Desire
Desire is not a synonym for sex and it is not a synonym for wanting. It is the body's motivated lean toward intimacy, beauty, or more contact — the architecture of being-pulled. Vela holds the erotic register at the center but does not collapse the social, the cognitive, and the devotional registers into it: the corpus reads desire across all four, and the texture is in the difference.
Working definition · Motivated pull toward intimacy, beauty, or more contact—not mere preference.
6874 passages · 2 Vela essays
Vela’s read on this emotion
Desire is one of the emotions Vela reads most carefully, because the English word covers too much ground to leave undifferentiated. Four registers run inside it.
The erotic register is the most familiar. Vela reads it through Carmen Maria Machado, Garth Greenwell, Sappho's surviving fragments, and Audre Lorde's essay *Uses of the Erotic* — writers who treat erotic desire as serious subject matter rather than ornament. The social register — the desire to belong, to be seen correctly, to matter to a community — runs through memoir and through the literature of exile. The cognitive register — desire for the right word, for understanding, for mastery — surfaces in Plato's *Symposium* and in Augustine of Hippo's *Confessions*, where desire is examined as a form of motion of the soul. The devotional register — desire for God, or for the absolute — runs through the *Song of Songs*, Teresa of Ávila, John of the Cross, and the broader mystical tradition.
Desire is not the same as yearning, longing, or love. Yearning is desire facing what it may not reach. Longing is yearning settled into chronicity. Love is the sustained orientation that survives desire's exhaustion. The four words are kin; Vela reads them separately because the writers who have been most honest about each have kept them separate.
*On Desire* — the slower companion essay in the magazine — walks the four registers and makes the case for not collapsing them.
Study and magazine
Long-form guide in the magazine
*On Desire* — the four-register reading. Desire as architecture, not virtue: how the word holds erotic, social, cognitive, and devotional registers at once, and what the writers keep saying when the four are not collapsed.
Read the guidePassages
Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
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6874 tagged passages
From The Folding Star (1994)
She left me in the darkly panelled room, among the family portraits. I waited a minute under their humourless gaze, one above the other, prudent, black-bosomed, as if they had all been painted in widowhood. Feeling faintly culpable and unfit for responsibility, I went to the long window and looked out on the garden, a high-walled strip that ended in a canal with swans idling past and a little angular gazebo above the water, where I pictured Luc smoking or waiting for a tryst. Mrs Altidore's work was less evident in this room, just a kind of tasselled runner on the sideboard. Then I pulled out a chair and discovered the terrible industry of the seat. There were footsteps, no voices, crossing the hall, and their brief hanging back to let the other enter first showed me they were both nervous too. Mother and son, side by side: I sensed the treaty between them and the unresolved cross-purposes. "This is Luc," she said. "Mr Manners." He was pushing back his hair and his hand was damp when he shook mine. "Hello." "Hello!" How old-fashionedly keen I was. And he nodded, so that his hair fell forward again. Through the coming hour I would see that tumbling forelock dry from bronze to gold, and get to know the different ways he mastered it, the indolent sweep, the brainstorming grapple, the barely effectual toss, and how long the intervals were of forward slither and lustrous collapse. But for the moment, when we were left alone, I didn't altogether look at him; my eyes fixed uncomprehendingly on the sideboard, a hideous epergne, a sugar dredger, a tantalus of brandy. He said, "My mother's going to bring some coffee," the voice light and mildly interrogative, the accent educated. Then I looked. He was lean and broad-shouldered in an old blue shirt; and I liked his big flattish backside as he walked past me, though his loose cotton trousers gave nothing else away. He was as tall as me (I could imagine him saying he was taller, and a laughing challenge, back to back).
From The Swimming-Pool Library (1988)
Then ‘Ah, here is Abdul!’ he exclaimed. From the swinging kitchen door a very black man entered the dining-room pushing a domed platter on a trolley. He was perhaps forty, well built, with fierce, deep-set eyes and a moustache that lent a subtle violence to his expression; his thick lips, black at their edges, were red where they curved into his mouth, and his colouring was intensified by the pressed white linen of his chef’s pyjamas and apron and the battered funnel of his chef’s hat. I watched Raymond go up for a respectful word with him, and Abdul, casting a glance in our direction, began to wheel the trolley around to where we were sitting. Various other lunchers, wandering in, nodded to him as they looked for their places; and as the hour got under way another boy of a similar tartish blond appearance came to join Raymond. ‘Good afternoon, my Lord,’ said Abdul punctiliously. ‘Aah, Abdul,’ replied Nantwich with satisfaction. ‘Thou bringest the meat unto us, the spices and the wine.’ ‘It’s a pleasure, sir,’ Abdul assured him with a formal smile. ‘My guest is called William, Abdul.’ ‘How do you do,’ I said. ‘Welcome to Wicks’s Club, Mr William,’ said Abdul with a hint of servile irony, lifting the lid off the lean and tightly bound leg of pork on the trolley. Flicking his eyes across to Nantwich he commented, ‘Your guest is not having the pork, my Lord.’ He had a strong presence and I looked at him casually as he cut the meat (which looked slightly underdone) into thick juicy slices. His hands were enormous, though dextrous, and I was attracted by the open neck of his uniform, which gave no suggestion that he wore anything beneath it. As he concentrated the lines of his face deepened, and he poked out his pink tongue. Nantwich proved to be a voracious eater with poor table manners. Half the time he ate with his mouth open, affording me a generous view of masticated pork and applesauce, which he smeared around his wine glass when he drank without wiping his lips. I attended to my trout with a kind of surgical distaste. Its slightly open barbed mouth and its tiny round eye, which had half erupted while grilling, like the core of a pustule, were unusually recriminatory. I sliced the head off and put it on my side-plate and then proceeded to remove the pale flesh from the bones with the flat of my knife. It was quite flavourless, except that, where its innards had been imperfectly removed, silvery traces of roe gave it an unpleasant bitterness. ‘Tell me why you don’t have a job,’ Nantwich asked after we had busied ourselves with our food for an uneasily long time. ‘We all need a job of work. Christ!
