Desire

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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• From The Fermata (1994)

  There was the startlingly realistic hand-painted slightly curving Arno Van Dilden Heavydick, with movable balls and suction-cup base; there was the Swiss-made TorqueMaja Desnuda, with its twelve special “power-frig” torque settings; there was the mixeresque Oster plug-in coil model with its little cabinet of attachments; but she was missing the forty-dollar, four-foot-long, double-headed Royal Welsh Fusilier with dual slidable foreskins—it was on back order, to be shipped in several days. At first Marian was irritated, wanting to have all four artifacts to try one after another, but then she found that the ones she had at hand were more than enough to get her through the next forty-eight hours. She became especially fond of the fast-humming and refreshingly un-penile Oster. She pirated the surge protector from her neglected PC and plugged it in below the plug from her washing machine (safety first), and plugged the clit-knobbed Oster into it, and, using it, came with mystical intensity sitting naked on the cold lid of the washing machine with the door to the nearby garage wide open, looking down at her trembling titfat, as all her bras and underpants spun around in damp darkness underneath her. And when the clock radio woke her at six-thirty on weekdays, she unplugged it from its extension cord and plugged in the Oster in its place, relishing the illusion that time could be stopped while she started the day right with a brisk coil-driven clasm. She took a vacation day on the day the back-ordered vibrator was due to arrive. When the UPS truck hadn’t shown by almost one o’clock and when Marian, already on her third pair of underpants, found herself holding a mother-of-pearl hand mirror up to one of her nipples and watching the aureole get wrinkly backward and then trying to push her nipple through a buttonhole of her linen shirt, she decided it was time to do something—to mow the lawn, which did need mowing. She changed to a full loose gypsy skirt with nothing underneath and a ribbed black camisole with no bra and drove the mower out of the garage into the yard with her freshly batteried Van Dilden resting in her lap. She hopped off in the middle of the front yard, and in full view of the world (though too fast for anyone to see really what she was up to), with her back to the road, she licked the vibe’s inch-and-a-half suction-cup base and stuck it firmly on the seat of the idling green machine and turned its little switch on. She regarded it trembling there on the seat, this enchantingly obscene blurred tube of realism shaken simultaneously by its internal mini-motor and the macro-motor of the ridem, and her slype ached to feel it push her open. She slapped it once; it flinched a little to the side but didn’t unsuction itself. She wanted to mow now; she wanted to mow that fucking lawn like she had never mowed it before.

• From The Fermata (1994)

  There was a narrow opening to the front seat. The UPS man got in the front and sat watching her. He was squeezing his crotch through his pants. “No, just drive,” she ordered, lifting her skirt and kneeling over the Van Dilden. “Find a dirt road and drive on it. I want this truck to bounce.” “My pleasure,” he said. She turned the vibrator on to full and slid halfway down on it. While she squeezed Astroglide on the two ends of the Fusilier, he turned onto a dirt road in low gear. The truck rocked and lurched. “Oh, that’s it,” she said, feeling herself filled with unexpected lateral UPS-truck fuck-motions. Already aching from her earlier mowing, she was impatient. “Now stop for a second. I want you to stick one end of this in my ass.” She pulled her skirt up over her ass with one hand and leaned forward and passed him the double-headed vibrator. The head of the Van Dilden was still inside her. “Should I turn it on?” he asked, examining the little remote controller. “Yeah, I guess, but, mmm, the main thing is to stuff it in my ass right now.” He turned it on, using the little control box. The two buzzings were at slightly different pitches, wowing in and out of phase. Marian felt something hard push against the muscle of her ass. “That’s it,” she said. She relaxed against it and let its head go in. “Push it a little further. Wow. Now drive—oh fuck, just drive this fucking truck.” The UPS guy hopped back in his seat and put the truck in gear. Marian unbent her knees and sat flatly down on the Van Dilden with her legs extended in front of her. This had the effect of pushing the Royal Welsh Fusilier deeper into her ass. It was like a fleshy tail. “I’ve got toys up my cunt and up my ass,” she moaned. The truck started bumping and jostling. She pulled the length of the Fusilier up against her tailbone and bent it around her hip and found that, as she had hoped, the other end easily reached her clit. She pulled back its “foreskin” and held the slick second head against herself. “Oh, fuck” she said, feeling all of her circuits starting to get busy. “Is that about right?” called the UPS man. He was driving manfully from one gulley to the next, steering with one hand. His other, Marian saw, was in a fist, pounding up and down on his surprisingly meaty coral-gabled cock. His brown UPS pants were around his knees, the zipper splayed open and ready to rip. The dirt road sloped down. “Starting to feel nice,” called Marian politely.

