Contentment
Quiet enoughness—the present holds together without needing to be elsewhere.
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From Little Women (1868)
She sang like a little lark about her work, never was too tired for Marmee and the girls, and day after day said hopefully to herself, "I know I'll get my music some time, if I'm good." There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind. If anybody had asked Amy what the greatest trial of her life was, she would have answered at once, "My nose." When she was a baby, Jo had accidently dropped her into the coal hod, and Amy insisted that the fall had ruined her nose forever. It was not big nor red, like poor 'Petrea's', it was only rather flat, and all the pinching in the world could not give it an aristocratic point. No one minded it but herself, and it was doing its best to grow, but Amy felt deeply the want of a Grecian nose, and drew whole sheets of handsome ones to console herself. "Little Raphael," as her sisters called her, had a decided talent for drawing, and was never so happy as when copying flowers, designing fairies, or illustrating stories with queer specimens of art. Her teachers complained that instead of doing her sums she covered her slate with animals, the blank pages of her atlas were used to copy maps on, and caricatures of the most ludicrous description came fluttering out of all her books at unlucky moments. She got through her lessons as well as she could, and managed to escape reprimands by being a model of deportment. She was a great favorite with her mates, being good-tempered and possessing the happy art of pleasing without effort. Her little airs and graces were much admired, so were her accomplishments, for besides her drawing, she could play twelve tunes, crochet, and read French without mispronouncing more than two-thirds of the words. She had a plaintive way of saying, "When Papa was rich we did so-and-so," which was very touching, and her long words were considered 'perfectly elegant' by the girls. Amy was in a fair way to be spoiled, for everyone petted her, and her small vanities and selfishnesses were growing nicely. One thing, however, rather quenched the vanities. She had to wear her cousin's clothes. Now Florence's mama hadn't a particle of taste, and Amy suffered deeply at having to wear a red instead of a blue bonnet, unbecoming gowns, and fussy aprons that did not fit. Everything was good, well made, and little worn, but Amy's artistic eyes were much afflicted, especially this winter, when her school dress was a dull purple with yellow dots and no trimming. "My only comfort," she said to Meg, with tears in her eyes, "is that Mother doesn't take tucks in my dresses whenever I'm naughty, as Maria Parks's mother does.
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
The gist of the paschal controversy was, whether the Jewish paschal-day (be it a Friday or not), or the Christian Sunday, should control the idea and time of the entire festival. The Johannean practice of Asia represented here the spirit of adhesion to historical precedent, and had the advantage of an immovable Easter, without being Judaizing in anything but the observance of a fixed day of the month. The Roman custom represented the principle of freedom and discretionary change, and the independence of the Christian festival system. Dogmatically stated, the difference would be, that in the former case the chief stress was laid on the Lord’s death; in the latter, on his resurrection. But the leading interest of the question for the early Church was not the astronomical, nor the dogmatical, but the ritualistic. The main object was to secure uniformity of observance, and to assert the originality of the Christian festive cycle, and its independence of Judaism; for both reasons the Roman usage at last triumphed even in the East. Hence Easter became a movable festival whose date varies from the end of March to the latter part of April. The history of the controversy divides itself into three acts. 1. The difference came into discussion first on a visit of Polycarp, bishop of Smyrna, to Anicetus, bishop of Rome, between A.D. 150 and 155.336 It was not settled; yet the two bishops parted in peace, after the latter had charged his venerable guest to celebrate the holy communion in his church. We have a brief, but interesting account of this dispute by Irenaeus, a pupil of Polycarp, which is as follows:337 "When the blessed Polycarp sojourned at Rome in the days of Anicetus, and they had some little difference of opinion likewise with regard to other points,338 they forthwith came to a peaceable understanding on this head [the observance of Easter], having no love for mutual disputes. For neither could Anicetus persuade Polycarp not to observe339 inasmuch as he [Pol.] had always observed with John, the disciple of our Lord, and the other apostles, with whom he had associated; nor did Polycarp persuade Anicetus to observe Gr. (threi’n) who said that he was bound to maintain the custom of the presbyters (= bishops) before him. These things being so, they communed together; and in the church Anicetus yielded to Polycarp, out of respect no doubt, the celebration of the eucharist Gr. (thVn eujcaristivan), and they separated from each other in peace, all the church being at peace, both those that observed and those that did not observe [the fourteenth of Nisan], maintaining peace." This letter proves that the Christians of the days of Polycarp knew how to keep the unity of the Spirit without uniformity of rites and ceremonies. "The very difference in our fasting," says Irenaeus in the same letter, "establishes the unanimity in our faith."
