Contentment

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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• From H Is for Hawk (2014)

  Sitting there with the hawk in that darkened room I felt safer than I’d done for months. Partly because I had a purpose. But also because I’d closed the door on the world outside. Now I could think of my father. I began to consider how he had coped with difficulty. Putting a lens between himself and the world was a defence against more than physical danger: it shielded him from other things he had to photograph: awful things, tragic things; accidents, train crashes, the aftermath of city bombs. He’d worried that this survival strategy had become a habit. ‘I see the world through a lens,’ he said once, a little sadly, as if the camera were always there, stopping him getting involved, something between him and the life that other people had. The chaffinch was calling again. How you learn what you are. Had I learned to be a watcher from my father? Was it a kind of childhood mimicking of his professional strategy for dealing with difficulty? I kicked the thought around for a while, and then I kicked it away. No, I thought. No. It was more I can’t think that than It’s not true. All those thousands upon thousands of photographs my father had taken. Think of them instead. Each one a record, a testament, a bulwark against forgetting, against nothingness, against death. Look, this happened. A thing happened, and now it will never unhappen. Here it is, in the photograph: a baby putting its tiny hand in the wrinkled palm of an octogenarian. A fox running across a woodland path and a man raising a gun to shoot it. A car wreck. A plane crash. A comet smeared across the morning sky. A prime minister wiping his brow. The Beatles, sitting at a café table on the Champs-Elysées on a cold January day in 1964, John Lennon’s pale face under the brim of his fisherman’s cap. All these things had happened, and my father had committed them to a memory that wasn’t just his own, but the world’s. My father’s life wasn’t about disappearance. His was a life that worked against it.

• From H Is for Hawk (2014)

  Here is the sheep-field, there is the clover ley, now mown and turned to earth. Further up the track are tracts of mugwort: dead now from frost, seeds clinging to stems and branches like a billion musty beads on ragged Christmas trees. Piles of bricks and rubble run along the left-hand side of the track, and the earth between them is soft and full of rabbits. Further up the hill the hedges are higher , and by the time I get to the top the track has narrowed into grass. Cow parsley. Knapweed. Wild burdock. The argillaceous shimmer of tinder-fine clay. Drifts of chalk beneath. Yellowhammers chipping in the hedges. Cumulus rubble. The maritime light of this island, set as it is under a sky mirrored and uplit by sea. I don’t own this land. I’ve only got permission to fly here. But in walking it over and over again and paying it the greatest attention I’ve made it mine. I know where its animals live, and how they move about it. Know that the larks sleep on the top of the hill, but on sunny mornings they move to warm themselves on eastward slopes. That when the weather is wet but the rain has stopped, the rabbits in the warrens near the ditches move eastward onto the drier fields to graze. This sense of where the animals are is the coincidence of long experience with unconsciously noted clues. The incidence of sunlight on a stubblefield, and the pressure of wind on the same. The precise colour of the ground. I move towards the larks as if I could see them. But the biggest field – one planted with oilseed rape – is not like the others. It is a mystery. Walking it with Mabel is like playing natural-historical battleships. Anything could be living in those thick-packed bluish leaves. Pheasants, partridges, hares – even a jack snipe, whirring up with snappy wingbeats from a muddy patch near the hedge. It seems ludicrous that anything could be invisible in a bare two inches of herbage. But everything is. There is a sense of creation about it: when the hare leapt up from our feet today it was as if it had been made by the field ex nihilo . The hare had an ally: a strong north-easterly. Mabel tried twice to grab it, and both times it jinked across the wind and she missed. It is very strange watching a hawk chase a land animal in a high wind. The hare has purchase: its claws and furry pads dig into leaves and mud, and it uses the ground to propel itself against. But the hawk moves in air alone. It is like watching one element against another .

• From City of Night (1963)