From The Swimming-Pool Library (1988)
I for once replied. ‘Except: total bliss, endless fuck, suck, schmuck.’ ‘You mean he’s stupid.’ ‘He’s no Einstein, I grant you.’ ‘So what do you talk about all the time?’ ‘I don’t know, really. We have a kind of baby-talk—except all the words are rude—and we giggle a lot, and generally praise each other’s personal appearance. We had a meal at the Testudo one night, and the conversation did run a bit thin. And I did something rather terrible.’ I looked down in mock-confusion. ‘Don’t tell me.’ He looked at me narrowly. ‘Not Massimo?’ ‘Wasn’t it too frightful of me? But I had to have him …’ ‘My God!’ squealed James. ‘You absolute bastard. How ever did you manage? I don’t want to know.’ ‘We just slipped out the back, not in the lav, but actually in the sort of yard with the crates. Ever so quick.’ ‘But what about poor little whatsisname?’ ‘Arthur? Oh, he was sitting there waiting for me, all sleepy and unsuspecting. Actually, Massimo said he wanted to have him too, but I did draw the line there.’ ‘Was it like we always imagined?’ ‘Mm, was rather. Everything on the menu, you know; full helpings.’ I leered helplessly. ‘But I should have a go some time—I’m sure he’s anybody’s …’ ‘Thanks!’ ‘No, I mean, I’m sure there’d be no problem.’ ‘They do say, waiters …’ murmured James, in a tone of smothered excitement. ‘What’s Arthur’s … member like, incidentally?’ ‘Entirely delightful. Not your kind of thing, perhaps—short, stocky, ruthlessly circumcised, and incredibly resilient and characterful.’ James let a pause fall in which the brio of my testimonial edged towards embarrassment and then said, ‘So you’re in love with him, are you?’ I took a professional sip of Guinness. ‘I can’t be, actually,’ I admitted. ‘We couldn’t sit down and listen to Idomeneo and feel a deep spiritual bond. It must just be an infatuation. Sometimes I don’t feel I know him at all, which adds to the poignancy of the thing no end. And then Holland Park and my place is all a completely new world to him. He lives with all his family in a tower block. I said wouldn’t his mother worry about where he was, but he said he often didn’t go back home. They don’t have a phone, so he couldn’t let them know. But I imagine he’s gone back there today—he had to go and sign on. But’—I drew round to it—‘you’re quite right: it can’t last. I don’t want it to really—it’s just been a heavenly week.’ We strolled off under James’s umbrella to Westbourne Grove. One of the slight bores about James was that he was a vegetarian—so going out to dinner with him required careful planning.
From The Folding Star (1994)
I leant against the door and looked at myself pityingly in the wall of mirror opposite, thinking I must say something to Luc, I couldn't just let this go on. I felt I might as well have a pee, since I was there, and did so, able to watch myself, as you sometimes can in trains, with a certain admiration. I washed my hands, and noted the mingled bottles on the basin's mosaic surround—the mother's lilac talc and cleansing lotion, the son's canister of shaving foam and Donald Duck toothbrush, caked with pink paste; I remembered it so well, your things took the place of your father's, you became a kind of couple in your turn. The dry toothbrush tasted of nylon and dead mint. At the end of the long white bath with its tall, perched and somehow vigilant brass taps was a gingham-lined clothes-basket with a lid. I rootled lightly among its contents—again the mixture of silvery slips and bras and sweatier boy's things, grimy-necked shirts, inside-out socks and underwear. There were some white Horn briefs, tiny, damp from a towel they were bundled in with. I picked them out and covered my face with them. They seemed spotless, hardly worth changing for new ones, with only a ghost of a smell. When I rolled them up they were almost hidden in my fist. I buried them at the bottom of the basket, but then some awful compulsion made me plunge my arm in for them again. Before the end of the hour we heard the pneumatic scrunching and electronic whine of a big car being parked in a small space. I saw Luc studying the window spy-glass, and saw the nose of a grey-blue Mercedes swelling towards the front door in the mirror's convex surface. As it happened I was making another attempt to tell him something about myself, but I watched his attention waver and go. "Yeah, my father's here," he said. "I think I'd better . . ." "Let's call it a day," I said, and we both sprang up. He had a look of anxious excitement that made me feel both protective and de trop. I thought in a way I should meet his father; there should be some mutual recognition and professional understanding, as it were, over Luc's head. Then as we got half-way down the stairs I was simply embarrassed to be a stranger towards whom distracting courtesy would need to be shown at a moment of family greeting and tension.
From The Swimming-Pool Library (1988)
Anyway, back here, I thought what does this all mean? It means we must be as creative as possible—even if we can’t actually have children, we must give ourselves completely to whatever we do, as I’ve always sort of thought, we must make something out of everything we do.’ ‘Quite so.’ ‘And I thought, I must have a man.’ I was relieved that he saw the funny side of it. ‘Of course, I was still on call. All the same I put on some sexier clothes and a bit of mascara and really looked quite nice—a bit bald, but clearly an exceptionally nice guy. I had that old shirt with the button-down pockets that I put my bleep in—it looked like a packet of fags, I hoped. I went off down the Volunteer. I knew I couldn’t get drunk or anything, but I sipped my way down a Pils for about half an hour and then fell quite naturally into chat with a fellow—a Scotsman, but pleasant, black hair, jeans, sweatshirt, that sort of bruised look about the eyes, vulnerable, but dangerous: you know the type. You’ve probably had him, indeed.’ ‘Oh, him …’ I played along. ‘I bought him a drink, we talked about music: he said he played the violin. I said did he know The Creation? He did not, needless to say. I was trying to decide whether to accept a drink if he offered me one when another Scot came up and slapped him on the back and off they went.’ ‘I hope you weren’t put out.’ ‘The resolve did wobble a little. But I knew what I had to do, or rather what I had not to do. I hung about for a minute, but as can happen there it dawned on me dismayingly that I was by far the most attractive person in the room, and I wanted something ravishing and epic. I was about to go, I thought I’d tootle down to the Coleherne perhaps, then I wouldn’t be too far away if the bleep went. Then I saw this guy come out of the loo—lean, tanned, denim top and bottom and, what I noticed first of course, a big curving prick sort of lolloping about. He walked through the bar in a very come-and-buy fashion, looked at me, then looked away at once and went out on to the street.
From The Swimming-Pool Library (1988)
The gate opened, and Abdul emerged, evidently also on his way home; he had on a light anorak over a T-shirt, and cheap grey slacks. I went up to him, surprised him as he locked the gate, greeted him with the conviction that he somehow held the answer to my problem. ‘Hey, William,’ he said, ‘all finished now.’ He gave me a flashy smile and was ready, I think, to move off and abandon me, so that I said recklessly: ‘Oh Abdul, did you know that Lord Nantwich had been to prison?’ He turned back and looked at me and I looked back at him closely, his lined face, pink inner lips and fierce eyes slightly bloodshot, more guarded in the street’s shadow. ‘Of course,’ he said lightly. ‘Everyone knows that.’ I pursed my lips and nodded three or four times. ‘Have you always known?’ ‘I have always known. Of course. I went to see him in there when I was a little boy. No place to take a kid,’ he added. It was a detail that gave my evening a sickening completeness, like an orchid seen in a nature film brought in a few seconds from bud to heavy perfection. I was laughing nervously as he turned back towards the gate. ‘Hey, come in here,’ he said. I followed him with a kind of absent-minded excitement and waited as he locked the gate behind us and went along after him past bins and milk-crates that were hard to make out in the alleyway’s blackness. He opened a door and the flickering of the strip-lights was dazzling. It was the Club’s kitchen, abundantly old-fashioned, with many pantries and offices, windowed partitions and white-tiled walls. Cleaned and swabbed for the night it tingled in the fluorescent glare as if I was drunk. It had about it the discipline of institutional life and beyond that, for all its emptiness, something of the melancholy and teeming sense of order of an Edwardian country house. Abdul, who had sauntered to the far side of the room, came back to me where I lounged wondering against a table. He put his hands on my chest and sliding them up pushed my jacket back off my shoulders; it was then I realised that I had no tie on, and could never have been admitted to the Club proper, even if Charles had been there. Abdul tugged my shirt out at the waist, and ill-temperedly opened my fly and pulled my trousers down about my knees. I saw his cock curving and buckling in his pants with anticipation before he turned me round and spread me out. It was one of those worn, foot-thick chopping tables, eaten away by incessant jointings and slicings into a deep, curved declivity.
From The Swimming-Pool Library (1988)
Only thirty seconds or so were left before we reached Holland Park, though I could decide, as I had done on occasion before, to stick with somebody I was cruising right through to a station miles beyond my own, where, if the cruise was unsuccessful, I might find myself marooned in a distant suburb, with boys mending their push-bikes on the front paths, shouts of far-off footballers on the breeze, and beyond, the fields and woods of semi-country. So, as the train began to slow up, I tentatively gathered Charles’s bag to me in a hint, which was reversible if need be, that my stop was next. I was relieved to see, while we agreed that the Corry was indeed too crowded these days, that he also bent forward, ready to stand up. As we elbowed our way out and started along the platform I spotted my other suitor again, savouring the last seconds he might ever see me, and looking almost nauseous as the train pulled away past us and bore him off. ‘Do you live round here, then?’ I said to the boy, across another funny kind of distance. ‘Not exactly, no,’ he said, with something complacent about him that brought back to me my original impression that he wasn’t very nice. I smiled interrogatively. ‘I thought I might come and check out your place, actually,’ he explained. After some efficient sex, we had a glass of Pimm’s and sat on the window-seat in the evening sun. The air was streaming with seeds, to which Colin was sensitive, and after sneezing and screwing up his eyes for a few minutes, he announced that he had to go. I was not sorry; my mind was already running on to the prospect of opening the bag and getting a feel of what lay ahead. When I closed the door of the flat behind Colin, there the bag was, where I had propped it on a chair before making a grab at him. Retrieving it now, I saw how disrespectful I had been to cast it so hastily aside for the sake of that good but rather professional and chilly trick. I took the bag into the dining-room, tugged open its straps and pulled the contents on to the table.