From Little Women (1868)
"It is only another name for trying to be good, and the story may help us, for though we do want to be good, it's hard work and we forget, and don't do our best." "We were in the Slough of Despond tonight, and Mother came and pulled us out as Help did in the book. We ought to have our roll of directions, like Christian. What shall we do about that?" asked Jo, delighted with the fancy which lent a little romance to the very dull task of doing her duty. "Look under your pillows Christmas morning, and you will find your guidebook," replied Mrs. March. They talked over the new plan while old Hannah cleared the table, then out came the four little work baskets, and the needles flew as the girls made sheets for Aunt March. It was uninteresting sewing, but tonight no one grumbled. They adopted Jo's plan of dividing the long seams into four parts, and calling the quarters Europe, Asia, Africa, and America, and in that way got on capitally, especially when they talked about the different countries as they stitched their way through them. At nine they stopped work, and sang, as usual, before they went to bed. No one but Beth could get much music out of the old piano, but she had a way of softly touching the yellow keys and making a pleasant accompaniment to the simple songs they sang. Meg had a voice like a flute, and she and her mother led the little choir. Amy chirped like a cricket, and Jo wandered through the airs at her own sweet will, always coming out at the wrong place with a croak or a quaver that spoiled the most pensive tune. They had always done this from the time they could lisp... Crinkle, crinkle, 'ittle 'tar, and it had become a household custom, for the mother was a born singer. The first sound in the morning was her voice as she went about the house singing like a lark, and the last sound at night was the same cheery sound, for the girls never grew too old for that familiar lullaby. CHAPTER TWO A MERRY CHRISTMAS Jo was the first to wake in the gray dawn of Christmas morning. No stockings hung at the fireplace, and for a moment she felt as much disappointed as she did long ago, when her little sock fell down because it was crammed so full of goodies. Then she remembered her mother's promise and, slipping her hand under her pillow, drew out a little crimson-covered book. She knew it very well, for it was that beautiful old story of the best life ever lived, and Jo felt that it was a true guidebook for any pilgrim going on a long journey. She woke Meg with a "Merry Christmas," and bade her see what was under her pillow.
From The Well of Loneliness (1928)
y Fesruary Stephen’s book was rewritten and in the hands ; Bi her publisher in England. This gave her the peaceful, yet exhilarated feeling that comes when a writer has given of his best and knows that that best is not unworthy. With a sigh of relief she metaphorically stretched, rubbed her eyes and started to look about her. She was in the mood that comes as a reaction from strain, and was glad enough of amusement; moreover the spring was again in the air, the year had turned, there were sud- den bright days when the sun brought a few hours of warmth to Paris. They were now no longer devoid of friends, no longer solely dependent upon Brockett on the one hand, and Mademoiselle Du- phot on the other; Stephen’s telephone would ring pretty often. There was now always somewhere for Mary to go; always peo- ple who were anxious to see her and Stephen, people with whom one got intimate quickly and was thus saved a lot of unnecessary trouble. Of them all, however, it was Barbara and Jamie for whom Mary developed a real affection; she and Barbara had formed a harmless alliance which at times was even a little pa- thetic. The one talking of Jamie, the other of Stephen, they would put their young heads together very gravely. “ Do you find Jamie goes off her food when she’s working?’ ‘Do you find that Stephen sleeps badly? Is she careless of her health? Jamie’s aw- fully worrying sometimes.’ Or perhaps they would be in a more flippant mood and would sit and whisper together, laughing; making tender fun of the creatures they loved, as women have been much inclined to do ever since that rib was demanded of Adam. Then Jamie and Stephen would pretend to feel aggrieved, would pretend that they also must hang together, must be on their guard against 412 THE WELL OF LONELINESS feminine intrigues. Oh, yes, the whole business was rather pathetic. Jamie and her Barbara were starvation-poor, so poor that a square meal came as a godsend. Stephen would feel ashamed to be rich, and, like Mary, was always anxious to feed them. Being idle at the moment, Stephen would insist upon frequently taking them out to dinner, and then she would order expensive viands — copper-green oysters straight from the Marennes, caviare and other such costly things, to be followed by even more sumptuous dishes —and since they went short on most days in the week, these sto- machic debauches would frequently upset them. Two glasses of wine would cause Jamie to flush, for her head had never been of the strongest, nor was it accustomed to such golden nectar. Her principal beverage was créme-de-menthe because it kept out the cold in the winter, and because, being pepperminty and sweet, it reminded her of the bull’s-eyes at Beedles.
From Little Women (1868)
I read every morning, try to be good all day, and sing myself to sleep with Father's tune. I can't sing 'LAND OF THE LEAL' now, it makes me cry. Everyone is very kind, and we are as happy as we can be without you. Amy wants the rest of the page, so I must stop. I didn't forget to cover the holders, and I wind the clock and air the rooms every day. Kiss dear Father on the cheek he calls mine. Oh, do come soon to your loving... LITTLE BETH Ma Chere Mamma, We are all well I do my lessons always and never corroberate the girls—Meg says I mean contradick so I put in both words and you can take the properest. Meg is a great comfort to me and lets me have jelly every night at tea its so good for me Jo says because it keeps me sweet tempered. Laurie is not as respeckful as he ought to be now I am almost in my teens, he calls me Chick and hurts my feelings by talking French to me very fast when I say Merci or Bon jour as Hattie King does. The sleeves of my blue dress were all worn out, and Meg put in new ones, but the full front came wrong and they are more blue than the dress. I felt bad but did not fret I bear my troubles well but I do wish Hannah would put more starch in my aprons and have buckwheats every day. Can't she? Didn't I make that interrigation point nice? Meg says my punchtuation and spelling are disgraceful and I am mortyfied but dear me I have so many things to do, I can't stop. Adieu, I send heaps of love to Papa. Your affectionate daughter... AMY CURTIS MARCH Dear Mis March, I jes drop a line to say we git on fust rate. The girls is clever and fly round right smart. Miss Meg is going to make a proper good housekeeper. She hes the liking for it, and gits the hang of things surprisin quick. Jo doos beat all for goin ahead, but she don't stop to cal'k'late fust, and you never know where she's like to bring up. She done out a tub of clothes on Monday, but she starched 'em afore they was wrenched, and blued a pink calico dress till I thought I should a died a laughin. Beth is the best of little creeters, and a sight of help to me, bein so forehanded and dependable. She tries to learn everything, and really goes to market beyond her years, likewise keeps accounts, with my help, quite wonderful. We have got on very economical so fur. I don't let the girls hev coffee only once a week, accordin to your wish, and keep em on plain wholesome vittles. Amy does well without frettin, wearin her best clothes and eatin sweet stuff. Mr.