  It’s that limbo-time in Los Angeles arbitrarily called “spring,” merely because, technically, summer hasnt come. The weather inches toward summer, boundaryless, and the only difference you notice, in the park, is that the crowds become even thicker as the days become slowly warmer. Now, in the park—and it is mid-afternoon—there are the familiar sights of mangled American outcasts of every breed. Under the drooping palmtrees, old men and women sit on benches; and outside the enclosed lawn, along the outer ledges, the vagrants of all ages—the younger ones out to score and the older ones out merely to fill the necessary space of time required of that day to qualify them as being “alive”—sit singly or in groups, always waiting: the masklike faces of people expecting anything or nothing.... “When I got this gig, parking cars,” Chuck was going on, “I figured theres got to be that malehouse somewhere in Hollywood I heard so much about, an someone’ll spot me, sign me up for it.” This was a familiar thing with him—said now half-jokingly. “This score, man, he says: ‘Chuck, you jes work in my parkin lot an someone’s bound to show that knows where it is an you can go there an apply.’ But, hell, nothin happened, An I Got Tired.” He shrugs his shoulders. His hat was pushed away from his face, turned toward the sun. “Gettin a tan,” he explains, yawning lazily, very long, “an—uh—it makes me—unhhh—real—sleepy.” Directly behind us, the howling voice of the Negro woman who preaches there every day rises in a wail as she goes through a religious Revelation. She clutches her throat, gasping out choked obsessed mutterings; eyes shut deliriously, one hand dangling intimately between her slightly spread arched legs—like a burlesque queen. “Comin, Lawd!” she announces triumphantly. She gasped now as if shes seen Him, lurking among the California palmtrees. She greets Him with bumping hips. “Comin, Lawdee!” and her hands are stretched out in supplication or welcome. And Chuck said happily: “Yippeee! Man-oh-man! She has made it!—I swear she has made it!” Then he yells to her: “Grab Him, lady! You jes grab-im while you got-im—an don let go!” Now he turns to face me. He yawns again. “The best way to get there,” he mused now, “is to take it slow.” “Get where?” He shrugged. “Wherever.... I mean, wherever you wanna go. Like for her—” indicating the Negro woman “—her, see, she wants to make it to Heaven.... Or, I mean, like, if you wanna make it to New York or Denver—... Or Nowhere, like me....” And there it was. There was what had intrigued me about Chuck from the very beginning: His easy, happy acceptance of Nothingness. It wasnt resignation—it was acceptance. I look at him as he smiles into the bright glare of the sun....

• From H Is for Hawk (2014)

  So now the hawk eats, the conversation continues, the sun falls in pale planes on the ancient walls, the chirrups of house martins drift down from above like distant fingertips on glass, and I glory in it all. How beautiful it is here, I think, and how supremely unlikely it is that I ever got to be here at all, a state-school kid born to parents who’d never gone to university, to whom Cambridge was the mysterious haunt of toffs and spies. ‘You must be a spy,’ my father used to tell me. ‘Must be.’ He’d watched me as a child sneaking about with binoculars, hiding for hours in bushes and trees. I was the invisible girl; someone tailor-made for a secret life. ‘No, really I’m not,’ I’d say for the hundredth time. ‘I’m not!’ ‘But of course you’d say that.’ And he’d laugh delightedly, because there was no way I could persuade him otherwise. ‘It’s a job, Dad,’ I’d say, rolling my eyes. ‘I teach people English and the History of Science. I sit in a library, read books, do my research. That’s all it is. I’m not something out of a John le Carré novel.’ ‘But you could be,’ he’d say, stressing the could, and part of him not joking at all. My father had revelled in the thought that I might be a spy, for it was a life he understood, being only a hair’s breadth from his own. One day he’d handed me a miniature silver camera. ‘It takes special film,’ he said gleefully, flipping open the back and showing me where the miniature spool fitted in its matchbox-sized casing. Over the years he’d rigged up infra-red light-beams to photograph nocturnal wildlife, staked out the love-nests of cabinet ministers, tracked and photographed the movements of nuclear waste on secret midnight trains, climbed over fences, sneaked cameras into places he, and they, should not have been. Patience, detection, subterfuge and record. What historians did for a living was far more mysterious to him than the work of spies.

• From H Is for Hawk (2014)

  I don’t own this land. I’ve only got permission to fly here. But in walking it over and over again and paying it the greatest attention I’ve made it mine. I know where its animals live, and how they move about it. Know that the larks sleep on the top of the hill, but on sunny mornings they move to warm themselves on eastward slopes. That when the weather is wet but the rain has stopped, the rabbits in the warrens near the ditches move eastward onto the drier fields to graze. This sense of where the animals are is the coincidence of long experience with unconsciously noted clues. The incidence of sunlight on a stubblefield, and the pressure of wind on the same. The precise colour of the ground. I move towards the larks as if I could see them. But the biggest field – one planted with oilseed rape – is not like the others. It is a mystery. Walking it with Mabel is like playing natural-historical battleships. Anything could be living in those thick-packed bluish leaves. Pheasants, partridges, hares – even a jack snipe, whirring up with snappy wingbeats from a muddy patch near the hedge. It seems ludicrous that anything could be invisible in a bare two inches of herbage. But everything is. There is a sense of creation about it: when the hare leapt up from our feet today it was as if it had been made by the field ex nihilo. The hare had an ally: a strong north-easterly. Mabel tried twice to grab it, and both times it jinked across the wind and she missed. It is very strange watching a hawk chase a land animal in a high wind. The hare has purchase: its claws and furry pads dig into leaves and mud, and it uses the ground to propel itself against. But the hawk moves in air alone. It is like watching one element against another. One world versus another, like a gannet diving into the sea for fish. I am glad she did not catch the hare. There is the tree Mabel dived from to cosh me on the head. There’s the invisible line in the air along which for the very first time she followed a cock pheasant to cover. There’s the hedge where she clung, tail fanned wide, wings pressed against twigs, looking for a pigeon already gone. There is the bramble bush that tripped me and pitched me into a flooded ditch. The hawk and I have a shared history of these fields. There are ghosts here, but they are not long-dead falconers. They are ghosts of things that happened.

