the reactions called emotional could have arisen in this quasi-accidental way.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  EMOTION FOLLOWS UPON THE BODILY EXPRESSION IN THE COARSER EMOTIONS AT LEAST. Our natural way of thinking about these coarser emotions is that the mental perception of some fact excites the mental affection called the emotion, and that this latter state of mind gives rise to the bodily expression. My theory, on the contrary, is that the bodily changes follow directly the perception of the exciting fact, and that our feeling of the same changes as they occur IS the emotion. Common-sense says, we lose our fortune, are sorry and weep; we meet a bear, are frightened and run; we are insulted by a rival, are angry and strike. The hypothesis here to be defended says that this order of sequence is incorrect, that the one mental state is not immediately induced by the other, that the bodily manifestations must first be interposed between, and that the more rational statement is that we feel sorry because we cry, angry because we strike, afraid because we tremble, and not that we cry, strike, or tremble, because we are sorry, angry, or fearful, as the case may be. Without the bodily states following on the perception, the latter would be purely cognitive in form, pale, colorless, destitute of emotional warmth. We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we should not actually feel afraid or angry. Stated in this crude way, the hypothesis is pretty sure to meet with immediate disbelief. And yet neither many nor far-fetched considerations are required to mitigate its paradoxical character, and possibly to produce conviction of its truth. To begin with, no reader of the last two chapters will be inclined to doubt the fact that objects do excite bodily changes by a preorganized mechanism, or the farther fact that the changes are so indefinitely numerous and subtle that the entire organism may be called a sounding-board, which every change of consciousness, however slight, may make reverberate. The various permutations and combinations of which these organic activities are susceptible make it abstractly possible that no shade of emotion, however slight, should be without a bodily reverberation as unique, when taken in its totality, as is the mental mood itself. The immense number of parts modified in each emotion is what makes it so difficult for us to reproduce in cold blood the total and integral expression of any one of them. We may catch the trick with the voluntary muscles, but fail with the skin, glands, heart, and other viscera. Just as an artificially imitated sneeze lacks something of the reality, so the attempt to imitate an emotion in the absence of its normal instigating cause is apt to be rather 'hollow.'

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Strange men, and strange animals, either large or small, excite fear, but especially men or animals advancing toward us in a threatening way. This is entirely instinctive and antecedent to experience. Some children will cry with terror at their very first sight of a cat or dog, and it will often be impossible for weeks to make them touch it. Others will wish to fondle it almost immediately. Certain kinds of 'vermin,' especially spiders and snakes, seem to excite a fear unusually difficult to overcome. It is impossible to say how much of this difference is instinctive and how much the result of stories heard about these creatures. That the fear of 'vermin' ripens gradually, seemed to me to be proved in a child of my own to whom I gave a live frog once, at the age of six to eight months, and again when he was a year and a half old. The first time he seized it promptly, and holding it, in spite of its struggling, at last got its head into his mouth. He then let it crawl up his breast, and get upon his face, without showing alarm. But the second time, although he had seen no frog and heard no story about a frog between whiles, it was almost impossible to induce him to touch it. Another child, a year old, eagerly took some very large spiders into his hand. At present he is afraid, but has been exposed meanwhile to the teachings of the nursery. One of my children from her birth upwards saw daily the pet pug-dog of the house, and never betrayed the slightest fear until she was (if I recollect rightly) about eight months old. Then the instinct suddenly seemed to develop, and with such intensity that familiarity had no mitigating effect. She screamed whenever the dog entered the room, and for many months remained afraid to touch him. It is needless to say that no change in the pug's unfailingly friendly conduct had anything to do with this change of feeling in the child. Preyer tells of a young child screaming with fear on being carried near to the sea . The great source of terror to infancy is solitude. The teleology of this is obvious, as is also that of the infant's expression of dismay—the never-failing cry—on waking up and finding himself alone. Black things, and especially dark places, holes, caverns, etc., arouse a peculiarly gruesome fear. This fear, as well as that of solitude, of being 'lost,' are explained after a, fashion by ancestral experience. Says Schneider:

• From The Principles of Psychology (Volume 1 of 2) (1890)

  About fear I shall have more to say presently. Meanwhile the principle of revival in weakened form of reactions useful in more violent dealings with the object inspiring the emotion, has found many applications. So slight a symptom as the snarl or sneer, the one-sided uncovering of the upper teeth, is accounted for by Darwin as a survival from the time when our ancestors had large canines, and unfleshed them (as dogs now do) for attack. Similarly the raising of the eyebrows in outward attention, the opening of the mouth in astonishment, come, according to the same author, from the utility of these movements in extreme cases. The raising of the eyebrows goes with the opening of the eye for better vision; the opening of the mouth with the intensest listening, and with the rapid catching of the breath which precedes muscular effort. The distention of the nostrils in anger is interpreted by Spencer as an echo of the way in which our ancestors had to breathe when, during combat, their "mouth was filled up by a part of an antagonist's body that had been seized (!)." The trembling of fear is supposed by Mantegazza to be for the sake of warming the blood (!). The reddening of the face and neck is called by Wundt a compensatory arrangement for relieving the brain of the blood-pressure which the simultaneous excitement of the heart brings with it. The effusion of tears is explained both by this author and by Darwin to be a blood-withdrawing agency of a similar sort. The contraction of the muscles around the eyes, of which the primitive use is to protect those organs from being too much gorged with blood during the screaming fits of infancy, survives in adult life in the shape of the frown, which instantly comes over the brow when anything difficult or displeasing presents itself either to thought or action. "As the habit of contracting the brows has been followed by infants during innumerable generations, at the commencement of every crying or screaming fit," says Darwin, "it has become firmly associated with the incipient sense of something distressing or disagreeable. Hence, under similar circumstances, it would be apt to be continued during maturity, although never then developed, into a crying fit. Screaming or weeping begins to be voluntarily restrained at an early period of life, whereas frowning is hardly ever restrained at any age."[440]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "Fear is often preceded by astonishment, and is so far akin to it that both lead to the senses of sight and hearing being instantly aroused. In both cases the eyes and mouth are widely opened and the eyebrows raised. The frightened man at first stands like a statue, motionless and breathless, or crouches down as if instinctively to escape observation. The heart beats quickly and violently, so that it palpitates or knocks against the ribs; but it is very doubtful if it then works more efficiently than usual, so as to send a greater supply of blood to all parts of the body; for the skin instantly becomes pale as during incipient faintness. This paleness of the surface, however, is probably in large part, or is exclusively, due to the vaso-motor centre being affected in such a manner as to cause the contraction of the small arteries of the skin. That the skin is much affected under the sense of great fear, we see in the marvelous manner in which perspiration immediately exudes from it. This exudation is all the more remarkable, as the surface is then cold, and hence the term, a cold sweat; whereas the sudorific glands are properly excited into action when the surface is heated. The hairs also on the skin stand erect, and the superficial muscles shiver. In connection with the disturbed action of the heart the breathing is hurried. The salivary glands act imperfectly; the mouth becomes dry and is often opened and shut. I have also noticed that under slight fear there is strong tendency to yawn. One of the best marked symptoms is the trembling of all the muscles of the body; and this is often first seen in the lips. From this cause, and from the dryness of the mouth, the voice becomes husky or indistinct or may altogether fail. 'Obstupui steteruntque comæ, et vox faucibus hæsit.' . . . As fear increases into an agony of terror, we behold, as under all violent emotions, diversified results. The heart beats wildly or must fail to act and faintness ensue; there is a death-like pallor; the breathing is labored; the wings of the nostrils are widely dilated; there is a gasping and convulsive motion of the lips, a tremor on the hollow cheek, a gulping and catching of the throat; the uncovered and protruding eyeballs are fixed on the object of terror; or they may roll restlessly from side to side, huc illuc volens oculos totumque pererrat. The pupils are said to be enormously dilated. All the muscles of the body may become rigid or may be thrown into convulsive movements. The hands are alternately clenched and opened, often with a twitching movement. The arms may be protruded as if to avert some dreadful danger, or may be thrown wildly over the head. The Rev. Mr. Hagenauer has seen this latter action in a terrified Australian. In other cases there is a sudden and uncontrollable tendency to headlong flight; and so strong is this that the boldest soldiers may be seized with a sudden panic."