From The Well of Loneliness (1928)
The strange thing was that she understood her neighbours in a way, and was therefore too just to condemn them; indeed had nature been less daring with her, she might well have become very much what they were — a breeder of children, an upholder of home, a careful and diligent steward of pastures. There was little of the true pioneer about Stephen, in spite of her erstwhile longing for the forests. She belonged to the soil and the fruitful- ness of Morton, to its pastures and paddocks, to its farms and its cattle, to its quiet and gentlemanly ordered traditions, to the dignity and pride of its old red brick house, that was yet without ostentation. To these things she belonged and would always be- long by right of those past generations of Gordons whose thoughts had fashioned the comeliness of Morton, whose bodies had gone to the making of Stephen. Yes, she was of them, those bygone people; they might spurn her — the lusty breeders of sons that they had been — they might even look down from Heaven with raised eyebrows, and say: ‘ We utterly refuse to acknowl- edge this curious creature called Stephen.’ But for all that they could not drain her of blood, and her blood was theirs also, so that do what they would they could never completely rid themselves of her nor she of them — they were one in their blood. But Sir Philip, that other descendant of theirs, found little excuse for his critical neighbours. Because he loved much he must equally suffer, consuming himself at times with resentment. And now when he and Stephen were out hunting he would be on his guard, very anxious and watchful lest any small incident should occur to distress her, lest at any time she should find herself lonely. When hounds checked and the field collected together, he would make little jokes to amuse his daughter, he would rack his brain for these poor little jokes, in order that people should see Stephen laughing. Sometimes he would whisper: ‘ Let ’em have it hot, Stephen, that youngster you’re on loves a good bit of timber — don’t mind me, I know you won’t damage his knees, just you give ’em a lead and let’s see if they’ll catch you! ’ And because it was seldom in- 120 THE WEL OF LONELINESS deed that they caught her, his sore heart would know a fleeting contentment. Yet people begrudged her even this triumph, pointing out that the girl was magnificently mounted: ‘ Anyone could get there on that sort of horse,’ they would murmur, when Stephen was out of hearing.
From Little Women (1868)
And so, at last they came to the library, where she clapped her hands and pranced, as she always did when especially delighted. It was lined with books, and there were pictures and statues, and distracting little cabinets full of coins and curiosities, and Sleepy Hollow chairs, and queer tables, and bronzes, and best of all, a great open fireplace with quaint tiles all round it. "What richness!" sighed Jo, sinking into the depth of a velour chair and gazing about her with an air of intense satisfaction. "Theodore Laurence, you ought to be the happiest boy in the world," she added impressively. "A fellow can't live on books," said Laurie, shaking his head as he perched on a table opposite. Before he could more, a bell rang, and Jo flew up, exclaiming with alarm, "Mercy me! It's your grandpa!" "Well, what if it is? You are not afraid of anything, you know," returned the boy, looking wicked. "I think I am a little bit afraid of him, but I don't know why I should be. Marmee said I might come, and I don't think you're any the worse for it," said Jo, composing herself, though she kept her eyes on the door. "I'm a great deal better for it, and ever so much obliged. I'm only afraid you are very tired of talking to me. It was so pleasant, I couldn't bear to stop," said Laurie gratefully. "The doctor to see you, sir," and the maid beckoned as she spoke. "Would you mind if I left you for a minute? I suppose I must see him," said Laurie. "Don't mind me. I'm happy as a cricket here," answered Jo. Laurie went away, and his guest amused herself in her own way. She was standing before a fine portrait of the old gentleman when the door opened again, and without turning, she said decidedly, "I'm sure now that I shouldn't be afraid of him, for he's got kind eyes, though his mouth is grim, and he looks as if he had a tremendous will of his own. He isn't as handsome as my grandfather, but I like him." "Thank you, ma'am," said a gruff voice behind her, and there, to her great dismay, stood old Mr. Laurence. Poor Jo blushed till she couldn't blush any redder, and her heart began to beat uncomfortably fast as she thought what she had said. For a minute a wild desire to run away possessed her, but that was cowardly, and the girls would laugh at her, so she resolved to stay and get out of the scrape as she could. A second look showed her that the living eyes, under the bushy eyebrows, were kinder even than the painted ones, and there was a sly twinkle in them, which lessened her fear a good deal.