• From Educated (2018)

  My brother Tony had taken out a loan to buy his own rig—a semi and trailer—but in order to make the payments, he had to keep the truck on the road, so that’s where he was living, on the road. Until his wife got sick and the doctor she consulted (she had consulted a doctor) put her on bed rest. Tony called Shawn and asked if he could run the rig for a week or two. Shawn hated trucking long-haul, but he said he’d do it if I came along. Dad didn’t need me in the junkyard, and Randy could spare me for a few days, so we set off, heading down to Las Vegas, then east to Albuquerque, west to Los Angeles, then up to Washington State. I’d thought I would see the cities, but mostly I saw truck stops and interstate. The windshield was enormous and elevated like a cockpit, which made the cars below seem like toys. The sleeper cab, where the bunks were, was musty and dark as a cave, littered with bags of Doritos and trail mix. Shawn drove for days with little sleep, navigating our fifty-foot trailer as if it were his own arm. He doctored the books whenever we crossed a checkpoint, to make it seem he was getting more sleep than he was. Every other day we stopped to shower and eat a meal that wasn’t dried fruit and granola.

• From Educated (2018)

  Grandma-over-in-town had given me a journal, pink with a caramel- colored teddy bear on the cover, and in it I recorded the first time Mother took us to a restaurant, which I described as “real fancy with menus and everything.” According to the entry, my meal came to $3.30. Mother also used the money to improve herself as a midwife. She bought an oxygen tank in case a baby came out and couldn’t breathe, and she took a suturing class so she could stitch the women who tore. Judy had always sent women to the hospital for stitches, but Mother was determined to learn. Self-reliance, I imagine her thinking. With the rest of the money, Mother put in a phone line. * One day a white van appeared, and a handful of men in dark overalls began climbing over the utility poles by the highway. Dad burst through the back door demanding to know what the hell was going on. “I thought you wanted a phone,” Mother said, her eyes so full of surprise they were irreproachable. She went on, talking fast. “You said there could be trouble if someone goes into labor and Grandma isn’t home to take the call. I thought, He’s right, we need a phone! Silly me! Did I misunderstand?” Dad stood there for several seconds, his mouth open. Of course a midwife needs a phone, he said. Then he went back to the junkyard and that’s all that was ever said about it. We hadn’t had a telephone for as long as I could remember, but the next day there it was, resting in a lime- green cradle, its glossy finish looking out of place next to the murky jars of cohosh and skullcap. — LUKE WAS FIFTEEN WHEN he asked Mother if he could have a birth certificate. He wanted to enroll in Driver’s Ed because Tony, our oldest brother, was making good money driving rigs hauling gravel, which he could do because he had a license. Shawn and Tyler, the next oldest after Tony, had birth certificates; it was only the youngest four—Luke, Audrey, Richard and me—who didn’t. Mother began to file the paperwork. I don’t know if she talked it over with Dad first. If she did, I can’t explain what changed his mind—why suddenly a ten-year policy of not registering with the Government ended without a struggle—but I think maybe it was that telephone. It was almost

• From H Is for Hawk (2014)

  Deer one way, hare the other . And now they are quite gone: the hare to the field-margin at the top of the hill to my left, the deer into the wood at the top of the hill to my right. There is nothing before me now but wind and chalk and wheat. Nothing. The hawk rouses again and begins to preen her covert feathers. The running deer and the running hare. Legacies of trade and invasion, farming, hunting, settlement. Hares were introduced, it is thought, by the Romans. Fallow deer certainly were. Pheasants, too, brought in their burnished hordes from Asia Minor . The partridges possessing this ground were originally from France, and the ones I see here were hatched in game-farm forced-air incubators. The squirrel on the sweet chestnut? North America. Rabbits? Medieval introductions. Felt, meat, fur , feather , from all corners. But possessing the ground, all the same. We set off, again, homeward this time. But now the rain in the air is harder, and the rabbits are so close to their holes that Mabel’s not able to get a foot to them before they disappear. After one hair’s-breadth miss in a rocky quarryhole by a bank of wild rose stems, I call her back and feed her up. She is tired. Beads of water spot her head and tiny eyelash feathers. We stroll back to the car park. I’m tired too, and glad to see people walking towards us. I’ve met them before: a retired couple from my mother’s village, walking their white-muzzled terrier on a long lead. They’re all wrapped up with scarves and snap-fastened country jackets and their shoulders are set a little against the cold and wet. I meet them here quite often. I’ve always been delighted to see them. I don’t know their names, and they don’t know mine, though they know my hawk’s called Mabel. I wave, and they stop and wave back. ‘Hello’, I say. ‘Hello! How’s the hawk?’ they ask. ‘She’s good,’ I say happily. ‘But tired. She’s been flying all over the place. It’s beautiful out here today. I saw the deer!’ I went on, glad to have someone to tell. ‘A big herd of them, dark-coated, down in the bottom of the valley. ’ ‘Yes , ’ he says. ‘The deer . Special, aren’t they , those ones. Rare. We see them quite often.’ He is smiling; we’re all enjoying our shared secrets of a place. She’s nodding too. ‘Aren’t they beautiful?’ she says . ‘We counted them once, didn’t we?’ He nods . ‘There’re usually between twenty-five and thirty.’ ‘Thirty exactly!’ I say. ‘They’re a lovely sight.’ I agree. She tucks her scarf more tightly around her as a squall begins.

• From Educated (2018)

  “It won’t,” I said. “There will be no scholarship. I’m not even going to pass.” My voice was shaky now. “If there’s no scholarship, there’s no scholarship,” he said. “Maybe I can help with the money. We’ll figure it out. Just be happy, okay?” “Okay,” I said. “Come on home if you need.” I hung up, not sure what I’d just heard. I knew it wouldn’t last, that the next time we spoke everything would be different, the tenderness of this moment forgotten, the endless struggle between us again in the foreground. But tonight he wanted to help. And that was something. — IN MARCH, THERE WAS ANOTHER exam in Western Civ. This time I made flash cards. I spent hours memorizing odd spellings, many of them French (France, I now understood, was a part of Europe). Jacques-Louis David and François Boucher: I couldn’t say them but I could spell them. My lecture notes were nonsensical, so I asked Vanessa if I could look at hers. She looked at me skeptically, and for a moment I wondered if she’d noticed me cheating off her exam. She said she wouldn’t give me her notes but that we could study together, so after class I followed her to her dorm room. We sat on the floor with our legs crossed and our notebooks open in front of us. I tried to read from my notes but the sentences were incomplete, scrambled. “Don’t worry about your notes,” Vanessa said. “They aren’t as important as the textbook.” “What textbook?” I said. “The textbook,” Vanessa said. She laughed as if I were being funny. I tensed because I wasn’t. “I don’t have a textbook,” I said. “Sure you do!” She held up the thick picture book I’d used to memorize titles and artists. “Oh that,” I said. “I looked at that.” “You looked at it? You didn’t read it?” I stared at her. I didn’t understand. This was a class on music and art.

• From Educated (2018)

  IN DECEMBER, AFTER I had submitted my last essay, I took a train to London and boarded a plane. Mother, Audrey and Emily picked me up at the airport in Salt Lake City, and together we skidded onto the interstate. It was nearly midnight when the mountain came into view. I could only just make out her grand form against the inky sky. When I entered the kitchen I noticed a gaping hole in the wall, which led to a new extension Dad was building. Mother walked with me through the hole and switched on the light. “Amazing, isn’t it?” she said. “Amazing” was the word. It was a single massive room the size of the chapel at church, with a vaulted ceiling that rose some sixteen feet into the air. The size of the room was so ridiculous, it took me a moment to notice the decor. The walls were exposed Sheetrock, which contrasted spectacularly with the wood paneling on the vaulted ceiling. Crimson suede sofas sat cordially next to the stained upholstery love seat my father had dragged in from the dump many years before. Thick rugs with intricate patterns covered half the floor, while the other half was raw cement. There were several pianos, only one of which looked playable, and a television the size of a dining table. The room suited my father perfectly: it was larger than life and wonderfully incongruous. Dad had always said he wanted to build a room the size of a cruise ship but I’d never thought he’d have the money. I looked to Mother for an explanation but it was Dad who answered. The business was a roaring success, he explained. Essential oils were popular, and Mother had the best on the market. “Our oils are so good,” he said, “we’ve started eating into the profits of the large corporate producers. They know all about them Westovers in Idaho.” Dad told me that one company had been so alarmed by the success of Mother’s oils, they had offered to buy her out for an astonishing three million dollars. My parents hadn’t even considered it. Healing was their calling. No amount of money could tempt them. Dad explained that they were taking the bulk of their profits and reconsecrating them to God in the form of supplies—food, fuel, maybe even a real bomb shelter. I suppressed a grin. From what I could tell, Dad was on track to become the best-funded lunatic in the Mountain West. Richard appeared on the stairwell. He was finishing his undergraduate degree in chemistry at Idaho State. He’d come home for Christmas, and

• From Educated (2018)

  When the semester ended I returned to Buck’s Peak. In a few weeks BYU would post grades; then I’d know if I could return in the fall. I filled my journals with promises that I would stay out of the junkyard. I needed money—Dad would have said I was broker than the Ten Commandments—so I went to get my old job back at Stokes. I turned up at the busiest hour in the afternoon, when I knew they’d be understaffed, and sure enough, the manager was bagging groceries when I found him. I asked if he’d like me to do that, and he looked at me for all of three seconds, then lifted his apron over his head and handed it to me. The assistant manager gave me a wink: she was the one who’d suggested I ask during the rush. There was something about Stokes—about its straight, clean aisles and the warm people who worked there—that made me feel calm and happy. It’s a strange thing to say about a grocery store, but it felt like home. Dad was waiting for me when I came through the back door. He saw the apron and said, “You’re working for me this summer.” “I’m working at Stokes,” I said. “Think you’re too good to scrap?” His voice was raised. “This is your family. You belong here.”

• From H Is for Hawk (2014)

  To cross this space between fear and food, and to somehow make possible an eventual concord between your currently paralysed, immobile minds, you need – very urgently – not to be there. You empty your mind and become very still. You think of exactly nothing at all. The hawk becomes a strange, hollow concept, as flat as a snapshot or a schematic drawing, but at the same time, as pertinent to your future as an angry high court judge. Your gloved fist squeezes the meat a fraction, and you feel the tiny imbalance of weight and you see out of the very corner of your vision that she’s looked down at it. And so, remaining invisible, you make the food the only thing in the room apart from the hawk; you’re not there at all. And what you hope is that she’ll start eating, and you can very, very slowly make yourself visible. Even if you don’t move a muscle, and just relax into a more normal frame of mind, the hawk knows. It’s extraordinary. It takes a long time to be yourself, in the presence of a new hawk. But I didn’t have to learn how to do this. I was already an expert. It was a trick I’d learned early in my life; a small, slightly fearful girl, obsessed with birds, who loved to disappear. Like Jumbo in Tinker Tailor Soldier Spy, I was a watcher. I had always been a watcher. When I was a child I’d climb the hill behind my house and crawl into my favourite den under a rhododendron bush, wriggling down on my tummy under overhanging leaves like a tiny sniper. And in this secret foxhole, nose an inch from the ground, breathing crushed bracken and acid soil, I’d look down on the world below, basking in the fierce calm that comes from being invisible but seeing everything. Watching, not doing. Seeking safety in not being seen. It’s a habit you can fall into, willing yourself into invisibility. And it doesn’t serve you well in life. Believe me it doesn’t. Not with people and loves and hearts and homes and work. But for the first few days with a new hawk, making yourself disappear is the greatest skill in the world. The confidence with which I sat there with the hawk was absolute. I know how to do this, I thought. I am good, at least, at this. I know all the steps to this dance. First the hawk will feed on my gloved fist. Then as the days pass she’ll grow tamer, partly because I am keeping her indoors and constantly in my presence, just as fifteenth-century falconers had done. Soon she will step to my fist for food, and later she will jump to it. We’ll go for long walks to accustom her to cars and dogs and people. And then she’ll fly to me when I call her, first on a line, the creance, and then free. And then.

• From H Is for Hawk (2014)

  As I sit there happily feeding titbits to the hawk, her name drops into my head. Mabel. From amabilis, meaning loveable, or dear. An old, slightly silly name, an unfashionable name. There is something of the grandmother about it: antimacassars and afternoon teas. There’s a superstition among falconers that a hawk’s ability is inversely proportional to the ferocity of its name. Call a hawk Tiddles and it will be a formidable hunter; call it Spitfire or Slayer and it will probably refuse to fly at all. White called his hawk Gos for short, but also awarded him a host of darkly grandiose other names that for years made me roll my eyes in exasperation. Hamlet. Macbeth. Strindberg. Van Gogh. Astur. Baal. Medici. Roderick Dhu. Lord George Gordon. Byron. Odin. Nero. Death. Tarquin. Edgar Allan Poe. Imagine, I used to think, amused and faintly contemptuous. Imagine calling your goshawk any of those things! But now that list just made me sad. My hawk needed a name as far from that awful litany, as far from Death as it could get. ‘Mabel.’ I say the word out loud to her and watch her watching me say it. My mouth shapes the word. ‘Mabel.’ And as I say it, it strikes me that all those people outside the window who shop and walk and cycle and go home and eat and love and sleep and dream – all of them have names. And so do I. ‘Helen,’ I say. How strange it sounds. How very strange. I put another piece of meat on my glove and the hawk leans down and eats. 10 Darkness He pours another whisky into his emptied glass and broods over the day’s events. He is free, but he has shackled himself to a madman. A lunatic. At the very least, a sufferer of intermittent delusional insanity. He turns down the beam of the paraffin lamp and sinks back into the chair, gloomily rereading the report he has written on the progress of his goshawk’s education. 6.15–6.45 walked round + round Gos, holding out a leg, while he bated whenever I came too close. Came away without feeding him. This is not in the book. I have done the same thing, with the same results, for fifteen minutes in every hour since (until 6 o’clock at night).

