Desire
Desire is not a synonym for sex and it is not a synonym for wanting. It is the body's motivated lean toward intimacy, beauty, or more contact — the architecture of being-pulled. Vela holds the erotic register at the center but does not collapse the social, the cognitive, and the devotional registers into it: the corpus reads desire across all four, and the texture is in the difference.
Working definition · Motivated pull toward intimacy, beauty, or more contact—not mere preference.
6874 passages · 2 Vela essays
Vela’s read on this emotion
Desire is one of the emotions Vela reads most carefully, because the English word covers too much ground to leave undifferentiated. Four registers run inside it.
The erotic register is the most familiar. Vela reads it through Carmen Maria Machado, Garth Greenwell, Sappho's surviving fragments, and Audre Lorde's essay *Uses of the Erotic* — writers who treat erotic desire as serious subject matter rather than ornament. The social register — the desire to belong, to be seen correctly, to matter to a community — runs through memoir and through the literature of exile. The cognitive register — desire for the right word, for understanding, for mastery — surfaces in Plato's *Symposium* and in Augustine of Hippo's *Confessions*, where desire is examined as a form of motion of the soul. The devotional register — desire for God, or for the absolute — runs through the *Song of Songs*, Teresa of Ávila, John of the Cross, and the broader mystical tradition.
Desire is not the same as yearning, longing, or love. Yearning is desire facing what it may not reach. Longing is yearning settled into chronicity. Love is the sustained orientation that survives desire's exhaustion. The four words are kin; Vela reads them separately because the writers who have been most honest about each have kept them separate.
*On Desire* — the slower companion essay in the magazine — walks the four registers and makes the case for not collapsing them.
Study and magazine
Long-form guide in the magazine
*On Desire* — the four-register reading. Desire as architecture, not virtue: how the word holds erotic, social, cognitive, and devotional registers at once, and what the writers keep saying when the four are not collapsed.
Read the guidePassages
Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
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6874 tagged passages
From How Emotions Are Made: The Secret Life of the Brain (2017)
My stomach fluttered and I started having trouble concentrating. Okay, I realized, I was wrong. I am clearly attracted to him. We parted an hour later—after I agreed to go out with him again—and I headed home, intrigued. I walked into my apartment, dropped my keys on the floor, threw up, and spent the next seven days in bed with the flu. The same neural process of construction that simulates a bee from blobs also constructs feelings of attraction from a fluttering stomach and a flushing face. An emotion is your brain’s creation of what your bodily sensations mean, in relation to what is going on around you in the world. Philosophers have long proposed that your mind makes sense of your body in the world, from René Descartes in the seventeenth century to William James (considered the father of American psychology) in the nineteenth; as you will learn, however, neuroscience now shows us how this process—and much more—occurs in the brain to make an emotion on the spot. I call this explanation the theory of constructed emotion: 9 In every waking moment, your brain uses past experience, organized as concepts, to guide your actions and give your sensations meaning. When the concepts involved are emotion concepts, your brain constructs instances of emotion. If a swarm of buzzing bees is squeezing underneath your front door while your heart is pounding in your chest, your brain’s prior knowledge of stinging insects gives meaning to the sensations from your body and to the sights, sounds, smells, and other sensations from the world, simulating the swarm, the door, and an instance of fear. The exact same bodily sensations in another context, like watching a fascinating film about the hidden lives of bees, might construct an instance of excitement. Or if you see a picture of a smiling cartoon bee in a children’s book, reminding you of a beloved niece whom you took to a Disney movie, you could mentally construct the bee, the niece, and an instance of pleasant nostalgia. My experience in the coffee shop, where I felt attraction when I had the flu, would be called an error or misattribution in the classical view, but it’s no more a mistake than seeing a bee in a bunch of blobs. An influenza virus in my blood contributed to fever and flushing, and my brain made meaning from the sensations in the context of a lunch date, constructing a genuine feeling of attraction, in the normal way that the brain constructs any other mental state. If I’d had exactly the same bodily sensations while at home in bed with a thermometer, my brain might have constructed an instance of “Feeling Sick” using the same manufacturing process.
From The Annotated Lolita (1991)
I now refused to be diverted by the feeling of well-being that my walk had engendered—by the young summer breeze that enveloped the nape of my neck, the giving crunch of the damp gravel, the juicy tidbit I had sucked out at last from a hollow tooth, and even the comfortable weight of my provisions which the general condition of my heart should not have allowed me to carry; but even that miserable pump of mine seemed to be working sweetly, and I felt adolori d’amoureuse langueur, to quote dear old Ronsard, as I reached the cottage where I had left my Dolores. To my surprise I found her dressed. She was sitting on the edge of the bed in slacks and T-shirt, and was looking at me as if she could not quite place me. The frank soft shape of her small breasts was brought out rather than blurred by the limpness of her thin shirt, and this frankness irritated me. She had not washed; yet her mouth was freshly though smudgily painted, and her broad teeth glistened like wine- tinged ivory, or pinkish poker chips. And there she sat, hands clasped in her lap, and dreamily brimmed with a diabolical glow that had no relation to me whatever. I plumped down my heavy paper bag and stood staring at the bare ankles of her sandaled feet, then at her silly face, then again at her sinful feet. “You’ve been out,” I said (the sandals were filthy with gravel). “I just got up,” she replied, and added upon intercepting my downward glance: “Went out for a sec. Wanted to see if you were coming back.” She became aware of the bananas and uncoiled herself table-ward. What special suspicion could I have? None indeed—but those muddy, moony eyes of hers, that singular warmth emanating from her! I said nothing. I looked at the road meandering so distinctly within the frame of the window ... Anybody wishing to betray my trust would have found it a splendid lookout. With rising appetite, Lo applied herself to the fruit. All at once I remembered the ingratiating grin of the Johnny nextdoor. I stepped out quickly. All cars had disappeared except his station wagon; his pregnant young wife was now getting into it with her baby and the other, more or less cancelled, child. “What’s the matter, where are you going?” cried Lo from the porch. I said nothing. I pushed her softness back into the room and went in after her. I ripped her shirt off. I unzipped the rest of her. I tore off her sandals. Wildly, I pursued the shadow of her infidelity; but the scent I travelled upon was so slight as to be practically undistinguishable from a madman’s fancy.