From Another Country (1962)
Eric heard him washing the glasses. Then he began to whistle a tune which sounded like a free improvisation on Bach. Eric combed his hair, which was too long. He decided that he would get it cut very short before he went back to the States. Eventually, they sat, as they had sat so many evenings, before the window which overlooked the sea. Yves sat on the hassock, the back of his head resting on Eric’s knee. “I will be very sad to leave here,” Yves said, suddenly. “I have never been happier than I have been in this house.” Eric stroked Yves’ hair and said nothing. He watched the lights that played on the still, black sea, from the sky and the shore. “I have been very happy, too,” he said at last. And then: “I wonder if we will ever be so happy again.” “Yes, why not? But that is not so important—anyway, no matter how happy I may become, and I am sure that I shall have great moments yet, this house will always stay with me. I found out something here.” “And what was that?” Yves turned his head and looked up at Eric. “I was afraid that I would just remain a street boy forever, that I was no better than my mother.” He turned away, toward the window again. “But, somehow, down here in this house with you, I finally realized that that is not so. I have not to be a whore just because I come from whores. I am better than that.” He stopped. “I learned that from you. That is really strange, for, you know? in the beginning I thought you thought of me like that. I thought that you were just another sordid American, looking for a pretty, degenerate boy.” “But you are not pretty,” Eric said, and sipped his whiskey. “Au fait, tu es plutôt moche.” “Oh. Ça va.” “Your nose turns up.” He stroked the tip of Yves’ nose. “And your mouth’s too big”—Yves laughed—“and your forehead’s too high and soon you won’t have any hair.” He stroked Yves’ forehead, stroked his hair. “And those ears, baby! you look like an elephant or a flying machine.” “You are the first person who ever say that I am ugly. Perhaps that is why I am intrigued.” He laughed. “Well. Your eyes are not too bad.” “Tu parle. J’ai du chien, moi.” “Well, yes, baby, now that you mention it, I’m afraid you’ve got a point.” They were silent for a moment.
From The Erotic Engine (2011)
“I came in through the gay community. That’s my peg,” he said. “If you’re gay, and you move to a new town anywhere in the world, you know the gay community is highly organized. They’ve got health, they’ve got finance, they’ve got clothing—it’s like the velvet mafia. If you’re into that, they’ll take care of you. It’s the same in SL. I found that they’d hand out free packages for newbies on how to get started: here’s a free kit with okay-looking clothes and stuff, here’s where to go, here are the clubs and that kind of thing. So that gave me a kickstart.” In the real world, Oulton is a computer consultant and entrepreneur who has been involved in maintaining a gourmet food website, programming databases in Lotus Notes and other conventional computer geekery. He had never visited a virtual community before he logged on to Second Life in 2006. “I had read a newspaper article about how Second Life was the next big thing for the Internet, and so I created an account for myself. I picked that stupid name of Chaz Longstaff because I thought I was going to be in and out in half an hour. I just wanted a preliminary look so that I could say to clients, ‘Yeah, I had a look at it. There was nothing there, so don’t worry about it.’” It didn’t work out that way. Instead, he found a pixellated land of modest opportunity. Oulton likes the community he’s found in Second Life, but he’s clear that it was the business opportunities that kept him there. He is adept at ferreting out such opportunities, identifying needs and selling solutions. For instance, the wedding of visuals and animations sometimes causes problems. Suppose a customer buys a bed from Toothfairy Tizzy (an Israeli woman who reputedly makes six figures a year—in U.S. dollars, not Lindens—selling Second Life sex products). Suppose then that six months later, the customer still loves the sex animations that came with the bed, but she’s changed her décor and now the bed no longer matches the boudoir. Buying a whole new bed would be costly. Oulton created a line of invisible objects—called mats—that you lay on top of a bed (or other object). The erotic animations are attached to the mat, rather than the object, so that you can swap out the bed and keep all your favourite naughty moves. “With my stuff, you preserve your investment in animations because you just move it to another bed. You buy a new bed— very cheaply because there are no animations—and then just drop the mat on the bed. They’re selling like hotcakes. I’m surprised I don’t have any competition yet.”
From The Elementary Forms of the Religious Life (1915)
So manifest an error seems hardly intelligible so long as we see in the rite only the material end towards which it seems to aim. But we know that in addition to the effect which it is thought to have on the totemic species, it also exercises a profound influence over the souls of the worshippers who take part in it. They take away with them a feeling of well-being, whose causes they cannot clearly see, but which is well founded. They feel that the ceremony is good for them; and, as a matter of fact, they reforge their moral nature in it. How could this sort of well-being fail to give them a feeling that the rite has succeeded, that it has been what it set out to be, and that it has attained the ends at which it was aimed? As the only end which was consciously sought was the reproduction of the totemic species, this seems to be assured by the means employed, the efficacy of which is thus proven. Thus it comes about that men attribute creative virtues to their gestures, which in themselves are vain. The moral efficacy of the rite, which is real, leads to the belief in its physical efficacy, which is imaginary; that of the whole, to the belief in that of each part by itself. The truly useful effects produced by the whole ceremony are like an experimental justification of the elementary practices out of which it is made, though in reality, all these practices are in no way indispensable to its success. A certain proof, moreover, that they do not act by themselves is that they may be replaced by others, of a very different nature, without any modification of the final result. It appears that there are Intichiuma which include only oblations, with no imitative rites; others are purely imitative, and include no oblations. However, both are believed to have the same efficacy. So if a price is attached to these various man[oe]uvres, it is not because of their intrinsic value, but because they are a part of a complex rite, whose utility as a whole is realized.
