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Confusion

Cognitive unsettling when signals do not resolve into a clear story or next step.

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An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.

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2221 tagged passages

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    Post-hypnotic, or deferred, suggestions are such as are given to the patients during trance, to take effect after waking. They succeed with a certain number of patients even when the execution is named for a remote period—months or even a year, in one case reported by M. Liégeois. In this way one can make the patient feel a pain, or be paralyzed, or be hungry or thirsty, or have an hallucination, positive or negative, or perform some fantastic action after emerging from his trance. The effect in question may be ordered to take place not immediately, but after an interval of time has elapsed, and the interval may be left to the subject to measure, or may be marked by a certain signal. The moment the signal occurs, or the time is run out, the subject, who until then seems in a perfectly normal waking condition, will experience the suggested effect. In many instances, whilst thus obedient to the suggestion, he seems to fall into the hypnotic condition again. This is proved by the fact that the moment the hallucination or suggested performance is over he forgets it, denies all knowledge of it, and so forth; and by the further fact that he is 'suggestable' during its performance, that is, will receive new hallucinations, etc., at command. A moment later and this suggestibility has disappeared. It cannot be said, how-ever, that relapse into the trance is an absolutely necessary condition for the post-hypnotic carrying out of commands, for the subject may be neither suggestible nor amnesic, and may struggle with all the strength of his will against the absurdity of this impulse which he feels rising in him, he knows not why. In these cases, as in most cases, he forgets the circumstance of the impulse having been suggested to him in a previous trance; regards it as arising within him-self; and often improvises, as he yields to it, some more or less plausible or ingenious motive by which to justify it to the lookers-on. He acts, in short, with his usual sense of personal spontaneity and freedom; and the disbelievers in the freedom of the will have naturally made much of these cases in their attempts to show it be an illusion.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    The true opposite of belief, psychologically considered, are doubt and inquiry, not disbelief. In both these states the content of our mind is in unrest, and the emotion engendered thereby is, like the emotion of belief itself, perfectly distinct, but perfectly indescribable in words. Both sorts of emotion may be pathologically exalted. One of the charms of drunkenness unquestionably lies in the deepening of the sense of reality and truth which is gained therein. In whatever light things may then appear to us, they seem more utterly what they are, more 'utterly utter' than when we are sober. This goes to a fully unutterable extreme in the nitrous oxide intoxication, in which a man s very soul will sweat with conviction, and he be all the while unable to tell what he is convinced of at all.[298] The pathological state opposed to this solidity and deepening has been called the questioning mania (Grübelsucht by the Germans). It is sometimes found as a substantive affection, paroxysmal or chronic, and consists in the inability to rest in any conception, and the need of having it confirmed and explained 'Why do I stand here where I stand?' 'Why is a glass a glass, a chair a chair' 'How is it that men are only of the size they are? Why not as big as houses,' etc., etc.[299] There is, it is true, another pathological state which is as far removed from doubt as from belief, and which some may prefer to consider the proper contrary of the latter state of mind. I refer to the feeling that everything is hollow, unreal, dead. I shall speak of this state again upon a later page. The point I wish to notice here is simply that belief and disbelief are but two aspects of one psychic state. John Mill, reviewing various opinions about belief, comes to the conclusion that no account of it can be given:

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    say of a man 'he is so changed one would not know him'; and so does a man, less often, speak of himself. These changes in the me , recognized by the I, or by outside observers, may be grave or slight. They deserve some notice here. THE MUTATIONS OF THE SELF. may be divided into two main classes: 1. Alterations of memory; and 2. Alterations in the present bodily and spiritual selves. 1. Alterations of memory are either losses or false recollections. In either case the me is changed. Should a man be punished for what he did in his childhood and no longer remembers? Should he be punished for crimes enacted in post-epileptic unconsciousness, somnambulism, or in any involuntarily induced state of which no recollection is retained? Law, in accord with common-sense, says: "No; he is not the same person forensically now which he was then." These losses of memory are a normal incident of extreme old age, and the person's me shrinks in the ratio of the facts that have disappeared. In dreams we forget our waking experiences; they are as if they were not. And the converse is also true. As a rule, no memory is retained during the waking state of what has happened during mesmeric trance, although when again entranced the person may remember it distinctly, and may then forget facts belonging to the waking state. We thus have, within the bounds of healthy mental life, an approach to an alteration of me's . False memories are by no means rare occurrences in most of us, and, whenever they occur, they distort the consciousness of the me. Most people, probably, are in doubt about certain matters ascribed to their past. They may have seen them, may have said them, done them, or they may only have dreamed or imagined they did so. The content of a dream will oftentimes insert itself into the stream of real life in a most perplexing way. The most frequent source of false memory is the accounts we give to others of our experiences. Such accounts we almost always make both more simple and more interesting than the truth. We quote what we should have said or done, rather than what we really said or did; and in the first telling we may be fully aware of the distinction. But ere long the fiction expels the reality from memory and reigns in its stead alone. This is one great source of the fallibility of testimony meant to be quite honest. Especially where the marvellous is concerned, the story takes a tilt that way, and the memory follows the story. Dr. Carpenter quotes from Miss Cobbe the following, as in instance of a very common sort: "It happened once to the Writer to hear a most scrupulously conscientious friend narrate an incident of table-turning, to which she appended an assurance that the table rapped when nobody was within a yard of it . The writer being confounded by this latter

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    In many cases it is easy to compare the psychic results of the sensational with those of the perceptive process. We then see a marked difference in the way in which the impressed portions of the object are felt, in consequence of being cognized along with the reproduced portion, in the higher state of mind. Their sensible quality changes under our very eye. Take the already-quoted catch, Pas de lieu Rhône que nous: one may read this over and over again without recognizing the sounds to be identical with those of the words paddle your own canoe. As we seize the English meaning the sound itself appears to change. Verbal sounds are usually perceived with their meaning at the moment of being heard. Sometimes, however, the associative irradiations are inhibited for a few moments (the mind being preoccupied with other thoughts) whilst the words linger on the ear as mere echoes of acoustic sensation. Then, usually, their interpretation suddenly occurs. But at that moment one may often surprise a change in the very feel of the word. Our own language would sound very different to us if we heard it without understanding, as we hear a foreign tongue. Rises and falls of voice, odd sibilants and other consonants, would fall on our ear in a way of which we can now form no notion. Frenchmen say that English sounds to them like the gazouillement des oiseaux:—an impression which it certainly makes on no native ear. Many of us English would describe the sound of Russian in similar terms. All of us are conscious of the strong inflections of voice and explosives and gutturals of German speech in a way in which no German can be conscious of them. This is probably the reason why, if we look at an isolated printed word and repeat it long enough, it ends by assuming an entirely unnatural aspect. Let the reader try this with any word on this page. He will soon begin to wonder if it can possibly be the word he has been using all his life with that meaning. It stares at him from the paper like a glass eye, with no speculation in it. Its body is indeed there, but its soul is fled. It is reduced, by this new way of attending to it, to its sensational nudity. We never before attended to it in this way, but habitually got it clad with its meaning the moment we caught sight of it, and rapidly passed from it to the other words of the phrase. We apprehended it, in short, with a cloud of associates, and thus perceiving it, we felt it quite otherwise than as we feel it now divested and alone.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    dead wrapped in a silk h'd'k'f so carefully. It must have been a body that had had vitality. ... I did not like to venture to examine the body for I was confounded.[398] I lately saw a boy of five (who had been told the story of Hector and Achilles) teaching his younger brother, aged three, how to play Hector, while he himself should play Achilles, and chase him round the walls of Troy. Having smiled themselves, Achilles advanced, shouting "Where's my Patroklos?" Whereupon the would-be Hector piped up, quite distracted from his rôle, "Where's my Patroklos? I want a Patroklos! I want a Patroklos! "—and broke up the game. Of what kind of a thing a Patroklos might be he had, of course, no notion—enough that his brother had one, for him to claim one too.[399] In 'The Nation' for September 3, 1886, President G. S. Hall has given some account of a statistical research on Boston school-boys, by Miss Wiltse, from which it appears that only nineteen out of two hundred and twenty-nine had made no collections.[400] Quoted in Lindsay, 'Mind in Lower animals,' vol. ii. p. 151.[401] Cf. Flint, Mind, vol. I. pp. 330-333; Sully, ibid. p. 567. Most people probably have the impulse to keep bits of useless finery, old tools, pieces of once useful apparatus, etc.; but it is normally either inhibited at the outset by reflection, or, if yielded to, the objects soon grow displeasing and are thrown away.[402] Der Menschliche Wille, p. 205.[403] Professor Lazarus (Die Reize des Spieles. Berlin, 1883, p. 44) denies that we have an instinct to play, and says the root of the matter is the aversion to remain unoccupied, which substitutes a sham occupation when no real one is ready. No doubt this is true; but why the particular forms of sham occupation? The elements of all bodily games and of ceremonial games are given by direct excite-motor stimulations—just as when puppies chase one another and swallows have a parliament.[404] Inquiries into Human Faculty, p. 72.[405] Expression of the Emotions (New York, 1873), p. 330.[406] "The certainty that we are well dressed," a charming woman has said, "gives us a peace of heart compared to which that yielded by the consolations of religion is as nothing."[407] Thackeray, in his exquisite Roundabout Paper, 'On a Chalk-Mark On the Door,' says: "You get truth habitually from equals only; so, my good Mr. Holyshade, don't talk to me about the habitual candor of the young Etonian of high birth, or I have my own opinion of your candor or discernment when you do. No. Tom Bowling is the soul of honor, and has been true to Black-eyed Syousan since the last time they parted at Wapping Old Stairs; but do you suppose Tom is perfectly frank, familiar, and above-board in his conversation with Admiral Nelson, K.C.B.? There are secrets, prevarications, fibs. if you will, between Tom and the admiral-between your crew (of servants) and their captain. I know I hire a

