Desire
Desire is not a synonym for sex and it is not a synonym for wanting. It is the body's motivated lean toward intimacy, beauty, or more contact — the architecture of being-pulled. Vela holds the erotic register at the center but does not collapse the social, the cognitive, and the devotional registers into it: the corpus reads desire across all four, and the texture is in the difference.
Working definition · Motivated pull toward intimacy, beauty, or more contact—not mere preference.
6874 passages · 2 Vela essays
Vela’s read on this emotion
Desire is one of the emotions Vela reads most carefully, because the English word covers too much ground to leave undifferentiated. Four registers run inside it.
The erotic register is the most familiar. Vela reads it through Carmen Maria Machado, Garth Greenwell, Sappho's surviving fragments, and Audre Lorde's essay *Uses of the Erotic* — writers who treat erotic desire as serious subject matter rather than ornament. The social register — the desire to belong, to be seen correctly, to matter to a community — runs through memoir and through the literature of exile. The cognitive register — desire for the right word, for understanding, for mastery — surfaces in Plato's *Symposium* and in Augustine of Hippo's *Confessions*, where desire is examined as a form of motion of the soul. The devotional register — desire for God, or for the absolute — runs through the *Song of Songs*, Teresa of Ávila, John of the Cross, and the broader mystical tradition.
Desire is not the same as yearning, longing, or love. Yearning is desire facing what it may not reach. Longing is yearning settled into chronicity. Love is the sustained orientation that survives desire's exhaustion. The four words are kin; Vela reads them separately because the writers who have been most honest about each have kept them separate.
*On Desire* — the slower companion essay in the magazine — walks the four registers and makes the case for not collapsing them.
Study and magazine
Long-form guide in the magazine
*On Desire* — the four-register reading. Desire as architecture, not virtue: how the word holds erotic, social, cognitive, and devotional registers at once, and what the writers keep saying when the four are not collapsed.
Read the guidePassages
Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
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6874 tagged passages
From A Boy's Own Story (1982)
He pulls the sheet halfway up his chest, so that whatever happens under it will seem less sordid—or so he tells himself. (The truth is, the sheet declares the autonomy of desire, just as a tan line, by isolating the genitals, emphasizes them.) His dark hand pulls open the pajama flap and grabs his penis, which in a moment is as hard as hickory, but his thoughts are scattered, the flesh is strong but the spirit is weak. He assembles the features of various girls he’s known or seen in magazines or movies into a face he kisses, then violates—wrong, cancel—kisses again. And then he sees mental pictures of that time Julie and he were lying on the rug and talking about their futures. They were going to different colleges, they’d be apart for a year, suddenly his hand is rubbing those panties over a mound that just barely hints through the thick spandex that there might be an opening below—and then he’s wriggled under the armor into something flossy, ringleted and then hot and wet and labyrinthine and straining up to meet his fingers even as her throat moans no and she gasps, “Too sweet, you’re so …” And she buried her face in his sleeve, bit a fold in his shirt. She pulled away and sat him on a chair across the room from her and mimed fluffing her skirt and straightening her hair and said, “There, now,” but she didn’t turn on the lights, he noticed, and in a moment he had scooted back over and was sitting on the floor below her chair and he was kissing her knee very tenderly, respectfully, but his hand was straying almost in spite of itself back up between her smooth warm legs, as lean as a boy’s, as warm as new bread, while his other hand clawed at his own trousers and he whispered, hoarse and dry-mouthed, “Julie, just let me, just this much, something to remember—” I came. I had seen. He could conquer me. If I was Julie or Helen or whoever else, just so long as I was in his mind somehow. Or no, perhaps I didn’t want to be a character in Mr. Pouchet’s head, just a virus that had entered the very gland of his consciousness from which I could study, even experience, his longing for a woman. I didn’t want him to like men, just me, not even me as a man but me as discarnate ardor, pure willingness in his naive, manly, exquisitely untested arms.
From The Annotated Lolita (1991)
I have reserved for the conclusion of my “Annabel” phase the account of our unsuccessful first tryst. One night, she managed to deceive the vicious vigilance of her family. In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. Through the darkness and the tender trees we could see the arabesques of lighted windows which, touched up by the colored inks of sensitive memory, appear to me now like playing cards—presumably because a bridge game was keeping the enemy busy. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us, between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion. I recall the scent of some kind of toilet powder—I believe she stole it from her mother’s Spanish maid—a sweetish, lowly, musky perfume. It mingled with her own biscuity odor, and my senses were suddenly filled to the brim; a sudden commotion in a nearby bush prevented them from overflowing—and as we drew away from each other, and with aching veins attended to what was probably a prowling cat, there came from the house her mother’s voice calling her, with a rising frantic note—and Dr. Cooper ponderously limped out into the garden. But that mimosa grove—the haze of stars, the tingle, the flame, the honeydew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since—until at last, twenty-four years later, I broke her spell by incarnating her in another.
