Fear

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• From The Principles of Psychology (Volume 1 of 2) (1890)

  Attention and effort are, as we shall see later, but two names for the same psychic fact. To what brain-processes they correspond we do not know. The strongest reason for believing that they do depend on brain-processes at all, and are not pure acts of the spirit, is just this fact, that they seem in some degree subject to the law of habit, which is a material law. As a final practical maxim, relative to these habits of the will, we may, then, offer something like this: Keep the faculty of effort alive in you by a little gratuitous exercise every day . That is, be systematically ascetic or heroic in little unnecessary points, do every day or two something for no other reason than that you would rather not do it, so that when the hour of dire need draws nigh, it may find you not unnerved and untrained to stand the test. Asceticism of this sort is like the insurance which a man pays on his house and goods. The tax does him no good at the time, and possibly may never bring him a return. But if the fire does come, his having paid it will be his salvation from ruin. So with the man who has daily inured himself to habits of concentrated attention, energetic volition, and self-denial in unnecessary things. He will stand like a tower when everything rocks around him, and when his softer fellow-mortals are winnowed like chaff in the blast. The physiological study of mental conditions is thus the most powerful ally of hortatory ethics. The hell to be endured hereafter, of which theology tells, is no worse than the hell we make for ourselves in this world by habitually fashioning our characters in the wrong way. Could the young but realize how soon they will become mere walking bundles of habits, they would give more heed to their conduct while in the plastic state. We are spinning our own fates, good or evil, and never to be undone. Every smallest stroke of virtue or of vice leaves its never so little scar. The drunken Rip Van Winkle, in Jefferson's play, excuses himself for every fresh dereliction by saying, 'I won't count this time!' Well! he may not count it, and a kind Heaven may not count it; but it is being counted none the less. Down among his nerve-cells and fibres the molecules are counting it, registering and storing it up to be used against him when the next temptation comes. Nothing we ever do is, in strict scientific literalness, wiped out. Of course, this has its good side as well as its bad one.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  The suffering—angina pectoris—was too overwhelming. It was not till the first days of January that I could give an account to myself of what I experienced. . . . Here is the first thing of which I retain a clear remembrance. I was alone, and already a prey to permanent visual trouble, when I was suddenly seized with a visual trouble infinitely more pronounced. Objects grew small and receded to infinite distances—men and things together. I was myself immeasurably far away. I looked about me with terror and astonishment; the world was escaping from me . . . . I remarked at the same time that my voice was extremely far away from me, that it sounded no longer as if mine. I struck the ground with my foot, and perceived its resistance; but this resistance seemed illusory—not that the soil was soft, but that the weight of my body was reduced to almost nothing. . . . I had the feeling of being without weight. . . ." In addition to being so distant, "objects appeared to me flat . When I spoke with anyone, I saw him like an image cut out of paper with no relief. . . . This sensation lasted intermittently for two years. . . . Constantly it seemed as if my legs did not belong to me. It was almost as bad with my arms. As for my head, it seemed no longer to exist. . . . I appeared to myself to act automatically, by an impulsion foreign to myself. . . . There was inside of me a new being, and another part of myself, the old being, which took no interest in the new-comer. I distinctly remember saying to myself that the sufferings of this new being were to me indifferent. I was never really dupe of these illusions, but my mind grew often tired of incessantly correcting the new impressions, and I let myself go an lived the unhappy life of this new entity. I had an ardent desire to see my old world again, to get back to my old self. This desire kept me from killing myself. . . . I was another, and I hated, I despised this other; he was perfectly odious to me; it was certainly another who had taken my form and assumed my functions."[304] In cases similar to this, it is as certain that the I is unaltered as that the me is changed. That is to say, the present Thought of the patient is cognitive of both the old me and the new, so long as its memory holds good. Only, within that objective sphere which formerly lent itself so simply to the judgment of recognition and of egoistic appropriation, strange perplexities have arisen. The present and the past both seen therein will not unite. Where is my old me? What is this new one?