• From The Spiral Staircase: My Climb Out of Darkness (2004)

  Neither did I. What had religion ever done for me but make me ill, make me unhappy and dissatisfied with myself, and, now, apparently, make me cross into the bargain? I would be better without it. Some weeks later, after we had returned to Oxford, I looked apprehensively at the envelope that Jenifer had pushed under my door, but forced myself to open the letter and read it. Then I read it again. I had got a job. I had been appointed tutorial research fellow at Bedford College in the University of London. It was Jane who had seen the advertisement. She had marched into the kitchen, where I was heating up some soup for lunch, and waved the newspaper under my nose. “You should apply for this!” she said. It was a three-year appointment. It would enable me to finish my thesis and—even more important—would give me some teaching experience. I wanted that job. I wanted it very much. I looked at Jane and knew that she wanted it too. We didn’t have to say anything, because we both knew that if she had been able to apply, she would certainly have been the one to get it. But Jane was going to Keswick, and I had applied and been summoned to an interview. Dorothy Bednarowska had written me a reference. This was the kind of junior post that she thought I could handle, and it was “only London,” a university which, from her Oxbridge perspective, was almost beneath serious consideration. “I’ve written her up terrifically,” she had told Jane. And she must have done so, because at my interview the two young lecturers seemed to assume that I would be coming. They wanted me to teach nineteenth- and twentieth-century poetry, and because they themselves wished to concentrate on the drama of the period, I would also be teaching the twentieth-century novel. “Malcolm Lowry, John Fowles, Graham Greene, Iris Murdoch, Doris Lessing? Is that all right?” one of them had asked me. “Yes, of course,” I lied, realizing that if I got the job I would have a great deal of reading to get through during the summer. But they seemed to think that it was not if but when. I had returned home to Oxford, scarcely daring to believe it. But it was true. I had been offered the job. All I had to do was sign the contract. It was a step up the ladder, a foot in the door—all those things. It seemed that, after all, it really might be possible to become an academic. It was a new start. Three years now stretched invitingly ahead of me. In three whole years in London, anything could happen. 5. Desiring This Man’s Gift and That Man’s Scope

• From The Spiral Staircase: My Climb Out of Darkness (2004)

  At the time, however, I simply grabbed at the idea as a pragmatic expedient. I was desperate to get to work on something— anything—to convince myself that I still had a future. I expected this new book to follow the somewhat skeptical line of its predecessors. God, of course, did not exist, but I would show that each generation of believers was driven to invent him anew. God was thus simply a projection of human need; “he” mirrored the fears and yearnings of society at each stage of its development. Jews, Christians, and Muslims had all produced the same kind of God because they had similar desires and insecurities, but increasingly, in the clear light of rational modernity, people were learning how to do without this divine prop. That was my idea at the outset, but even then I expected some surprises. By this time I had enough experience to know that the finished work was always different from my original proposal. And I was also determined not to fall into the trap of making the book merely a clever, shallow rebuttal of God’s existence. That would be not only boring and predictable, but also inappropriate. This could not be a wholly cerebral book, because images of God had, surely, much to tell us about the pathos of human aspiration. Nobody thought much of the idea, however, and it was a long time before my new agent found a publisher. “It can’t be done,” said one of the editors who saw my synopsis. “It’s impossible to condense such a huge idea into a single volume.” “Who’s going to read it?” asked another. “Religious people won’t want to hear that their God is on a par with the gods of other faiths, and unbelievers won’t be interested.” “It’s so religious!” sighed a friend who worked in one of the houses that had rejected the book. “Karen, don’t write this book now! You need to do something more mainstream.” More secular, she meant. “You read English at college. Perhaps you could do something literary? A new biography of Fanny Burney or George Eliot.” “What about a travel book?” Charlotte asked. “You enjoyed the travel you did with the Israelis, didn’t you? Why not go on a journey to somewhere important. Japan, for instance. What about a look at modern Japan?” Anything, it seemed, would be better than God.

• From The Fermata (1994)

  I climbed out of the hamper, very slowly because I was stiff. I studied her climax-face from every angle, trying to record its transient extremity in my memory. I held her perky little finger, which was still hooked in her ane. I rested my ear on the edge of the tub about three inches from her open boat and stared at the finger that was bestirring itself around her bright-pink pumped-up nerve; and beyond it at the very soft inner skin stretched tight around my fellow American, my fellow rubber hider-in-her-house. I loved what I saw. I licked her knuckles; I tapped my dick against her breasts to see how they quivered; I straddled the tub just as she was straddling it, facing her, and beat my richard savagely until I was almost there. When I was ready I stood and said, “Let me be there with you, honey, you’re so sexy, please let me come on your face,” in a strange almost singsong pleading voice, and without waiting for an answer from her I let all of my burning bechamel jump out onto her tightly closed eyes, unable to resist doing so even though I knew that I would probably regret it afterward—not least because it would be so much trouble to get all of it off her eyelashes and eyebrows. When I was done I sat down on the tub for a second to rest. “Thank you,” I said. I wasn’t crazy about the way my come looked on her closed eyes, but the beauty of her ecstatic expression survived it; in fact the existence of the outcome of my orgasm on her still-coming face seemed entirely irrelevant, as it should have. I turned time on for the tiniest fraction of a second, so that she would have a tactile flash of the sensation of liquid warmth, in case it would add a novel touch to her clasm, and then I spent a good ten minutes tamping and gently rinsing every sign of my sperm off of her. I put her dirty clothes back in her hamper. I took a last look around to be sure I had left everything in order. I stood behind her and flashed time on again for a second or two to be sure that, post-orgasm, she didn’t suspect that she had had company, and when I was convinced that she felt safe and unviolated I went downstairs and got dressed and let myself quietly out. It hadn’t really happened.

• From The Fermata (1994)

  Maybe every single woman I have stripped, if she knew me, if she could know now what my thoughts had been as I unzipped her dress and undid her bra, would want me to have stripped her and sucked her breasts and understood her body as it truly deserved to be understood. Rhody, however, didn’t view it that way. When I tried the idea out on her (on the plane home from our beach vacation), she was interested at first, and then later she turned against it, using awful and, in my opinion, off-base words like “necrophilia” to characterize it. Let me say that I am not a necrophile. The notion has no appeal. Liaisons among the undead are fashionable, but I don’t have a drop of vampiric blood in me. (I did, however, once put a pair of “nipple nooses” on the famous Anne Rice at Barnes & Noble some years ago, when I was at the height of my mechanical-pencil Fold-phase. I clicked time on for a minute or two so she would have a chance to feel them while she signed my copy of her book, which was going to be a birthday present for somebody. Then I removed them. If she noticed anything, she was extremely cool about it and didn’t let on.) The Fermata allows something to occur that is the exact opposite of the necrophilic ideal: it allows me enough time to take in a particular lived second of one woman’s life, the incremental outcome of so many decisions and misfortunes and delights and griefs, while she is in the very midst of fleetingly bringing it into being. The ability to investigate all aspects of her careless aliveness, where her clothes stretch, her body’s textures, her expression, her smells, the way she happens to be standing or moving, as they are fused in a single total instantaneous female delta-self, is the great lure of the Fold. The Fold allows me to do sexual justice to times when she is fully conscious, but not in the least self-conscious; “stalls,” Hopkins might have called them, in the daily fluidity of her life whose specific complex of qualities would have otherwise gone unseen by anyone—unphotographed, uncelebrated, unvalued, unloved.

• From Tipping the Velvet (1998)

  And then I dipped my face to hers, and shut my eyes.Her mouth was chill, at first, then very warm - the only warm thing, it seemed to me, in the whole of the frozen city; and when she took her lips away - as she did, after a moment, to give a quick, anxious glance towards our hunched and nodding driver - my own felt wet and sore and naked in the bitter December breezes, as if her kiss had flayed them.She drew me into the shadow of the carriage, where we were hidden from sight. Here we stepped together, and kissed again: I placed my arms about her shoulders, and felt her own hands shake upon my back. From lip to ankle, and through all the fussy layers of our coats and gowns, I felt her body stiff against my own - felt the pounding, very rapid, where we joined at the breast; and the pulse and the heat and the cleaving, where we pressed together at the hips.We stood like this for a minute, maybe longer; then the carriage gave a creak as the driver shifted in his seat, and Kitty stepped quickly away. I could not take my hands from her, but she seized my wrists and kissed my fingers and gave a kind of nervous laugh, and a whisper: ‘You will kiss the life out of me!’She moved into the carriage, and I clambered in behind her, trembling and giddy and half-blind, I think, with agitation and desire. Then the door was closed; the driver called to his pony, and the cab gave a jerk and a slither. The frozen river was left behind us - dull, in comparison with this new miracle!We sat side by side. She put her hands to my face again, and I shivered, so that my jaws jumped beneath her fingers. But she didn’t kiss me again: rather, she leaned against me with her face upon my neck, so that her mouth was out of reach of mine, but hot against the skin below my ear.

• From The Fermata (1994)

  I returned to my book, deliberately making ugly lip-pursed faces to show that I was deeply caught up in Edward FitzGerald—and to release Rhody from the tyranny of the transversity if she wanted to return to Lady Audley’s Secret. Without lifting my eyes from the page (though I was still sure that her black-rimmed glasses were flashing in my direction), I raised my left hand and very slowly and teasingly pulled on the flap of my watchband until the tiny gold prong of its buckle hung free of the slightly elongated second hole. Like a stripper delaying a moment of conclusive disrobing, I held the unbuckled watch in place for a time, turning my wrist slowly within its loosened embrace; finally I slid the buckle off the strap and caught the face of the watch as it fell from my arm. I did everything as smoothly and unsuddenly and strokingly as I could, not as if I were aware of Rhody and trying to entice her, but as if I were reading with such intense concentration that my unconscious watch-removal movements were being slowed to a fraction of their normal speed by the rapture of my literary appreciation. I set the watch down just above my open book, the two curved segments of the band forming a seagull shape. Then I looked directly and inquiringly at Rhody again. Her eyes fell to her page.

• From The Fermata (1994)

  I knelt and opened Dr. Orowitz-Rudman’s lab coat and pulled her ribbed green turtleneck out of her pants. I bunched it up at her collarbone and pulled the cups of her bra down so her nipples popped out. They were erect, I was pleased to notice, and surprisingly dark, like two Raisinets. “I can’t help it—I need to suck your tits,” I said to her, and I did, tactfully, untheatrically. I wrote, “Thanks,” on a white Post-It note and stuck it on her left breast. Then I put her clothes back in order and went back in the scan room and climbed into the magnet and resumed my former position. I snapped my fingers again. The noise of the coolant started back up. Immediately I heard Dr. Orowitz-Rudman exclaim, “Whoops! Lost our fix. Arno, we lost our fix on you. What happened in there?” “I snapped my fingers.” “Okay, look, please don’t do that. There are limits to our tracking system. Just keep stroking your penis if you can.” “How much longer do you want me to continue?” I asked. I was jubilant at having my powers back. “How much pain are you in?” she asked. “Mmm, this is about as painful as it gets—tingling up my whole forearm,” I reported. “I think you should go ahead and climax soon. I think we’ve got enough now to generate quite a thorough neural conductivity profile.” “You want me to come for you?” The foul-patter urge was rising in me. “Yes,” she said neutrally. “You want it? You want to see it? Oh, God, I want to give it to you. This guy, this guy who’s in the MRI machine, he snaps his fingers and time stops. He understands what’s going on, he’s not freaked, because it happened once before when somebody put a sample of his blood in a centrifuge and spun it very fast and time was interrupted. So time is stopped, and he crawls out of the machine, naked, jerking on his big swollen dick-knob, and he scampers into the control room and he throws back the doctor’s lab coat and pulls up her shirt and brings her tits out and he laps at them. That’s what he’s wanted from the moment he saw her, he’s wanted to suckle. those hard little nipples with his mouth—oh, man, ma-ha-ha-ha-han—” “A little slower if you can, Arno,” said Dr. Orowitz-Rudman gently. “The image is degrading.”

• From The Fermata (1994)

  Her embarrassment was, it seemed to me, directed forward, at the man working the card machine—a spindly nice-mannered ugly man who shaved too far down on the sides of his beard. But she knew that someone was behind her as well, and she could be considering that my eyes were on the freckles of her shoulder, and she might be able to feel them moving down her arm to read the title of the book again, Naked Beneath My Clothes —a fact that, because she held the book, was being asserted not as a general truth but as a truth specifically about her and her alone, prefixed by an “I am.” I very much wanted to see her naked beneath her clothes. And of course I could have easily enough. Yet I hesitated to drop into the Fold to remove all those layers, since I would have trouble remembering how they hung with such artful sloppiness over one another when it was time to dress her back up. (She wasn’t, thank God, wearing those leggings that terminate in a bit of lace!) Every curve and movement of her body cried out, “I’m extremely single at the moment and I’m available tonight to have a drink or two with a nice man who will listen to me and make me laugh.” I knew that she was feeling that this interval in the checkout line was her last chance to meet someone, and I knew that I was at least a better catch than the library staffer with the unsightly beard. But though I was, am, extremely single, and though I had suffered a serious attack of loneliness involving a tape gun only hours before, and was probably giving off the same rads of availability and generalized longing as she was, I didn’t strike up a conversation with her, because I was smart enough to know by now to spare a woman like this my tentative but occasionally successful pickup technique, since even if we did go out to dinner a few times and have a few nights in bed, it would all be essentially sad, essentially wrong.

• From The Fermata (1994)

  I got out of sight and turhed time on and distracted myself by reading half an article in Conde Nast Traveler on a lake system in Canada (my bather’s name, given on the magazine’s address label, was Michelle Hoffman), and then, when I heard the water stop, I checked in on her again. Her bath had begun. Her knees were above the surface of the water, the kneecaps flat and square, and the water was clear (no genitally irritating bubble bath for this woman), and she had just lifted one arm, so that long pale-green streamers and trailers of water poured stilly off of it. Her hand loosely held a red washcloth, soft with a surround of unfailing water. I could easily have knelt in the bathtub with her and jacked looking at the way the riverine trails of water joined at her elbow and fell off her, a little like those festive triangular vinyl flags hung around used-car lots. (Actually no—they didn’t make me think of a used-car lot at all at that moment; they made me think of the way a woman’s urine falls from between her legs, confusedly, in a stegosaurian fan of hard-to-source cockscomb-triangles. I used to think that the reason why women’s urination sounded so intricately different from men’s had only to do with the end-points of this splayed outflow, since there were so many separate points of collision with toilet water, as opposed to the single focused plunge of the continuous male stream—but the other day, listening to Joyce pee in the ladies’ room from the next stall, I realized that it isn’t only that. The more important difference is that male urine makes no noise as it flies out of the penis-knob, because it has become, due to the inordinate length of the male urethra, a coherent, laserlike flow. The only noise that men make, then, is the noise their departed urine produces later, in colliding with whatever texture and substance it collides with. But women’s urethras are not stealthy. They are short, since they are not needed to help pulse out a comeshot (I ignore the touchy subject of fejaculation, or ejillulation, here); their urine wings excitedly out rather than releasing itself in a single laminar column, and this exit-spraying itself makes a distinct noise, a likable, high whistle-warble-hissing that you can hear over the broadcast of complex terminal splashings. “Making water” as a euphemism applies much better to what women do than what men do.) But I didn’t want to come yet with Michelle—I was curious about whether she had any sexual plans herself. To be honest, my feelings had been a little hurt that she had not brought home the story I had written for her to keep forever—although I consoled myself by thinking that maybe she was just being considerate in reburying it, not wanting to interfere with some top-secret interlover dropoff.

• From Wild (2012)

  “I’m still working,” he said, flicking the ash of his cigarette into a planter. “But I’ll be off in a bit. My trailer’s just across the way, if you wanna come over and party. I can get a whole bottle of that pinot gris you liked.” “Thanks,” I said. “But I’ve got to get up early and hike in the morning.” He took another drag of his cigarette, the end burning brightly. I’d watched him a bit after he’d brought me the wine. I guessed he was thirty. He looked good in his jeans. Why shouldn’t I go with him? “Well, you’ve got time to think about it, if you change your mind,” he said. “I’ve got to hike nineteen miles tomorrow,” I replied, as if that meant anything to him. “You could sleep at my place,” he said. “I’d give you my bed. I could sleep on the couch, if you wanted. I bet a bed would feel good after you’ve been sleeping on the ground.” “I’m all set up over there.” I gestured toward the meadow. I walked back to my camp feeling queasy, equal parts flustered and flattered by his interest, a shot of bald desire quaking through me. The women had zipped themselves into their tents for the night by the time I returned, but Brent was still awake, standing in the dark, gazing up at the stars. “Beautiful, huh?” I whispered, gazing up with him. As I did so, it occurred to me that I’d not cried once since I’d set foot on the trail. How could that be? After all the crying I’d done, it seemed impossible that it was true, but it was. I almost burst into tears with the realization, but I laughed instead. “What’s so funny?” Brent asked. “Nothing.” I looked at my watch. It was 10:15. “I’m usually sound asleep by now.” “Me too,” said Brent. “But I’m wide awake tonight.” “It’s ’cause we’re so excited to be in town,” he said. We both laughed. I’d been savoring the company of the women all day, grateful for the kinds of conversation that I’d seldom had since starting the PCT, but it was Brent I felt oddly the closest to, if only because he felt familiar. As I stood next to him, I realized he reminded me of my brother, who, in spite of our distance, I loved more than anyone. “We should make a wish,” I said to Brent. “Don’t you have to wait till you see a shooting star?” he asked. “Traditionally, yes. But we can make up new rules,” I said. “Like, I want boots that don’t hurt my feet.” “You’re not supposed to say it out loud!” he said, exasperated. “It’s like blowing out your birthday candles. You can’t tell anyone what your wish is. Now it’s not going to come true. Your feet are totally fucked.” “Not necessarily,” I said indignantly, though I felt sick with the knowledge that he was right.

• From Wild (2012)

  “There’s another guy up ahead named Greg,” I said. “I met him a couple of days ago and he said he’d still be there.” My insides leapt when I spoke Greg’s name, for no other reason than he was the only person I knew on the trail. “We’ve been following him for a good stretch, so it’ll be nice to finally meet him,” said Albert. “There’s another couple a fellas behind us. Most likely they’ll be along any time,” he said, and turned to look down the trail in the direction that we’d come from. “Two kids named Doug and Tom, about the same age as y’all. They started not long before you did, a touch south.” I waved Albert and Matt off and sat for a few minutes pondering the existence of Doug and Tom, and then I rose and spent the next several hours hiking harder than ever, with the single-minded goal that they would not catch up to me before I reached Kennedy Meadows. I was dying to meet them, of course—but I wanted to meet them as the woman who’d left them in her dust instead of the woman they’d overtaken. Like Greg, Albert and Matt had started hiking at the Mexican border and were by now well seasoned, logging twenty-some miles each day. But Doug and Tom were different. Like me, they’d started only recently on the PCT—not long before you did, Albert had said, and just a touch south. His words replayed themselves in my mind, as if replaying them would wring more meaning and specificity from them. As if by them I could discern how fast or slow I was traveling in comparison to Doug and Tom. As if the answer to that question held the key to my success or failure at this—the hardest thing I’d ever done. I stopped in my tracks when that thought came into my mind, that hiking the PCT was the hardest thing I’d ever done. Immediately, I amended the thought. Watching my mother die and having to live without her, that was the hardest thing I’d ever done. Leaving Paul and destroying our marriage and life as I knew it for the simple and inexplicable reason that I felt I had to—that had been hard as well. But hiking the PCT was hard in a different way. In a way that made the other hardest things the tiniest bit less hard. It was strange but true. And perhaps I’d known it in some way from the very beginning. Perhaps the impulse to purchase the PCT guidebook months before had been a primal grab for a cure, for the thread of my life that had been severed.

• From The Fermata (1994)

  “Since we’re letting our hair down,” Adele would say, “can I ask you something?” I would see one of her eyes peering in at me. Because she would be leaning from behind the door, it would be impossible for me to tell for sure what she was or was not wearing. I would have a strong suspicion that she had a towel wrapped around under her arms, and I would be glad if she did, because it was such a marvelously simple extension of the towel’s utility (despite its visual overuse in made-for-TV movies), relying on the slightly moist post-shower plush of the towel and the swell of the Jams to keep the folded-under corner from slipping and freeing the entire wrap: its very tightness kept it tight. I would put my face close to the door as well, and she and I would regard each other eye to eye. “What’s your question?” I would say. She would ask, “Is the washcloth you handed me just now the one that was sort of hanging on the edge of the bed when your magazines were all spread out in here?” I would admit that it was. Adele would blink carefully. “Why was it on the bed that way? What were you planning to do with it?” I would tell her that I had been planning to shoot onto it. “Or maybe I would have bundled my penis in it and muffled the explosion,” I would say. I would reveal to her that my orgasms were almost always better when shot into cotton than into tissue paper. Then I would add: “I would have rinsed the washcloth out afterward. I don’t think whoever does the room when I check out should have to deal with that sort of relic.” She would tell me that I was a considerate person. I would lower my voice to a whisper and tell her how much I wanted to see her ass. “That may or may not happen,” she would say. I would ask her what she had been planning to do with the washcloth in her bath. “Wash with it,” she would say. She would now be kneeling very close to the door. She was, I would verify, wearing a white towel. My face would be so close to hers that I would be able to hear every detail of her breathing, and yet we would not comfortably be able to kiss. She would be smiling, pleased that I was so obviously hers. I would be able to smell her lipstick. She would finally say, “I suppose I should take my bath now. The water is going to get cold.” “You’ve had the bath ready this whole time?” I would say, distressed. “I had no idea. And here I’ve been stuffing all of this month’s pornography through the door at you.”

• From The Fermata (1994)

  He was almost invisible except for his semi-soft glowing penis, although the EXIT sign cast a faint reddish tint on his wild Dershowitz-for-the-Defense hair and hairy shoulders; he placed a corner of the manuscript between her thighs and she lifted herself off the seat of the chair and positioned the jaws of the Swingline around the paper and groaned like a weight-lifter and tightened her vaginal muscles as hard as she possibly could and successfully got the stapler to force a staple through all nine pages. There was applause. Professor Sparkling bowed and walked away, stroking his penis in a scholarly way. In the background, the whole time, the fermata chord from Map chimed and faded, chimed and faded. Still under the influence of her dream, she went to her nine o’clock lesson in a state of disoriented, stumbling horniness. “This is a momentous occasion,” Professor Sparkling said archly. He sat as he usually did on a low couch with one ankle on the opposite knee, a copy of the piece open beside him. “All right,” he said and gestured to her to begin. She played. When she came to the fermata chord, she splayed her fingers to play it and brought her hands gently down and felt both middle fingers descend into the low white key-vales, curved as ballet dancers curve their middle fingers when they stand in second position. Relying on the sustain pedal, she looked over at Sparkling: like Paul the day before, Sparkling was frozen, staring, stopped dead in the act of scratching his upper thigh. She could make out the profane, broccoli-shaped outline of his cock and balls under his loose cuffed pants. Hurriedly, before the chord wore out, she lifted her skirt and slid first her left and then her right middle finger high up into her slot and tickled her cervix. Then she resumed playing the piece. When she finished, Sparkling applauded, as much for himself as for her. “Wonderful, wonderful,” he said, standing. “It’s a strange and moving piece, don’t you think?” “I do,” said Rhody, looking down at her two middle fingers, which were still slick from her juicy insertions. “My only question is about the fermata,” said Sparkling. “I don’t understand why you cut it so short. It’s the highlight of the whole work. Let’s try it like this.” He put his fingers over her fingers and played the chord with her. He took note of something. “Why, may I ask, are your two middle fingers perspiring so?” he asked. “They do that,” she said. “Ah.” He requested that she play the work through from the beginning, and this time he stood behind her, his arms crossed. When she reached the fermata chord, she came down on it a little harder than she had the first time, to give herself a longer fade interval. She twisted around to face Alan behind her, taking care to keep her foot firmly down on the sustain pedal.

• From History of the Christian Church: The Complete Set of Eight Volumes (1858)

  In the period before us, however, the abolition of slavery, save isolated cases of manumission, was utterly out of question, considering only the enormous number of the slaves. The world was far from ripe for such a step. The church, in her persecuted condition, had as yet no influence at all over the machinery of the state and the civil legislation. And she was at that time so absorbed in the transcendent importance of the higher world and in her longing for the speedy return of the Lord, that she cared little for earthly freedom or temporal happiness. Hence Ignatius, in his epistle to Polycarp, counsels servants to serve only the more zealously to the glory of the Lord, that they may receive from God the higher freedom; and not to attempt to be redeemed at the expense of their Christian brethren, lest they be found slaves to their own caprice. From this we see that slaves, in whom faith awoke the sense of manly dignity and the desire of freedom, were accustomed to demand their redemption at the expense of the church, as a right, and were thus liable to value the earthly freedom more than the spiritual. Tertullian declares the outward freedom worthless without the ransom of the soul from the bondage of sin. "How can the world," says he, "make a servant free? All is mere show in the world, nothing truth. For the slave is already free, as a purchase of Christ; and the freedman is a servant of Christ. If thou takest the freedom which the world can give for true, thou hast thereby become again the servant of man, and hast lost the freedom of Christ, in that thou thinkest it bondage." Chrysostom, in the fourth century, was the first of the fathers to discuss the question of slavery at large in the spirit of the apostle Paul, and to recommend, though cautiously, a gradual emancipation.

• From The Fermata (1994)

  She looked around. She resumed reading. Then it began: the rhythmic antiphonal tightening of her butt-muscles began: first the left, then the right, left right, left right, so that her heart-shaped ass-curve systoled and diastoled before my eyes. I knew that these marching contractions were pushing her bush-bone hard into the towel and into the accommodating sand underneath, and the sight of this secret self-assertion got me so hot and frantic that to work off the energy I had to drop the binoculars and push up my glasses and sprint down the length of the beach, slaloming barefoot around the halted family groups and single shell-musers and grizzled voyeurs. On the way back, running more slowly, I hesitated before a tall girl of sixteen or seventeen in a blue maillot standing in an inch of water, recoiling from the cold, and I stopped for a second, panting, so that I could slide her tight shoulder straps off and regard her white, hippy, sexily imperfect body with her suit turned inside out on her legs. “You’ll do just great,” I said to her as I suited her back up. Then I resumed my binocular station near my assive-aggressive reader and let myself calm down. Strangely, I felt a little guilt that I had been unfaithful to her with the seventeen-year-old. She read the entire story, and when she finished she put it back in the plastic bag and twisted the twist-tie around it and buried it in the sand where she’d found it, marking its existence with three little shells. Then she reached back and re-clasped her top and turned over. I watched her stomach rise and fall as she breathed. I fancied that she was breathing a little faster than she would have been if my words hadn’t just gone through her mind. I was in her mind. There were things about what she had read that she didn’t like, or that seemed dumb to her, but even so it was working on her and making her want to go home . She sat up, put on a loose faded shirt that went almost to her knees, unpinned her hair, and walked up a path to a set of newish condos on one end of the beach. I did the usual business of pausing her as she unlocked the door so that I could slip past her and hide somewhere in her apartment. I hate hiding in women’s apartments when they are there, because I suddenly become in doing so an intruder, and all those awful hider-in-the-house movies inescapably come to mind, and the music threatens to turn tritonally ominous. The last thing in the world I want is to be seen as a threat. But happily, I’m good at remaining undetected in close quarters with a woman. I have never yet scared anyone. And this particular woman’s place was perfect, since it was all open and loft-like, with a bedroom supported by columns up a spiral flight of stairs.

• From The Fermata (1994)

  I sat on her bed listening intently to her putterings below, and when I heard her steps on the stairway, I stopped time and went down and past her (ducking under her arm) and sat on a chair in the kitchen. The tops of my ears were getting a little sore from all the time-pervertive pulling and pushing on my glasses, but it was a tiny price to pay. The water began running in the pipes, always a good sign. I pushed my triune crotch-lump against the cool Corian edge of the countertop. Eventually I Dropped and went up to see whether it was the sink or a shower or a bath and found her bent over, naked, rummaging around in the back of a drawer, while the lower tap filled her tub. I studied her profile for half a minute: she had a lively, somewhat thin face, oily from sunscreen, with a high nose bridge, a nose that was more intelligent-seeming than her eyes, if that makes sense. (Though I have to be careful about evaluating the intelligence of women’s eyes in the Fold, since a person’s look varies so radically from instant to instant, and I could just be catching her at a moment of unflattering inattention.) The corners of her mouth were tight as she reached in her drawer. I couldn’t see what her hands were searching for under her folded sweatshirts and leggings, but I had my hopes. Just before a woman takes a bath, as the water is running, her nudity suddenly releases all of its charged ions of lewdness and becomes wholly artistique: she is naked in order to bathe herself, and bathe is such a smooth-surfaced, wide-voweled, modest word that you can appreciate the particulars of her beauty without any of your own erectile fierceness getting in the way. She is suddenly a modern dancer, a water-sprite, a wood-nymph, a naturist, her tits are not conceivably tits but breasts, and no matter how funkily they are shaped they appeal to the lovingly appreciative Ansel Adams in us rather than to the groper and pocket-pool player. This despite her manifest protosexual charms, her softly domey areolae, the Moorish arch her ass made in giving way effortlessly to her thighs, all of which I was able to review thoroughly for the first time with her up and on her feet. I didn’t spend too long in that early Fold, though, eager for her to get on with her intention, whatever it might be.