From The Annotated Lolita (1991)
Sunday. Heat ripple still with us; a most favonian week. This time I took up a strategic position, with obese newspaper and new pipe, in the piazza rocker before L. arrived. To my intense disappointment she came with her mother, both in two-piece bathing suits, black, as new as my pipe. My darling, my sweetheart stood for a moment near me—wanted the funnies—and she smelt almost exactly like the other one, the Riviera one, but more intensely so, with rougher overtones—a torrid odor that at once set my manhood astir—but she had already yanked out of me the coveted section and retreated to her mat near her phocine mamma. There my beauty lay down on her stomach, showing me, showing the thousand eyes wide open in my eyed blood, her slightly raised shoulder blades, and the bloom along the incurvation of her spine, and the swellings of her tense narrow nates clothed in black, and the seaside of her schoolgirl thighs. Silently, the seventh-grader enjoyed her green-red-blue comics. She was the loveliest nymphet green-red-blue Priap himself could think up. As I looked on, through prismatic layers of light, dry-lipped, focusing my lust and rocking slightly under my newspaper, I felt that my perception of her, if properly concentrated upon, might be sufficient to have me attain a beggar’s bliss immediately; but, like some predator that prefers a moving prey to a motionless one, I planned to have this pitiful attainment coincide with one of the various girlish movements she made now and then as she read, such as trying to scratch the middle of her back and revealing a stippled armpit—but fat Haze suddenly spoiled everything by turning to me and asking me for a light, and starting a make-believe conversation about a fake book by some popular fraud. Monday. Delectatio morosa. I spend my doleful days in dumps and dolors. We (mother Haze, Dolores and I) were to go to Our Glass Lake this afternoon, and bathe, and bask; but a nacreous morn degenerated at noon into rain, and Lo made a scene. The median age of pubescence for girls has been found to be thirteen years and nine months in New York and Chicago. The age varies for individuals from ten, or earlier, to seventeen. Virginia was not quite fourteen when Harry Edgar possessed her. He gave her lessons in algebra. Je m’imagine cela. They spent their honeymoon at Petersburg, Fla. “Monsieur Poe-poe,” as that boy in one of Monsieur Humbert Humbert’s classes in Paris called the poet-poet. I have all the characteristics which, according to writers on the sex interests of children, start the responses stirring in a little girl: clean-cut jaw, muscular hand, deep sonorous voice, broad shoulder. Moreover, I am said to resemble some crooner or actor chap on whom Lo has a crush.
From The Annotated Lolita (1991)
21“Lo! Lola! Lolita!” I hear myself crying from a doorway into the sun, with the acoustics of time, domed time, endowing my call and its tell-tale hoarseness with such a wealth of anxiety, passion and pain that really it would have been instrumental in wrenching open the zipper of her nylon shroud had she been dead. Lolita! In the middle of a trim turfed terrace I found her at last—she had run out before I was ready. Oh Lolita! There she was playing with a damned dog, not me. The animal, a terrier of sorts, was losing and snapping up again and adjusting between his jaws a wet little red ball; he took rapid chords with his front paws on the resilient turf, and then would bounce away. I had only wanted to see where she was, I could not swim with my heart in that state, but who cared—and there she was, and there was I, in my robe—and so I stopped calling; but suddenly something in the pattern of her motions, as she dashed this way and that in her Aztec Red bathing briefs and bra, struck me … there was an ecstasy, a madness about her frolics that was too much of a glad thing. Even the dog seemed puzzled by the extravagance of her reactions. I put a gentle hand to my chest as I surveyed the situation. The turquoise blue swimming pool some distance behind the lawn was no longer behind that lawn, but within my thorax, and my organs swam in it like excrements in the blue sea water in Nice. One of the bathers had left the pool and, half-concealed by the peacocked shade of trees, stood quite still, holding the ends of the towel around his neck and following Lolita with his amber eyes. There he stood, in the camouflage of sun and shade, disfigured by them and masked by his own nakedness, his damp black hair or what was left of it, glued to his round head, his little mustache a humid smear, the wool on his chest spread like a symmetrical trophy, his naval pulsating, his hirsute thighs dripping with bright droplets, his tight wet black bathing trunks bloated and bursting with vigor where his great fat bullybag was pulled up and back like a padded shield over his reversed beasthood. And as I looked at his oval nut-brown face, it dawned upon me that what I had recognized him by was the reflection of my daughter’s countenance—the same beatitude and grimace but made hideous by his maleness. And I also knew that the child, my child, knew he was looking, enjoyed the lechery of his look and was putting on a show of gambol and glee, the vile and beloved slut. As she made for the ball and missed it, she fell on her back, with her obscene young legs madly pedalling in the air; I could sense the musk of her excitement from where I stood, and then I saw (petrified with a kind of sacred disgust) the man close his eyes and bare his small, horribly small and even, teeth as he leaned against a tree in which a multitude of dappled Priaps shivered. Immediately afterwards a marvelous transformation took place. He was no longer the satyr but a very good-natured and foolish Swiss cousin, the Gustave Trapp I have mentioned more than once, who used to counteract his “sprees” (he drank beer with milk, the good swine) by feats of weight-lifting—tottering and grunting on a lake beach with his otherwise very complete bathing suit jauntily stripped from one shoulder. This Trapp noticed me from afar and working the towel on his nape walked back with false insouciance to the pool. And as if the sun had gone out of the game, Lo slackened and slowly got up ignoring the ball that the terrier placed before her. Who can say what heartbreaks are caused in a dog by our discontinuing a romp? I started to say something, and then sat down on the grass with a quite monstrous pain in my chest and vomited a torrent of browns and greens that I had never remembered eating.