From The Erotic Engine (2011)
Even though increasingly infamous free porn sites are also available for wireless devices, Andrew sees proof every day that people are still willing to pay for adult content. The adult side of his business turns about $10 million in annual profit—and that is in a weak economy. That’s enough of a reason for Andrew to stick with his current position at least long enough to weather the recession. And although it isn’t what he would necessarily choose for himself, he does find the work challenging. “I don’t regret anything I’m doing,” he said. He says that by working on adult content delivery, he’s learned more about technologies like the iPhone than he ever thought he would. He believes this will serve him well when he moves into a position he’s more comfortable with. “The truth is that this industry is unlike any other industry that you will ever find. People are very open and very friendly. They introduce you to anybody and everybody. It’s quite a close-knit community.” Given that his situation, bridging adult and mainstream, is typical, he expects the contacts he has made in the former will ultimately help him land a job in the latter. When he does make the move, his CV will mention the mainstream company and not the adult—his personal dirty little secret will remain just that. —— Even as pornography continues to push Internet technology in new directions, its earlier influences have already filtered into the mainstream. The cycle of early adopters giving way to mainstream users now happens more quickly than ever before. Technologies move from the margins to the mainstream with such velocity that people still marvel over these mind-blowing new tools of communication at the very same time that they can no longer remember what life was like without them. Today, the mainstream Internet is Google, eBay, iTunes and Amazon. It is newspaper, television and radio institutions that recognize that their future—if they have one—is on the Internet. It is retail chains, banks, travel agents and software companies whose projections portend the demise of bricks-and-mortar businesses. It is dating, gambling and gameplaying, social networking and a blogosphere filled with voices that would never have found a platform in the previous century. It is a set of research tools equally valuable to academics, businesses, amateur logophiles, crowdsourcers, inventors, journalists and trivia enthusiasts. It is email, instant chat and Internet-based videophone calling—tools that make it economically and technological feasible to feel as though you’re there when you’re not. The mainstream Internet has changed the face of everything from celebrity gossip to political activism. The transformative power of the Internet has been commented on ad infinitum, and yet it never gets any less astounding. It is an explosion that continues to explode, with no decrease in sight.
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
The sojourn of Calvin in this city was a fruitful episode in his life, and an education for more successful work in Geneva. His views were enlarged and deepened. He gained valuable experience. He came in contact with the Lutheran Church and its leaders. He learned to understand and appreciate them, but was unfavorably impressed with the want of discipline and the slavish dependence of the clergy upon the secular rulers. He labored indefatigably and successfully as professor, pastor, and author. He informed Farel (April 20, 1539) that, when the messenger called for copy of his book (the second edition of the Institutes), he had to read fifty pages, then to teach and to preach, to write four letters, to adjust some quarrels, and was interrupted by visitors more than ten times.502 It is in the fitness of things that three learned professors of the University of Strassburg, who lived during the French and German régime, and were equally at home in the language and theology of both nations, should give to the world the last and best edition of Calvin’s works. Calvin’s economic condition during these three years was very humble. It is a shame for the congregation and the city government that they allowed such a man to struggle for his daily bread. For the first five months he received no pay at all, only free board in the house of a liberal friend. His countrymen were poor, but might have done something. He informed Farel, in April, 1539, that of his many friends in France, not one had offered him a copper, except Louis Du Tillet, who hoped to induce him to return. Hence he declined.503 The city paid him a very meagre salary of fifty-two guilders (about two hundred marks) for his professorial duties from May, 1539.504 His books were not profitable. When the Swiss heard of his embarrassment, they wished to come to his aid, and Fabri sent ten ducats to Farel for Calvin.505 But he preferred to sell his greatest treasure—the library—which he had left in Geneva, and to take students as boarders (pensionnaires). He trusted to God for the future.506 With all his poverty he was happy in his independence, the society of congenial friends, and his large field of usefulness. § 86. The Church of the Strangers in Strassburg. Calvin combined the offices of pastor and professor of theology in Strassburg, as he had done in Geneva. The former activity kept him in contact with his French countrymen; the latter extended his influence among the scholars in Germany. He organized the first Protestant congregation of French refugees, which served as a model for the Reformed Churches of Geneva and France.
From Little Women (1868)
So, come and 'fess, Teddy." "How good it sounds to hear you say 'Teddy'! No one ever calls me that but you," and Laurie sat down with an air of great content. "What does Amy call you?" "My lord." "That's like her. Well, you look it," and Jo's eye plainly betrayed that she found her boy comelier than ever. The pillow was gone, but there was a barricade, nevertheless, a natural one, raised by time, absence, and change of heart. Both felt it, and for a minute looked at one another as if that invisible barrier cast a little shadow over them. It was gone directly however, for Laurie said, with a vain attempt at dignity... "Don't I look like a married man and the head of a family?" "Not a bit, and you never will. You've grown bigger and bonnier, but you are the same scapegrace as ever." "Now really, Jo, you ought to treat me with more respect," began Laurie, who enjoyed it all immensely. "How can I, when the mere idea of you, married and settled, is so irresistibly funny that I can't keep sober!" answered Jo, smiling all over her face, so infectiously that they had another laugh, and then settled down for a good talk, quite in the pleasant old fashion. "It's no use your going out in the cold to get Amy, for they are all coming up presently. I couldn't wait. I wanted to be the one to tell you the grand surprise, and have 'first skim' as we used to say when we squabbled about the cream." "Of course you did, and spoiled your story by beginning at the wrong end. Now, start right, and tell me how it all happened. I'm pining to know." "Well, I did it to please Amy," began Laurie, with a twinkle that made Jo exclaim... "Fib number one. Amy did it to please you. Go on, and tell the truth, if you can, sir." "Now she's beginning to marm it. Isn't it jolly to hear her?" said Laurie to the fire, and the fire glowed and sparkled as if it quite agreed. "It's all the same, you know, she and I being one. We planned to come home with the Carrols, a month or more ago, but they suddenly changed their minds, and decided to pass another winter in Paris. But Grandpa wanted to come home. He went to please me, and I couldn't let him go alone, neither could I leave Amy, and Mrs. Carrol had got English notions about chaperons and such nonsense, and wouldn't let Amy come with us. So I just settled the difficulty by saying, 'Let's be married, and then we can do as we like'." "Of course you did. You always have things to suit you." "Not always," and something in Laurie's voice made Jo say hastily...