[415]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Fear of the supernatural is one variety of fear. It is difficult to assign ally normal object for this fear, unless it were a genuine ghost. But, in spite of psychical research-societies, science has not yet adopted ghosts; so we can only say that certain ideas of supernatural agency, associated with real circumstances, produce a peculiar kind of horror. This horror is probably explicable as the result of a combination of simpler horrors. To bring the ghostly terror to its maximum, many usual elements of the dreadful must combine, such as loneliness, darkness, inexplicable sounds, especially of a dismal character, moving figures half discerned (or, if discerned, of dreadful aspect), and a vertiginous baffling of the expectation. This last element, which is intellectual, is very important. It produces a strange emotional 'curdle' in our blood to see a process with which we are familiar deliberately taking an unwonted course. Anyone's heart would stop beating if he perceived his chair sliding unassisted across the floor. The lower animals appear to be sensitive to the mysteriously exceptional as well as ourselves. My friend Professor W. K. Brooks, of the; Johns Hopkins University, told me of his large and noble dog being frightened into a sort of epileptic fit by a bone being drawn across the floor by a thread which the dog did not see. Darwin and Romanes have given similar experiences.[396] The idea of the supernatural involves that the usual should be set at naught. In the witch and hobgoblin supernatural, other elements still of fear are brought in—caverns, slime and ooze, vermin, corpses, and the like.[397] A human corpse seems normally to produce an instinctive dread, which is no doubt somewhat due to its mysteriousness, and which familiarity rapidly dispels. But, in view of the fact that cadaveric, reptilian, and underground horrors play so specific and constant a part in many nightmares and forms of delirium, it seems not altogether unwise to ask whether these forms of dreadful circumstance may not at a former period have been more normal objects of the environment than now. The ordinary cock-sure evolutionist ought to have no difficulty in explaining these terrors, and the scenery that provokes them, as relapses into the consciousness of the cave-men, a consciousness usually overlaid in us by experiences of more recent date.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "To have in a slight degree," he says, "such psychical states as accompany the reception of wounds, and are experienced during flight, is to be in a state of what we call fear. And to have in a slight degree such psychical states as the processes of catching, killing, and eating imply, is to have the desires to catch, kill, and eat. That the propensities to the acts are nothing else than nascent excitations of the psychical state involved in the acts, is proved by the natural language of the propensities. Fear, when strong, expresses itself in cries, in efforts to escape, in palpitations, in tremblings; and these are just the manifestations that go along with an actual suffering of the evil feared. The destructive passion is shown in a general tension of the muscular system, in gnashing of teeth and protrusion of the claws, in dilated eyes and nostrils, in growls; and these are weaker forms of the actions that accompany the killing of prey. To such objective evidences every one can add subjective evidences. Every one can testify that the psychical state called fear consists of mental representations of certain painful results; and that the one called anger consists of mental representations of the actions and impressions which would occur while inflicting some kind of pain."[439]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Towards the end of his career, James began dedicating more and more time to writing material and delivering lectures in an attempt to develop a unique philosophy all his own. These works were collected into four printed volumes. By 1906, he was spending significant time outside of Harvard, attaining a visitor professorship in California's Stanford University and occasionally lecturing in San Francisco. He also continued to make lectures based around pragmatism, delivering them to audiences in Boston as well as universities like Columbia. These lectures were collected and published in the year 1907 in a book entitled Pragmatism. The same year, he retired from Harvard as a result of a fear that he would not be able to finish his own unique philosophical system before dying. In addition to these fears, he also suffered from physical ailments such as angina. After some lectures he presented in England, he had critics attacking him for some of his pragmatic principles. In a defense of his principles, he created a rebuttal with a volume of essays called The Meaning of Truth, which was published in the year 1909. In 1910, he started work on another book with the title Some Problems of Philosophy. He had problems completing the book