• From H Is for Hawk (2014)

  I’m hoping that the drugs will prevent the rampant paranoia that this excess of caffeine will inevitably provoke. Mabel clocks a pile of woodpigeons on plough a quarter of a mile away and makes as if to bate at them. ‘Don’t be daft, Mabes,’ I say, but she bates anyway. Pah . She looks me directly in the face. Give me something to chase! I do. We walk through chest-high thistles at the corner of the next field, hawk held high as I negotiate the thorns. She’s gripping hard with all eight talons, bracing herself against the oncoming gusts of wind. And then out of nowhere, coming out of the ground right from where the tip of my shadow ends, a cock pheasant in bronze and bottle green, all rackety tail and sharp primaries, clatters up from the dry grass, gos already close behind. He turns downwind. She’s gaining on him. No more than six inches behind the tip of his tail. But she hasn’t flown much in winds like this, and mistimes her attack; is pushed by the wind a little askew, and the pheasant pulls away, climbs up over the wood. She follows, and both are lost to view. I’m just about to start running, but she’s already on her way back to me, coming in at treetop height over the wood like a Mustang in a war movie. One vast, stylish arc, carving right through the barricade of oncoming air, like, Here I come! , and she’s back on the fist, grinning like an idiot, and her whole attitude is, like, Well! What did you think of that? As the days drive deeper into winter, a small and fugitive gleam begins to touch the edges of things. It happens without much fuss. I catch myself watching the sky in the morning and liking simply how it looks. Gone is the austringer’s calculating eye, concerned only with wind-speed, bearing, likely precipitation. I call on old friends, make plans for the future. I look for a house to rent. My mother comes to visit. I go back to the doctor to discuss my progress. He tells me the deep blurry tiredness is a side-effect of the drugs, and that it will soon pass. The American writer and ecologist Aldo Leopold once wrote that falconry was a balancing act between wild and tame – not just in the hawk, but inside the heart and mind of the falconer . That is why he considered it the perfect hobby . I am starting to see the balance is righting, now, and the distance between Mabel and me increasing. I see, too, that her world and my world are not the same, and some part of me is amazed that I ever thought they were. Then I find myself doing something surprising. I raise Mabel’s weight even more and let her range more widely when she flies.

• From Tipping the Velvet (1998)

  And as we did so we seemed to learn the ways and manners of the whole unruly city; and I grew as easy, at last, with London, as with Kitty herself - as easy, and as endlessly fascinated and charmed. We visited the parks - those great, handsome parks and gardens, that are so queer and verdant in the midst of so much dust, yet have a little of the pavements’ quickness in them, too. We strolled the West End; we sat and gazed at all the marvellous sights - not just the grand, celebrated sights of London, the palaces and monuments and picture galleries, but also the smaller, swifter dramas: the overturning of a carriage; the escape of an eel from an eel-man’s barrow; the picking of a pocket; the snatching of a purse. We visited the river - stood on London Bridge, and Battersea Bridge, and all the bridges in between, just so that we might look, and marvel, at the great, stinking breadth of it. It was the Thames, I knew, which widened at its estuary to form the kind, clear, oyster-bearing sea I had grown up on. It gave me an odd little thrill, as I stood gazing at the pleasure-boats beneath Lambeth Bridge, to know that I had journeyed against the current - had made the trip from palpitating metropolis to mild, uncomplicated Whitstable in reverse. When I saw barges bringing fish from Kent I only smiled - it never made me homesick. And when the barge-men turned, to make the journey back along the river, I did not envy them at all. And while we strolled and gazed and grew ever more sisterly and content, the year drew to a close; we continued to labour over the act, and Kitty herself became something of a success. Now, every contract that Walter found her was longer and more generous than the last; soon she was over-booked, and turning offers down. Now she had admirers - gentlemen, who sent her flowers and dinner invitations (which - to my secret relief - she only laughed over and put aside); boys, who asked for her picture; girls, who gathered at the stage door to tell her how handsome she was - girls I hardly knew whether to pity, patronise or fear, so closely did they resemble me, so easily might they have had my role, I theirs. And yet, with all this, she did not become what she longed to be, what Walter had promised her she would be: a star.