From The Annotated Lolita (1991)
Under my glancing finger tips I felt the minute hairs bristle ever so slightly along her shins. I lost myself in the pungent but healthy heat which like summer haze hung about little Haze. Let her stay, let her stay … As she strained to chuck the core of her abolished apple into the fender, her young weight, her shameless innocent shanks and round bottom, shifted in my tense, tortured, surreptitiously laboring lap; and all of a sudden a mysterious change came over my senses. I entered a plane of being where nothing mattered, save the infusion of joy brewed within my body. What had begun as a delicious distension of my innermost roots became a glowing tingle which now had reached that state of absolute security, confidence and reliance not found elsewhere in conscious life. With the deep hot sweetness thus established and well on its way to the ultimate convulsion, I felt I could slow down in order to prolong the glow. Lolita had been safely solipsized. The implied sun pulsated in the supplied poplars; we were fantastically and divinely alone; I watched her, rosy, gold-dusted, beyond the veil of my controlled delight, unaware of it, alien to it, and the sun was on her lips, and her lips were apparently still forming the words of the Carmenbarmen ditty that no longer reached my consciousness. Everything was now ready. The nerves of pleasure had been laid bare. The corpuscles of Krause were entering the phase of frenzy. The least pressure would suffice to set all paradise loose. I had ceased to be Humbert the Hound, the sad-eyed degenerate cur clasping the boot that would presently kick him away. I was above the tribulations of ridicule, beyond the possibilities of retribution. In my self-made seraglio, I was a radiant and robust Turk, deliberately, in the full consciousness of his freedom, postponing the moment of actually enjoying the youngest and frailest of his slaves. Suspended on the brink of that voluptuous abyss (a nicety of physiological equipoise comparable to certain techniques in the arts) I kept repeating chance words after her—barmen, alarmin’, my charmin’, my carmen, ahmen, ahahamen—as one talking and laughing in his sleep while my happy hand crept up her sunny leg as far as the shadow of decency allowed. The day before she had collided with the heavy chest in the hall and—“Look, look!”—I gasped—“look what you’ve done, what you’ve done to yourself, ah, look”; for there was, I swear, a yellowish-violet bruise on her lovely nymphet thigh which my huge hairy hand massaged and slowly enveloped—and because of her very perfunctory underthings, there seemed to be nothing to prevent my muscular thumb from reaching the hot hollow of her groin—just as you might tickle and caress a giggling child—just that—and: “Oh it’s nothing at all,” she cried with a sudden shrill note in her voice, and she wiggled, and squirmed, and threw her head back, and her teeth rested on her glistening underlip as she half-turned away, and my moaning mouth, gentlemen of the jury, almost reached her bare neck, while I crushed out against her left buttock the last throb of the longest ecstasy man or monster had ever known.
From The Annotated Lolita (1991)
20By permitting Lolita to study acting I had, fond fool, suffered her to cultivate deceit. It now appeared that it had not been merely a matter of learning the answers to such questions as what is the basic conflict in “Hedda Gabler,” or where are the climaxes in “Love Under the Lindens,” or analyze the prevailing mood of “Cherry Orchard”; it was really a matter of learning to betray me. How I deplored now the exercises in sensual simulation that I had so often seen her go through in our Beardsley parlor when I would observe her from some strategic point while she, like a hypnotic subject or a performer in a mystic rite, produced sophisticated versions of infantile make-believe by going through the mimetic actions of hearing a moan in the dark, seeing for the first time a brand new young stepmother, tasting something she hated, such as buttermilk, smelling crushed grass in a lush orchard, or touching mirages of objects with her sly, slender, girl-child hands. Among my papers I still have a mimeographed sheet suggesting: Tactile drill. Imagine yourself picking up and holding: a pingpong ball, an apple, a sticky date, a new flannel-fluffed tennis ball, a hot potato, an ice cube, a kitten, a puppy, a horseshoe, a feather, a flashlight. Knead with your fingers the following imaginary things: a piece of bread, india rubber, a friend’s aching temple, a sample of velvet, a rose petal. You are a blind girl. Palpate the face of: a Greek youth, Cyrano, Santa Claus, a baby, a laughing faun, a sleeping stranger, your father. But she had been so pretty in the weaving of those delicate spells, in the dreamy performance of her enchantments and duties! On certain adventurous evenings, in Beardsley, I also had her dance for me with the promise of some treat or gift, and although these routine leg-parted leaps of hers were more like those of a football cheerleader than like the languorous and jerky motions of a Parisian petit rat, the rhythms of her not quite nubile limbs had given me pleasure. But all that was nothing, absolutely nothing, to the indescribable itch of rapture that her tennis game produced in me—the teasing delirious feeling of teetering on the very brink of unearthly order and splendor.
From The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us (2023)
She was terrified Rudolph was going to die young—at the age of forty-two, to be exact. He was the youngest of seven children and two of his older brothers, also dentists, had unexpectedly passed away at that age. Please , she prayed to whoever might be listening, not Doey, too. Sally has the same fear in Sally J. Freedman : “Let Doey-Bird get through this bad year… this year of being forty-two… we need him God… we love him ,” Sally begs in her bed at night. “You wouldn’t let three brothers die at the same age, would you? But somewhere in the back of her mind she remembered hearing that bad things always happen in threes.” Her fear of something happening to Doey was so overwhelming that Judy became compulsive. “I made bargains with God,” Blume wrote in her 1986 collection of children’s letters, Letters to Judy: What Kids Wish They Could Tell You . “I became ritualistic, inventing prayers that had to be repeated seven times a day, in order to keep my father safe and healthy.” She also felt like she needed to keep her worries to herself. Her brother, David, was the problem child, so she felt pressure to be perfect, fulfilling Rudolph and Essie’s expectations for both of them. From a young age, David was brilliant but inscrutable. He was rebellious— once, he got sent home from kindergarten after kicking his teacher in the stomach. When Judy was going into third grade, David developed a kidney infection so persistent that Essie moved the three of them south to Miami for the year, hoping the sea air would cure him. It worked, but it also meant that Judy only saw her beloved father on holidays, when he could get away from the office and fly down. More and more she learned to hide things from her family. Essie needed her to be easy, talented, popular, happy —and so Judy learned to give her just that. It wasn’t just Essie. American culture in the 1950s told adolescent girls that they should be pretty, popular, and happy, too. If America was a cake, that demographic was the icing, eye-catching and frothy. Teenagers, and particularly teenage girls, embodied frivolity and leisure. They were there to show the world just how far the United States had come. In December 1944, Life magazine published a pictorial called “Teen-Age Girls: They Live in a Wonderful World of Their Own,” featuring a handful of girls ages fifteen to seventeen, who were growing up in Webster Groves, Missouri. It described these coiffed, carefree creatures as “a lovely, gay, blissful society almost untouched by war.” Their clothing choices (skirts and sweaters or loose-fitting blue jeans with button-downs), slang (“seein’ ya” for goodbye and “uh-huh” for yes), and preferred pastimes (hanging out at record stores and hosting cheerful all-girl “hen parties”) were presented with the kind of amused fascination usually reserved for toddlers and zoo animals. “It is a world of many laws,” Life explained.