From The Folding Star (1994)
He made my back prickle and my chest feel hollow. He talked about "the best places to go": the best place was the Hermitage, some old gardens on the edge of town. Matt and I walked up through the narrow stagy gloom of the Blind Fox and sat for ten minutes in a bus waiting for it to start. I looked around at the handful of other passengers, slack with tiredness or shaking newspapers inside out to find some last unread announcement, and reflected on the ambiguous situation I was in. Matt was taking me to the Hermitage because of what I had told him of my troubles, of my day, and he thought it would take my mind off them; we were going there together—had left the Cassette glamorously together—but when we arrived we would have to look out for ourselves. I gathered Matt was pretty sure of meeting a builder from Leuven whom he'd had there the Saturday before; he wouldn't want me hanging around like a kid-sister, though I had a kind of comic dread that I would keep bumping into them as I prowled about. Actually I simply wanted Matt myself, but was powerless to tell him so as the seconds slipped away: we sat with our arms hooked over the seats in front and made sporadic remarks about things. At the first stop I looked out and who should be waiting but Cherif. He clambered on and sat down at once at the front, next to a little old man: I didn't know if he had seen us or how conscious he was of being obliquely observed as he pulled off his awful tweed cap and sat with it rolled in his hands like a serviceman. I thought he was anxious as well as sulkily determined, independent but hopeful of mucking up our plans if he could. It was such a childish ruse that I knew for the first time in the whole fogged, giddy evening that he was truly hurt: I saw for a few minutes as we raced out on to the unpeopled glare of the ring-road that I was perhaps to blame, that I had stamped on some sentiment more delicate than he had been able to show, and that I was in fact the boor I had taken him to be. Then Matt rang the bell and we sneezed to a halt at a shelter where tall and odorous limes towered over a high brick wall.
From The Swimming-Pool Library (1988)
Perhaps the strangest dream I had was one which recalled the evening of my arrest. The frequency with which it recurred could of course be explained by the frequency with which I anyway dwelt on those few crucial minutes. What puzzled me was the variations on the actual events. Always the sequence began with my leaving a group of friends and walking off briskly and excitedly, as I had done, towards the cottage. Which cottage it was, however, altered from night to night, much as it did, of course, in my actual routine. Sometimes I would make for the merry little Yorkshire Stingo, sometimes for the more dangerous shadowy dankness of Hill Place. Sometimes I would find myself going out to Hammersmith, intent on one of those picaresque ‘Lyric’ evenings; and this involved a cab, or bus or train, inevitably subject to diversions, wilful misunderstandings by the driver, or bodies on the line. Even if I was only walking a few hundred yards to a spot in Soho or that ever-fruitful market-barrow, the Down Street Station Gents, I was liable to lose my way or to be caught up in other business, other people’s demands, which only served to increase the frustrated urgency of my quest. Often I would arrive at the correct location to find that the cottage had disappeared, or been closed down and turned into a highly respectable shop. And in reality the places that I sought had in some cases long been closed or demolished. Down Street was shut up before the war; and the station at the British Museum, although I recall no lavatory there, was another imaginary rendezvous, that now is an abandoned Stygian siding; so that my dream dissolved one nostalgia in another, and showed how all closures, all endings, give warning of closures, greater yet, to come. I enter the narrow, half-dark space—again certain that there will be something for me there, but always uncertain what. In the dream it is only the acrid, medicinal scent that is missing—but the excitement from which it is almost indistinguishable survives. It is a smell as remote as can be from supposedly aphrodisiac perfumes, but its effect on me is electrifying. I unbutton at once, or in the dream remove most or even all of my clothes; my mood is optimistic and youthful—and my body too puts off half a lifetime of weight and care. After a few moments a handsome young man comes in, his eyes obscured by the brim of his hat; or the lightbulb in its wire cage is behind him, so that he is a figure of promising darkness. I realise that of course I had seen him in the street on my way here, and had had the impression that he returned my glance. He must have followed me in.
From The Swimming-Pool Library (1988)
It was not, alas, about the Cambridge second eight, but about rent-boys, blackmail and murder in Manhattan; Goldie was the gay police officer who got to buy the favours of the chief suspect, and seemed bound to fall in love with him before the sorry end. The book’s formula was to alternate blocks of fast, bloodthirsty action with exhaustive descriptions of sexual intercourse. Nigel, night-sighted in the pool’s subterranean gloom, had said it was a good one; but I resented its professional neatness and its priapic attempts to win me over. The trouble was that, as attempts, they were half-successful: something in me was pained and removed; but something else, subliterate, responded to the book’s bald graffiti. ‘Fuck me again, Goldie,’ the slender, pleading Juan Bautista would cry; and I thought, ‘Yeah, give it to him! Give it to him good ’n’ hard!’ As we slowed towards stops I looked around at the other passengers, wary slumpers and strap-hangers who never met each other’s eyes for more than a fraction of a second. Half-heartedly playing the game James and I used to play I tried to select which person in the carriage I would least object to having sex with. Occasionally the choice could be made difficult by the presence of too many scrumptious schoolboys or too many dusty-handed navvies. Normally, as now, the problem was to choose between that businessman, regular and suited but with a moody something about him, and the too-tall youth in the doorway giving off a tinny, high-hat patter from his headphones, and looking flightily around through a haze of Trouble for Men. It was James’s theory that everyone had about them some wrinkle at least of lovability, some peculiar and attractive thing—a theory which gained poignancy from the problems in applying it. Consoling and yet absurd, how the sexual imagination took such easy possession of the ungiving world. I was certainly not alone in this carriage in sliding my thoughts between the legs of other passengers. Desires, brutal or tender, silent but evolved, were in the shiftless air, and hung about each jaded traveller, whose life was not as good as it might have been. I remembered for some reason a little public lavatory in Winchester, a urinal and a couple of cubicles visited by bandy-legged old men going to the market and at night by ghostly fantasists who left their traces. It was up an alley where the College turned one of its high stone corners against the town—not a place for boys, for scholars, though I went there once or twice with an almost scholarly curiosity. The cistern filled for ever, the floor was slippery, there was no toilet paper, and between the cubicles a number of holes had been diligently bored, large enough only to spy through.
From The Folding Star (1994)
In the top drawer of the desk the last thing dropped in was a bright paper wallet, showing angled family snaps on the outside, and letting slip from within a glossy stack of lightly curved colour prints. The nervousness of sixty or seventy seconds earlier had left me, and I shuffled through the photographs with a burglar's certain hand. And up they bobbed, one behind the other like bathers rising and dropping on the incoming waves—Luc, Patrick, Sibylle, Patrick, Patrick, Luc, Sibylle, Sibylle, Sibylle. The boys in singlets, or bare-chested, mock-heroic, she very composed, self-aware, conscious of her beauty; the boys were conscious of their own, as well, it showed in every capering gesture, even when one was pointing at the other, who stood cross-eyed, with his tongue sticking out. Then there was a picture of Luc so mythically beautiful that my mouth went dry and then I found I was flooded with a little sob. He was looking through me, eyes narrowed but translucent in sunshine, sea-wet hair pushed oddly, darkly back, lips apart but firm, as if trying out his own name, naked to the bottom edge of the photograph, just below his navel, and his long hands stretched wide, some ordinary gesture caught half-way through so that he looked like Nijinsky resting in the air. I heard the quick stride of his ascent on the flight below and as I thumbed and squared the photos back I slipped out the strands of negative in their crinkled wrapper and tucked them deep into my inner breast pocket. When he came in I was sprawled in the chair with one of his story-books and sucking the ear-piece of my twiddled spectacles. I did detect a certain anxiety as to what it was I was looking at. "There will definitely not be coffee," he said. He looked quite pleased and amused to have made the effort and carried out his plan with such provoking reasonableness. He sat on the bed again, and rubbed his hands together. I wasn't sure if we were allies in this tiny episode, or if it was all his own. "What are you reading?" he asked. I didn't have the wildest idea, a glance at the page gave nothing significant away, I proffered the book with a bored smile. It wasn't a very attractive book—it turned out to be a history of the Crusades, in a fortified school binding. "I never could sort out one crusade from another," I said. Luc grunted. "That's one of my father's books," he said. I took it back with kindly dim interest, not sure what I was looking for. "It doesn't seem very . . ." "All those ones are published by him," he said. "Of course I never read them, but he sends them all, and I think it makes him feel better." Then Luc told me about his father's business.
From The Folding Star (1994)
Those were rare moments of faute de mieux togetherness with the dog, which otherwise owed all its loyalty to my parents, and still if I took him for a walk would run away. Sometimes a postcard came from holidaying friends and I examined the grim communality of the beaches with burning interest. That lad in black trunks, half a centimetre high in the middle distance at Rapallo or Cagnes-sur-Mer, looked pretty hot. It was so sexy there. Here there were only some beery lads on the grass, or old gents with their shirts off sitting on benches, listening to the cricket on tiny trannies. In town I found things taking on an absurd sexual significance: I tramped round and round on imaginary errands so as to see a butcher's boy with a spot-crossed full-mouthed face joking in the doorway with his workless mates. I knew where in Digby's the second-hand manuals of photography and volumes of obsolete sexology were shelved. Even the square-jawed beige mannequins in an outfitters' window, with a generalised mound between the legs, possessed a certain power of suggestion, as did the surreal cross-sections used to display underwear, as if the erogenous zones had been cast life-size in milk chocolate. Being in love seemed to license and heighten random desire all around; I felt guiltily untouched by the conventional wisdom of never looking at another man. It was into this dispirited household that I remember Geoffrey and Mirabelle coming, quite often, as if determined to brighten us up. There was a sense of an impromptu party being stirred into reluctant life; they would arrive with a half-bottle of Beefeater or a batch of meringues in a tin. The idea of Geoffrey brightening anyone up had something incongruous about it that added to the forced sense of fun. He made a genuine effort, he smiled a lot in a rather loopy way, he even once told a long humorous anecdote, followed by an expectant silence in which Mirabelle quietly provided the proper punch-line and pointed out an error earlier in the story which altered the meaning of the whole thing. It was Mirabelle really who made the going. As well as her line-judge's shout, she had a lovely liquid singing voice, which I imagined being refined to its bright clarity in the great stills of her bosom. She was always rather shy of using it in my father's presence, and made pointless remarks about how she couldn't sing at all, but then would break into a phrase or two from Cole Porter inadvertently, out of pure tunefulness, when carrying out the plates or pouring a drink.
From The Swimming-Pool Library (1988)
I still wasn’t wholly sure it had been Phil that I had felt up that day in the basement of the Brutus. Blushing, abstruse, he would not, when I put it to him, confirm or deny it. If it had been him, then he seemed to want it forgotten; if not, then he showed an odd readiness to be incorporated into some half-apprehended fantasy of my own. If it had been him, that squalid and exaggerated little episode must alter my understanding of him, open up the faintly sickening possibility of there being another Phil, whom I could not account for. He might have been at the Brutus at this very moment—or at the Bona or the Honcho or the Stud … ‘It’s always gone on, of course,’ Charles recalled. ‘We had little private bars, sex clubs really, in Soho before the war, very secret. And my Uncle Edmund had fantastic tales of places and sort of gay societies in Regent’s Park—a century ago now, before Oscar Wilde and all that—with beautiful working boys dressed as girls and what-have-you. Uncle Ned was a character …’ Charles sat beaming. ‘I’m always forgetting how sexy the past must have been—it’s the clothes or something.’ ‘Oh, it was unbelievably sexy—much more so than nowadays. I’m not against Gay Lib and all that, of course, William, but it has taken a lot of the fun out of it, a lot of the frisson. I think the 1880s must have been an ideal time, with brothels full of off-duty soldiers, and luscious young dukes chasing after barrow-boys. Even in the Twenties and Thirties, which were quite wild in their way, it was still kind of underground, we operated on a constantly shifting code, and it was so extraordinarily moving and exciting when that spurt of recognition came, like the flare of a match! No one’s ever really written about it, I know what you mean, sex somehow becomes farcical in the past,’ Charles looked at me very tenderly. ‘Perhaps you will, my dear.’ ‘Are you finished, my Lord?’ Graham was enquiring in his complaisant basso. ‘Graham, yes, yes. Do clear away. And William, I must give you just before you go something else to read.’ I hopped up, alert to these covert stage directions in Charles’s talk, and helped him up too. He shuffled round his chair, and looked about for whatever it was. I was convinced he knew where to find it, and had politely and theatrically introduced this air of uncertainty. He handed me a document of several pages, the size of a pamphlet of poems, bound in black shot silk boards and tied legalistically with pink ribbon. ‘Don’t read it now,’ he cautioned. ‘Read it when you get home.’ Graham had gone out with the tray, and we followed a few moments afterwards, Charles’s hand on my shoulder. ‘Thanks so much,’ I said. ‘Thank you, my dear.’ He leant on me and—which he had never done before—kissed me on the cheek.
From The Folding Star (1994)
He was taking his trousers off. I can't go on about the next hour. Luc on the grass in his shallow blue shorts, rather discreet; the tan-lines of the summer, of his red ducks and of longer shorts than these, marking comical sexy stages up his long legs to the whiteness I just glimpsed where the hem rode high by a finger's breadth on the rise of his buttocks. Already the little creases and blue nodes of veins on his inner thighs. Nothing about his cock, but a couple of seconds' vision of crinkled scrotum (I may have imagined that). The discarding of Poets of our Time and the getting on of a yellow Walkman. Its not being Schubert. The scary challenge of a look my way, half-sitting up as if alerted by a noise or the glint of the lens, then lying back again, fingers in his waistband. My envy of his hands as they cupped his head, or flicked at an insect or a tickling grass, the light scratches with the back of a thumbnail. My envy of a long-toed, dirty-soled foot rubbed against the opposite calf, then sliding slowly down till it lay by the other and tick-tocked to the beat of the music. He had to move as the sun swung round and the shadow of our house advanced across the lawn; the steep roof and the lower sunroom took an ominous form, like the blind head and paws of the Sphinx, I thought. Twice he picked up the towel and resettled himself further away, frowning, the subject of an experiment in light he seemed not to have grasped. Twice Matt brought me off. I needed both hands to hold the heavy glasses without shaking. I was rather tied up, head and hands in one place, heart and mind out there where my pupil lay and day-dreamed and shifted from the advance of the cool tide of shadow. Chapter 13 A day of steady rain, a constant whisper in the street, rising in a hiss and then fading when a rare car came past. Sitting under a lamp at Paul Echevin's desk I imagined the indolent persistence of the rain out along the roads of Flanders and at the coast, on hotel porches and empty esplanades. Paul saw me daydreaming—I think, hard worker though he was, he had caught the mood of it too: we exchanged a wistful smile above the stacks of cardboard folders. I turned the pages of an album of Orst's prints, looking for a reference but lulled and taken care of like a child with a picture-book. It was a subtly different world from that of the paintings: a haunted domain of gleams and shadows and briar-tangled paths.
From The Folding Star (1994)
The boys among them trudged away with their rods and camp-stools like little old men. Behind them the silhouettes of pines and poplars were reflected and the sunset opened canyons of pink and ultrarnarine in the pond's muddy depths. "Better look out for the folding star," I said. "What is this folding star?" said Dawn, with the annoyance of hearing me keep saying it and having pretended before that he understood it. "Don't you know your Milton?" I said pityingly. "The star that bids the shepherd fold? As when the folding star arising shows His paly circlet? . . . Dear me." I put an arm round his muscly shoulders and squeezed. "It's when you know you've got to put the sheep all safely in the fold." He shrugged himself free. "What about putting the boys all safely in their tent?" he said. "Yeah." I couldn't actually see the star in question but maybe it was best to set about it. I was always spoiling things with my quotations—he saw them as a kind of sarcasm against himself. The Pilgrim took about five minutes to put up. Dawn dived into it as if scoring a try and when I looked in through the flap he seemed to take up all the space. I felt he'd laid a claim to it that I would never be able to challenge. I slid in alongside him, in the mackintosh-scented gloom, shocked by the lumps in the ground. "It's a good job we like each other," I said, slipping a hand between his legs and stroking his balls through the soft cotton of his tracksuit bottoms. "Just think. Nice. Antibes. Juan-les-Pins"—each name said with savoured French Oral vowels. "Mm." He rolled on to me with a fierce grin that faded into a stare, lips parted, holding his breath then sighing it out suddenly over my face with a hint of sausage-meat and hard-boiled egg. He was working his stiff cock against my thigh. I ran my hands over his lightly sweating back and down under the elastic to the damp cleft of his arse—he curved his spine and my middle finger just reached, and drew a gasp from him as it touched his tender muscle. An outlying root of the ancient hedgerow pressed harder and harder into my back as if to register a serious objection. I struggled out from under him and he took it as a turn in the sex-tussle till I said, "I'm just going outside for a minute." I peed into the bushes and then strolled a short way across the hillside.
From The Folding Star (1994)
You'd think I'd just offered him a drink. He nodded at Luc and rocked up and down on the balls of his feet as if warming up for one of his famous work-outs. "My name's Rodney, by the way," he said. But Luc, firm, a little frightened by my reaction, glanced away. "Well, catch you both later," said Rodney, slapping me on the shoulder again and moving confidently off. I saw someone eye him up. Luc swallowed the rest of his beer, and put down the glass with a hesitation that disguised a tremble. "It's impossible to talk in here", he said, adding, "where you seem to know everybody." "I'm sorry, darling, we'll talk another time." My god, I'd called him darling. I pressed on, "Actually, I was going to suggest we might go out for a drive to some nice old place one day—you could show me some of your country." "Instead of a lesson?" "If you like." I put some detail on it. "Matt's got a sort of jeep, we could go in that." "Will Matt be coming with us?" "Oh no, I don't think so." "Oh." Then, "Yes, that would be lovely"—and he gave me a smile that had me gasping and gripping the bar. Luc's zip had snagged on a fold of the lining. He tugged the toggle up and down, but it was jammed. "What a bloody thing!" he nattered. I wanted to help but held myself back. I was afraid to be too close to him now, out in the street; I was getting ready to say goodnight, nervous as hell, wondering if I could kiss him, staring up at the clouded night. Quarter to something chimed from the Belfry's chilling height. It would be like being up there, when he'd gone—the giddy darkness, my pounding heart. "Edward, can you help me?" "It should be quite simple," I said briskly—crossly he may have thought. He lifted his arms in surrender and I gripped the little tab and yanked it. It gave by one tooth, and was more firmly stuck than before. "I can't quite see," I said, "come under this lamp. Now . . ." We were leaning together to work out the problem, his hair fell forward into my face. "Get your head out of the light"—and he looked aside like someone squeamish about an injection. I grabbed the bottom of the jacket, where the zip was correctly engaged, and tugged it down as I tried to move the zip up: my hand was against his belt, I even brushed the winking tab of his other zip. "It'll have to go down," I said, peering into the dim scent of lad and leather, the soft world of quilted jacket linings and hearts beating under wool and silk.
From The Swimming-Pool Library (1988)
The Park after all was only stilted countryside, its lake and trees inadequate reminders of those formative landscapes, the Yorkshire dales, the streams and watermeads of Winchester, whose influence was lost in the sexed immediacy of London life. I found myself approaching the dismal Italianate garden at the head of the lake, a balustraded terrace with flagged paths surrounding four featureless pools, a half-hearted baroque fountain (now switched off) aimed at the Serpentine below, and on the outside, backing on to the Bayswater Road, a pavilion with a rippling red roof and benches spattered with bird droppings. Deadly as this place had always seemed to me, stony and phoney amid the English greenness of the Park, it was an unfailing attraction to visitors: loving couples, solitary duck-fanciers, large European and Middle Eastern family groups taking a slothful stroll from their apartments in Bayswater and Lancaster Gate. I sauntered across it, as much to confirm how I disliked it as anything else. Some desolate little boys played together more out of duty than pleasure. Queens of a certain age strolled pointedly up and down. The sky was uniformly grey, though a glare on the white frippery of the pavilion suggested a sun that might break through. I was turning to leave when I spotted a lone Arab boy wandering along, hands in the pockets of his anorak, fairly unremarkable, yet with something about him which made me feel I must have him. I was convinced that he had noticed me, and I felt a delicious surplus of lust and satisfaction at the idea of fucking him while another boy waited for me at home. To test him out I dawdled off behind the pavilion to where some public lavatories, over-frequented by lonely middle-aged men, are tucked into the ivy-covered, pine-darkened bank of the main road. I went down the tiled steps between the tiled walls, and a hygienic, surprisingly sweet smell surrounded me. It was all very clean, and at several of the stalls under the burnished copper pipes (to which someone must attach all their pride), men were standing, raincoats shrouding from the innocent visitor or the suspicious policeman their hour-long footlings. I felt a faint revulsion—not disapproval, but a fear of one day being like that. Their heads seemed grey and loveless to me as they turned in automatic anticipation. What long investment they made for what paltry returns … Did they nod to one another, the old hands, as they took up their positions, day by day, alongside each other in whatever station in their underground cycle of conveniences they had reached? Did anything ever happen, did they, despairing of whatever it was they sought, which could surely never be sex, but at most a glimpse of something memorable, ever make do with each other?