• From Tipping the Velvet (1998)

  Kitty did so. With no more glances at me she threw the contents of her shell into her mouth, chewed them hard and fast, and swallowed them. Then she wiped her lips with her napkin, and smiled at Father. ‘Now,’ he said, confidentially, ‘tell the truth: have you ever tasted an oyster such as that, before, or have you not?’ Kitty said that she had not, and Davy gave a cheer; and for a while there was no sound at all but the delicate, diminutive sounds of good oyster-supper: the creak of hinges, the slap of discarded beards, the trickle of liquor and butter and beer. I opened no more shells for Kitty, for she managed them herself. ‘Look at this one!’ she said, when she had handled half-a-dozen or so. ‘What a brute he is!’ Then she looked more closely at it. ‘Is it a he? I suppose they all must be, since they all have beards?’ Father shook his head, chewing. ‘Not at all, Miss Butler, not at all. Don’t let the beards mislead you. For the oyster, you see, is what you might call a real queer fish - now a he, now a she, as quite takes its fancy. A regular morphodite, in fact!’ ‘Is that so?’ Tony tapped his plate. ‘You’re a bit of an oyster, then, yourself, Kitty,’ he said with a smirk. She looked for a moment rather uncertain, but then she smiled. ‘Why, I suppose I am,’ she said. ‘Just fancy! I’ve never been likened to a fish before.’ ‘Well, don’t take it the wrong way, Miss Butler,’ said Mother, ‘for spoken in this house, it is something of a compliment.’ Tony laughed, and Father said, ‘Oh, it was, it was!’ Kitty still smiled. Then she half-rose to reach a pepper castor; and when she sat again she drew her feet beneath her chair, and I felt my thigh grow cool. When the oyster-barrel was quite empty, and the lemonade and the Bass had all been drunk, and Kitty declared that she had never had a finer supper in all her life, we moved our chairs away from the table, and the men lit cigarettes, and Alice and Rhoda set out cups, for tea. There was more talk, and more questions for Kitty to answer. Had she ever met Nelly Power? Did she know Bessie Bellwood, or Jenny Hill, or Jolly John Nash? Then, on another tack: was it true that she had no young chap? She said she had no time for it. And had she family, in Kent, and when did she see them?

• From Tipping the Velvet (1998)

  I could not know how soon we would collide, nor how dramatically. By now it was December - a cold December to match the sweltering August, so cold that the little skylight above our staircase at Ma Dendy’s was thick with ice for days at a time; so cold that when we woke in the mornings our breath showed grey as smoke, and we had to pull our petticoats into bed with us and dress beneath the sheets. At home in Whitstable we hated the cold, because it made the trawler-men’s job so much the harder. I remember my brother Davy sitting at our parlour fire on January evenings, and weeping, simply weeping with pain, as the life returned to his split and frozen hands, his chilblained feet. I remember the ache in my own fingers as I handled pail after frigid pail of winter oysters, and transferred fish, endlessly, from icy seawater to steaming soup. At Mrs Dendy’s, however, everybody loved the winter months; and the colder they were, they said, the better. Because frosts, and chill winds, fill theatres. For many Londoners a ticket to the music hall is cheaper than a scuttle of coal - or, if not cheaper, then more fun: why stay in your own miserable parlour stamping and clapping to keep the cold out when you can visit the Star or the Paragon, and stamp and clap along with your neighbours - and with Marie Lloyd as an accompaniment? On the very coldest nights the music halls are full of wailing infants: their mothers bring them to the shows rather than leave them to slumber - perhaps to death - in their damp and draughty cradles. But we didn’t worry much over the frozen babies at Mrs Dendy’s house that winter; we were merely glad and careless, because ticket sales were high and we were all in work and a little richer than before. At the beginning of December Kitty got a spot on the bill at a hall in Marylebone, and played there twice a night, all month. It was pleasant to sit gossiping in the green room between shows, knowing that we had no frantic trips to make across London in the snow; and the other artistes - a juggling troupe, a conjuror, two or three comic singers and a dwarf husband-and-wife team, ‘The Teeny Weenies’ - were all as complacent as we, and very jolly company. The show ended at Christmas. I should, perhaps, have passed the holiday in Whitstable, for I knew my parents would be disappointed not to have me there. But I knew, too, what Christmas dinner would be like at home. There would be twenty cousins gathered around the table, all talking at once, all stealing the turkey from one another’s plates.

• From H Is for Hawk (2014)