due to a weak heart, making it difficult to do even the smallest tasks. Before he could complete this latest book, he died in August of 1910 from a number of physical complications and conditions. The following decade, many of his unpublished material was collected and published posthumously in books such as Essays in Radical Empiricism (1912), The Letters of William James (1920) and Collected Essays and Reviews (1920). James' work lived on through the years and has been studied by academia, psychologists, and philosophers. His views on pragmatism can be seen in many of his psychological and philosophical writings, and his writing on the principles of psychology has had a profound influence on the field even to this day. Though his views may have been seen as radical and produced critical response, he has no doubt contributed significantly to the discussion of the two fields of study and had a lasting impact on both. JEAN ASTA 2011 SOURCES Emory University. "William James."Last Modified September 14, 2008. http://des.emory.edu/mfp/jphotos.html Hunt, Morton. Excerpt from The Psychologist Malgre Lui: William James, 1994. Last modified September 27, 2009. http://des.emory.edu/mfp/hunt.html Internet Encyclopedia of Philosophy. "William James (1842 – 1910): Overview." Last Modified February 11, 2011. http://www.iep.utm.edu/james-o/ Stanford University. "William James." Last Modified October 23, 2009. http://plato.stanford.edu/entries/james/ Trinity College. "William James." Last Modified 2000. http://www.trincoll.edu/depts/phil/philo/phils/wjames.html CONTENTS CHAPTER XVII. SENSATION. CHAPTER XVIII. IMAGINATION. CHAPTER XIX. THE PERCEPTION OF 'THINGS.' CHAPTER XX THE PERCEPTION OF SPACE. CHAPTER XXI. THE PERCEPTION OF REALITY. CHAPTER XXII. "REASONING." CHAPTER XXIII. THE PRODUCTION OF MOVEMENT. CHAPTER XXIV. INSTINCT. CHAPTER XXV. THE EMOTIONS. CHAPTER XXVI. WILL. CHAPTER XXVII. HYPNOTISM. CHAPTER XXVIII. NECESSARY TRUTHS AND THE EFFECTS OF EXPERIENCE. CHAPTER XVII. SENSATION.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Imagine two steel knife-blades with their keen edges crossing each other at right angles, and moving to and fro. Our whole nervous organization is 'on-edge ' at the thought; and yet what emotion can be there except the unpleasant nervous feeling itself, or the dread that more of it may come? The entire fund and capital of the emotion here is the senseless bodily effect which the blades immediately arouse. This case is typical of a class: where an ideal emotion seems to precede the bodily symptoms, it is often nothing but an anticipation of the symptoms themselves. One who has already fainted at the sight of blood may witness the preparations for a surgical operation with uncontrollable heart-sinking and anxiety. He anticipates certain feelings, and the anticipation precipitates their arrival. In cases of morbid terror the subjects often confess that what possesses them seems, more than anything, to be fear of the fear itself. In the various forms of what Professor Pain calls 'tender emotion,' although the appropriate object must usually be directly contemplated before the emotion can be aroused, yet sometimes thinking of the symptoms of the emotion itself may have the same effect. In sentimental natures the thought of 'yearning' will produce real 'yearning.' And, not to speak of coarser examples, a mother's imagination of the caresses she bestows on her child may arouse a spasm of parental longing. In such cases as these we see plainly how the emotion both begins and ends with what we call its effects or manifestations. It has no mental status except as either the vivid feeling of the manifestations, or the idea of them; and the latter thus constitute its entire material, and sum and substance. And these cases ought to make us see how in all cases the feeling of the manifestations may play a much deeper part in the constitution of the emotion than we are wont to suppose.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "It is a fact that men, especially in childhood, fear to go into a dark cavern or a gloomy wood. This feeling of fear arises, to be sure, partly from the fact that we easily suspect that dangerous beasts may lurk in these localities—a suspicion due to stories we have heard and read. But, on the other hand, it is quite sure that this fear at a certain perception is also directly inherited. Children who hare been carefully guarded from all ghost-stories are nevertheless terrified and cry if led into a dark place, especially if sounds are made there. Even an adult can easily observe that an uncomfortable timidity steals over him in a lonely wood at night, although he may have the fixed conviction that not the slightest danger is near." This feeling of fear occurs in many men even in their own house after dark, although it is much stronger in a dark cavern or forest. The fact of such instinctive fear is easily explicable when we consider that our savage ancestors through innumerable generations were accustomed to meet with dangerous beasts in caverns, especially bears, and were for the most part attacked by such beasts during the night and in the woods, and that thus an inseparable association between the perceptions of darkness of caverns and woods, and fear took place, and was inherited."