From A Boy's Own Story (1982)
At night I’d pull the covers up to my chin in the cold and listen to the momentary gust of laughter outside as a master and his wife bade farewell to another couple after a late dinner (“Thanks, Rachel.” “So long, Hal”). Car doors slammed. A cold motor struggled to turn over. Success. Lights on. Motor in gear. Final farewells. Then a handkerchief of brightness was drawn across my ceiling, next the magician pulled a beige out of the white, a gray out of the beige, finally black from gray. On that ultimate cloth I tossed the dice: I began to meditate. I threw back the blankets, took off my pajama top and, shivering but determined to master mere flesh, sat cross-legged on my cot. I knew nothing of bonafide Oriental procedures, but I made up my own from scraps of information I’d gathered here and there, overheard table talk at the banquet of bliss. Not limber enough to hook my feet over my thighs, I contented myself with a drooping lotus and pressed my hands together in my lap, thumb tip to thumb tip, second joints of my fingers united (the “people” inside the “church” of a more Christian childhood game). I proceeded to regulate my breathing through my nose, careful siphoning off of aerial fuel, and while I concentrated on its flow my eyes turned upward and inward to the roots of my eyebrows until my eyes ached and I feared that they’d stick there, that I’d stay cross-eyed for life. Nor could I help wondering how I’d look to an observer, drugged lids over white crescents. Much as I focused on my breathing my thoughts would nevertheless rub against homework or hyperspace off into a new dimension and start drifting down to pinkish-red pubic hair, or they’d curl like a morning glory around the simple picket of a noise in the hall (whose footsteps?). As long as I gave myself commands to breathe I could almost exclude distractions, as though I were pressing a door against an invader, but then the ghost of an idea would float right through the door, I’d become distracted, soon the door was swinging wide open on its hinges, a hog was sniffing the floor for food, all was quietly, bucolically lost and whatever was vegetative in me had engulfed whatever had been vertebrate—which in any case had begun to ache and arc in response to the tropisms of the flesh.
From A Boy's Own Story (1982)
When I was eleven I started going every day after school to a bookshop which was near the hotel where my mother and sister and I lived. I was fascinated by a woman who worked there. She moved and talked and even sang as though she were on a big stage and not in a very small store. I had seen an overweight and coquettish diva portray Carmen, and this woman seemed just as ready for the role—a peasant blouse worn off the shoulders and so low as to reveal the tops of large breasts; black hair drawn back into a ponytail that hopped almost of its own accord from her back up onto her shoulder, where it would perch like a pet as she nuzzled it with her cheek; a tiny waist sadistically cinched in by a stout black belt that laced up the front; ample hips in rolling motion under a long skirt that swirled in meticulously ironed pleats around her; and small flat feet with painted nails in sandals she remained true to even on snowy days. She bathed herself in a heavy, ruttish perfume that suggested neither a girl nor a matron but rather the overripe coquette, the sort of imposing beauty one could imagine a weak nineteenth-century king taking on as his mistress. This scent, as shameless as her half-naked body, billowed to conceal or shrank to disclose her other abiding odor, the smell of burning cigarettes. She could sit for hours on a high stool behind the counter with an open book and kick her pleated skirt with a dangling leg and stab out one cigarette after another into a small black ashtray from a restaurant in New York. On television I’d seen the host of a New York nightclub introduce the viewing public to celebrities; some of this glamour now attended the woman’s smoking. Each of her butts was lavishly smeared with blood-red lipstick; the growing mound of smoldering butts resembled an open grave, ghastly trough of quartered torsos. As she smoked she hummed throatily, then exhaled, coughed, paused; her eyebrows shot up, her trembling upper lip curled back on one side to reveal a big, red-flecked front tooth, her jaw dropped, her spine grew, her massive shoulders shook—and out came a high, high head tone. Then a snatch of nasal Gounod tossed off saucily, scales sung in muted vocalese ripped open here and there to full volume (dark sleeves slashed with crimson silk), then a bit of hey-nonny-nonny.… She turned a page in the novel and blindly reached for the smoking ashtray. The low scabrous radiator that ran the length of the display window clanked and hissed. Someone came in as the bell rang out merrily. The cold air cut the angled, floating panels of blue smoke to ribbons. The woman put her book down and dashed lightly to greet the customer. Her body, which in repose appeared leviathan, in motion took on a balletic lightness.
From A Boy's Own Story (1982)
Mr. Stone inched closer to me on the bed and asked me what I thought of his art photographs. I could feel his breath on my shoulder and his hand on my knee. A thrill of pleasure rippled through me. I was alarmed. I stood, walked to the screen door, made a display of casualness as I stooped to scratch a chigger bite on my ankle. “They’re neat, real neat, catch you later, Mr. Stone.” I hoped he hadn’t noticed my excitement. At that age I had no idea that hair could be bleached, a tan nursed, teeth capped, muscles acquired; only a god was blond, brown, strong and had such a smile. Mr. Stone had shown me a god and called it “art.” Until now, my notions of art had all been about castles in the sand or snow, about remote and ruthless monarchs, about power, not beauty, about the lonely splendors of possession, not the delicious, sinking helplessness of yearning to possess. That young man pacing the beach—with knees that seemed too small for such strong thighs, with long, elegant feet, with a blur of light for a smile, a streak of light for hair, white pools of light for eyes, as though he were being lit suddenly from within that delicately modeled head poised on a slender neck above shoulders so broad he’d have to grow into them—that young man came toward me with a beauty so unsettling I had to call it love, as though he loved me or I him. The drooling adult delectation over particular body parts (the large penis, the hairy chest, the rounded buttocks) is unknown to children; they resolve the parts into the whole and the physical into the emotional, so that desire quickly becomes love. In the same way love becomes desire—hadn’t I desired Fred, Marilyn, my German professor? I went running through the woods. The day was misty; someone had seen a bear eating blueberries and I turned every time I heard a branch snap. A thread of smoke emerged from a dense stand of pine trees across the lake. After I passed the rotting stump and the white flowers beside it I felt as though I’d pressed through a valve into my own preserve and I slowed down to a walk. I stopped to breathe and I heard a woodpecker far away, knocking softly, professionally, auscultating a hollow limb. The trees, interpreting the wind, swayed above me.