• From The Principles of Psychology (Volume 1 of 2) (1890)

  If the motor sense be abolished, the patient must will the movements of his limbs by first defining them to his mind in visual terms, and must innervate his voice by premonitory ideas of the way in which the words are going to sound. The practical consequences of this law would be great, for all experiences belonging to a sphere of sensibility which afterwards became anæsthetic, as, for example, touch, would have been stored away and remembered in tactile terms, and be incontinently forgotten as soon as the cutaneous and muscular sensibility should come to be cut out in the course of disease. Memory of them would be restored again, on the other hand, as soon as the sense of touch came back. Now, in the hysteric subjects on whom M. Janet experimented, touch did come back in the state of trance. The result was that all sorts of memories, absent in the ordinary condition, came back too, and they could then go back and explain the origin of many otherwise inexplicable things in their life. One stage in the great convulsive crisis of hystero-epilepsy, for example, is what French writers call the phase des attitudes passionelles , in which the patient, without speaking or giving any account of herself, will go through the outward movements of fear, anger, or some other emotional state of mind. Usually this phase is, with each patient, a thing so stereotyped as to seem automatic, and doubts have even been expressed as to whether any consciousness exists whilst it lasts. When, however, the patient Lucie's tactile sensibility came back in the deeper trance, she explained the origin of her hysteric crisis in a great fright which she had had when a child, on a day when certain men, hid behind the curtains, had jumped out upon her; she told how she went through this scene again in all her crises; she told of her sleep-walking fits through the house when a child, and how for several months she had been shut in a dark room because of a disorder of the eyes. All these were things of which she recollected nothing when awake, because they were records of experiences mainly of motion and of touch. But M. Janet's subject Léonie is interesting, and shows best how with the sensibilities and motor impulses the memories and character will change.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  These alterations are of three main types, from the descriptive point of view. But certain cases unite features of two or more types; and our knowledge of the elements and causes of these changes of personality is so slight that the division into types must not be regarded as having any profound significance. The types are: (1) Insane delusions; (2) Alternating selves; (3) Mediumships or possessions. 1) In insanity we often have delusions projected into the past, which are melancholic or sanguine according to the character of the disease. But the worst alterations of the self come from present perversions of sensibility and impulse which leave the past undisturbed, but induce the patient to think that the present me is an altogether new personage. Something of this sort happens normally in the rapid expansion of the whole character, intellectual as well as volitional, which takes place after the time of puberty. The pathological cases are curious enough to merit longer notice. The basis of our personality, as M. Ribot says, is that feeling of our vitality which, because it is so perpetually present, remains in the background of our consciousness. "It is the basis because, always present, always acting, without peace or rest, it knows neither sleep nor fainting, and lasts as long as life itself, of which it is one form. It serves as a support to that self-conscious me which memory constitutes, it is the medium of association among its other parts. . . . Suppose now that it were possible at once to change our body and put another into its place: skeleton, vessels, viscera, muscles, skin, everything made new, except the nervous system with its stored-up memory of the past. There can be no doubt that in such a case the afflux of unaccustomed vital sensations would produce the gravest disorders. Between the old sense of existence engraved on the nervous system, and the new one acting with all the intensity of its reality and novelty, there would be irreconcilable contradiction."[300] With the beginnings of cerebral disease there often happens something quite comparable to this: "Masses of new sensation, hitherto foreign to the individual, impulses and ideas of the same inexperienced kind, for example terrors, representations of enacted crime, of enemies pursuing one, etc. At the outset, these stand in contrast with the old familiar me , as a strange, often astonishing and abhorrent thou .[301] Often their invasion into the former circle of feelings is felt as if the old self were being taken possession of by a dark overpowering might, and the fact of such 'possession' is described in fantastic images. Always this doubleness, this struggle of the old self against the new discordant forms of experience, is accompanied with painful mental conflict, with passion, with violent emotional excitement.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  But if certain of our emotional reactions can be explained by the two principles invoked—and the reader will himself have felt how conjectural and fallible in some of the instances the explanation is—there remain many reactions which cannot so be explained at all, and these we must write down for the present as purely idiopathic effects of the stimulus. Amongst them are the effects on the viscera and internal glands, the dryness of the mouth and diarrhœa and nausea of fear, the liver-disturbances which sometimes produce jaundice after excessive rage, the urinary secretion of sanguine excitement, and the bladder-contraction of apprehension, the gaping of expectancy, the 'lump in the throat' of grief, the tickling there and the swallowing of embarrassment, the 'precordial' anxiety' of dread, the changes in the pupil, the various sweatings of the skin, cold or hot, local or general, and its flushings, together with other symptoms which probably exist but are too hidden to have been noticed or named. It seems as if even the changes of blood-pressure and heart-beat during emotional excitement might, instead of being teleologically determined, prove to be purely mechanical or physiological outpourings through the easiest drainage-channels—the pneumogastrics and sympathetic nerves happening under ordinary circumstances to be such channels. Mr. Spencer argues that the smallest muscles must be such channels; and instances the tail in dogs, cats, and birds, the ears in horses, the crest in parrots, the face and fingers in man, as the first organs to be moved by emotional stimuli.[444] This principle (if it be one) would apply still more easily to the muscles of the smaller arteries (though not exactly to the heart); whilst the great variability of the circulatory symptoms would also suggest that they are determined by causes into which utility does not enter. The quickening of the heart lends itself, it is true, rather easily to explanation by inherited habit, organic memory of more violent excitement; and Darwin speaks in favor of this view (see his Expression, etc., pp. 74-5). But, on the other hand, we have so many cases of reaction which are indisputably pathological, as we may say, and which could never be serviceable or derived from what was serviceable, that I think we should be cautious about pushing our explanations of the varied heart-beat too far in the teleological direction. Trembling, which is found in many excitements besides that of terror, is, pace Mr. Spencer and Sig. Mantegazza, quite pathological. So are terror's other strong symptoms. Professor Mosso, as the total result of his study, writes as follows:

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "Setting out with the unquestionable assumption, that every new form of emotion making its appearance in the individual or the race is a modification of some pre-existing emotion, or a compounding of several pre-existing emotions, we should be greatly aided by knowing what always are the pre-existing emotions. When, for example, we find that very few, if any, of the lower animals show any love of accumulation, and that this feeling is absent in infancy; when we see that an infant in arms exhibits anger, fear, wonder, while yet it manifests no desire of permanent possession; and that a brute which has no acquisitive emotion can nevertheless feel attachment, jealousy, love of approbation,—we may suspect that the feeling which property satisfies is compounded out of simpler and deeper feelings. We may conclude that as when a dog hides a bone there must exist in him a prospective gratification of hunger, so there must similarly, at first, in all cases where anything is secured or taken possession of, exist an ideal excitement of the feeling which that thing will gratify. We may further conclude that when the intelligence is such that a variety of objects come to be utilized for different purposes; when, as among savages, divers wants are satisfied through the articles appropriated for weapons, shelter, clothing, ornament,—the act of appropriating comes to be one constantly involving agreeable associations, and one which is therefore pleasurable, irrespective of the end subserved. And when, as in civilized life, the property acquired is of a kind not conducing to one order of gratifications, but is capable of ministering to all gratifications, the pleasure of acquiring property grows more distinct from each of the various pleasures subserved—is more completely differentiated into a separate emotion.[580] It is well known that on newly-discovered islands not inhabited by man, birds are so devoid of fear as to allow themselves to be knocked over with sticks, but that in the course of generations they acquire such a dread of man as to fly on his approach, and that this dread is manifested by young as well as old. Now unless this change be ascribed to the killing off of the least fearful, and the preservation and multiplication of the more fearful, which, considering the small number killed by man, is an inadequate cause, it must be ascribed to accumulated experiences, and each experience must be held to have a share in producing it. We must conclude that in each bird that escapes with injuries inflicted by man, or is alarmed by the outcries of other members of the flock, . . . there is established an association of ideas between the human aspect and the pains, direct and indirect, suffered from human agency. And we must further conclude that the state of consciousness which impels the bird to take flight is at first nothing more than an ideal reproduction of those painful impressions which before followed man's approach; that such ideal reproduction becomes more vivid and more massive as the painful experiences, direct or sympathetic, increase; and that thus the emotion, in its incipient state, is nothing else than an aggregation of the revived pains before experienced. As, in the course of generations, the young birds of this race begin to display a fear of man before they have been injured by him, it is an unavoidable inference that the nervous system of the race has been organically modified by these experiences; we have no choice but to conclude that when a young bird is thus led to fly, it is because the impression produced on its senses by the approaching man entails, through an incipiently reflex action, a partial excitement of all those nerves which, in its ancestors, had been excited under the like conditions; that this partial excitement has its accompanying painful consciousness; and that the vague painful consciousness thus arising constitutes emotion proper—emotion, undecomposable into specific experiences, and therefore seemingly homogeneous. If such be the explanation of the fact in this case, then it is in all cases. If the emotion is so generated here, then it is so generated throughout. If so, we must perforce conclude that the emotional modifications displayed by different nations, and those higher emotions by which civilized are distinguished from savage, are to be accounted for on the same principle. And, concluding this, we are led strongly to suspect that the emotions in general have severally thus originated."[581]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Savage admitted a man from France into Bethlehem Hospital some time ago, one of whose earliest symptoms of insanity was the thirst for blood, which he endeavored to satisfy by going to an abattoir in Paris. The man whose case I have brought forward had the same passion for gloating over blood, but had no attack of acute mania. The sight of blood was distinctly a delight to him, end at any time blood aroused in him the worst elements of his nature. Instances will easily be recalled in which murderers, undoubtedly insane, have described the intense pleasure they experienced in the warm blood of children.[393] "Bombonnel, having rolled with a panther to the border of a ravine, gets his head away from the open mouth of the animal, and by a prodigious effort rolls her into the abyss. He gets up, blinded, spitting a mass of blood, not knowing exactly what the situation is. He thinks only of one thing, that he shall probably die of his wounds, but that before dying he must take vengeance on the panther. 'I didn't think of my pain,' he tells us. 