[395] High places cause fear of a peculiarly sickening sort, though here, again, individuals differ enormously. The utterly blind instinctive character of the motor impulses here is shown by the fact that they are almost always entirely unreasonable, but that reason is powerless to1 suppress them. That they are a mere incidental peculiarity of the nervous system, like liability to sea-sickness, or love of music, with no teleological significance, seems more than probable. The fear in question varies so much from one person to another, and its detrimental effects are so much more obvious than its uses, that it is hard to see how it could be a selected instinct. Man is anatomically one of the best fitted of animals for climbing about high places. The best psychical complement to this equipment would seem to be a 'level head' when there, not a dread of going there at all. In fact, the teleology of fear, beyond a certain point, is very dubious. Professor Mosso, in his interesting monograph, 'la Paura' (which has been translated into French), concludes that many of its manifestations must be considered pathological rather than useful; Pain, in several places, expresses the same opinion; and this, I think, is surely the view which any observer without a priori prejudices must take. A certain amount of timidity obviously adapts us to the world we live in, but the fear-paroxysm is surely altogether harmful to him who is its prey.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Fear is a reaction aroused by the same objects that arouse ferocity. The antagonism of the two is an interesting study in instinctive dynamics. We both fear, and wish to kill, anything that may kill us; and the question which of the two impulses we shall follow is usually decided by some one of those collateral circumstances of the particular case, to be moved by which is the mark of superior mental natures. Of course this introduces uncertainty into the reaction; but it is an uncertainty found in the higher brutes as well as in men, and ought not to be taken as proof that we are less instinctive than they. Fear has bodily expressions of an extremely energetic kind, and stands, beside lust and anger, as one of the three most exciting emotions of which our nature is susceptible. The progress from brute to man is characterized by nothing so much as by the decrease in frequency of proper occasions for fear. In civilized life, in particular, it has at last become possible for large numbers of people to pass from the cradle to the grave without ever having had a pang of genuine fear. Many of us need an attack of mental disease to teach us the meaning of the word. Hence the possibility of so much blindly optimistic philosophy and religion. The atrocities of life become 'like a tale of little meaning though the words are strong;' we doubt if anything like us ever really was within the tiger's jaws, and conclude that the horrors we hear of are but a sort of painted tapestry for the chambers in which we lie so comfortably at peace with ourselves and with the world. Be this as it may, fear is a genuine instinct, and one of the earliest shown by the human child. Noises seem especially to call it forth. Most noises from the outer world, to a child bred in the house, have no exact significance. They are simply startling. To quote a good observer, M. Perez:

• From The Principles of Psychology (Volume 1 of 2) (1890)

  There are certain other pathological fears, and certain peculiarities in the expression of ordinary fear, which might receive an explanatory light from ancestral conditions, even infra-human ones. In ordinary fear, one may either run, or remain semi-paralyzed. The latter condition reminds us of the so-called death-shamming instinct shown by many animals. Dr. Lindsay, in his work 'Mind in Animals,' says this must require great self-command in those that practise it. But it is really no feigning of death at all, and requires no self-command. It is simply a terror-paralysis which has been so useful as to become hereditary. The beast of prey does not think the motionless bird, insect, or crustacean dead. He simply fails to notice them at all; because his senses, like ours, are much more strongly excited by a moving object than by a still one. It is the same instinct which leads a boy playing 'I spy' to hold his very breath when the seeker is near, and which makes the beast of prey himself in many cases motionlessly lie in wait for his victim or silently 'stalk' it, by rapid approaches alternated with periods of immobility. It is the opposite of the instinct which makes us jump up and down and move our arms when we wish to attract the notice of some one passing far away, and makes the shipwrecked sailor frantically wave a cloth upon the raft where he is floating when a distant sail appears. Now, may not the statue-like, crouching immobility of some melancholiacs, insane with general anxiety and fear of everything, be in some way connected with this old instinct? They can give no reason for their fear to move; but immobility makes them feel safer and more comfortable. Is not this the mental state of the 'feigning' animal?