From The Annotated Lolita (1991)
However, I shall not bore my learned readers with a detailed account of Lolita’s presumption. Suffice it to say that not a trace of modesty did I perceive in this beautiful hardly formed young girl whom modern co-education, juvenile mores, the campfire racket and so forth had utterly and hopelessly depraved. She saw the stark act merely as part of a youngster’s furtive world, unknown to adults. What adults did for purposes of procreation was no business of hers. My life was handled by little Lo in an energetic, matter-of-fact manner as if it were an insensate gadget unconnected with me. While eager to impress me with the world of tough kids, she was not quite prepared for certain discrepancies between a kid’s life and mine. Pride alone prevented her from giving up; for, in my strange predicament, I feigned supreme stupidity and had her have her way—at least while I could still bear it. But really these are irrelevant matters; I am not concerned with so-called “sex” at all. Anybody can imagine those elements of animality. A greater endeavor lures me on: to fix once for all the perilous magic of nymphets. 30I have to tread carefully. I have to speak in a whisper. Oh you, veteran crime reporter, you grave old usher, you once popular policeman, now in solitary confinement after gracing that school crossing for years, you wretched emeritus read to by a boy! It would never do, would it, to have you fellows fall madly in love with my Lolita! Had I been a painter, had the management of The Enchanted Hunters lost its mind one summer day and commissioned me to redecorate their dining room with murals of my own making, this is what I might have thought up, let me list some fragments: There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies—a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color, stinging red, smarting pink, a sigh, a wincing child.
From The Golden Ass (Metamorphoses) (2)
* Nec unquam magis artis huius violentia nititur, quam cum scitulae formulae iuvenem quempiam - libenter aspexit, quod quidem ei solet crebriter eve- 16 nire. Nune etiam adolescentem quendam Boeotium 122 E THE GOLDEN ASS, BOOK III were wet and trembling and dull with desire, and now half closed, so that I embraced and kissed her sweetly, and greedily drank therefrom, Now when she was somewhat restored unto joy she desired me that she might shut the chamber door, lest by the intemperance of her tongue in uttering any unfitting words there might grow further inconvenience. Wherewithal she barred and propped the door and came to me again, and embracing me lovingly about the neck with both her arms, spoke with a whispering soft voice and said : “I do greatly fear to discover the privities of this house, and to utter the secret mysteries of my dame, but I have such a confidence in you and in your wisdom, by reason that you are come of so noble a line and endued with so profound sapience, and further in- structed. in so many holy aud divine things that you will faithfully keep silence, and that whatsoever I shall reveal or declare unto you, you would close them within the bottom of your heart, and never discover the same, but rather repay the simple tale that I shall tell you by keeping it utterly hidden and dark ; for I ensure you the love that [ bear you enforceth me, that alone of mortals know aught thereof, to utter it.. Now shall you know all the estate of our house, now shall you know the hidden secrets of my mistress, unto which the powers of hell do obey, and by which the celestial planets are troubled, the gods made weak, and the elements subdued. “Neither is the violence of her art in more strength and force than when she espieth some comely young man that pleaseth her fancy, as often- times happeneth. For now she loveth to distraction one young Bocotian, a fair and beautiful person, on ; 123 1 m = LUCIUS APULEIUS
From The Golden Ass (Metamorphoses) (2)
THE FORTY-SIXTH CHAPTER How a certaine Matron fell in love with Apuleius, how hee had his pleasure with her, and what other things happened. When he had bought such things as was necessary, he would not returne home into his Countrey in Chariots, or waggon, neither would he ride upon Thessalian Horses, or Jenets of France, or Spanish Mules, which be most excellent as can be found, but caused me to be garnished and trimmed with trappers and barbs of Gold, with brave harnesse, with purple coverings, with a bridle of silver, with pictured cloths, and with shrilling bells, and in this manner he rode upon me lovingly, speaking and intreating me with gentle words, but above all things he did greatly rejoyce in that I was his Servant to beare him upon my backe, and his Companion to feed with him at the Table: After long time when we had travelled as well by Sea as Land, and fortuned to arrive at Corinth, the people of the Towne came about us on every side, not so much to doe honour to Thiasus, as to see me: For my fame was so greatly spread there, that I gained my master much money, and when the people was desirous to see me play prankes, they caused the Gates to be shut, and such as entered in should pay money, by meanes whereof I was a profitable companion to them every day: There fortuned to be amongst the Assembly a noble and rich Matron that conceived much delight to behold me, and could find no remedy to her passions and disordinate appetite, but continually desired to have her pleasure with me, as Pasiphae had with a Bull. In the end she promised a great reward to my keeper for the custody of me one night, who for gaine of a little money accorded to her desire, and when I had supped in a Parler with my Master, we departed away and went into our Chamber, where we found the faire Matron, who had tarried a great space for our comming: I am not able to recite unto you how all things were prepared: there were foure Eunuches that lay on a bed of downe on the ground with Boulsters accordingly for us to lye on, the Coverlet was of cloth of Gold, and the pillowes soft and tender, whereon the delicate Matron had accustomed to lay her head. Then the Eunuches not minding to delay any longer the pleasure of their Mistresse closed the doores of the Chamber and departed away: within the Chamber were Lamps that gave a cleare light all the place over: Then she put off all her Garments to her naked skinne, and taking the Lampe that stood next to her, began to annoint all her body with balme, and mine likewise, but especially my nose, which done, she kissed me, not as they accustome to doe at the stews, or in brothel houses, or in the Curtain Schools for gaine of money, but purely, sincerely, and with great affection, casting out these and like loving words: Thou art he whom I love, thou art he whom I onely desire, without thee I cannot live, and other like preamble of talke as women can use well enough, when as they mind to shew or declare their burning passions and great affection of love: Then she tooke me by the halter and cast me downe upon the bed, which was nothing strange unto me, considering that she was so beautifull a Matron and I so wel bolded out with wine, and perfumed with balme, whereby I was readily prepared for the purpose: But nothing grieved me so much as to think, how I should with my huge and great legs imbrace so faire a Matron, or how I should touch her fine, dainty, and silken skinne, with my hard hoofes, or how it was possible to kisse her soft, pretty and ruddy lips, with my monstrous mouth and stony teeth, or how she, who was young and tender, could be able to receive me.
From In the Unlikely Event (2015)
Please tell Irene I said hello.” “I will.” Rusty was willing to bet the pleasant maid or the good hairdresser would prefer cash, but a gift was better than nothing. “Rusty, darling,” Irene said, handing her four compacts and two Ronsons. “Could you gift-wrap these for Mrs. Delaney? Red ribbon.” Red ribbon was a code for Christmas, not Hanukkah, which would be blue ribbon. Rusty knew Mrs. Delaney’s son, a good-looking guy who worked at the branch bank on Elmora Avenue. He always flirted with her. Sometimes she flirted back, just to keep up her skills, though she knew he was married with four children. Not to mention Catholic. SteveA few blocks down East Jersey Street from the Martin Building, where Steve Osner’s father had his dental office and you could get a great-tasting burger at Three Brothers Luncheonette, Steve was shooting baskets at the YMHA with his best buddy, Phil Stein, both of them seniors at Thomas Jefferson High. They’d been born two weeks apart at Elizabeth General Hospital and bar mitzvahed a week apart at Temple B’nai Israel, across the street from the Y. A couple of regulars were playing with them in a pickup game, and one of them must have brought Mason McKittrick. He seemed like a nice enough kid, not that Steve knew him well, since he was just a junior, but he had good moves and a great hook. “You should go out for the team next year,” Steve told him. “Bet you could make varsity.” “I work after school,” Mason said, “at Edison Lanes—not much time for practice.” “You set up pins?” “Yeah, that and other stuff when it gets busy.” “I’ll look for you next time we go bowling.” “You in a league?” “No, just bowl for fun.” Mason nodded. In the locker room, Steve asked Phil, “You want to grab a burger at Three Brothers? I’m starving.” “Nah. My mother’s probably got dinner in the oven.” “Okay, but come over later.” “You have a plan?” “Don’t tell me you forgot already?” “Remind me.” “My sister’s party.” “We’re going to your sister’s party?” Steve swatted him with his damp towel. “I have to chaperone. My mother thinks if I’m around there won’t be any trouble. What a joke! Remember ninth grade? That’s the first time I copped a feel.” “You were always ahead of the rest of us,” Phil said. If only that were still true, Steve thought. A lot of the guys talked about how much they were getting. Their girlfriends let them touch and look. Steve had touched but no one had ever let him look. He didn’t have a regular girlfriend. He liked playing the field. Maybe he just hadn’t met the right girl yet. He knew girls who’d invite you into their houses to neck on the sofa in the living room, but it never went any further than that. Maybe he was doing something wrong. It might be different if they went to a coed high school.
From Fear of Flying (1973)
“Look—she says you have to wait and talk to Rodney Lehmann. He’s a friend of mine from London and he ought to be here any minute so why don’t we walk across to the café, have a beer, and look for him?” “Let me just tell my husband,” I said. It was going to become something of a refrain in the next few days. He seemed glad to hear that I had a husband. At least he didn’t seem sorry. I asked Bennett if he’d come across the street to the café and meet us (hoping, of course, that he wouldn’t come too soon) and he waved me off. He was busy talking about countertransference. I followed the smoke from the Englishman’s pipe down the steps and across the street. He puffed along like a train, the pipe seeming to propel him. I was happy to be his caboose. We set ourselves up in the café, with a quarter liter of white wine for me and a beer for him. He was wearing Indian sandals and dirty toenails. He didn’t look like a shrink at all. “Where are you from?” “New York.” “I mean your ancestors.” “Why do you want to know?” “Why are you dodging my question?” “I don’t have to answer your question.” “I know.” He puffed his pipe and looked off into the distance. The corners of his eyes crinkled into about a hundred tiny lines and his mouth curled up in a sort of smile even when he wasn’t smiling. I knew I’d say yes to anything he asked. My only worry was: maybe he wouldn’t ask soon enough. “Polish Jews on one side, Russian on the other—” “I thought so. You look Jewish.” “And you look like an English anti-Semite.” “Oh come on—I like Jews….” “Some of your best friends…” “It’s just that Jewish girls are so bloody good in bed.” I couldn’t think of a single witty thing to say. Sweet Jesus, I thought, here he was. The real z.f. The zipless fuck par excellence. What in God’s name were we waiting for? Certainly not Rodney Lehmann. “I also like the Chinese,” he said, “and you’ve got a nice-looking husband.” “Maybe I ought to fix you up with him. After all, you’re both analysts. You’d have a lot in common. You could bugger each other under a picture of Freud.” “Cunt,” he said. “Actually, it’s more Chinese girls, I fancy—but Jewish girls from New York who like a good fight also strike me as dead sexy. Any woman who can raise hell the way you did up at registration seems pretty promising.” “Thanks.” At least I can recognize a compliment when I get one. My underpants were wet enough to mop the streets of Vienna.