From The Claiming of Sleeping Beauty (1983)
All my body ached and the aching was delicious to me. Her hands caressed my buttocks. She pinched the welts. She spread my buttocks apart, and as this hot sheathing tightened on my penis, as the roughness of her pubic hair stroked me and tantalized me, she put her fingers into my anus. "'My Prince, my Prince, you pass all tests for me,' she whispered. Her movements grew swifter, wilder. I saw her face and breasts suffused with scarlet. 'Now.' She commanded, and I pumped my passion into her. "I rocked with the pumping of it, my hips snapping as wildly as they had in the little circus performance. And when I was emptied and quiet, I lay covering her face and her breast with languid and sleepy kisses. "She sat up in bed, and ran her hands all over me. She told me I was her loveliest possession. 'But there are many cruelties in store for you,' she said. I felt myself grow hard again. She said I should be subjected to a daily discipline far worse than any she had before invented. "'I love you, my Queen,' I whispered. And had no though other than serving her. Yet of course I was afraid. Though I felt powerful in all I had endured and accomplished. "'Tomorrow,' she said, 'I go to review my armies. I must ride before them in an open coach, as much so they can see their Queen as I can see them, and after that I must proceed through the villages nearest the castle. "'All the Court rides with me according to rank. And all the slaves, naked, and collared in leather, march on foot with us. You shall march at the side of my carriage for all eyes to see. I shall have the finest collar for you, and your anus shall be opened with a leather phallus. You shall wear a bit in your mouth, and I shall hold the bridle. You will hold your head high before the soldiers, officers, the common people. And for the pleasure of the people, I shall have you displayed in the villages in the main square long enough for all to admire before we continue the procession.' "'Yes, my Queen,' I answered silently. I knew it would be a terrible ordeal, and yet I was thinking of it with curiosity, and wondering when and how my feeling of helplessness and yielding would visit me. Would it come before the villagers, or the soldiers, or when I trotted along with my head held high, my anus tortured by this phallus. Each detail she had described excited me. "I slept deeply and well. When Leon awakened me, he groomed me as carefully as he had for the little circus. "There was a huge commotion outside the castle.
From The Art of Seduction (2001)
When he had an affair with his half sister, who bore a child by him, he made sure that all of England knew about it. He could be uncommonly cruel, as he was to his wife. But all of this only made him that much more desirable. Danger and taboo appeal to a repressed side in women, who are supposed to represent a civilizing, mor- alizing force in culture. Just as a man may fall victim to the Siren through his desire to be free of his sense of masculine responsibility, a woman may succumb to the Rake through her yearning to be free of the constraints of virtue and decency. Indeed it is often the most virtuous woman who falls most deeply in love with the Rake. Among the Rake's most seductive qualities is his ability to make women want to reform him. How many thought they would be the one to tame Lord Byron; how many of Picasso's women thought they would finally be the one with whom he would spend the rest of his life. You must exploit this tendency to the fullest. When caught red-handed in rakishness, fall back on your weakness—your desire to change, and your inability to do so. With so many women at your feet, what can you do? You are the one who is the victim. You need help. Women will jump at this opportunity; they are uncommonly indulgent of the Rake, for he is such a pleasant, dashing figure. The desire to reform him disguises the true nature of their desire, the secret thrill they get from him. When President Bill Clinton was clearly caught out as a Rake, it was women who rushed to his defense, finding every possible excuse for him. The fact that the Rake is so devoted to women, in his own strange way, makes him lovable and seductive to them. Finally, a Rake's greatest asset is his reputation. Never downplay your bad name, or seem to apologize for it. Instead, embrace it, enhance it. It is The Rake • 27 what draws women to you. There are several things you must be known for: your irresistible attractiveness to women; your uncontrollable devotion to pleasure (this will make you seem weak, but also exciting to be around); your disdain for convention; a rebellious streak that makes you seem dan- gerous. This last element can be slightly hidden; on the surface, be polite and civil, while letting it be known that behind the scenes you are incorri- gible. Duke de Richelieu made his conquests as public as possible, exciting other women's competitive desire to join the club of the seduced.