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Another sort of arrest of instinct by habit is where the same class of objects awakens contrary instinctive impulses. Here the impulse first followed toward a given individual of the class is apt to keep him from ever awakening the opposite impulse in us. In fact, the whole class may be protected by this individual specimen from the application to it of the other impulse. Animals, for example, awaken in a child the opposite impulses of fearing and fondling. But if a child, in his first attempts to pat a dog, gets snapped at or bitten, so that the impulse of fear is strongly aroused, it may be that for years to come no dog will excite in him the impulse to fondle again. On the other hand, the greatest natural enemies, if carefully introduced to each other when young and guided at the outset by superior authority, settle down into those 'happy families' of friends which we see in our menageries. Young animals, immediately afterbirth, have no instinct of fear, but show their dependence by allowing themselves to be freely handled. Later, however, they grow 'wild,' and, if left to themselves, will not let man approach them. I am told by farmers in the Adirondack wilderness that it is a very serious matter if a cow wanders off and calves in the woods and is not found for a week or more. The calf, by that time, is as wild and almost as fleet as a deer, and hard to capture without violence. But calves rarely show any particular wildness to the men who have been in contact with them during the first days of their life, when the instinct to attach themselves is uppermost, nor do they dread strangers as they would if brought up wild. Chickens give a curious illustration of the same law. Mr. Spalding's wonderful article on instinct shall supply us with the facts. These little creatures show opposite instincts of attachment and fear, either of which may be aroused by the same object, man. If a chick is born in the absence of the hen, it "will follow any moving object. And, when guided by sight alone, they seem to have no mole disposition to follow a hen than to follow a duck or a human being. Unreflecting lookers-on, when they saw chickens a day old running after me," says Mr. Spalding, "and older ones following me for miles, and answering to my whistle, imagined that I must have some occult power over the creatures: whereas I had simply allowed them to follow me from the first. There is the instinct to follow; and the ear, prior to experience, attaches them to the right object."[382] But if a man presents himself for the first time when the instinct of fear is strong, the phenomena are altogether reversed. Mr. Spalding kept three chickens hooded until they were nearly four days old, and thus describes their behavior:

• From The Principles of Psychology (Volume 1 of 2) (1890)

  The best proof that the immediate cause of emotion is a physical effect on the nerves is furnished by those pathological cases in which the emotion is objectless. One of the chief merits, in fact, of the view which I propose seems to be that we can so easily formulate by its means pathological cases and normal cases under a common scheme. In every asylum we find examples of absolutely unmotived fear, anger, melancholy, or conceit; and others of an equally unmotived apathy which persists in spite of the best of outward reasons why it should give way. In the former cases we must suppose the nervous machinery to be so 'labile' in some one emotional direction that almost every stimulus (however inappropriate) causes it to upset in that way, and to engender the particular complex of feelings of which the psychic body of the emotion consists. Thus, to take one special instance, if inability to draw deep breath, fluttering of the heart, and that peculiar epigastric change felt as 'precordial anxiety,' with an irresistible tendency to take a somewhat crouching attitude and to sit still, and with perhaps other visceral processes not now known, all spontaneously occur together in a certain person; his feeling of their combination is the emotion of dread, and he is the victim of what is known as morbid fear. A friend who has had occasional attacks of this most distressing of all maladies tells me that in his case the whole drama seems to centre about the region of the heart and respiratory apparatus, that his main effort during the attacks is to get control of his inspirations and to slow his heart, and that the moment he attains to breathing deeply and to holding himself erect, the dread, ipso facto, seems to depart.[423] The emotion here is nothing but the feeling of a bodily state, and it has a purely bodily cause.