From In the Unlikely Event (2015)
She could hear his breath quicken as he ran his hands over them. And she felt something, too, something down there, the way she did at night in her bed when she touched herself. “It’s not a good idea,” he said. “Why?” she asked, kissing him. “Suppose I can’t stop?” “I’ll stop you.” “You don’t understand.” “I just wanted to make sure…” “What?” “That you like me that way.” She put her bra back on, pulled on her sweater. “And now?” he asked. “Now I know you do.” She couldn’t tell Natalie or anyone how much she cared. Probably Rusty once loved Mike Monsky, or thought she had. And look how that ended. “What are the girls saying about me?” Natalie asked, bringing Miri back to the moment. “They hope you’ll get better soon.” “What do they think is wrong with me?” “None of us knows what’s wrong.” “Do they laugh when they talk about me?” “No! Why would they laugh?” She would never say that they hardly ever talked about her. She was as removed from their lives as Robo, living in her new house in Millburn. Even more removed. “Because it’s funny, isn’t it? I didn’t even see the crashes, but here I am. My mother says I’m just very sensitive. Do you think I’m sensitive?” “I guess. What about Ruby? What does she think?” “She abandoned me a while back. Didn’t even say goodbye. Didn’t even say I’d be okay without her.” “Are you…okay without her?” “What you see is what you get.” “Why are you talking in riddles?” “That’s not a riddle. A riddle would be more like, What’s soft and mushy and gray all over? ” Miri didn’t have a clue. “I give up.” “Natalie’s messed-up brain. Get it?” Miri was growing more uncomfortable by the minute. How long did Corinne expect her to stay here? “Did you hear?” Natalie said. “My father wants us to move to Nevada. To someplace called Las Vegas.” “Nevada! But that’s so far away, isn’t it?” “Only two thousand, five hundred miles. It takes five days to drive there. Some people fly. You have to make two or three stops. My mother swears she’ll never go. They hate each other.” “No, they don’t.” “Ever since the crash that killed Mrs. Barnes’s son, all they do is fight.” “But New Year’s Eve…the party, the diamond earrings…” “All an act. God forbid Corinne’s friends think there’s trouble in paradise. One time she slapped his face at a party.” “No.” “She accused him of flirting with one of her friends. I found out from listening in on a phone call between my mother and Ceil Rubin. ‘We all understand,’ Ceil said. Then my mother started crying and I hung up the extension. That’s one good thing about being here. I don’t have to listen to them arguing. They never visit at the same time unless the doctors say they have to. Sometimes I think it would be fun to live in Nevada.
From Fear of Flying (1973)
“Typical tight-ass English middle class,” Adrian said of his Mum and Dad. “You’d hate them. They spend their whole lives trying to keep their bowels open in the name of the Queen. A losing battle too. Their assholes are permanently plugged.” And he farted loudly to punctuate. He grinned. I looked at him in utter amazement. “You’re a real primitive,” I sneered, “a natural man.” But Adrian kept on grinning. Both of us knew I had finally met the real zipless fuck. — OK. So I admit my taste in men is questionable. Plenty more evidence of that will follow. But who can debate taste anyway? And who can convey an infatuation? It’s like trying to describe the taste of chocolate mousse, or the look of a sunset, or why you can sit for hours and make faces at your own baby…. Who is there who adds up to all that much on paper? We take Romeo on faith, and Julian Sorel and Count Vronsky, and even Mellors the gamekeeper. The smile, the shaggy hair, the smell of pipe tobacco and sweat, the cynical tongue, the beer spilling, the exuberant public farting…. My husband has a beautiful head of black hair and long thin fingers. The first night I met him, he also grabbed for my ass (while discussing new trends in psychotherapy). In general, I seem to like men who can make that quick transition from spirit to matter. Why waste time if the attraction is really there? But if a man I didn’t like made a grab for me, I’d probably be outraged and maybe even disgusted. And who can explain why the same action disgusts you in one case and thrills you in another? And who can explain the basis for selection? Astrology nuts try. So do psychoanalysts. But their explanations always seem to lack something. As if the essential kernel had been left out. After the infatuation is over, you rationalize. I once adored a conductor who never bathed, had stringy hair, and was a complete failure at wiping his ass. He always left shit stripes on my sheets. Normally I don’t go for that sort of thing—but in him it was OK—I’m still not sure why. I fell in love with Bennett partly because he had the cleanest balls I’d ever tasted. Hairless and he practically never sweats. You could (if you wanted) eat off his asshole (like my grandmother’s kitchen floor). So I’m versatile about my fetishes. In a way, that makes my infatuations even less explicable. But Bennett saw patterns in everything. “That Englishman you were talking to,” he said when we were back in the hotel room, “he was really crazy about you—” “What makes you think that?” He gave me a cynical look. “He was slobbering all over you.” “I thought he was the most hostile son of a bitch I’ve ever met.” And it was partly true too. “That’s right—but you’re always attracted to hostile men.” “Like you, you mean?”