From The Annotated Lolita (1991)
Chic Dolly wore a nice gray dress with fitted bodice and flared skirt. Humming, I retired to my study upstairs—and then every ten or twenty minutes I would come down like an idiot just for a few seconds; to pick up ostensibly my pipe from the mantelpiece or hunt for the newspaper; and with every new visit these simple actions became harder to perform, and I was reminded of the dreadfully distant days when I used to brace myself to casually enter a room in the Ramsdale house where Little Carmen was on. The party was not a success. Of the three girls invited, one did not come at all, and one of the boys brought his cousin Roy, so there was a superfluity of two boys, and the cousins knew all the steps, and the other fellows could hardly dance at all, and most of the evening was spent in messing up the kitchen, and then endlessly jabbering about what card game to play, and sometime later, two girls and four boys sat on the floor of the living room, with all windows open, and played a word game which Opal could not be made to understand, while Mona and Roy, a lean handsome lad, drank ginger ale in the kitchen, sitting on the table and dangling their legs, and hotly discussing Predestination and the Law of Averages. After they had all gone my Lo said ugh, closed her eyes, and dropped into a chair with all four limbs starfished to express the utmost disgust and exhaustion and swore it was the most revolting bunch of boys she had ever seen. I bought her a new tennis racket for that remark. January was humid and warm, and February fooled the forsythia: none of the townspeople had ever seen such weather. Other presents came tumbling in.
From My Year of Rest and Relaxation (2018)
There was a display of cheap champagne set up on a stack of boxes by the cases of beer and soda. I watched Reva eye the display, then open the freezer and lean in, struggling to excavate something stuck in the ice. I got my two coffees. Reva paid. “Is she your sister?” the Egyptian asked Reva, nodding in my direction as I sucked down my first coffee. It was extra burnt, and the cream I’d used had soured so that squishy strands of curd got caught on my teeth. I didn’t care. “No, she’s my friend,” Reva replied with some hostility. “You think we look alike?” “You could be sisters,” said the Egyptian. “Thank you,” Reva said dryly. When we got to my building on East Eighty-fourth, the doorman put down his newspaper to say “Happy New Year.” In the elevator, Reva said, “Those guys at the corner store, do they look at you funny?” “Don’t be racist.” Reva held my coffees while I unlocked the door. Inside my apartment, the television was on mute, flashing large bare breasts. “I’ve got to pee,” said Reva, dropping her gym bag. “I thought you hated porn.” I sniffed the air for traces of anything uncouth, but smelled nothing. I found a stray Silenor on the kitchen counter and swallowed it. “Your phone is in a Tupperware container floating in the tub,” Reva yelled from the bathroom. “I know,” I lied. We sat down on the sofa, me with my second coffee and my sample bottle of Infermiterol, Reva with her fat-free strawberry frozen yogurt. We watched the rest of the porn movie in complete silence. After a day spent meditating on death, watching people have sex felt good. “Procreation,” I thought. “The circle of life.” During the blow job scene, I got up and peed. During the pussy-eating scene, Reva got up and puked, I thought. Then she found a corkscrew in the kitchen, opened a bottle of the funeral wine, came back to the sofa and sat down. We passed the bottle back and forth and watched ejaculate dribble over the girl’s face. Gobs of it got stuck in her fake eyelashes. I thought of Trevor and all his drips and splats on my belly and back. When we’d had sex at his place, he’d finish and instantly rush out and back in with a roll of paper towels, hold the little trash can out for me as I wiped myself off. “These sheets . . .” Trevor never once came inside of me, not even when I was on the pill. His favorite thing was to fuck my mouth while I lay on my back pretending to be asleep, as if I wouldn’t notice his penis slamming into the back of my throat. The credits rolled. Another porn movie started. Reva found the remote and hit unmute. I opened the sample bottle of Infermiterol and took one, washing it down with the wine.
From The Swimming-Pool Library (1988)
‘Well that’s splendid,’ Nantwich declared. ‘We’ve still got everything to find out. What utter fun. When you get to be an old wibbly-wobbly, as one, alas, now is, you don’t often get the chance to have a go at someone absolutely fresh!’ He took a mouthful of gin, confiding in the glass as he did so a remark I could barely make out as it drowned, but which sounded like ‘Quite a corker, too.’ ‘It’s an agreeable room, this, isn’t it,’ he observed with one of his unannounced changes of tack. ‘Mmm,’ I just about agreed. ‘That’s an interesting picture.’ I tilted my head towards a large and, I hoped, mythological canvas, all but the foreground of which receded into the murk of two centuries or so of disregard. All that one saw were garland-clad, heavy, naked figures. ‘Yes. It’s a Poussin,’ said Nantwich decisively, turning his gaze away. It so evidently was not a Poussin that I wondered whether to take him up, whether he knew or cared what it was; if he were testing me or merely producing the philistine on-dit of the Club. ‘I think it could do with cleaning,’ I suggested. ‘It appears to be happening in the middle of the night, whatever it is.’ ‘Ooh, you don’t want to go cleaning everything,’ Nantwich assured me. ‘Most pictures would be better if they were a damned sight dirtier.’ Mildly dismayed, I treated it as a joke. ‘Bah!’ he went on. ‘You get these fellows—women mostly—doing all the old pictures up. No knowing what they’ll find. And then they look like fakes afterwards.’ I saw he was dribbling gin from his glass onto the carpet. He touched my outstretched hand. ‘Whoopsy!’ he said, as if I were being a nuisance. His gaze drifted into the middle distance and I too looked about, a little at a loss for talk. ‘Actually, I love art,’ he announced. ‘One day, if we get on quite well, I’ll show you my house. You’re keen on art, I should say?’ ‘I do have quite a lot of time for it,’ I conceded; then, fearing he might think my tone was rude, I enlarged a figure of speech into an observation. ‘I mean, I don’t have a job, and I have plenty of time to go to galleries and look at pictures.’ ‘You’re not married or anything are you?’ ‘No, nothing,’ I assured him. ‘Too young, I know. You’ve been up to university, of course?’ ‘I was at Oxford, yes—at Corpus—reading History.’ He drank this in with some more gin. ‘Do you like girls at all?’ he asked. ‘Yes, I like them quite a lot really,’ I insisted.
From The Folding Star (1994)
Luc naked—apart from his white briefs. His hard cock had a vein in it so thick that it showed in contour through the stretched cotton. I turned him round in my hands, kissed the back of his neck, stood away from him a moment as I undid my cuffs, glancing down at his legs, where the summer tanlines still palely showed. I thought, I mustn't say I love you, though they were the only words I had in my head. He looked back, swung slowly round, swallowing, wondering; there was a mastered shyness in his face, his movements had the seductive blur of drink, the sureness heightened by delay. He took my cock in his hand for a stroke or two, then hugged me again—I was kissing him adoringly, gasping a bit crazily as I worked at his mouth, confusing him; calming him too with my hands across his back, tranced arcs falling gently to his waistband—my fingers slid firmly under and he caught his breath as I furrowed through. He curled against me, then started pushing at his pants to get them down. Luc's cock—with that fat little rope of blue-grey vein that ran out along its broad back and then curved capriciously under, the tight foreskin, still with a tang of moisture under it—I kissed it and licked his blond-wisped balls just briefly, in acknowledgment, whilst his hands went softly through my hair. I stumbled him back a couple of times till he bumped the chair, he didn't quite know what was going on—he raised his foot on to the arm and I slid beneath and twisted round with my face in his arse. It was bolder and more beautiful than I expected, the flare of it as he leant forward to play clumsily with my cock. I stroked his pucker with a knuckle, longing to lick—I breathed on it, sort of whistled as if cooling something. It had a pretty, spoilt expression, a puzzled pout. I kissed all around it, decoyed my tongue all down his raised thigh, came back and tried it with a licked thumb. There was a kind of pride in him as well as me; he would take whatever I gave him. I felt for a second or two the strict obligations of the teacher's role, then doubted, as my thumb slipped in to the first, then the second knuckle, whilst he complained and jacked his cock fiercely in his hand, if he had anything left to learn.
From The Best American Erotica 2001 (2001)
“Come for me,” she ordered. I hadn’t realized it, but I’d been waiting for her permission. The release was sudden. It was all I could do to remain up right as I shuddered against her chest. When I was done, she turned me around and enveloped me in a hug. I sank into her arms, my scent mingling with her soap and leather. “Sorry you missed your act,” she said. My act! Damn! I missed my cue. I guess fifteen minutes wasn’t so long after all. JERRY STAHL From Perv-A Love Story I didn’t officially see her go. I made myself look away, pre tending to watch for pedestrians. But I heard her, the first quick wisssh, then the sputtering gush. I saw the pee run and puddle the damp cement. A frothsy stream ran under my work boots but I didn’t move. It wasn’t piss. It was her piss. I couldn’t believe it. After my whole life, Michele’s pussy was right there . . . and I stared somewhere else. When the puddling stopped, she tugged my pant leg. She raised her face and gave me a funny smile. “You want to?” Her voice was sweet and girlish again. “Want to what?” “You know, . . .” Shy and defiant at the same time. “Wipe me. Girls have to wipe when they pee, you know. My daddy always wiped me.” “Your daddy?” Maybe I could tell her about Mom’s cuddle-fish. My mouth went so dry I could have spit wood chips. The sun peeped out of the clouds and everything looked super clear. More real than real. The wet crease between her legs was the color of champagne. My parents served it every New Year. I never liked the taste, but now sneaking a peek—because it was too much, because I would die or go blind—now I guessed I’d love it. “I don’t have any tissue,” I sputtered, but Michele only shrugged. “So?” That’s how it happened: in the middle of the Miracle Mile parking lot, I not only got to feel like I loved a girl, I got to feel when you touch one—down there—and love her at the same time. I trailed my finger so lightly on her slit, I hardly touched her at all. I’d have strangled puppies to do more, but there were all those people, those cars. All that light and traffic. The air felt like cold tinfoil. I thought, idiotically, What would Bob Dylan do? Then I freaked. I imagined a station wagon owner footsteps away, ready to catch me. But catch me what? All I was doing—and I couldn’t believe I was doing it—was brushing my hand along Michele’s cleft, feeling the hot wet of her. The warm droplets in her champagne slit mingled with the chilly rain still on my fingers.
From The Best American Erotica 2001 (2001)
there was a slight, unmistakable shifting of your hip pressing into my fingers. Wondering whose hands caressed you in your dreams, wondering where you were and who she was and whether you could see her face as her hand moved where mine did, I smiled at your reaction, experimentally pushing my knee against the backs of your thighs to see if you’d let me push your legs apart. I flattened my palm against the top of your breastbone to hold you steady, to keep you pressed against me. You arched a little, letting me spread your thighs, those thick gorgeous thighs I love to knead, to stroke, to kiss, to taste, not legs so much as feasts, as succulent and resilient to my bites as grilled sausages, yet as sweet and satiny as ganache against my tongue. Sud denly I could smell the wilderness of your aroused cunt and realized that yes, I was right, you had to have been dreaming of sex even before I began to touch you. I wondered how far you’d let me go, how much of this I could enjoy before you woke and shooed me away, protesting auf Deutsch, too agi tated and asleep to remember how to scold me in English. Hands moving slowly, not wishing to disturb your lust- saturated slumber any more than absolutely necessary, I found a nipple with one hand while the other inched its way between my leg and yours, pushing against the sleek flesh to either side. Your nipple was crinkly, hard, the tip of it already sensitized to the touch of some imagined seducer’s hands. With the pad of a finger I circled it, traced it, outlined it, imagining each ridge and whorl of my fingerprint rasping against it like corduroy, fantasizing that in your sleep, your normal sensitivity would be perhaps enhanced to feel it. Your breathing shifted slightly, deeper now. I love, have always loved, will always love, entering you from behind. There is an almost illicit thrill in reaching just
From The Swimming-Pool Library (1988)
As we turned into my road he was hobbling and said, ‘Will, I’m busting for a piss.’ The tight waistband of my trousers squeezed cruelly on his bladder, swollen with a couple of pints of lager. By the time we had entered the house and climbed the stairs he hardly dared move, and clutched at himself with a babyish moan of need. I unlocked the door and as he slipped in caught him by the arm and made him stand where he was. Then I knelt down and undid his shoes and pulled his socks off: he was jiggling on the spot, gasping ‘Man, hurry up!’ But instead of letting him go I led him onto the lino of the kitchen, and he stood there, obedient and desperate. I took off his shirt, and undid the top button of his trousers, restoring his porno image—some tough, cocky, bemused little tart. His dick was already half-hard from the desire to piss, and as I kissed him, and bit him, and licked his tits, I whispered to him to let it go. I slipped my hands between his legs and squeezed his balls, and watched his eyes widen as he overcame his inhibition. He looked grateful, almost ecstatic, as the first shy stain blossomed in his lap, his cock jacked up under the thin skin-tight cotton, and then it was all happening, it pumped out, on and on, his left leg darkening and glistening as it drenched down. An abundant, infantile puddle spread on the lino, and when he had finished I went behind him, pulled down his trousers, pushed him to the floor and fucked him in it like a madman. Later we shared a bath with foam up to our ears, like they always discreetly have in films. Phil needed some slacks and falling fondly back now on my notion of him as my little soldier, I gave him my old army fatigues. He padded about in them, and rummaging in the pockets brought out some loose change, a spunk-stiffened hanky, and a folded white card. I looked at the card, which bore a national insurance number, and on the other side the name ‘Arthur Edison Hope’, and his address. 8Next day I was earlier at the Corry than usual, swimming with the lunchtime set before going east to Charles and then, alarmingly, perhaps futilely, beyond. Phil was back to work on an awkward split shift, and I would see him in the evening, over at the hotel.
From Fear of Flying (1973)
I know some good marriages. Second marriages mostly. Marriages where both people have outgrown the bullshit of me-Tarzan, you-Jane and are just trying to get through their days by helping each other, being good to each other, doing the chores as they come up and not worrying too much about who does what. Some men reach that delightfully relaxed state of affairs about age forty or after a couple of divorces. Maybe marriages are best in middle age. When all the nonsense falls away and you realize you have to love one another because you’re going to die anyway. — We were all stoned (but I was more stoned than everyone) when we piled into Adrian’s green Triumph and headed for a discotheque. There were five of us sardined into that tiny car: Bennett; Marie Winkleman (a very bosomy college classmate of mine whom Bennett had sort of picked up at the party—she was a psychologist); Adrian (who was driving, after a fashion); me (head back, like the first Isadora, post-strangulation); and Robin Phipps-Smith (the mousy British candidate with frizzy hair and German eyeglass frames who talked all the time about how he detested “Ronnie” Laing—something which endeared him to Bennett’s heart). Adrian, on the other hand, was a follower of Laing, had studied with him, and could do excellent imitations of his Scottish accent. At least I thought they were excellent—but then I didn’t know how Laing spoke. We zigzagged through the streets of Vienna, over the cobblestones and trolley tracks, across the muddy brown Danube. I don’t know the name of the discotheque, or the street, or anything. I go into states where I notice nothing about the landscape except the male inhabitants and which organs of mine (heart, stomach, nipples, cunt) they cause to palpitate. The discotheque was silver. Chrome paper on the walls. Flashing white lights. Mirrors everywhere. The glass tables elevated on platforms of chrome. The seats white leather. Ear-splitting rock music. Call the place whatever you like: the Mirrored Room, the Seventh Circle, the Silvermine, the Glass Balloon. I know, at least, that the name was in English. Very trendy and forgettable. Bennett, Marie, and Robin said they were sitting down to order drinks. Adrian and I began to dance, our drunken gyrations repeated in the endless mirrors. Finally we sought a nook between two mirrors where we could kiss, watched only by infinite numbers of ourselves. I had the distinct sensation of kissing my own mouth—like when I was nine and used to wet a piece of my pillow with saliva and then kiss it to try to imagine what “soul-kissing” was like.