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Sociability and Shyness. As a gregarious animal, man is excited both by the absence and by the presence of his kind. To be alone is one of the greatest of evils for him. Solitary confinement is by many regarded as a mode of torture too cruel and unnatural for civilized countries to adopt. To one long pent up on a desert island, the sight of a human footprint or a human form in the distance would be the most tumultuously exciting of experiences. In morbid states of mind, one of the commonest symptoms is the fear of being alone. This fear may be assuaged by the presence of a little child, or even of a baby. In a case of hydrophobia known to the writer, the patient insisted on keeping his room crowded with neighbors all the while, so intense was his fear of solitude. In a gregarious animal, the perception that he is alone excites him to vigorous activity. Mr. Galton thus describes the behavior of the South African cattle whom he had such good opportunities for observing: "Although the ox has little affection for, or interest in, his fellows, he cannot endure even a momentary separation from his herd. If he be separated from it by stratagem or force, he exhibits every sign of mental agony; he strives with all his might to get back again, and when he succeeds he plunges into its middle to bathe his whole body with the comfort of closest companionship."[404] Man is also excited by the presence of his kind. The bizarre actions of dogs meeting strange dogs are not altogether without a parallel in our own constitution. We cannot meet strangers without a certain tension, or talk to them exactly as to our familiars. This is particularly the case if the stranger be an important personage. It may then happen that we not only shrink from meeting his eye, but actually cannot collect our wits or do ourselves any sort of justice in his presence.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  It is the same with touch. Everyone must have felt the sensible quality change under his hand, as sudden con tact with something moist or hairy, in the dark, awoke a shock of disgust or fear which faded into calm recognition of some familiar object? Even so small a thing as a crumb of potato on the table-cloth, which we pick up, thinking it a crumb of bread, feels horrible for a few moments to our fancy, and different from what it is. Weight or muscular feeling is a sensation; yet who heard the anecdote of some one to whom Sir Humphry Davy showed the metal sodium which he had just discovered? "Bless me, how heavy it is!" said the man; showing that his idea of what metals as a, class ought to be had falsified the sensation he derived from a very light substance. In the sense of hearing, similar mistakes abound. I have already mentioned the hallucinatory effect of mental images of very faint sounds, such as distant clock-strokes (above, p. 71). But even when stronger sensations of sound have been present, everyone must recall some experience in which they have altered their acoustic character as soon as the intellect referred them to a different source. The other day a friend was sitting in my room, when the clock, which has a rich low chime, began to strike. "Hollo!" said he, "hear that hand-organ in the garden," and was surprised at finding the real source of the sound. I had myself some years ago a very striking illusion of the sort. Sitting reading late one night, I suddenly heard a most formidable noise proceeding from the upper part of the house, which it seemed to fill. It ceased, and in a moment renewed itself. I went into the hall to listen, but it came no more. Resuming my seat in the room, however, there it was again, low, mighty, alarming, like a rising flood or the avant-courier of an awful gale. It came from all space. Quite startled, I again went into the hall, but it had already ceased once more. On returning a second time to the room, I discovered that it was nothing but the breathing of a little Scotch terrier which lay asleep on the door. The note-worthy thing is that as soon as I recognized what it was, I was compelled to think it a different sound, and could not then hear it as I had heard it a moment before. In the anecdotes given by Delbœuf and Reid, this was probably also the case, though it is not so stated. Reid says: "I remember that once lying abed, and having been put into a fright, I heard my own heart beat; but I took it to be one knocking at the door, and arose and opened the door oftener than once, before I discovered that the sound was in my own breast." (Inquiry, chap. IV). Delbœuf's story is as follows: