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Desire

Desire is not a synonym for sex and it is not a synonym for wanting. It is the body's motivated lean toward intimacy, beauty, or more contact — the architecture of being-pulled. Vela holds the erotic register at the center but does not collapse the social, the cognitive, and the devotional registers into it: the corpus reads desire across all four, and the texture is in the difference.

Working definition · Motivated pull toward intimacy, beauty, or more contact—not mere preference.

6874 passages · 2 Vela essays

Vela’s read on this emotion

Desire is one of the emotions Vela reads most carefully, because the English word covers too much ground to leave undifferentiated. Four registers run inside it.

The erotic register is the most familiar. Vela reads it through Carmen Maria Machado, Garth Greenwell, Sappho's surviving fragments, and Audre Lorde's essay *Uses of the Erotic* — writers who treat erotic desire as serious subject matter rather than ornament. The social register — the desire to belong, to be seen correctly, to matter to a community — runs through memoir and through the literature of exile. The cognitive register — desire for the right word, for understanding, for mastery — surfaces in Plato's *Symposium* and in Augustine of Hippo's *Confessions*, where desire is examined as a form of motion of the soul. The devotional register — desire for God, or for the absolute — runs through the *Song of Songs*, Teresa of Ávila, John of the Cross, and the broader mystical tradition.

Desire is not the same as yearning, longing, or love. Yearning is desire facing what it may not reach. Longing is yearning settled into chronicity. Love is the sustained orientation that survives desire's exhaustion. The four words are kin; Vela reads them separately because the writers who have been most honest about each have kept them separate.

*On Desire* — the slower companion essay in the magazine — walks the four registers and makes the case for not collapsing them.

Study and magazine

Long-form guide in the magazine

*On Desire* — the four-register reading. Desire as architecture, not virtue: how the word holds erotic, social, cognitive, and devotional registers at once, and what the writers keep saying when the four are not collapsed.

Read the guide

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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6874 tagged passages

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    The Spirit revealed to them the person and work of the Redeemer in the light of his resurrection and exaltation, and took full possession of their mind and heart. They were raised, as it were, to the mount of transfiguration, and saw Moses and Elijah and Jesus above them, face to face, swimming in heavenly light. They had now but one desire to gratify, but one object to live for, namely, to be witnesses of Christ and instruments of the salvation of their fellow-men, that they too might become

  • From Comrade Loves of the Samurai (1972)

    Falling One by one. 58. Deep Light.I have no wish for A frivolous or coquettish existence, I want the deep life of love. have set up the double screen Against a wind balmed with the plum trees. Come to me and I will love you In the tender light of a veiled moon, I will love you, far from the plum trees. Yet afterwards in bed I know I shall sulk and weep; Frogs in the garden pool All night, all night. 59. Snow Night.There are two in the small room On this cold snow night. Pretty half-meanings As they tease each other, Hair she has just washed And cannot manage. 'You get on my nerves,' she says, 'Always chewing your toothpick.' 60. Spring Night.This dream of a Spring night Grows complicated. The smell of his body lies on the air. The cloudy sky and my ringed eyes Are veiled. Are we not a couple Made of flower and butterfly? Well, well, I mean to say. 61. Love Night.The cuckoo has sung all night And at first they did not sleep at all. There is sweet slumber after love With a rounded arm for pillow. The lamp was fetched away Without their noticing. 62. Moon and Plum Tree. The moon and the plum tree part not On a very clear night, But rather lie smiling to the snow. Not a word is said, But the scent the plum tree cannot hold Goes up toward the moon. And look at the innocent whiteness Of the plum tree. 63. Bamboos and Sparrows. This sparrow lighting Harmoniously On the bamboo. In love things do not go quite so Harmoniously. It is I alone who love and suffer. I hate his beastly face. 64. Sky before Dawn.Sky just at dawn between the trees The cuckoo flies and hides. I comb the wet hair on my temples I am wetted and am happy. I am so wet. It rains this morning. 65. Myosotis.If I clasp my hands, my sleeve: Dew and perfume and colour. His picture remains in absence Myosotis, memory. If he flowered on a branch I would plant him, And love him every Lonely hour. 66. Flower of the Cherry.It is because they fall That they are admirable. What is the good of clinging Without hope? Clinging violently to the branches, Withered on all the branches, Soiled by the birds. 67. Pillow.How many nights We have not come together. The plovers of Awaji island Mingle their crying. I am alone and wretched In this plank custom's hut, Alone and loft. That moonbeam entering to my pillow, Would it were, Just for once. 68. The Pine Tree.The wind in the roof Is playing on three Strings, Moon, snow and flower. Right from the very small Pushing of the Spring The green of the green pine Changes not. What do the infant cranes cry Fluttering from the nest In the green pine top? 'Long live the King! 'they cry. The green pine lives for ever.

  • From The Well of Loneliness (1928)

    You were awfully scared that first day at The Grange; why were you so scared?’ Stephen answered slowly: ‘I’m frightened now—I’m frightened of you.’ ‘Yet you’re stronger than I am—’ ‘Yes, that’s why I’m so frightened, you make me feel strong—do you want to do that?’ ‘Well—perhaps—you’re so very unusual, Stephen.’ ‘Am I?’ ‘Of course, don’t you know that you are? Why, you’re altogether different from other people.’ Stephen trembled a little: ‘Do you mind?’ she faltered. ‘I know that you’re you,’ teased Angela, smiling again, but she reached out and took Stephen’s hand. Something in the queer, vital strength of that hand stirred her deeply, so that she tightened her fingers: ‘What in the Lord’s name are you?’ she murmured. ‘I don’t know. Go on holding like that to my hand—hold it tighter—I like the feel of your fingers.’ ‘Stephen, don’t be absurd!’ ‘Go on holding my hand, I like the feel of your fingers.’ ‘Stephen, you’re hurting, you’re crushing my rings!’ And now they were under the trees by the lakes, their feet falling softly on the luminous carpet. Hand in hand they entered that place of deep stillness, and only their breathing disturbed the stillness for a moment, then it folded back over their breathing. ‘Look,’ said Stephen, and she pointed to the swan called Peter, who had come drifting past on his own white reflection. ‘Look,’ she said, ‘this is Morton, all beauty and peace—it drifts like that swan does, on calm, deep water. And all this beauty and peace is for you, because now you’re a part of Morton.’ Angela said: ‘I’ve never known peace, it’s not in me—I don’t think I’d find it here, Stephen.’ And as she spoke she released her hand, moving a little away from the girl. But Stephen continued to talk on gently; her voice sounded almost like that of a dreamer: ‘Lovely, oh, lovely it is, our Morton. On evenings in winter these lakes are quite frozen, and the ice looks like slabs of gold in the sunset, when you and I come and stand here in the winter. And as we walk back we can smell the log fires long before we can see them, and we love that good smell because it means home, and our home is Morton—and we’re happy, happy—we’re utterly contented and at peace, we’re filled with the peace of this place—’ ‘Stephen—don’t!’ ‘We’re both filled with the old peace of Morton, because we love each other so deeply—and because we’re perfect, a perfect thing, you and I —not two separate people but one. And our love has lit a great, comforting beacon, so that we need never be afraid of the dark any more— we can warm ourselves at our love, we can lie down together, and my arms will be round you—’ She broke off abruptly, and they stared at each other. ‘Do you know what you’re saying?’ Angela whispered.

  • From Comrade Loves of the Samurai (1972)

    5 Thes Soul of a Young Man smitten with Love follows his Lover on a Journey I N A SPRING MEDDOW STUDDED WITH GRACEFUL flowers and fresh grasses were two richly and elegantly clothed persons gathering spring flowers. Their faces were shaded by large hats. A young man Stood watching these two graceful silhouettes. He could not see their faces, and was curious to know what beautiful boys they might be. He had great longing to see their delightful faces. Then an old servant woman came out of the tent, and called to them: 'Dear maidens, dear Ofuji and Oyoshi.'The young man was disappointed to find that the two graceful persons were women and not young men. He went swiftly to the town of Sendai, the capital of that Province. At the end of one of the Streets of this town, called Bashyoja Fsuojji, there was a druggist's shop, the owner of which was a certain Hiusuke Ronishi. As our young man passed the shop, a delicious scent of incense escaped from the black curtains at the back of it, separating the commercial part from the living-rooms. The perfume was sweeter than that famous White Chrysanthemum incense which only the Lord of the Province possessed. The young man had a keen taste in incense, and was attracted by the perfume. So he entered the shop and, after buying some common perfumes, said to the proprietor: 'I should like to buy that incense which you are now burning behind the shop. Its perfume is exquisite. Will you give me a little? 'But the proprietor answered: 'That incense is my son's favourite, and we cannot sell it.' The young man was cast down, and lingered for a moment in the shop; for he could not tear himself from the delicious odour; and it was with regret that he withdrew. His name was Itjikuro Ban, and he was a Guard of the Province of Tsugaru, and immensely rich. He was passionately addicted to pederasty and did not waste a thought on women. He was at that particular time going to Yedo to see a celebrated young actor named Dekijima, whose beauty was attracting many men's admiration. His servant had received a letter from a friend at Yedo, praising Dekijima's beauty, and Itjikuro had at once set out to see him. He was a person of great refinement and dignity, of a rank which is seldom met with in so distant a country. Jutaro, the druggist's son, had seen Itjikuro and fallen in love with him. He thought: 'My fair youth cannot last for ever, and I shall soon be a grown man. Many men love and admire me for my beauty, and I have received more than a hundred love letters; but I have not read a single one of them. People say that I have no heart. But none of these men had any allure for me. Only this elegant male has troubled me.

  • From The Well of Loneliness (1928)

    When the east side of the thoroughfare had been exhausted, she crossed over quickly and made her way back towards her original corner. By now she was rather depressed and disgruntled. Supposing that she should not find what she wanted in Bond Street? She had no idea where else to look—her knowledge of London was far from extensive. But apparently the gods were feeling propitious, for a little further on she paused in front of a small, and as she thought, quite humble shop. As a matter of fact it was anything but humble, hence the bars half-way up its unostentatious window. Then she stared, for there on a white velvet cushion lay a pearl that looked like a round gleaming marble, a marble attached to a slender circlet of platinum—some sort of celestial marble! It was just such a ring as Angela had seen in Paris, and had since never ceased to envy. The person behind this counter was imposing. He was old, and wore glasses with tortoiseshell rims: ‘Yes, madam, it’s a very fine specimen indeed. The setting’s French, just a thin band of platinum, there’s nothing to detract from the beauty of the pearl.’ He lifted it tenderly off its cushion, and as tenderly Stephen let it rest on her palm. It shone whiter than white against her skin, which by contrast looked sunburnt and weather-beaten. Then the dignified old gentleman murmured the price, glancing curiously at the girl as he did so, but she seemed to be quite unperturbed, so he said: ‘Will you try the effect of the ring on your finger?’ At this, however, his customer flushed: ‘It wouldn’t go anywhere near my finger!’ ‘I can have it enlarged to any size you wish.’ ‘Thanks, but it’s not for me—it’s for a friend.’ ‘Have you any idea what size your friend takes, say in gloves? Is her hand large or small do you think?’ Stephen answered promptly: ‘It’s a very small hand,’ then immediately looked and felt rather self-conscious. And now the old gentleman was openly staring: ‘Excuse me,’ he murmured, ‘an extraordinary likeness. . . .’ Then more boldly: ‘Do you happen to be related to Sir Philip Gordon of Morton Hall, who died—it must be about two years ago—from some accident? I believe a tree fell—’ ‘Oh, yes, I’m his daughter,’ said Stephen. He nodded and smiled: ‘Of course, of course, you couldn’t be anything but his daughter.’ ‘You knew my father?’ she inquired, in surprise. ‘Very well, Miss Gordon, when your father was young. In those days Sir Philip was a customer of mine. I sold him his first pearl studs while he was at Oxford, and at least four scarf pins—a bit of a dandy Sir Philip was up at Oxford. But what may interest you is the fact that I made your mother’s engagement ring for him; a large half-hoop of very fine diamonds—’ ‘Did you make that ring?’

  • From The Well of Loneliness (1928)

    If you hadn’t been there they’d have let him get killed, and I’m just devoted to Tony.’ Her voice had the soft, thick drawl of the South, an indolent voice, very lazy and restful. It was quite new to Stephen, that soft, Southern drawl, and she found it unexpectedly pleasant. Then it dawned on the girl that this woman was lovely—she was like some queer flower that had grown up in darkness, like some rare, pale flower without blemish or stain, and Stephen said flushing: ‘I was glad to help you—I’ll drive you back to The Grange, if you’ll let me?’ ‘Why, of course we’ll let you,’ came the prompt answer. ‘Tony says he’ll be most grateful, don’t you, Tony?’ Tony wagged his tail rather faintly. Stephen wrapped him up in a motor rug at the back of the car, where he lay as though prostrate. Angela she placed in the seat beside herself, helping her carefully as she did so. Presently Angela said: ‘Thanks to Tony I’ve met you at last; I’ve been longing to meet you!’ And she stared rather disconcertingly at Stephen, then smiled as though something she saw had amused her. Stephen wondered why anyone should have longed to meet her. Feeling suddenly shy she became suspicious: ‘Who told you about me?’ she asked abruptly. ‘Mrs. Antrim, I think—yes, it was Mrs. Antrim. She said you were such a wonderful rider but that now, for some reason, you’d given up hunting. Oh, yes, and she said you fenced like a man. Do you fence like a man?’ ‘I don’t know,’ muttered Stephen. ‘Well, I’ll tell you whether you do when I’ve seen you; my father was quite a well-known fencer at one time, so I learnt a lot about fencing in the States—perhaps some day, Miss Gordon, you’ll let me see you?’ By now Stephen’s face was the colour of a beetroot, and she gripped the wheel as though she meant to hurt it. She was longing to turn round and look at her companion, the desire to look at her was almost overwhelming, but even her eyes seemed too stiff to move, so she gazed at the long dusty road in silence. ‘Don’t punish the poor, wooden thing that way,’ murmured Angela, ‘it can’t help being just wood!’ Then she went on talking as though to herself: ‘What should I have done if that brute had killed Tony? He’s a real companion to me on my walks—I don’t know what I’d do if it weren’t for Tony, he’s such a devoted, cute little fellow, and these days I’m kind of thrown back on my dog—it’s a melancholy business walking alone, yet I’ve always been fond of walking—’ Stephen wanted to say: ‘But I like walking too; let me come with you sometimes as well as Tony.’

  • From Comrade Loves of the Samurai (1972)

    13 Love long Concealed F OLLOWING A DISPUTE WITH THE counsellor of the Lord of the Province of Osumi, the samurai Jiuzayemon Fatjibana retired from official life. He lived very comfortably with his wife and son in a remote village. His son, Tamanosuke, was at that time fifteen years old, and so beautiful that people thought it a pity to leave him hidden in this remote village, and not to make him a well-known samurai in some large town. But when Jiuzayemon thought that his son was old enough to serve a Prince as a page, he sent him to the capital, Yedo. He also caused his servant, Kakubel Kanazawa, to accompany him. This man had served him for many years, and was fifty years old and had great experience of life. Before leaving him, his father gave his son some good advice, telling him to conduct himself bravely and to defend his honour to the death. But his mother whispered for a moment with Kakubel, asking him to guard and protect her son, and ended by saying: 'I beg you to take particular care of my son, especially in this matter.' When Tamanosuke and Kakubel were some distance from the house, Tamanosuke asked: 'Did not my mother tell you not to deliver love-letters to me if a samurai should send me one? But if you refuse to oblige a man who sends me love-letters, you will ad heartlessly. You will be a cruel man. I want to be loved by some great samurai, since that is one of the best things in this life of ours. If no one loves me, I shall hate my beautiful face. Once in Great China, a prevalent poet of the Province of Yoshu said in one of his poems, speaking of a young boy: "A cruel youth without a heart." I wish you to feel sympathy for pederasty, O Kakubel.' Kakubel answered: 'But of course, young master! If everybody were as scrupulous as your mother, such a thing as honourable love between samurai would not exist. I shall act quite in accordance with your wishes.' And they laughed together. After a long and troublesome journey they at last reached Yedo. Tamanosuke was presented by a friend of his father's to the Prince of the Province of Aezu, who was charmed with him and immediately engaged him as a page, and took him to the Province of Aezu with him. Tamanosuke was greatly attached to this Lord, and very polite to the other courtiers, of whom this Lord made him his favourite. Compared with Tamanosuke's beauty, all the other pages were as flowers hidden behind a fence from the rays of the sun. One summer evening Tamanosuke was playing ball with the other pages in the palace garden. He was the best player of all, and people watched and admired his grace and skill. Suddenly his eyes grew haggard, his body began to tremble, and he was seized with convulsions in all his limbs.

  • From The Letter to the Hebrews (The New Daily Study Bible) (2002)

    The Arabs have a different legend. They tell how Abraham saw many flocks and herds and said to his mother: ‘Who is the lord of these?’ She answered: ‘Your father, Terah.’ ‘And who is the lord of Terah?’ the young Abraham asked. ‘Nimrod,’ said his mother. ‘And who is the lord of Nimrod?’ asked Abraham. His mother told him to be quiet and not push questions too far; but already Abraham’s thoughts were reaching out to the one who is the God of all. The legends go on to tell that Terah not only worshipped twelve idols, one for each of the months, but was also a manufacturer of idols. One day, Abraham was left in charge of the shop. People came in to buy idols. Abraham would ask them how old they were and they would answer perhaps 50 or 60 years of age. ‘Woe to a man of such an age’, said Abraham, ‘who adores the work of one day!’ A strong and fit man of 70 came in. Abraham asked him his age and then said: ‘You fool to adore a god who is younger than yourself!’ A woman came in with a dish of meat for the gods. Abraham took a stick and smashed all the idols but one, in whose hands he set the stick he had used. Terah returned and was angry. Abraham said: ‘My father, a woman brought this dish of meat for your gods; they all wanted to have it and the strongest knocked the heads off the rest, in case they should eat it all.’ Terah said: ‘That is impossible, for they are made of wood and stone.’ And Abraham answered: ‘Let your own ear hear what your own mouth has spoken!’ All these legends give us a vivid picture of Abraham searching after God and being dissatisfied with the idolatry of his people. So, when God’s call came to him, he was ready to go out into the unknown to find him. Abraham is the supreme example of faith. (1) Abraham’s faith was the faith that was ready for adventure. God’s summons meant that he had to leave home and family and business; yet he went. He had to go out into the unknown; yet he went. In the best of us, there is a certain timidity. We wonder just what will happen to us if we take God at his word and act on his commands and promises. Bishop Lesslie Newbigin tells of the negotiations which led to the formation of the United Church of South India. He took part in these negotiations and in the long discussions which were necessary. Things were frequently held up by cautious people who wanted to know just where each step was taking them, until in the end the chairman reminded them that Christians have no right to ask where they are going.

  • From I Know Why the Caged Bird Sings (1969)

    They were easily the most eligible young men in the neighborhood. If I was going to venture into sex, I saw no reason why I shouldn't make my experiment with the best of the lot. I didn't really expect to capture either brother on a permanent basis, but I thought if I could hook one temporarily I might be able to work the relationship into something more lasting. I planned a chart for seduction with surprise as my opening ploy. One evening as I walked up the hill suffering from youth's vague malaise (there was simply nothing to do), the brother I had chosen came walking directly into my trap. “Hello, Marguerite.” He nearly passed me. I put the plan into action. “Hey.” I plunged, “Would you like to have a sexual intercourse with me?” Things were going according to the chart. His mouth hung open like a garden gate. I had the advantage and so I pressed it. “Take me somewhere. ” His response lacked dignity, but in fairness to him I admit that I had left him little chance to be suave. He asked, “You mean, you're going to give me some trim?” I assured him that that was exactly what I was about to give him. Even as the scene was being enacted I realized the imbalance in his values. He thought I was giving him something, and the fact of the matter was that it was my intention to take something from him. His good looks and popularity had made him so inordinately conceited that they blinded him to that possibility. We went to a furnished room occupied by one of his friends, who understood the situation immediately and got his coat and left us alone. The seductee quickly turned off the lights. I would have preferred them left on, but didn't want to appear more aggressive than I had been already. If that was possible. I was excited rather than nervous, and hopeful instead of frightened. I had not considered how physical an act of seduction would be. I had anticipated long soulful tongued kisses and gentle caresses. But there was no romance in the knee which forced my legs, nor in the rub of hairy skin on my chest. Unredeemed by shared tenderness, the time was spent in laborious gropings, pullings, yankings and jerkings. Not one word was spoken. My partner showed that our experience had reached its climax by getting up abruptly, and my main concern was how to get home quickly. He may have sensed that he had been used, or his disinterest may have been an indication that I was less than gratifying. Neither possibility bothered me. Outside on the street we left each other with little more than “Okay, see you around. ” Thanks to Mr. Freeman nine years before, I had had no pain of entry to endure, and because of the absence of romantic involvement neither of us felt much had happened.

  • From I Know Why the Caged Bird Sings (1969)

    Among my associates, there were no takers. Understandably the boys of my age and social group were captivated by the yellow-or light-brown-skinned girls, with hairy legs and smooth little lips, and whose hair “hung down like horses' manes.” And even those sought-after girls were asked to “give it up or tell where it is.” They were reminded in a popular song of the times, “If you can't smile and say yes, please don't cry and say no.” If the pretties were expected to make the supreme sacrifice in order to “belong,” what could the unattractive female do? She who had been skimming along on life's turning but never-changing periphery had to be ready to be a “buddy” by day and maybe by night. She was called upon to be generous only if the pretty girls were unavailable. I believe most plain girls are virtuous because of the scarcity of opportunity to be otherwise. They shield themselves with an aura of unavailableness (for which after a time they begin to take credit) largely as a defense tactic. In my particular case, I could not hide behind the curtain of voluntary goodness. I was being crushed by two unrelenting forces: the uneasy suspicion that I might not be a normal female and my newly awakening sexual appetite. I decided to take matters into my own hands. (An unfortunate but apt phrase.) Up the hill from our house, and on the same side of the street, lived two handsome brothers. They were easily the most eligible young men in the neighborhood. If I was going to venture into sex, I saw no reason why I shouldn't make my experiment with the best of the lot. I didn't really expect to capture either brother on a permanent basis, but I thought if I could hook one temporarily I might be able to work the relationship into something more lasting. I planned a chart for seduction with surprise as my opening ploy. One evening as I walked up the hill suffering from youth's vague malaise (there was simply nothing to do), the brother I had chosen came walking directly into my trap. “Hello, Marguerite.” He nearly passed me. I put the plan into action. “Hey.” I plunged, “Would you like to have a sexual intercourse with me?” Things were going according to the chart. His mouth hung open like a garden gate. I had the advantage and so I pressed it. “Take me somewhere.” His response lacked dignity, but in fairness to him I admit that I had left him little chance to be suave. He asked, “You mean, you're going to give me some trim?”

  • From The Pisces (2018)

    I watched the top of his head as he ate me. Even though he had said before that he wanted to eat me all night I still felt nervous about how long it might take me to come. I made moaning sounds. My clit felt good but my mind stayed disconnected. I wanted him in me, wanted to fuck him, face-to-face. As if he knew how I was feeling, he put a finger inside me. I gasped. “I want your cock so bad,” I whined. “How much?” he said with his face still buried in my pussy. “So bad,” I said. I could see that he was stroking himself as he ate me. I could feel his cock, hard against my shin. “Give me your cock please,” I said. “Please can I have it?” He climbed back on me so his face was over my face and his chest on my chest, his cock nestled between my thighs, resting on my wet clit and lips. “I’m on the pill,” I said. “We don’t need to use anything.” Then I started laughing at the absurdity of everything. Was I really talking about birth control with a merman? It was true that I was on the pill, sort of. I wasn’t great about taking it. Sometimes I would forget for days at a time. Occasionally I would just go off it for a month. Jamie knew this, but in all our years together I never got knocked up. He would always pull out and come on my belly. He feared me getting pregnant, how that would impinge on his freedom—the emotional fallout from an abortion, or worse yet, a baby. He was afraid, but not enough to wear a condom. I couldn’t remember if I had taken my pill the day before, but could a merman really impregnate me? Would the child have legs or a tail? Perhaps it would have legs and a tail, or multiple legs, like an octopus. I couldn’t imagine Theo was riddled with disease either, considering he spent his life in saltwater. He was like a saline boy. I didn’t know how many others he had fucked, and now I didn’t really care. Let him give me his diseases, I thought. Let him give me some strange sea syphilis or whatever. I want it. I don’t care. Looking into my eyes, he rubbed the crease of my pussy with his cock. Then he slid his cock into me, so slowly. I gasped, he moaned, and I wanted to eat his moan. He was inside me. I couldn’t believe he was there. I had never thought of it like that before in the heat of things—about a person really being inside another person. “Entered,” like they say in romance novels. With every thrust he kissed me deeply and I gasped in his mouth. He was surprisingly dexterous given his tail.

  • From I Know Why the Caged Bird Sings (1969)

    Bailey and I decided to memorize a scene from The Merchant of Venice, but we realized that Momma would question us about the author and that we'd have to tell her that Shakespeare was white, and it wouldn't matter to her whether he was dead or not. So we chose “The Creation” by James Weldon Johnson instead. 3Weighing the half-pounds of flour, excluding the scoop, and depositing them dust-free into the thin paper sacks held a simple kind of adventure for me. I developed an eye for measuring how full a silver-looking ladle of flour, mash, meal, sugar or corn had to be to push the scale indicator over to eight ounces or one pound. When I was absolutely accurate our appreciative customers used to admire: “Sister Henderson sure got some smart grandchildrens.” If I was off in the Store's favor, the eagle-eyed women would say, “Put some more in that sack, child. Don't you try to make your profit offa me.” Then I would quietly but persistently punish myself. For every bad judgment, the fine was no silver-wrapped Kisses, the sweet chocolate drops that I loved more than anything in the world, except Bailey. And maybe canned pineapples. My obsession with pineapples nearly drove me mad. I dreamt of the days when I would be grown and able to buy a whole carton for myself alone. Although the syrupy golden rings sat in their exotic cans on our shelves year round, we only tasted them during Christmas. Momma used the juice to make almost-black fruit cakes. Then she lined heavy soot-encrusted iron skillets with the pineapple rings for rich upside-down cakes. Bailey and I received one slice each, and I carried mine around for hours, shredding off the fruit until nothing was left except the perfume on my fingers. I'd like to think that my desire for pineapples was so sacred that I wouldn't allow myself to steal a can (which was possible) and eat it alone out in the garden, but I'm certain that I must have weighed the possibility of the scent exposing me and didn't have the nerve to attempt it.

  • From The Pisces (2018)

    “No, it feels natural.” “Crazy. So I have a question. Do you like Bukowski?” I asked. “Who?” he said. “Charles Bukowski; he’s a poet.” “I don’t know who that is,” he said, treading water. “Why?” “It’s not important,” I said. “No, tell me why. Do you like him?” “Definitely not,” I said. “But I just went on a date with someone who is a big fan.” “You did?” said Theo. “How was that for you?” I couldn’t tell if he seemed genuinely interested or if he was just being polite. “Heinous,” I said. “That can happen, I suppose,” he said. Suddenly I felt too…something. I wanted him to know I had gone on a date, because I wanted to see what his response would be. But I didn’t want him to think that I was a complainer or needy, or that things didn’t work out for me. I didn’t want to seem bitter. I wanted to seem youthful and full of joie de vivre. “It’s okay,” I said. “There’s another possible date on the horizon with someone else. This designer guy. Might make out with him.” What was I saying? “Ah,” he said. Did he look dejected? His expression was so serious that I couldn’t tell. “What about you?” I broke in. “Do you have a girlfriend?” “Not at the moment,” he said. “Boyfriend?” I asked. “Nope,” he said. “Really, I’m surprised. I would think people would be all over you.” I don’t know what I was trying to get him to say. Mostly, I wanted to get us talking about sex and love. But he changed the subject. “So which poets do you like?” he asked. “Me, no one at the moment. I actually want to kill all of poetry. If there was no more poetry left in the world I would be fine with it.” “I hate art too,” he said. “Really?” I asked. “No.” He grinned. “It’s not that I hate poetry. But I’ve been working on a project about a particular poet for a very long time. And I’m having trouble with it. So right now I’m feeling pretty over poetry.” “Which poet?” he asked. “Oh, her name is Sappho,” I said. “I know Sappho,” he said. “No you don’t,” I said. I assumed he was being one of those people whom, when asked about a movie they’ve never seen, responds with an affirmation about how much they loved it. “Yes, Sappho, she’s not exactly esoteric. Greek love poet. Well actually, she was a musician. Of course, most people don’t know that.” “Yeah, I know. How do you know that?” “I know a few things,” he said. “Amazing.” “So what is this project about?” “It’s bullshit, pretty much.” “Is it? I can’t imagine bullshitting about Sappho. Her words are so beautiful, what’s left of them anyway.” “I don’t know if it’s bullshit. It’s an attempt to sort of read Sappho through the—nothingness around her. Through the destruction of her text.”

  • From The Pisces (2018)

    The wagon and blanket were only a few feet from where he had fallen, but I realized how hard it would be for him to even crawl that far. I wondered if his tail was heavy, what was inside it. Was it human flesh or fish flesh? I covered up his bottom half and he just lay there for a second. “Maybe this is a bad idea,” he said. “Maybe this is a warning.” My stomach dropped. I wondered if he really felt this scared, or if he was embarrassed from the fall, looking for reassurance to show him how much I wanted him to come home with me. No, he probably really felt that way. And anyway, I wasn’t going to beg. “Whatever you want,” I said. Theo closed his eyes. Under the blanket he looked like a child. I stood in the sand, tracing half-moon shapes with my toe. My life now came down to whatever he decided. But I didn’t convey any desperation. Just being with him relaxed me. When he was right near me I could feel strangely casual, as though he could disappear and I would be okay. I could just be there, languidly drawing my little sand prints. It was only when he wasn’t with me, when I was away from the ocean, that I felt like I was disintegrating. “Come here,” he said. “Come under the blanket with me.” I got in and pulled up the blanket as though we were going to bed. We hugged for a long time. Then we started kissing and I felt his cock get hard against me. “I want you so much,” he whispered in my ear. “You are my earth girl.” “I want you too,” I said. “We shouldn’t do it here,” he said. “Not on the beach at daylight.” “What do you want to do?” “Okay,” he said. “Let’s go.” But he began to finger me, first tickling my clit just a little, then teasing my hole. I was already soaking wet. “Come on,” I said into his mouth. “Okay,” he said, fingering me harder. “You’re finger fucking me on the beach and you’re a very young man. This is your first time fingering a girl. What do you have to say about that?” Of course it was not his first time. But I wanted it to be. “I’m finger fucking your beautiful vagina and it’s my first time. You’re the most beautiful girl I’ve ever seen. I can’t believe it. I can’t believe I get to finger you.” He intuitively knew exactly what to say to have me writhing. Or perhaps I planted the words in him, as so much of what our lovers do and say is imagined. We turn them into who we want them to be. We fill in their bodies and words for them. He pulled out his finger and sucked it, then put it in my mouth. “Taste yourself,” he said. “You are delicious.”

  • From The Pisces (2018)

    “That sounds interesting, actually. Nothingness is good. Almost as good as filling up every space,” he smiled. “And destruction. Destruction can be sexy.” I shivered a little bit. “I guess the gaps are sort of a reminder that, in love, things get disconnected,” I said. “People just disappear.” “Maybe they leave room for something more infinite,” he said. “Maybe,” I said. “All I know is it’s not going very well. I’m not enjoying it.” “But you’re still doing it?” he said. “Yes,” I said. “I guess I like torturing myself.” “That can also be sexy if done right, I suppose.” Was he fucking with me? I stood up. I didn’t know whether to move closer to him or away from him on the rock, so I looked up at the moon, which was a crescent. I thought about licking it or putting it inside me. “Well, Lucy, I wish you only the best with the self-torture,” he said. “And with your next date.” “Thanks,” I said. “Maybe I’ll see you out here again?” “Maybe,” he said. “Okay.” “Have a good night,” he said. And with that he pushed off the rock and began to breaststroke away. 15.When I got home I was turned on. That little fucker. Who was he, even, lurking around in the ocean? I decided to take immediate action. Brushing past Dominic, who sniffed at me suspiciously and growled a little, I took to my phone. It was time to send Tinder Garrett a message. Hey I changed my mind. Want to meet up after all? I wrote. He wrote back within seconds: guess it didn’t work out with the other dude? haha, I said. want to come to downtown? i work in a loft down here. meet me on the roof of the Ace Hotel tmrw @ 7 sounds good I wrote, so casually. Immediately after that message came a text. It was from Jamie. How are you? I miss you. My stomach dropped. Claire was right! It was like he could smell that I was out with other men. Now it was raining attention. There was Adam, Garrett, Theo, and Jamie. I wanted to wait to text him back but wrote immediately, of course. I’m fine. deep in therapy, as instructed And how is megan? There was a pause. She is good Well, that was that… She’s no you, of course

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    enactment of the English archbishop, Arundel, at the beginning of the 15th century, forbidding the reading of Wyclif’s English version, was followed by the notorious pronouncement of Archbishop Bertholdt of Mainz against the circulation of the German Bible, at the close of the same century,1485. The position taken by Wyclif that the Scriptures, as the sole source of authority for creed and life, should be freely circulated found full response in the closing years of the Middle Ages only in the utterances of one scholar, Erasmus, but he was under suspicion and always ready to submit himself to the judgment of the Church hierarchic. If Wyclif said, "God’s law should be taught in that tongue that is more known, for this wit [wisdom] is God’s Word," Erasmus in his Paraclesis1237 uttered the equally bold words: — I utterly dissent from those who are unwilling that the sacred Scriptures should be read by the unlearned translated into their own vulgar tongue, as though the strength of the Christian religion consisted in men’s ignorance of it. The counsels of kings are much better kept hidden but Christ wished his mysteries to be published as openly as possible. I wish that even the weakest woman should read the Gospel and the epistles of Paul. And I wish they were translated into all languages, so that they might be read and understood, not only by Scots and Irishmen but also by Turks and Saracens, I long that the husbandman should sing portions of them to himself as he follows the plow, that the weaver should hum them to the tune of his shuttle, that the traveller should beguile with their stories the tedium of his journey. The utterances of Erasmus aside, the appeals made 1450–1520 for the circulation of the Scriptures among all classes are very sparse and, in spite of all pains, Catholic controversialists have been able to bring together only a few. And yet, the few that we have show that, at least in Germany and the Netherlands, there was a popular hunger for the Bible in the vernacular. Thus, the Preface to the German Bible, issued at Cologne,1480, called upon every Christian to read the Bible with devotion and honest purpose. Though the most learned may not exhaust its wisdom, nevertheless its teachings are clear and uncovered. The learned may read Jerome’s Vulgate but the unlearned and simple folk could and should use the Cologne edition which was in good German. The devotional manual, Die Himmelsthür,—Door of Heaven,—1513, declared that listening to sermons ought to stir up people to read diligently in the German Bible. In 1505, Jacob Wimpheling spoke of the common people reading both Testaments in their mother-tongue and made this the ground of an appeal to priests not to neglect to read the Word of God themselves.1238 Such testimonies are more than offset by warnings against the danger attending the popular use of Scriptures.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    Patriarch von Constantinopel. Sein Leben, seine Schriften und das griechische Schisma. Regensburg, 1867–69, 3 vols. (The Monumenta mentioned above forms part of the third vol.) Cf. Du Pin, VII., 105–110; Ceillier, XII., 719–734. Photius was born in Constantinople in the first decade of the ninth century. He belonged to a rich and distinguished family. He had an insatiable thirst for learning, and included theology among his studies, but he was not originally a theologian. Rather he was a courtier and a diplomate. When Bardas chose him to succeed Ignatius as Patriarch of Constantinople he was captain of the Emperor’s body-guard. Gregory of Syracuse, a bitter enemy of Ignatius, in five days hurried him through the five orders of monk, lector, sub-deacon, deacon, and presbyter, and on the sixth consecrated him patriarch. He died an exile in an Armenian monastery, 891. As the history of Photius after his elevation to the patriarchate has been already treated,911 this section will be confined to a brief recital of his services to literature, sacred and secular.912 The greatest of these was his so-called Library,913 which is a unique work, being nothing less than notices, critiques and extracts of two hundred and eighty works of the most diverse kinds, which he had read. Of the authors quoted about eighty are known to us only through this work. The Library was the response to the wish of his brother Tarasius, and was composed while Photius was a layman. The majority of the works mentioned are theological, the rest are grammatical, lexical, rhetorical, imaginative, historical, philosophical, scientific and medical. No poets are mentioned or quoted, except the authors of three or four metrical paraphrases of portions of Scripture. The works are all in Greek, either as originals or, as in the case of a few, in Greek translations. Gregory the Great and Cassian are the only Latin ecclesiastical writers with whom Photius betrays any intimate acquaintance. As far as profane literature is concerned, the Library makes the best exhibit in history, and the poorest in grammar. Romances are mentioned, also miscellanies. In the religious part of his work Chrysostom and Athanasius are most prominent. Of the now lost works mentioned by Photius the most important is by an anonymous Constantinopolitan author of the first half of the seventh century, who in fifteen books presented testimonies in favor of Christianity by different Greek, Persian, Thracian, Egyptian, Babylonian, Chaldean and Jewish scholars. Unique and invaluable as the Library is, it has been criticized because more attention is given to some minor works than to other important ones; the criticisms are not always fair or worthy; the works spoken of are really few, while a much larger anthology might have been made; and again there is no order or method in the selection.

  • From My Life and Loves, Vol. 1 (of 4) (1922)

    The very next day he was in still greater haste: “I must get down-town”, he said, “I’m late already; just give me a rub or two”, he cried impatiently, “I must catch that train” and he fumbled with some bills in his hand. “It’s all right”, I said, and smiling added; “Hurry! I’ll be here tomorrow.” He smiled and went off without paying, taking me at my word. The next day I strolled down-town early; for Allison had found that a stand and lean-to were to be sold on the corner of 13th Street and Seventh Avenue, and as he was known, he wanted me to go and have a look at the business done from seven to nine. The Dago who wished to sell out and go back to Dalmatia, wanted three hundred dollars for the outfit, asserting that the business brought in four dollars a day. He had not exaggerated unduly, I found, and Allison was hot that we should buy it together and go fifty-fifty. “You’ll make five or six dollars a day at it”, he said, “if the Dago makes four. It’s one of the good pitches and with three dollars a day coming in, you’ll soon have a stand of your own.” While we were discussing it, Kendrick came up and took his accustomed seat. “What were you so hot about?” he asked, and as Allison smiled, I told him. “Three dollars a day seems good”, he said, “but bootblacking’s not your game. How would you like to come to Chicago and have a place as night-clerk in my hotel? I’ve got one with my uncle”, he added, “and I think you’d make good.” “I’d do my best”, I replied, the very thought of Chicago and the Great West drawing me, “Will you let me think it over?” “Sure, sure!”, he replied, “I don’t go back till Friday; that gives you three days to decide.” Allison stuck to his opinion, that a good stand would make more money; but when I talked it over with the Mulligans, they were both in favor of the hotel. I saw Jessie that same evening and told her of the “stand” and begged for another evening, but she stuck to it that her sister was suspicious and cross with me and would not leave us alone again. Accordingly, I said nothing to her of Chicago. I had already noticed that sexual pleasure is in its nature profoundly selfish. So long as Jessie yielded to me and gave me delight, I was attracted by her; but as soon as she denied me, I became annoyed and dreamed of more pliant beauties. I was rather pleased to leave her without even a word; “that’ll teach her!” my wounded vanity whispered, “she deserves to suffer a little for disappointing me.”

  • From The Pisces (2018)

    I asked Theo. “Maybe if he just comes out and meets you.” “The problem is that if he attacks I can’t get away.” “He won’t attack,” I said. But I had never seen Dominic this irate and I wasn’t sure. When we imagine a situation—when our hearts decide this must happen—we will go to any lengths to make the fantasy happen. In my fantasy there was no barking. There was only me and Theo on the soft sheets and a universe of silence. “Wait one second,” I said. “I’ll be right back.” I remembered I had seen some doggy tranquilizers in one of the kitchen cabinets for things like airplane flights. I got two pills and hid them in a treat, then went into the pantry and stuffed it into Dominic’s frothing mouth. Two was double the dose. Was I awful? Would I be punished? Next I turned on some music, something ambient of my sister’s, a soft electronic yoga chant meant to soothe the most stressed-out human or animal. “He should be quiet soon,” I said, coming out the side door. Then I realized that Theo was still in the wagon. “Oh God,” I said. “I’m sorry, let me help you out of there.” He smiled nervously as I pulled the wagon into the house. In my visions, Theo would be able to go anywhere on his own. He would be part Paralympic champion and part giant snail, easily gliding from room to room and up the stairs. But there really was no way of getting him up there. “Maybe we can relax on the sofa,” I said, pointing. My sister’s sofa was white and I felt nervous about getting it covered in kelp, sand, the sheen of sea dirt that accrued and attached itself to Theo’s tail. I was covered in the beach and ocean salt too. I took the blanket off of him and laid it on the sofa. He flipped himself onto the floor and began to drag himself over. I felt proud of him that he was unashamed to do this in my presence, to let me see him so vulnerable. It was adorable—him flopping around out of water, trying to be strong for me, arms straining. Who was this magic creature in my sister’s home? How had this even happened? He hoisted himself onto the sofa and lay down on his back. “What’s that?” he asked, pointing to the big flat-screen TV. “It’s a television,” I said. “It projects images and sound. But right now it’s off. It’s sleeping.” “Do you enjoy it?” “Not really,” I said. “Come over here,” he said. I got on top of him. We kissed each other with open mouths, sucking at each other like we were eating mussels. Then we kissed slow and gentle. I noticed that Dominic had stopped barking. How long could Theo stay with me?

  • From Available: The unfiltered and empowering new memoir for women about sex, dating and divorce after 40 (2021)

    After a few minutes he turns up a dirt road and parks in front of a small weathered farmhouse. I get out of my car and hear a cacophony of honking noises – ducks! He assures me they’ll settle down but I don’t care, I’m thoroughly charmed by the whole scene. When he opens the screen door after crossing a ramshackle porch filled with rubber boots and gardening tools, two cats and a chocolate Labrador come running to greet us. He looks down at my feet and asks if I have a more practical pair of shoes in my car to take the dog for a walk. I do not, so he reaches for my hand to guide me as we walk up a damp grassy path behind the dog. It is serene under the inky black sky, but impossible to see more than a foot ahead and we are walking with purpose to keep up with the dog, wet grass tickling my feet while my delicate sandals rebel against the pastoral conditions. Terrified that even with him protectively clutching my hand I am merely steps away from wiping out, I’m doing everything I can to simultaneously secure my footing, casually swat away mosquitoes and reassure him this is a lovely walk and of course I am loving every second of my time outdoors! My relief when we are back inside and I can kick off my ridiculous heels is so great that one might have thought I was returning from a ten-mile hike in the depths of the jungle. Settling into a cane-backed rocking chair to wait while he feeds his cats, I take in the living room, which, like the house, is unpretentious and charming, simply furnished with a stack of astronomy magazines and copies of The New York Review of Books on the coffee table. Soon he is back, wasting no words while he sinks down to his knees next to the rocking chair, kissing me gently and then with increasing urgency. He asks if I want to go upstairs and then we are on the rickety staircase with him holding out a hand behind him for me to hold as we head to his bedroom. The windows are open and it sounds like pouring rain outside, but he says it is the river rushing by, one on his property that I could not see in the dark. It’s hard for me to imagine a more romantic spot than the one I am standing in. I have a flash of the hugely bestselling book The Bridges of Madison County : at the time I read it I thought it was absurd, the idea of a lonely housewife on a farm having a brief affair with a stranger she stays in love with forever and never sees again, but now it comes back to me and makes sense.

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