From The Annotated Lolita (1991)
This sort of thing soon began to bore my so easily bored Lolita, and, having a childish lack of sympathy for other people’s whims, she would insult me and my desire to have her caress me while blue-eyed little brunettes in blue shorts, copperheads in green boleros, and blurred boyish blondes in faded slacks passed by in the sun. As a sort of compromise, I freely advocated whenever and wherever possible the use of swimming pools with other girl-children. She adored brilliant water and was a remarkably smart diver. Comfortably robed, I would settle down in the rich postmeridian shade after my own demure dip, and there I would sit, with a dummy book or a bag of bonbons, or both, or nothing but my tingling glands, and watch her gambol, rubber-capped, bepearled, smoothly tanned, as glad as an ad, in her trim-fitted satin pants and shirred bra. Pubescent sweetheart! How smugly would I marvel that she was mine, mine, mine, and revise the recent matitudinal swoon to the moan of the mourning doves, and devise the late afternoon one, and slitting my sun-speared eyes, compare Lolita to whatever other nymphets parsimonious chance collected around her for my anthological delectation and judgment; and today, putting my hand on my ailing heart, I really do not think that any of them ever surpassed her in desirability, or if they did, it was so two or three times at the most, in a certain light, with certain perfumes blended in the air—once in the hopeless case of a pale Spanish child, the daughter of a heavy-jawed nobleman, and another time— mats je divague . Naturally, I had to be always wary, fully realizing, in my lucid jealousy, the danger of those dazzling romps. I had only to turn away for a moment—to walk, say, a few steps in order to see if our cabin was at last ready after the morning change of linen—and Lo and Behold, upon returning, I would find the former, les yeux perdus , dipping and kicking her long-toed feet in the water on the stone edge of which she lolled, while, on either side of her, there crouched a brun adolescent whom her russet beauty and the quicksilver in the baby folds of her stomach were sure to cause to se tordre — oh Baudelaire!—in recurrent dreams for months to come.
From The Annotated Lolita (1991)
Haze strolled up and said indulgently: “Just slap her hard if she interferes with your scholarly meditations. How I love this garden [no exclamation mark in her tone]. Isn’t it divine in the sun [no question mark either].” And with a sign of feigned content, the obnoxious lady sank down on the grass and looked up at the sky as she leaned back on her splayed-out hands, and presently an old gray tennis ball bounced over her, and Lo’s voice came from the house haughtily: “Pardonnez, Mother. I was not aiming at you.” Of course not, my hot downy darling. 12 This proved to be the last of twenty entries or so. It will be seen from them that for all the devil’s inventiveness, the scheme remained daily the same. First he would tempt me—and then thwart me, leaving me with a dull pain in the very root of my being. I knew exactly what I wanted to do, and how to do it, without impinging on a child’s chastity; after all, I had had some experience in my life of pederosis; had visually possessed dappled nymphets in parks; had wedged my wary and bestial way into the hottest, most crowded corner of a city bus full of strap-hanging school children. But for almost three weeks I had been interrupted in all my pathetic machinations. The agent of these interruptions was usually the Haze woman (who, as the reader will mark, was more afraid of Lo’s deriving some pleasure from me than of my enjoying Lo). The passion I had developed for that nymphet—for the first nymphet in my life that could be reached at last by my awkward, aching, timid claws—would have certainly landed me again in a sanatorium, had not the devil realized that I was to be granted some relief if he wanted to have me as a plaything for some time longer. The reader has also marked the curious Mirage of the Lake. It would have been logical on the part of Aubrey McFate (as I would like to dub that devil of mine) to arrange a small treat for me on the promised beach, in the presumed forest. Actually, the promise Mrs. Haze had made was a fraudulent one: she had not told me that Mary Rose Hamilton (a dark little beauty in her own right) was to come too, and that the two nymphets would be whispering apart, and playing apart, and having a good time all by themselves, while Mrs. Haze and her handsome lodger conversed sedately in the seminude, far from prying eyes. Incidentally, eyes did pry and tongues did wag. How queer life is!
From The Claiming of Sleeping Beauty (1983)
And then he drove into her that thick sex she had desired from the first instant she had seen it. His thrusts were brutal, strong, as if he too were overcome with denied passion. Her aching sex was filled, her tight nipples throbbing, and she snapped her hips, lifting him as she had lifted the Prince, feeling him fill her, pinion her. At last she rose up crying out in her relief, and she felt him come with a last driving motion. Hot fluids filled her, and she lay back gasping. She lay against his chest. He cradled her, rocked her, never stopped kissing her. And when she sucked his nipples, bit at them playfully with her teeth, he was hard again and pushing against her. He rose to his knees and lifted her down on his organ. She whispered her assent and then he moved her back and forth, jabbing her, working her. She had her head thrown back, her teeth clenched. "Alexi, my Prince!" she cried. And again her wet sex, stretched wide over him, throbbed in a frenzied rhythm until she was all but screaming with release as again he filled her. It was not until after a third time that they lay still. Yet she bit at his nipples, her hands feeling his scrotum, his penis. He rested on his elbow and smiled down at her, and let her do as she wished, even when her fingers probed his anus. She had never felt a man in this manner before. She sat up, and made him roll on his face, and then she examined all of him. And then, overcome with shyness, she lay beside him again, nestled into his arms and buried her head in his warm, sweet smelling hair, and welcomed his gentle, deep, affectionate kisses. His lips played with hers. He whispered her name in her ear, and laying his hand between her legs sealed her tight with his palm as he clung to her. "We must not fall asleep," he said. "I fear that for you the punishment might be too terrible." "And not for you?" she asked. He appeared to reflect, and then he smiled. "Probably not," he answered. "But you are a fledgling." "And do I do so badly?" she asked. "You are incomparable in all things," he said. "Don't let your cruel masters and mistresses deceive you. They are in love with you." "Ah, but how should we be punished?" she asked. "Would it be the village?" She dropped her voice as she said it. "And who has told you about the village?" he asked, a little surprised. "It could be the village..." he was thinking...