  He maketh me to lie down in green pastures. For an hour he stands there, sometimes giving up and lying down in the pasture among the cows, then getting up again and waiting for the hawk to fly to him. The hawk does not fly to him. He walks back to six yards from the well, holds out his fist and whistles again. Gos stares at him. He does not know what he is expected to do. The man does not know how to teach him. The minutes stretch. Now the waiting is too much to bear. He takes hold of the creance; tugs it. Then he pulls on it, dragging Gos forcibly from his perch. The hawk crashes to the ground, sits there for a few seconds and flies back up onto the railing. White pulls him down again. And again. And again. On the fourth time, the hawk, defeated, starts wandering about through the thistles towards him. White retreats. The hawk, confused, uncertain, follows. White retreats faster, waving the rabbit leg, and Gos starts to run. ‘Skipping and leaping, fluffed full, a horrible toad, he bounded in my train,’ White wrote; and ‘the last two yards of the twenty-four were flown to the fist. Later that evening he rewarded the hawk with a crop of rabbit. The day had been a success, he supposed, of a sort. He is beginning to understand how to bring his hawk into condition. The condition of a hawk, White wrote, ‘was evidently a matter of exquisite assessment which could only be judged by the austringer who knew his hawk, whose subconscious mind was in minutely contact with the subconscious mind of the bird.’ It was a hard-won revelation, and it was a truth. Looking at Mabel I can see she’s reached her flying weight: it is as obvious to me as a change in the weather. Agitation, nervousness, a tendency to bate from her perch when she was bored: all these are gone at two pounds and one and a half ounces, are replaced by a glassy calm, a flow of perfect attention as if everything inside her were exactly aligned.

• From Educated (2018)

  left over. The bishop said I should treat myself to something, but I said I couldn’t, I had to save the money. He told me I could afford to spend some. “Remember,” he said, “you can apply for the same amount next year.” I bought a new Sunday dress. I had believed the money would be used to control me, but what it did was enable me to keep my word to myself: for the first time, when I said I would never again work for my father, I believed it. I wonder now if the day I set out to steal that tax return wasn’t the first time I left home to go to Buck’s Peak. That night I had entered my father’s house as an intruder. It was a shift in mental language, a surrendering of where I was from. My own words confirmed it. When other students asked where I was from, I said, “I’m from Idaho,” a phrase that, as many times as I’ve had to repeat it over the years, has never felt comfortable in my mouth. When you are part of a place, growing that moment in its soil, there’s never a need to say you’re from there. I never uttered the words “I’m from Idaho” until I’d left it. I had a thousand dollars in my bank account. It felt strange just to think that, let alone say it. A thousand dollars. Extra. That I did not immediately need. It took weeks for me to come to terms with this fact, but as I did, I began to experience the most powerful advantage of money: the ability to think of things besides money. My professors came into focus, suddenly and sharply; it was as if before the grant I’d been looking at them through a blurred lens. My textbooks began to make sense, and I found myself doing more than the required reading. It was in this state that I first heard the term bipolar disorder. I was sitting in Psychology 101 when the professor read the symptoms aloud from the overhead screen: depression, mania, paranoia, euphoria, delusions of grandeur and persecution. I listened with a desperate interest. This is my father, I wrote in my notes. He’s describing Dad. A few minutes before the bell rang, a student asked what role mental disorders might have played in separatist movements. “I’m thinking of famous conflicts like Waco, Texas, or Ruby Ridge, Idaho,” he said. Idaho isn’t famous for many things, so I figured I’d have heard of

• From H Is for Hawk (2014)

  And then I saw my goshawks. There they were. A pair, soaring above the canopy in the rapidly warming air. There was a flat, hot hand of sun on the back of my neck, but I smelt ice in my nose, seeing those goshawks soaring. I smelt ice and bracken stems and pine resin. Goshawk cocktail. They were on the soar. Goshawks in the air are a complicated grey colour. Not slate grey, nor pigeon grey. But a kind of raincloud grey, and despite their distance, I could see the big powder-puff of white undertail feathers, fanned out, with the thick, blunt tail behind it, and that superb bend and curve of the secondaries of a soaring goshawk that makes them utterly unlike sparrowhawks. And they were being mobbed by crows, and they just didn’t care, like, whatever. A crow barrelled down on the male and he sort of raised one wing to let the crow past. Crow was not stupid, and didn’t dip below the hawk for long. These goshawks weren’t fully displaying: there was none of the skydiving I’d read about in books. But they were loving the space between each other, and carving it into all sorts of beautiful concentric chords and distances. A couple of flaps, and the male, the tiercel, would be above the female, and then he’d drift north of her, and then slip down, fast, like a knife-cut, a smooth calligraphic scrawl underneath her, and she’d dip a wing, and then they’d soar up again. They were above a stand of pines, right there. And then they were gone. One minute my pair of goshawks was describing lines from physics textbooks in the sky, and then nothing at all. I don’t remember looking down, or away. Perhaps I blinked. Perhaps it was as simple as that. And in that tiny black gap which the brain disguises they’d dived into the wood. I sat down, tired and content. The goshawks were gone, the sky blank. Time passed. The wavelength of the light around me shortened. The day built itself. A sparrowhawk, light as a toy of balsa-wood and doped tissue-paper, zipped past at knee-level, kiting up over a bank of brambles and away into the trees. I watched it go, lost in recollection. This memory was candescent, irresistible. The air reeked of pine resin and the pitchy vinegar of wood ants. I felt my small-girl fingers hooked through plastic chain-link and the weight of a pair of East German binoculars around my neck. I was bored. I was nine. Dad was standing next to me.