'Possessed entirely by the fury with which I was transported. I drew my hunting-knife, and not understanding what had become of the beast, I sought for her on every side in order to continue the struggle. It was this plight that the Arabs found me when they arrived.'" (Quoted by Guyan, La Morale sans Obligation, etc., p. 210.)[394] Psychologie de l'Enfant, pp. 72-74. In an account of a young gorilla quoted from Falkenstein, by R. Hartmann ('Anthropoid Apes,' International Scientific Series, vol. iii (New York, 1886), p. 265), it is said: "He very much disliked strange noises. Thunder, the rain falling on the skylight, and especially the long-drawn note of a pipe or trumpet, threw him into such agitation as to cause a sudden affection of the digestive organs, and it became expedient to keep him at a distance. When he was slightly indisposed, we made use of this kind of music with results as successful as we had administered purgative medicine."[395] Der Menschliche Wille, p. 224.[396] Cf. Romanes. Mental Evolution, etc., p. 156.[397] In the 'Overland Monthly' for 1887, a most interesting article on Laura Bridgman's writings has been published by Mr. E. C. Sandford among other reminiscences of her early childhood, while she still knew nothing of the sign-language, the wonderful blind deaf-mute records the following item in her quaint language: "My father [he was a farmer and probably did his own butchering] [ Classics Editor's note: James' insertion] used to enter his kitchen bringing some killed animals in and deposited them on one of sides of the room many times. As I perceived it it make me shudder with terror because I did not know what the matter was. I hated to approach the dead. One morning I went to take a short walk with my Mother. I went into a snug house for some time.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  When one knows that he has no power, one's desire of a thing is called a wish and not a will. The sense of impotence inhibits the volition. Only by abstracting from the thought of the impossibility am I able energetically to imagine strongly the table sliding over the floor, make the bodily 'effort' which I do, and to will it to come towards me. It may be that some people are unable to perform this abstraction, and that the image of the table stationary on the floor inhibits the contradictory image of its moving, which is the object to be willed.[507] A normal palsy occurs during sleep. We will all sorts of motions in our dreams, but seldom perform any of them. In nightmare we become conscious of the non-performance, and make a muscular 'effort.' This seems then to occur in a restricted way, limiting itself to the occlusion of the glottis and producing the respiratory anxiety which wakes us up.[508] Both resolves and beliefs have of course immediate motor consequences of a quasi-emotional sort, changes of breathing, of attitude, internal speech movements, etc.; but these movements are not the objects resolved on or believed. The movements in common volition are the objects willed.[509] This volitional effort pure and simple must be carefully distinguished from the muscular effort with which it is usually confounded. The latter consists of all those peripheral feelings to which a muscular 'exertion' may give rise. These feelings, whenever they are massive and the body is not 'fresh,' are rather disagreeable, especially when accompanied by stopped breath, congested head, bruised skin of fingers, toes, or shoulders, and strained joints. And it is only as thus disagreeable that the mind must make its volitional effort in stably representing their reality and consequently bringing it about. That they happen to be made real by muscular activity is a purely accidental circumstance. A soldier standing still to be fired at expects disagreeable sensations from his muscular passivity. The action of his will, in sustaining the expectation, is identical with that required for a painful muscular effort. What is hard for both is facing an idea as real.Where much muscular effort is not needed or where the 'freshness' is very great, the volitional effort is not required to sustain the idea of movement, which comes then and stays in virtue of association's simpler laws. More commonly, however, muscular effort involves volitional effort as well. Exhausted with fatigue and wet and watching, the sailor on a wreck throws himself down to rest. But hardly are his limbs fairly relaxed, when the order 'To the pumps!' again sounds in his ears. Shall he, can he, obey it? Is it not better just to let his aching body lie, and let the ship go down if she will? So he lies on, till, with a desperate heave of the will, at last he staggers to his legs, and to his task again.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  There is a fourth form of decision, which often ends deliberation as suddenly as the third form does. It comes when, in consequence of some outer experience or some inexplicable inward charge, we suddenly pass from the easy and careless to the sober and strenuous mood, or possibly the other way. The whole scale of values of our motives and impulses then undergoes a change like that which a change of the observer's level produces on a view. The most sobering possible agents are objects of grief and fear. When one of these affects us, all 'light fantastic' notions lose their motive power, all solemn ones find theirs multiplied many-fold. The consequence is an instant abandonment of the more trivial projects with which we had been dallying, and an instant practical acceptance of the more grim and earnest alternative which till then could not extort our mind's consent. All those 'changes of heart,' 'awakenings of conscience,' etc., which make new men of so many of us, may be classed under this head. The character abruptly rises to another 'level,' and deliberation comes to an immediate end.