• From The Fermata (1994)

  I did feel a little rejected, and I was hoping to restore my cheer by watching her do something all by herself that would serve as real concrete proof that I had gotten to her in an actively crotchy sense. Just a bath was not enough. Kneeling by the edge of the tub, I spotted something dark in the water near her feet. Her toes were curled around it. When I put my head very close to the surface of the lavishly chlorinated water, steadying myself on one of her knees, I determined that the object was, as I had of course hoped but hadn’t really allowed myself to expect, a large black realistic rubber dildo. She was bathing with her rubber dildo—oh poetry! She was relaxing, letting her eyes close, not thinking about that single-minded submarine cruising around out of sight, beyond her bent knees, but because it was unquestionably there in the water with her, it was working under her thoughts and keeping her just on the edge of conscious arousal. It was time to take some chances with her. I removed all the clothes from the tall wicker laundry hamper that stood under the bathroom window and piled them on her bed and got inside the hamper with a wrinkly dark-gray linen shirt of hers tied loosely over my face; though I was in something of a fetal position, and though I could not see all that well through the linen, I could at least get some notion of what was going on as she proceeded with her bath. I used my glasses to Unfold; at once her hand tightened on the red washcloth and lots of water fell along her arm. Then nothing much happened for a long time. She wiped beads of sweat off her forehead with the washcloth several times, and she sighed a total of three long sighs. There were splashes whose nature I couldn’t determine. She shaved her legs for a while. She ran some more hot water and stirred it around. Once or twice she whispered aloud, going over fragments of remembered conversation, as far as I could tell. She did what looked to be a set of leg lifts. When the pain in my knees became too acute I Dropped, climbed out, and took a break downstairs, finishing the article on the Canadian lakes. I sang the Beatles song “Here, There and Everywhere,” walking around in her living room. I left my clothes in a little mound on her coffee table and went back upstairs and stuffed myself back in her hamper with the linen shirt over my head; I knew good things were going to happen.

• From The Fermata (1994)

  He was as still as a statue. She unzipped his fly and deftly hauled out his taciturn musky handful. She gave his cock three long stretching sucks. It was big and luncheon-meaty in her mouth; sucking on it was like sucking on a carnalized version of his voice or mind. She fully intended to put his dick away before the Map chord ran out on her, but her sucking took a little longer than she planned and she barely had time to turn back to the keyboard and continue playing to the end. She heard a little cry of surprise behind her and some hasty zippering. When she was done she turned again toward Sparkling and waited silently for his reaction. He looked greatly disconcerted; he was trying to figure something out that couldn’t be figured out; his obvious mystification and flusterment, so unusual for him, was endearing. “Was the fermata a little better this time?” said Rhody. “Yes, I think it was.” “It’s a very powerful work,” said Rhody, relishing Professor Sparkling’s speechlessness. “It’s quite different in effect from the published version.” “Yes, it is,” Sparkling said. And let’s say that that was the end of the lesson (I told Rhody). And say that she made a tape of herself playing the fermata chord, shaking the tape recorder to get it to work, and say that she went to the sound lab and sampled this sound (which did indeed appear to be a staccato chord to the listener) and regenerated it, so that simply by hitting the PLAY button on a Walkman she could stop time for up to thirty “minutes.” Wouldn’t she, I asked her, take advantage of her freedom by hitting PLAY whenever she had the slightest inclination to check out the indolent dick-specifics of any man who caught her eye? At first I thought she really liked the idea, because she said “Hmm!” to this with a certain amount of enthusiasm. At one or two places during my hypothetical story (which I have jazzed up here a little for posterity, although it is in its main outlines as I presented it to her), she had gotten an interested glint in her eye. But to my dismay, the more she considered the whole concept of time-perversion, the more she seemed to turn against it. I tried to win her over to it with more examples: wouldn’t it be even slightly interesting to her to be in some public place like Park Street Station, waiting for the train, and to be able to hit PLAY and go right through the crowd of men in their ties and jackets and briskly pull their pants down, so that their idiosyncratic idols peeped shyly out from behind their shirttails, available for all sorts of casual assessments and comparisons and cursory fondlings? Surely she would do that if she had the fermational power, wouldn’t she?