From Little Women (1868)
"It does seem pleasant to be quiet, and not have company manners on all the time. Home is a nice place, though it isn't splendid," said Meg, looking about her with a restful expression, as she sat with her mother and Jo on the Sunday evening. "I'm glad to hear you say so, dear, for I was afraid home would seem dull and poor to you after your fine quarters," replied her mother, who had given her many anxious looks that day. For motherly eyes are quick to see any change in children's faces. Meg had told her adventures gayly and said over and over what a charming time she had had, but something still seemed to weigh upon her spirits, and when the younger girls were gone to bed, she sat thoughtfully staring at the fire, saying little and looking worried. As the clock struck nine and Jo proposed bed, Meg suddenly left her chair and, taking Beth's stool, leaned her elbows on her mother's knee, saying bravely... "Marmee, I want to 'fess'." "I thought so. What is it, dear?" "Shall I go away?" asked Jo discreetly. "Of course not. Don't I always tell you everything? I was ashamed to speak of it before the younger children, but I want you to know all the dreadful things I did at the Moffats'." "We are prepared," said Mrs. March, smiling but looking a little anxious. "I told you they dressed me up, but I didn't tell you that they powdered and squeezed and frizzled, and made me look like a fashion-plate. Laurie thought I wasn't proper. I know he did, though he didn't say so, and one man called me 'a doll'. I knew it was silly, but they flattered me and said I was a beauty, and quantities of nonsense, so I let them make a fool of me." "Is that all?" asked Jo, as Mrs. March looked silently at the downcast face of her pretty daughter, and could not find it in her heart to blame her little follies. "No, I drank champagne and romped and tried to flirt, and was altogether abominable," said Meg self-reproachfully. "There is something more, I think." And Mrs. March smoothed the soft cheek, which suddenly grew rosy as Meg answered slowly... "Yes. It's very silly, but I want to tell it, because I hate to have people say and think such things about us and Laurie." Then she told the various bits of gossip she had heard at the Moffats', and as she spoke, Jo saw her mother fold her lips tightly, as if ill pleased that such ideas should be put into Meg's innocent mind. "Well, if that isn't the greatest rubbish I ever heard," cried Jo indignantly. "Why didn't you pop out and tell them so on the spot?" "I couldn't, it was so embarrassing for me.
From Little Women (1868)
It is so inexpressibly comfortable to have you here," was Meg's answer. The kiss her mother gave her was a very tender one, and as she went away, Mrs. March said, with a mixture of satisfaction and regret, "She does not love John yet, but will soon learn to." CHAPTER TWENTY-ONE LAURIE MAKES MISCHIEF, AND JO MAKES PEACE Jo's face was a study next day, for the secret rather weighed upon her, and she found it hard not to look mysterious and important. Meg observed it, but did not trouble herself to make inquiries, for she had learned that the best way to manage Jo was by the law of contraries, so she felt sure of being told everything if she did not ask. She was rather surprised, therefore, when the silence remained unbroken, and Jo assumed a patronizing air, which decidedly aggravated Meg, who in turn assumed an air of dignified reserve and devoted herself to her mother. This left Jo to her own devices, for Mrs. March had taken her place as nurse, and bade her rest, exercise, and amuse herself after her long confinement. Amy being gone, Laurie was her only refuge, and much as she enjoyed his society, she rather dreaded him just then, for he was an incorrigible tease, and she feared he would coax the secret from her. She was quite right, for the mischief-loving lad no sooner suspected a mystery than he set himself to find it out, and led Jo a trying life of it. He wheedled, bribed, ridiculed, threatened, and scolded; affected indifference, that he might surprise the truth from her; declared he knew, then that he didn't care; and at last, by dint of perseverance, he satisfied himself that it concerned Meg and Mr. Brooke. Feeling indignant that he was not taken into his tutor's confidence, he set his wits to work to devise some proper retaliation for the slight. Meg meanwhile had apparently forgotten the matter and was absorbed in preparations for her father's return, but all of a sudden a change seemed to come over her, and, for a day or two, she was quite unlike herself. She started when spoken to, blushed when looked at, was very quiet, and sat over her sewing, with a timid, troubled look on her face. To her mother's inquiries she answered that she was quite well, and Jo's she silenced by begging to be let alone. "She feels it in the air—love, I mean—and she's going very fast. She's got most of the symptoms—is twittery and cross, doesn't eat, lies awake, and mopes in corners. I caught her singing that song he gave her, and once she said 'John', as you do, and then turned as red as a poppy. Whatever shall we do?" said Jo, looking ready for any measures, however violent. "Nothing but wait. Let her alone, be kind and patient, and Father's coming will settle everything," replied her mother. "Here's a note to you, Meg, all sealed up.