[486]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Against this impulse we have the dread of the irrevocable, which often engenders a type of character incapable of prompt and vigorous resolve, except perhaps when surprised into sudden activity. These two opposing motives twine round whatever other motives may be present at the moment when decision is imminent, and tend to precipitate or retard it. The conflict of these motives so far as they alone affect the matter of decision is a conflict as to when it shall occur. One says 'now,' the other says 'not yet.' Another constant component of the web of motivation is the impulse to persist in a decision once made. There is no more remarkable difference in human character than that between resolute and irresolute natures. Neither the physiological nor the psychical grounds of this difference have yet been analyzed. Its symptom is that whereas in the irresolute all decisions are provisional and liable to be reversed, in the resolute they are settled once for all and not disturbed again. Now into every one's deliberations the representation of one alternative will often enter with such sudden force as to carry the imagination with itself exclusively, and to produce an apparently settled decision in its own favor. These premature and spurious decisions are of course known to everyone. They often seem ridiculous in the light of the considerations that succeed them. But it cannot be denied that in the resolute type of character the accident that one of them has once been made does afterwards enter as a motive additional to the more genuine reasons why it should not be revoked, or if provisionally revoked, why it should be made again. How many of us persist in a precipitate course which, but for a moment of heedlessness, we might never have entered upon, simply because we hate to 'change our mind.' FIVE TYPES OF DECISION.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Everywhere then the function of the effort is the same: to keep affirming and adopting a thought which, if left to itself, would slip away. It may be cold and flat when the spontaneous mental drift is towards excitement, or great and arduous when the spontaneous drift is towards repose. In the one case the effort has to inhibit an explosive, in the other to arouse an obstructed will. The exhausted sailor on a wreck has a will which is obstructed. One of his ideas is that of his sore hands, of the nameless exhaustion of his whole frame which the act of farther pumping involves, and of the deliciousness of sinking into sleep. The other is that of the hungry sea ingulfing him "Rather the aching toil!" he says; and it becomes reality then, in spite of the inhibiting influence of the relatively luxurious sensations which he gets from lying still. But exactly similar in form would be his consent to lie and sleep. Often it is the thought of sleep and what leads to it which is the hard one to keep before the mind. If a patient afflicted with insomnia can only control the whirling chase of his thoughts so far as to think of nothing at all (which can be done), or so far as to imagine one letter after another of a verse of scripture or poetry spelt slowly and monotonously out, it is almost certain that here, too, specific bodily effects will follow, and that sleep will come. The trouble is to keep the mind upon a train of objects naturally so insipid. To sustain a representation, to think, is, in short, the only moral act, for the impulsive and the obstructed, for sane and lunatics alike. Most maniacs know their thoughts to be crazy, but find them too pressing to be withstood. Compared with them the sane truths are so deadly sober, so cadaverous, that the lunatic cannot bear to look them in the face and say, "Let these alone be my reality!" But with sufficient effort, as Dr. Wigan says,

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "Each of them, on being unhooded, evinced the greatest terror tome, dashing off in the opposite direction whenever I sought to approach it. The table on which they were unhooded stood before a window, and each in its turn beat against the window like a wild bird. One of them darted behind some books, and, squeezing itself into a corner, remained cowering for a length of time. We might guess at the meaning of this strange and exceptional wildness; but the odd fact is enough for my present purpose. Whatever might have been the meaning of this marked change in their mental constitution-had they been unhooded on the previous day they would have run to me instead of from me—it could not have been the effect of experience; it must have resulted wholly from changes in their own organizations."[383] Their case was precisely analogous to that of the Adirondack calves. The two opposite instincts relative to the same object ripen in succession. If the first one engenders a habit, that habit will inhibit the application of the second instinct to that object. All animals are tame during the earliest phase of their infancy. Habits formed then limit the effects of whatever instincts of wildness may later be evolved. Mr. Romanes gives some very curious examples of the way in which instinctive tendencies may be altered by the habits to which their first 'objects' have given rise. The cases are a little more complicated than those mentioned in the text, inasmuch as the object reacted on not only starts a habit which inhibits other kinds of impulse toward it (although such other kinds might be natural), but even modifies by its own peculiar conduct the constitution of the impulse which it actually awakens. Two of the instances in question are those of hens who hatched out broods of chicks after having (in three previous years) hatched ducks. They strove to coax or to compel their new progeny to enter the water, and seemed much perplexed at their unwillingness. Another hen adopted a brood of young ferrets which, having lost their mother, were put under her. During all the time they were left with her she had to sit on the nest, for they could not wander like young chicks. She obeyed their hoarse growling as she would have obeyed her chickens' peep. ) She combed out their hair with her bill, and "used frequently to stop and look with one eye at the wriggling nestful, with an inquiring graze, expressive of astonishment." At other times she would fly up with aloud scream, doubtless because the orphans had nipped her in their search for teats. Finally, a Brahma hen nursed a young peacock during the enormous period of eighteen months, and never laid any eggs during all this time. The abnormal degree of pride which she showed in her wonderful chicken is described by Dr. Romanes as ludicrous."[384]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  [image file=image_1211.jpg] [image file=image_1215.jpg] On the sweat-glands, similar consequences of sensorial stimuli are observed. Tarchanoff, testing the condition of the sweat-glands by the power of the skin to start a galvanic current through electrodes applied to its surface, found that "nearly every kind of nervous activity, from the simplest sensations and impressions, to voluntary motions and the highest forms of mental exertion, is accompanied by an increased activity in the glands of the skin."[366] On the pupil observations are recorded by Sanders which show that a transitory dilatation follows every sensorial stimulus applied during sleep, even if the stimulus be not strong enough to wake the subject up. At the moment of awakening there is a dilatation, even if strong light falls on the eye.[367] The pupil of children can easily be observed to dilate enormously under the influence of fear. It is said to dilate in pain and fatigue; and to contract, on the contrary, in rage. As regards effects on the abdominal viscera, they unquestionably exist, but very few accurate observations have been made.[368] The bladder, bowels, and uterus respond to sensations, even indifferent ones. Mosso and Pellicani, in their plethysmographic investigations on the bladder of dogs, found all sorts of sensorial stimuli to produce reflex contractions of this organ, independent of those of the abdominal walls. They call the bladder 'as good an æsthesiometer as the iris,' and refer to the not uncommon reflex effects of psychic stimuli in the human female upon this organ.[369] M. Féré has registered the contractions of the sphincter ani which even indifferent sensations will produce. In some pregnant women the fœtus is felt to move after almost every sensorial excitement received by the mother. The only natural explanation is that it is stimulated at such moments by reflex contractions of the womb.[370] That the glands are affected in emotion is patent enough in the case of the tears of grief, the dry mouth, moist skin, or diarrhœa of fear, the biliary disturbances which sometimes follow upon rage, etc. The watering of the mouth at the sight of succulent food is well known. It is difficult to follow the smaller degrees of all these reflex changes, but it can hardly be doubted that they exist in some degree, even where they cease to be traceable, and that all our sensations have some visceral effects. The sneezing produced by sunshine, the roughening of the skin (gooseflesh) which certain strokings, contacts, and sounds, musical or non-musical, provoke, are facts of the same order as the shuddering and standing up of the hair in fear, only of less degree.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "Dr. N. L....heard one day suddenly amongst the voices of his persecutors ('coming from a hollow space in the midst of the wall') a rather loud voice impressively saying to him: 'Change your national allegiance.' Understanding this to mean that his only hope consisted in ceasing to be subject to the Czar of Russia, he reflected a moment what allegiance would be better, and resolved to become an English subject. At the same moment he saw a pseudo-hallucinatory lion of natural size, which appeared and quickly laid its fore-paws on his shoulders. He had a lively feeling of these paws as a tolerably painful local pressure (complete hallucination of touch). Then the same voice from the wall said: 'Now you have a lion—now you will rule,' whereupon the patient recollected that the lion was the national emblem of England. The lion appeared to L. very distinct and vivid, but he nevertheless remained conscious, as he afterwards expressed it, that he saw the animal, not with his bodily but with his mental eyes. (After his recovery he called analogous apparitions by the name of 'expressive-plastic ideas.') Accordingly he felt no terror, even though he felt the contact of the claws. ... Had the lion been a complete hallucination, the patient, as he himself remarked after recovery would have felt great fear, and very likely screamed or taken to flight. Had it been a simple image of the fancy he would not have connected it with the voices, of whose objective reality he was at the time quite convinced."[128]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  THE INFLUENCE OF EMOTION AND ACTIVE IMPULSE ON BELIEF. The quality of arousing emotion, of shaking, moving us or inciting us to action, has as much to do with our belief in an object's reality as the quality of giving pleasure or pain. In Chapter XXIV I shall seek to show that our emotions probably owe their pungent quality to the bodily sensations which they involve. Our tendency to believe in emotionally exciting objects (objects of fear, desire, etc.) is thus explained without resorting to any fundamentally new principle of choice. Speaking generally, the more a conceived object excites us, the more reality it has. The same object excites us differently at different times. Moral and religious truths come 'home' to us far more on some occasions than on others. As Emerson says, "There is a difference between one and another hour of life in their authority and subsequent effect. Our faith comes in moments, ... yet there is a depth in those brief moments which constrains us to ascribe more reality to them than to all other experiences." The 'depth' is partly, no doubt, the insight into wider systems of unified relation, but far more often than that it is the emotional thrill. Thus, to descend to more trivial examples, a man who has no belief in ghosts by daylight will temporarily believe in them when, alone at midnight, he feels his blood curdle at a, mysterious sound or vision, his heart thumping, and his legs impelled to flee. The thought of falling when we walk along a curbs one awakens no emotion of dread; so no sense of reality attaches to it, and we are sure me shall not fall. On a precipice's edge, however, the sickening emotion which the notion of a possible fall engenders makes ns believe in the latter's imminent reality, and quite unfits us to proceed. The greatest proof that a man is sui compos is his ability to suspend belief in presence of an emotionally exciting idea. To give this power is the highest result of education. In untutored minds the power does not exist. Every exciting thought in the natural man carries credence with it. To conceive with passion is eo ipso to affirm. As Bagehot says:

• From The Principles of Psychology (Volume 1 of 2) (1890)

  First take effects upon the circulation. Those upon the heart we have just seen. Haller long ago recorded that the blood from an open vein flowed out faster at the beat of a drum.[362] In Chapter III. (p. 98) we learned how instantaneously, according to Mosso, the circulation in the brain is altered by changes of sensation and of the course of thought. The effect of objects of fear, shame, and anger upon the blood-supply of the skin, especially the skin of the face, are too well known to need remark. Sensations of the higher senses produce, according to Couty and Charpentier, the most varied effects upon the pulse-rate and blood-pressure in dogs. Fig. 81, a pulse-tracing from these authors, shows the tumultuous effect on a dog's heart of hearing the screams of another dog. The changes of blood-pressure will occurred when the pneumogastric nerves were cut, showing the vaso-motor effect to be direct and not dependent on the heart. When Mosso invented that simple instrument, the plethysmograph, for recording the fluctuations in volume of the members of the body, what most astonished him, he says, "in the first experiments which he made in Italy, was the extreme unrest of the blood-vessels of the hand, which at every smallest emotion, whether during waking or sleep, changed their volume in surprising fashion."[363] Figure 82 (from Féré[364] ) shows the way in which the pulse of one subject was modified by the exhibition of a red light lasting from the moment marked a to that marked b. [image file=image_1200.jpg] [image file=image_1205.jpg] The effects upon respiration of sudden sensory stimuli are also too well known to need elaborate comment. We 'catch our breath' at every sudden sound. We 'hold our breath' whenever our attention and expectation are strongly engaged, and we sigh when the tension of the situation is relieved. When a fearful object is before us we pant and cannot deeply inspire; when the object makes us angry it is, on the contrary, the act of expiration which is hard. I subjoin a couple of figures from Féré which explain themselves. They show the effects of light upon the breathing of two of his hysteric patients.[365]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  "But a second and worse defect in a philosophy than that of contradicting our active propensities is to give them no Object whatever to press against. A philosophy whose principle is so incommensurate with our most intimate powers as to deny them all relevancy in universal affairs, as to annihilate their motives at one blow, will be even more unpopular than pessimism. Better face the enemy than the eternal Void! This is why materialism will always fail of universal adoption, however well it may fuse things into an atomistic unity, however clearly it may prophesy the future eternity. For materialism denies reality to the objects of almost all the impulses which we most cherish. The real meaning of the impulses, it says, is something which has no emotional interest for us whatever. But what is called extradition is quite as characteristic of our emotions as of our sense. Both point to an object as the cause of the present feeling. What an intensely objective reference lies in fear I In like manner an enraptured man, a dreary-feeling man, are not simply aware of their subjective states; if they were, the force of their feelings would evaporate. Both believe there is outward cause why they should feel as they do: either 'It is a glad world! 'how good is life!' or 'What a loathsome tedium is existence!' Any philosophy which annihilates the validity of the reference by explaining away its objects or translating them into terms of no emotional pertinency leaves the mind with little to care or act for. This is the opposite condition from that of nightmare, but when acutely brought home to consciousness it produces a kindred horror. In nightmare we have motives to act, hut no power: here we have powers, but no motives. A nameless Unheimlichkeit comes over us at the thought of there being nothing eternal in our final purposes, in the objects of those loves and aspirations which are our deepest energies. The monstrously lopsided equation of the universe and its knower, which we postulate as the ideal of cognition, is perfectly paralleled by the no less lopsided equation of the universe and the doer. We demand in it a character for which our emotions and active propensities shall be a match. Small as we are, minute as is the point by which the Cosmos impinges upon each one of us, each one desires to feel that his reaction at that point is congruous with the demands of the vast whole, that balances the latter, so to speak, and is able to do what it expects of him. But as his abilities to 'do' lie wholly in the line of his natural propensities; as he enjoys reaction with such emotions as fortitude, hope, rapture, admiration, earnestness, and the like; and as he very unwillingly reacts with fear, disgust, despair, or doubt,—a philosophy which should legitimate only emotions of the latter sort would be sure to leave the mind a prey to discontent and craving.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  M. Renouvier calls this belief of a thing for no other reason than that we conceive it with passion, by the name of mental vertigo.[327] Other objects whisper doubt or disbelief; but the object of passion makes us deaf to all but itself, and we affirm it unhesitatingly. Such objects are the delusions of insanity, which the insane person can tit odd moments steady himself against, but which again return to sweep him off his feet. Such are the revelations of mysticism. Such, particularly, are the sudden beliefs which animate mobs of men when frenzied impulse to action is involved. Whatever be the action in point—whether the stoning of a prophet, the bailing of a conqueror, the burning of a, witch, the baiting of a heretic or Jew, the starting of a forlorn hope, or the flying from a foe—the fact that to believe a certain object will cause that action to explode is a sufficient reason for that belief to come. The motor impulse sweeps it unresisting in its train. The whole history of witchcraft and early medicine is a commentary on the facility with which anything which chances to be conceived is believed the moment the belief chimes in with an emotional mood. 'The cause of sickness?' When a savage asks the cause of anything he means to ask exclusively 'What is to blame?' The theoretic curiosity starts from the practical life's demands. Let some one then accuse a necromancer, suggest a charm or spell which has been cast, and no more 'evidence' is asked for. What evidence is required beyond this intimate sense of the culprit's responsibility, to which our very viscera and limbs reply?[328] Human credulity in the way of therapeutics has similar psychological roots. If there is anything intolerable (especially to the heart of a woman), it is to do nothing when a loved one is sick or in pain. To do anything is a relief. Accordingly, whatever remedy may be suggested is a spark on inflammable soil. The mind makes its spring towards action on that cue, sends for that remedy, and for a day at least believes the danger past. Blame, dread, and hope are thus the great belief inspiring passions, and cover among them the future, the present, and the past. These remarks illustrate the earlier heads of the list on page 292. Whichever represented objects give us sensations, especially interesting ones, or incite our motor impulses, or arouse our hate, desire, or fear, are real enough for us. Our requirements in the way of reality terminate in our own acts and emotions, our own pleasures and pains. These are the ultimate fixities from which, as we formerly observed, the whole chain of our beliefs depends, object hanging to object, as the bees, in swarming, hang to each other until, de proche en proche, the supporting branch, the Self, is reached and held. BELIEF IN OBJECTS OF THEORY.