From The Claiming of Sleeping Beauty (1983)
She could see the scrotum, no more than a shadow. "You were sent here in Tribute by your father." "As your mother demanded, your Highness." "And to serve how many years?" "As long as it pleases your Highness, and my mistress, the Queen," Prince Alexi answered. "And you are what? Nineteen? And a model among the other Tributes?" Prince Alexi blushed. The Prince turned him towards Beauty with a rough blow on the shoulder, and steered him towards the bed. Beauty drew herself up, feeling her face flushed warm. "And the favorite of my mother?" the Prince demanded. "Not tonight, your Highness," Prince Alexi said with the barest trace of a smile. The Prince acknowledged this with a soft laugh. "No, you have not comported yourself very well today, have you?" "I can only beg forgiveness, your Highness," said Prince Alexi. "You can do more than that," said the Prince into his ear as he pushed him nearer to Beauty. "You can suffer for it. And you can give my Beauty a lesson in willingness and perfect submission." Now the Prince turned his gaze on Beauty, scrutinizing her mercilessly. She looked down, terrified of displeasing him. "Look at Prince Alexi," he told her, and when she raised her eyes, she saw the beautiful captive Prince only a few inches from her. His disheveled hair partially veiled his face, and his skin appeared deliciously smooth to her. She was trembling. Just as she feared he would, the Prince lifted Prince Alexi's chin again, and when Prince Alexi looked at her with his large brown eyes, he smiled very slowly and serenely at her for an instant the Prince could not have witnessed. Beauty drank her fill of him with her eyes because she had no choice and hoped the Prince would see no more than her distress. "Kiss my new slave and welcome her to this house. Kiss her lips and her breasts," said the Prince. And he lifted Prince Alexi's hands from the back of his neck so they went silently and obediently to his sides. Beauty gasped. Prince Alexi was smiling at her again, secretly as his shadow fell over her, and she felt his lips close over hers and the shock of his kiss pass through her. She could feel that misery between her legs formed into a tight know, and when his lips touched her left breast and then the right, she bit into her lower lip so hard she might have drawn blood. Prince Alexi's hair stroked her cheek and her breasts as he carried out the command and then he stood back with that same beguiling equanimity. Beauty put her hands to her face before she could stop herself. But immediately the Prince took them away. "Look well, Beauty.
From The Claiming of Sleeping Beauty (1983)
But now she saw the first of them appear amid the crowd, carrying silver pitchers with which they filled the goblets at the table, always bowing when they passed the Queen and the Prince, and she watched them, forgetting herself for the moment, with great absorption. The young men had softly curly hair, cut at the shoulders and neatly combed so that it framed their lean faces. And never did they raise their eyes, though some seemed to move in obvious discomfort from the hardness of their penises. How she could tell this discomfort, she was not sure; it was their manner, a manner of bearing tension and desire, with no expression for it. And as she saw the first of the long-haired girls bending over the table with her pitcher, she wondered if she too felt this same softly agonizing pleasure. Beauty felt it now just looking at these slaves, and she felt a quiet relief that for a moment she herself was unobserved. Or so she thought. Because she could sense a restlessness in the room. Some were rising and walking about, perhaps even dancing to the music. She could not be sure. And others had gone to gather near the Queen, their goblets in hand, regaling the Prince it seemed with stories. The Prince. She caught a clear glimpse of him and he smiled at her. How regal he looked, his black hair glossy and full, his long, shining white boots stretched out on the blue carpet before him. He was nodding and smiling to those who addressed him, but now and then his eyes moved to Beauty. But there was so much to see, and now she felt someone was very near her, and touching her again, and she realized that a line of dancers was just forming to one side of her. There was a reckless air to things. Much wine was being poured. There were great eruptions of laughter. And then, quite suddenly, she saw far to her left a young naked boy drop his pitcher of wine, and the red liquid run out on the floor as the others hastened to clean it. At once the Lord at Beauty's side clapped his hands, and Beauty saw three exquisitely dressed Pages, no older than the naked boys themselves, rush forward and seize the boy and hold him up quickly by his ankles. This brought a loud round of applause from those Lords and Ladies nearest the boy, and at once a paddle was produced, a very beautiful piece of gold enameling and white tracery, and the offender was smartly spanked while all looked on with the greatest fascination. Beauty felt a fluttering in her heart. If she were to be humiliated like that, punished so immediately and ignominiously for clumsiness, she didn't know how she could bear it.