From Little Women (1868)
I drink your health, dear." and John sipped his tea with an air of reposeful rapture, which was of very short duration however, for as he put down his cup, the door handle rattled mysteriously, and a little voice was heard, saying impatiently... "Opy doy. Me's tummin!" "It's that naughty boy. I told him to go to sleep alone, and here he is, downstairs, getting his death a-cold pattering over that canvas," said Meg, answering the call. "Mornin' now," announced Demi in joyful tone as he entered, with his long nightgown gracefully festooned over his arm and every curl bobbing gayly as he pranced about the table, eyeing the 'cakies' with loving glances. "No, it isn't morning yet. You must go to bed, and not trouble poor Mamma. Then you can have the little cake with sugar on it." "Me loves Parpar," said the artful one, preparing to climb the paternal knee and revel in forbidden joys. But John shook his head, and said to Meg... "If you told him to stay up there, and go to sleep alone, make him do it, or he will never learn to mind you." "Yes, of course. Come, Demi," and Meg led her son away, feeling a strong desire to spank the little marplot who hopped beside her, laboring under the delusion that the bribe was to be administered as soon as they reached the nursery. Nor was he disappointed, for that shortsighted woman actually gave him a lump of sugar, tucked him into his bed, and forbade any more promenades till morning. "Iss!" said Demi the perjured, blissfully sucking his sugar, and regarding his first attempt as eminently successful. Meg returned to her place, and supper was progressing pleasantly, when the little ghost walked again, and exposed the maternal delinquencies by boldly demanding, "More sudar, Marmar." "Now this won't do," said John, hardening his heart against the engaging little sinner. "We shall never know any peace till that child learns to go to bed properly. You have made a slave of yourself long enough. Give him one lesson, and then there will be an end of it. Put him in his bed and leave him, Meg." "He won't stay there, he never does unless I sit by him." "I'll manage him. Demi, go upstairs, and get into your bed, as Mamma bids you." "S'ant!" replied the young rebel, helping himself to the coveted 'cakie', and beginning to eat the same with calm audacity. "You must never say that to Papa. I shall carry you if you don't go yourself." "Go 'way, me don't love Parpar." and Demi retired to his mother's skirts for protection. But even that refuge proved unavailing, for he was delivered over to the enemy, with a "Be gentle with him, John," which struck the culprit with dismay, for when Mamma deserted him, then the judgment day was at hand.
From Little Women (1868)
"Tutors also have rather a hard time of it there, as I know to my sorrow. There's no place like America for us workers, Miss Margaret." And Mr. Brooke looked so contented and cheerful that Meg was ashamed to lament her hard lot. "I'm glad I live in it then. I don't like my work, but I get a good deal of satisfaction out of it after all, so I won't complain. I only wished I liked teaching as you do." "I think you would if you had Laurie for a pupil. I shall be very sorry to lose him next year," said Mr. Brooke, busily punching holes in the turf. "Going to college, I suppose?" Meg's lips asked the question, but her eyes added, "And what becomes of you?" "Yes, it's high time he went, for he is ready, and as soon as he is off, I shall turn soldier. I am needed." "I am glad of that!" exclaimed Meg. "I should think every young man would want to go, though it is hard for the mothers and sisters who stay at home," she added sorrowfully. "I have neither, and very few friends to care whether I live or die," said Mr. Brooke rather bitterly as he absently put the dead rose in the hole he had made and covered it up, like a little grave. "Laurie and his grandfather would care a great deal, and we should all be very sorry to have any harm happen to you," said Meg heartily. "Thank you, that sounds pleasant," began Mr. Brooke, looking cheerful again, but before he could finish his speech, Ned, mounted on the old horse, came lumbering up to display his equestrian skill before the young ladies, and there was no more quiet that day. "Don't you love to ride?" asked Grace of Amy, as they stood resting after a race round the field with the others, led by Ned. "I dote upon it. My sister, Meg, used to ride when Papa was rich, but we don't keep any horses now, except Ellen Tree," added Amy, laughing. "Tell me about Ellen Tree. Is it a donkey?" asked Grace curiously. "Why, you see, Jo is crazy about horses and so am I, but we've only got an old sidesaddle and no horse. Out in our garden is an apple tree that has a nice low branch, so Jo put the saddle on it, fixed some reins on the part that turns up, and we bounce away on Ellen Tree whenever we like." "How funny!" laughed Grace. "I have a pony at home, and ride nearly every day in the park with Fred and Kate. It's very nice, for my friends go too, and the Row is full of ladies and gentlemen." "Dear, how charming!