From The Swimming-Pool Library (1988)
Inside the Café there was an unreal, subaqueous atmosphere, early lights burning though it was still hot & bright outside, & layers of smoke drifting above the marble tables. I hadn’t been there since I was an undergraduate & it seemed as unlikely to me now as then that England cd have come up with somewhere so thoroughly democratic, where I, a Lord after all, might share a table with a bookmaker. Actually it excites a rather corrupt & non-democratic emotion in me—of the daring ‘chic’ of slumming it. I think Sandy feels this less, & goes there as a bohemian & for the fun. It was fun, too, & we drank champagne and smoked Turkish cigarettes & sprawled on the benches. Eddy St Lyon was there with an actorish young man & winked at us hugely across the room; he has aged extraordinarily & looks ripe with corruption & self-abuse. At the next table some roughish characters were playing dominoes, a thick-set older man, a kind of foreman with his gang. S. was clearly somewhat preoccupied with one of them, eighteen or so, with grubby, sun-bleached hair & broad features: there was something both delicate & brutal about him, with dark stains spreading from the armpits of his shirt & preternaturally powerful, dirty hands that showed a surprising refinement when he pushed the dominoes out, or raised his beer-glass to his lips. When the glass was empty, S. reached over and half-filled it with champagne. The boy smiled candidly, revealing a broad gap in his front upper teeth which made me swallow & tingle with lust, & the ‘foreman’ looked across with pride and gratitude, as if we had somehow helped the boy with his education. When their game was over, S. told the youth that he wanted to draw him, & they arranged a time & shook hands on a price; I began to see how the mixed nature of the clientele worked to everyone’s advantage. After this Sandy rather basked in his own savoir-faire , & we ordered another bottle of champagne. I had noticed a solitary figure sitting across the room, also drinking freely, even heavily. He was slender, & beautifully dressed, of indeterminate age but clearly older than he wanted to be. He must in fact have been about 40, but his flushed appearance & what may well have been a discreet maquillage gave him an air of artifice & sadly made one feel that he must be older, not younger. He was not only by himself but in some heightened, almost dramatic way, alone.
From The Swimming-Pool Library (1988)
I was glad of his self-reliance; and companionable hours passed with him, sprawled in an armchair with his book, and me behind him, at my writing-table, going through Charles’s papers and looking up now and again with a sudden rush of the blood at his powerful figure and sober head, his face, full of thoughts, turned from me in a lost profile. The quiet, slightly contrived domestic mood made me think of Arthur again, and I couldn’t help being grateful for the open windows, the normality, the cool of the new set-up. Not that there weren’t things I missed. It was fine, making love to Phil, and I was obsessed with his body. But he lacked the illiterate, curling readiness of Arthur, his instinct for sex. Both of them were teenagers over whom I had many advantages; both of them watched me for the moves I would make. But where with Arthur, when I did move, there was an immediate transport, a falling-open of the mouth, a mood of necessity that was close to possession, with Phil there was a more selfconscious giving, callow at times and imitative. When I was rough with him it was to break through all that. Phil’s affection expressed itself too in a kind of wrestling, which was sweatily physical but which wasn’t quite sex. There were no rules and it generally involved him in his pants and me in nothing at all, clinching wildly on the sofa or wherever we happened to be, tumbling on to the floor, straining, twisting and squeezing at each other but showing enough decorum not to knock things over. I suppose all this assertion of muscle was his familiar shyness, and silly as it was it had something authentic of him in it, which was beautifully exposed over those few seconds when our eyes at last held each other’s, he fell into a silent slackness of submission and the ragging and bragging dissolved into tenderness and release. I had had a brief talk with Bill after the boxing. The contest itself went on and on and through much of it I sat around in the changing-room while Bill exhorted or solaced his team and a succession of teenaged boys got dressed in front of me. Sometimes fathers, who fancied themselves as boxing pundits, came in with brothers or friends, and lectured, berated or praised their bruised progeny. Bill’s behaviour with the fathers was torn: longing to be smoothly accepted as a mentor and character, he also resented the parental intrusions into the bond of trainer and pupil. Then Limehouse lost the cup, and Alastair was not the man of the match (to whom a specially tinny trophy, redolent of prep-school sports, was presented).
From The Swimming-Pool Library (1988)
Like a child who had been hoping for guidance, & with only the faintest hint of adult irony or doubt, he came along, & when he saw the bombed-out far end of the building under all its tarpaulins & scaffolding reacted to it as though it were a cause for personal sympathy and congratulation. I cd hardly wait to get him in the showers, but I hired him some drawers & a towel & drew out our time in the pool as if I were only there for the exercise. Roy (his name, Roy Bartholomew) was a clumsy swimmer, but jolly fast, soldier-fit & divinely constructed. I tested him gently by saying how muscly he was, & he flexed his arms & had me punch him in the stomach—at the same time saying how I shd see so-and-so in his regiment, who evidently has the biggest muscles imaginable. I discovered he likes to box, & wished for a moment I was twenty years younger & cd have taken him on. In the showers he was all I cd have hoped for, flawed only by a little appendicitis scar; but he was selfconscious—not, I realised, about nudity, but about showering with whites. He was like other American negro servicemen I’ve seen in the Corry, used to segregation & despite their often transcendent beauty & presence somehow cowed or fearful of rejection. The regulars, however, were impressed, & Fox was very pointedly doing his ‘Get a bunk on last night, Charlie?’ patter, while young Andrews lathered his conversation with my Lord this and my Lord that—which of course impressed Roy in turn. I took him back to Brook St & opened a bottle of champagne. Taha looked at me very knowingly before going off to see his uncle, & then, having the place to myself, I more or less did what I wanted. There was a statutory preamble of remarks about girlfriends and what-have-you, but that out of the way we started kissing & stroking each other pretty uninhibitedly, & stripped off & had it away on the sofa & then on the floor three or four times. I must say he was absolute bliss, with that kind of innocence that so appeals to me, & very manly & friendly—nothing affected or girly about it. I’ve never known anyone ejaculate such quantities. Even the last time, when I brought him off by hand, it shot right up into his face. September 27: In a moment of foolishness I’d given Roy my telephone number. I was out most of the morning & didn’t return home until 5 or so, when I asked Taha if there had been any calls & he said ‘No Sir’ with a noticeably self-satisfied air.