• From The Principles of Psychology (Volume 1 of 2) (1890)

  Reply. There is most assuredly such evidence. In listening to poetry, drama, or heroic narrative we are often surprised at the cutaneous shiver which like a sudden wave flows over us, and at the heart-swelling and the lachrymal effusion that unexpectedly catch us at intervals. In listening to music the same is even more strikingly true. If we abruptly see a dark moving form in the woods, our heart stops beating, and we catch our breath instantly and before any articulate idea of danger can arise. If our friend goes near to the edge of a precipice, we get the well-known feeling of 'all-overishness,' and we shrink back, although we positively know him to be safe, and have no distinct imagination of his fall. The writer well remembers his astonishment, when a boy of seven or eight, at fainting when he saw a horse bled. The blood was in a bucket, with a stick in it, and, if memory does not deceive him, he stirred it round and saw it drip from the stick with no feeling save that of childish curiosity. Suddenly the world grew black before his eyes, his ears began to buzz, and he knew no more. He had never heard of the sight of blood producing faintness or sickness, and he had so little repugnance to it, and so little apprehension of any other sort of danger from it, that even at that tender age, as he well remembers, he could not help wondering how the mere physical presence of a pailful of crimson fluid could occasion in him such formidable bodily effects. Professor Lange writes: "No one has ever thought of separating the emotion produced by an unusually loud sound from the true inward affections. No one hesitates to call it a sort of fright, and it shows the ordinary signs of fright. And yet it is by no means combined with the idea of danger, or in any way occasioned by associations, memories, or other mental processes. The phenomena of fright follow the noise immediately without a trace of 'spiritual' fear. Many men can never grow used to standing beside a cannon when it is fired off, although they perfectly know that there is danger neither for themselves nor for others—the bare sound is too much for them."[422]

• From The Principles of Psychology (Volume 1 of 2) (1890)

  The blood-pressure rises, as a rule, all over the body, no matter where the cortical irritation is applied, though the motor zone is the most sensitive region for the purpose. Elsewhere the current must be strong enough for an epileptic attack to be produced.[124] Slowing and quickening of the heart are also observed, and are independent of the vaso-constrictive phenomenon. Mosso, using his ingenious 'plethysmograph' as an indicator, discovered that the blood-supply to the arms diminished during intellectual activity, and found furthermore that the arterial tension (as shown by the sphygmograph) was increased in these members (see Fig. 23). So slight an emotion as that produced by the entrance of Professor Ludwig into the laboratory was instantly followed by a shrinkage of the arms.[125] The brain itself is an excessively vascular organ, a sponge full of blood, in fact; and another of Mosso's inventions showed that when less blood went to the arms, more went to the head. The subject to be observed lay on a delicately balanced table which could tip downward either at the head or at the foot if the weight of either end were increased. The moment emotional or intellectual activity began in the subject, down went the balance at the head-end, in consequence of the redistribution of blood in his system. But the best proof of the immediate afflux of blood to the brain during mental activity is due to Mosso's observations on three persons whose brain had been laid bare by lesion of the skull. By means of apparatus described in his book,[126] this physiologist was enabled to let the brain-pulse record itself directly by a tracing. The intra-cranial blood-pressure rose immediately whenever the subject was spoken to, or when he began to think actively, as in solving a problem in mental arithmetic. Mosso gives in his work a large number of reproductions of tracings which show the instantaneity of the change of blood-supply, whenever the mental activity was quickened by any cause whatever, intellectual or emotional. He relates of his female subject that one day whilst tracing her brain-pulse he observed a sudden rise with no apparent outer or inner cause. She however confessed to him afterwards that at that moment she had caught sight of a skull on top of a piece of furniture in the room, and that this had given her a slight emotion. The fluctuations of the blood-supply to the brain were independent of respiratory changes,[127] and followed the quickening of mental activity almost immediately. We must suppose a very delicate adjustment whereby the circulation follows the needs of the cerebral activity. Blood very likely may rush to each region of the cortex according as it is most active, but of this we know nothing.