From Little Women (1868)
the best effect. This was something altogether new, and it proved a grand success, for Mrs. March couldn't get over her surprise, and insisted on shaking hands with every one of the featherless birds, from tall Franz and Emil to the little quadroon, who had the sweetest voice of all. After this, the boys dispersed for a final lark, leaving Mrs. March and her daughters under the festival tree. "I don't think I ever ought to call myself 'unlucky Jo' again, when my greatest wish has been so beautifully gratified," said Mrs. Bhaer, taking Teddy's little fist out of the milk pitcher, in which he was rapturously churning. "And yet your life is very different from the one you pictured so long ago. Do you remember our castles in the air?" asked Amy, smiling as she watched Laurie and John playing cricket with the boys. "Dear fellows! It does my heart good to see them forget business and frolic for a day," answered Jo, who now spoke in a maternal way of all mankind. "Yes, I remember, but the life I wanted then seems selfish, lonely, and cold to me now. I haven't given up the hope that I may write a good book yet, but I can wait, and I'm sure it will be all the better for such experiences and illustrations as these," and Jo pointed from the lively lads in the distance to her father, leaning on the Professor's arm, as they walked to and fro in the sunshine, deep in one of the conversations which both enjoyed so much, and then to her mother, sitting enthroned among her daughters, with their children in her lap and at her feet, as if all found help and happiness in the face which never could grow old to them. "My castle was the most nearly realized of all. I asked for splendid things, to be sure, but in my heart I knew I should be satisfied, if I had a little home, and John, and some dear children like these. I've got them all, thank God, and am the happiest woman in the world," and Meg laid her hand on her tall boy's head, with a face full of tender and devout content. "My castle is very different from what I planned, but I would not alter it, though, like Jo, I don't relinquish all my artistic hopes, or confine myself to helping others fulfill their dreams of beauty. I've begun to model a figure of baby, and Laurie says it is the best thing I've ever done. I think so, myself, and mean to do it in marble, so that, whatever happens, I may at least keep the image of my little angel." As Amy spoke, a great tear dropped on the golden hair of the sleeping child
From Little Women (1868)
Turn slowly round, and let me get a careful view." Jo revolved, and Amy gave a touch here and there, then fell back, with her head on one side, observing graciously, "Yes, you'll do. Your head is all I could ask, for that white bonnet with the rose is quite ravishing. Hold back your shoulders, and carry your hands easily, no matter if your gloves do pinch. There's one thing you can do well, Jo, that is, wear a shawl. I can't, but it's very nice to see you, and I'm so glad Aunt March gave you that lovely one. It's simple, but handsome, and those folds over the arm are really artistic. Is the point of my mantle in the middle, and have I looped my dress evenly? I like to show my boots, for my feet are pretty, though my nose isn't." "You are a thing of beauty and a joy forever," said Jo, looking through her hand with the air of a connoisseur at the blue feather against the golden hair. "Am I to drag my best dress through the dust, or loop it up, please, ma'am?" "Hold it up when you walk, but drop it in the house. The sweeping style suits you best, and you must learn to trail your skirts gracefully. You haven't half buttoned one cuff, do it at once. You'll never look finished if you are not careful about the little details, for they make up the pleasing whole." Jo sighed, and proceeded to burst the buttons off her glove, in doing up her cuff, but at last both were ready, and sailed away, looking as 'pretty as picters', Hannah said, as she hung out of the upper window to watch them. "Now, Jo dear, the Chesters consider themselves very elegant people, so I want you to put on your best deportment. Don't make any of your abrupt remarks, or do anything odd, will you? Just be calm, cool, and quiet, that's safe and ladylike, and you can easily do it for fifteen minutes," said Amy, as they approached the first place, having borrowed the white parasol and been inspected by Meg, with a baby on each arm. "Let me see. 'Calm, cool, and quiet', yes, I think I can promise that. I've played the part of a prim young lady on the stage, and I'll try it off. My powers are great, as you shall see, so be easy in your mind, my child." Amy looked relieved, but naughty Jo took her at her word, for during the first call she sat with every limb gracefully composed, every fold correctly draped, calm as a summer sea, cool as a snowbank, and as silent as the sphinx. In vain Mrs. Chester alluded to her 'charming novel', and the Misses Chester introduced parties, picnics, the opera, and the fashions. Each and all were answered by a smile, a bow, and a demure "Yes" or "No" with the chill on.
From Little Women (1868)
Ma Chere Mamma, We are all well I do my lessons always and never corroberate the girls—Meg says I mean contradick so I put in both words and you can take the properest. Meg is a great comfort to me and lets me have jelly every night at tea its so good for me Jo says because it keeps me sweet tempered. Laurie is not as respeckful as he ought to be now I am almost in my teens, he calls me Chick and hurts my feelings by talking French to me very fast when I say Merci or Bon jour as Hattie King does. The sleeves of my blue dress were all worn out, and Meg put in new ones, but the full front came wrong and they are more blue than the dress. I felt bad but did not fret I bear my troubles well but I do wish Hannah would put more starch in my aprons and have buckwheats every day. Can't she? Didn't I make that interrigation point nice? Meg says my punchtuation and spelling are disgraceful and I am mortyfied but dear me I have so many things to do, I can't stop. Adieu, I send heaps of love to Papa. Your affectionate daughter... AMY CURTIS MARCH Dear Mis March, I jes drop a line to say we git on fust rate. The girls is clever and fly round right smart. Miss Meg is going to make a proper good housekeeper. She hes the liking for it, and gits the hang of things surprisin quick. Jo doos beat all for goin ahead, but she don't stop to cal'k'late fust, and you never know where she's like to bring up. She done out a tub of clothes on Monday, but she starched 'em afore they was wrenched, and blued a pink calico dress till I thought I should a died a laughin. Beth is the best of little creeters, and a sight of help to me, bein so forehanded and dependable. She tries to learn everything, and really goes to market beyond her years, likewise keeps accounts, with my help, quite wonderful. We