From The Annotated Lolita (1991)
Monday. Delectatio morosa. I spend my doleful days in dumps and dolors. We (mother Haze, Dolores and I) were to go to Our Glass Lake this afternoon, and bathe, and bask; but a nacreous morn degenerated at noon into rain, and Lo made a scene. The median age of pubescence for girls has been found to be thirteen years and nine months in New York and Chicago. The age varies for individuals from ten, or earlier, to seventeen. Virginia was not quite fourteen when Harry Edgar possessed her. He gave her lessons in algebra. Je m’imagine cela. They spent their honeymoon at Petersburg, Fla. “Monsieur Poe-poe,” as that boy in one of Monsieur Humbert Humbert’s classes in Paris called the poet-poet. I have all the characteristics which, according to writers on the sex interests of children, start the responses stirring in a little girl: clean- cut jaw, muscular hand, deep sonorous voice, broad shoulder. Moreover, I am said to resemble some crooner or actor chap on whom Lo has a crush. Tuesday. Rain. Lake of the Rains. Mamma out shopping. L., I knew, was somewhere quite near. In result of some stealthy maneuvering, I came across her in her mother’s bedroom. Prying her left eye open to get rid of a speck of something. Checked frock. Although I do love that intoxicating brown fragrance of hers, I really think she should wash her hair once in a while. For a moment, we were both in the same warm green bath of the mirror that reflected the top of a poplar with us in the sky. Held her roughly by the shoulders, then tenderly by the temples, and turned her about. “It’s right there,” she said, “I can feel it.” “Swiss peasant would use the tip of her tongue.” “Lick it out?” “Yeth. Shly try?” “Sure,” she said. Gently I pressed my quivering sting along her rolling salty eyeball. “Goody-goody,” she said nictating. “It is gone.” “Now the other?” “You dope,” she began, “there is noth—” but here she noticed the pucker of my approaching lips. “Okay,” she said co-operatively, and bending toward her warm upturned russet face somber Humbert pressed his mouth to her fluttering eyelid. She laughed, and brushed past me out of the room. My heart seemed everywhere at once. Never in my life—not even when fondling my child- love in France—never— Night. Never have I experienced such agony. I would like to describe her face, her ways—and I cannot, because my own desire for her blinds me when she is near. I am not used to being with nymphets, damn it. If I close my eyes I see but an immobilized fraction of her, a cinematographic still, a sudden smooth nether loveliness, as with one knee up under her tartan skirt she sits tying her shoe. “Dolores Haze, ne montrez pas vos zhambes” (this is her mother who thinks she knows French).
From The Annotated Lolita (1991)
At other times I would tell myself that it was all a question of attitude, that there was really nothing wrong in being moved to distraction by girl-children. Let me remind my reader that in England, with the passage of the Children and Young Person Act in 1933, the term “girl-child” is defined as “a girl who is over eight but under fourteen years” (after that, from fourteen to seventeen, the statutory definition is “young person”). In Massachusetts, U.S., on the other hand, a “wayward child” is, technically, one “between seven and seventeen years of age” (who, moreover, habitually associates with vicious or immoral persons). Hugh Broughton, a writer of controversy in the reign of James the First, has proved that Rahab was a harlot at ten years of age. This is all very interesting, and I daresay you see me already frothing at the mouth in a fit; but no, I am not; I am just winking happy thoughts into a little tiddle cup. Here are some more pictures. Here is Virgil who could the nymphet sing in single tone, but probably preferred a lad’s perineum. Here are two of King Akhnaten’s and Queen Nefertiti’s pre-nubile Nile daughters (that royal couple had a litter of six), wearing nothing but many necklaces of bright beads, relaxed on cushions, intact after three thousand years, with their soft brown puppybodies, cropped hair and long ebony eyes. Here are some brides of ten compelled to seat themselves on the fascinum, the virile ivory in the temples of classical scholarship. Marriage and cohabitation before the age of puberty are still not uncommon in certain East Indian provinces. Lepcha old men of eighty copulate with girls of eight, and nobody minds. After all, Dante fell madly in love with his Beatrice when she was nine, a sparkling girleen, painted and lovely, and bejeweled, in a crimson frock, and this was in 1274, in Florence, at a private feast in the merry month of May. And when Petrarch fell madly in love with his Laureen, she was a fair-haired nymphet of twelve running in the wind, in the pollen and dust, a flower in flight, in the beautiful plain as descried from the hills of Vaucluse. But let us be prim and civilized. Humbert Humbert tried hard to be good. Really and truly, he did. He had the utmost respect for ordinary children, with their purity and vulnerability, and under no circumstances would he have interfered with the innocence of a child, if there was the least risk of a row. But how his heart beat when, among the innocent throng, he espied a demon child, “ enfant charmante et fourbe ,” dim eyes, bright lips, ten years in jail if you only show her you are looking at her. So life went. Humbert was perfectly capable of intercourse with Eve, but it was Lilith he longed for.
From The Annotated Lolita (1991)
Humbert Humbert intercepted the apple. “Give it back,” she pleaded, showing the marbled flush of her palms. I produced Delicious. She grasped it and bit into it, and my heart was like snow under thin crimson skin, and with the monkeyish nimbleness that was so typical of that American nymphet, she snatched out of my abstract grip the magazine I had opened (pity no film had recorded the curious pattern, the monogrammic linkage of our simultaneous or overlapping moves). Rapidly, hardly hampered by the disfigured apple she held, Lo flipped violently through the pages in search of something she wished Humbert to see. Found it at last. I faked interest by bringing my head so close that her hair touched my temple and her arm brushed my cheek as she wiped her lips with her wrist. Because of the burnished mist through which I peered at the picture, I was slow in reacting to it, and her bare knees rubbed and knocked impatiently against each other. Dimly there came into view: a surrealist painter relaxing, supine, on a beach, and near him, likewise supine, a plaster replica of the Venus di Milo, half-buried in sand. Picture of the Week, said the legend. I whisked the whole obscene thing away. Next moment, in a sham effort to retrieve it, she was all over me. Caught her by her thin knobby wrist. The magazine escaped to the floor like a flustered fowl. She twisted herself free, recoiled, and lay back in the right-hand corner of the davenport. Then, with perfect simplicity, the impudent child extended her legs across my lap. By this time I was in a state of excitement bordering on insanity; but I also had the cunning of the insane.