From The Pillar of Salt (1953)
She poured two measures of water into an enamel basin which she then placed on top of the earthenware jar that was also against the wall. Thus crowned, with its long neck and its narrow hips, the jug looked like a water-carrier, but was all sticky with filth. Both the furniture and the room were extremely poor and evidently of no interest to their owner, for her only effort at decoration were a few pictures on the walls, women naked or in their underclothes. These pictures filled me with shame, for their obscenity spoiled what I insisted on considering pure. All around them, the damp reddish distemper was dropping off in scales, letting the sand and plaster run through. The bed was sway-backed in the middle, and the table, of ordinary unpainted white wood, was black with dirt. But I forgave and accepted all this; I was alone in a room with a woman, and she was undressing for me. I felt grateful to her and was moved by what was about to happen to me, by the extraordinary gift she was about to make. She shut the door and, in the intimate darkness, one single slanting ray of light descended from the shutters onto the bed. Then she unbuttoned her dress from top to bottom and was naked. So that was all she was wearing! I did not know what to look at in this body, so rich and so real. Here were the shoulders, the legs, the stomach, the loins, and the breasts, all in one and alive, all of which I had so often tried to imagine separately. I was not so much surprised as overcome and satisfied. I had already seen naked women in drawings and films and dreams. But I stood in a daze and watched her move. When I saw her at last naked, I feverishly undressed very quickly. I had developed a special technique for the nights when I was in a hurry to get to sleep. In one movement, I took off my pullover with my shirt and undershirt; with one more, my pants and drawers. When she saw that I had stripped she made a gesture of displeasure. “There was no need to take off your shirt,” she said. It pained me that I had displeased her, as though I had done something tactless, and I picked up my heap of clothes. “I can put them on again, if you want.” “No, never mind, now.” She was saying “tu” to me. I knew that it was the custom to use familiar forms of speech with prostitutes — my friends and books had taught me that. But I was unable to utter them, the instant was too solemn. So I waited, self-consciously. She adjusted the rubber sheet on the bed and lay down on her back. “Come on,” she said.
From The Annotated Lolita (1991)
7I am now faced with the distasteful task of recording a definite drop in Lolita’s morals. If her share in the ardors she kindled had never amounted to much, neither had pure lucre ever come to the fore. But I was weak, I was not wise, my schoolgirl nymphet had me in thrall. With the human element dwindling, the passion, the tenderness, and the torture only increased; and of this she took advantage. Her weekly allowance, paid to her under condition she fulfill her basic obligations, was twenty-one cents at the start of the Beardsley era—and went up to one dollar five before its end. This was a more than generous arrangement seeing she constantly received from me all kinds of small presents and had for the asking any sweetmeat or movie under the moon—although, of course, I might fondly demand an additional kiss, or even a whole collection of assorted caresses, when I knew she coveted very badly some item of juvenile amusement. She was, however, not easy to deal with. Only very listlessly did she earn her three pennies—or three nickels—per day; and she proved to be a cruel negotiator whenever it was in her power to deny me certain life-wrecking, strange, slow paradisal philters without which I could not live more than a few days in a row, and which, because of the very nature of love’s languor, I could not obtain by force. Knowing the magic and might of her own soft mouth, she managed—during one schoolyear!—to raise the bonus price of a fancy embrace to three, and even four bucks. O Reader! Laugh not, as you imagine me, on the very rack of joy noisily emitting dimes and quarters, and great big silver dollars like some sonorous, jingly and wholly demented machine vomiting riches; and in the margin of that leaping epilepsy she would firmly clutch a handful of coins in her little fist, which, anyway, I used to pry open afterwards unless she gave me the slip, scrambling away to hide her loot. And just as every other day I would cruise all around the school area and on comatose feet visit drugstores, and peer into foggy lanes, and listen to receding girl laughter in between my heart throbs and the falling leaves, so every now and then I would burgle her room and scrutinize torn papers in the wastebasket with the painted roses, and look under the pillow of the virginal bed I had just made myself. Once I found eight one-dollar notes in one of her books (fittingly—Treasure Island), and once a hole in the wall behind Whistler’s Mother yielded as much as twenty-four dollars and some change—say twenty-four sixty—which I quietly removed, upon which, next day, she accused, to my face, honest Mrs. Holigan of being a filthy thief. Eventually, she lived up to her I.Q. by finding a safer hoarding place which I never discovered; but by that time I had brought prices down drastically by having her earn the hard and nauseous way permission to participate in the school’s theatrical program; because what I feared most was not that she might ruin me, but that she might accumulate sufficient cash to run away. I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood—or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
From The Golden Ass (Metamorphoses) (2)
Thus when I was pleasantly mocked and taunted by Fotis, I sayd unto her, verily now may I for this atcheived enterprise be numbered as Hercules, who by his valiant prowesse performed the twelve notable Labors, as Gerion with three bodies, and as Cerberus with three heads, for I have slaine three blown goat skinnes. But to the end that I may pardon thee of that thing which thou hast committed, perform, the thing which I most earnestly desire of thee, that is, bring me that I may see and behold when thy mistresse goeth about any Sorcery or enchantment, and when she prayeth unto the gods: for I am very desirous to learne that art, and as it seemeth unto mee, thou thy selfe hath some experience in the same. For this I know and plainly feele, That whereas I have always yrked and loathed the embrace of Matrones, I am so stricken and subdued with thy shining eyes, ruddy cheekes, glittering haire, sweet cosses, and lilly white paps, that I have neither minde to goe home, nor to depart hence, but esteeme the pleasure which I shall have with thee this night, above all the joyes of the world. Then (quoth she) O my Lucius, how willing would I be to fulfil your desire, but by reason shee is so hated, she getteth her selfe into solitary places, and out of the presence of every person, when she mindeth to work her enchantments. Howbeit I regarde more to gratify your request, than I doe esteeme the danger of my life: and when I see opportunitie and time I will assuredly bring you word, so that you shal see all her enchantments, but always upon this condition, that you secretly keepe close such things as are done. Thus as we reasoned together the courage of Venus assailed, as well our desires as our members, and so she unrayed herself and came to bed, and we passed the night in pastime and dalliance, till as by drowsie and unlusty sleep I was constrained to lie still. THE SIXTEENTH CHAPTER How Fotis brought Apuleius to see her Mistresse enchant.