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    "My ability to form mental images seems, from what I have studied of other people's images, to be defective, and somewhat peculiar. The process by which I seem to remember any particular event is not by x series of distinct images, but a sort of panorama, the faintest impressions of which are perceptible through a thick fog.—I cannot shut my eyes and get a distinct image of anyone, although I used to be able to a few years ago, and the faculty seems to have gradually slipped away.—In my most vivid dreams, where the events appear like the most real facts, I am often troubled with dimness of sight which causes the images to appear indistinct.—To come to the question of the breakfast-table, there is nothing definite about it. Everything is vague. I cannot say what I see. I could not possibly count the chairs, but I happen to know that there are ten. I see nothing in detail.—The chief thing is in general impression that I cannot tell exactly what I do see. The coloring is about the same, as far as I can recall it, only very much washed out. Perhaps the only color I can see at all distinctly is that of the tablecloth, and I could probably see the color of the wall-paper if I could remember what color it was." A person whose visual imagination is strong finds it hard to understand how those who are without the faculty can think at all. Some people undoubtedly have no visual images at all worthy of the name,[61] and instead of seeing their breakfast-table, they tell you that they remember it or know what was on it. This knowing and remembering takes place undoubtedly by means of verbal images, as was explained already in Chapter IX, pp. 265-6. The study of Aphasia (see p. 54) has of late years shown how unexpectedly great are the differences between individuals in respect of imagination. And at the same time the discrepancies between lesion and symptom in different cases of the disease have been largely cleared up. In some individuals the habitual 'thought-stuff,' if one may so call it, is visual; in others it is auditory, articulatory, or motor; in most, perhaps, it is evenly mixed. The same local cerebral injury must needs work different practical results in persons who differ in this way. In one it will throw a much used brain-tract out of gear; in the other it may affect an unimportant region. A particularly instructive case was published by Charcot in 1883.[62] The patient was

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    has lived on earth,—some with whom I have been personally acquainted, others known in history. . . . I know nothing of the alleged authorship of any chapter until it is completed and the name impressed and appended. . . . I am interested not only in the reputed authorship,—of which I have nothing corroborative,—but in the philosophy taught, of which I was in ignorance until these chapters appeared. From my standpoint of life—which has been that of biblical orthodoxy—the philosophy is new, seems to be reasonable, and is logically put. I confess to an inability to successfully controvert it to my own satisfaction. "It is an intelligent ego who writes, or else the influence assumes individuality, which practically makes of the influence a personality. It is not myself; of that I am conscious at every step of the process. I have also traversed the whole field of the claims of 'unconscious cerebration,' so called, so far as I am competent to critically examine it, and it fails, as a theory, in numberless points, when applied to this strange work through me. It would be far more reasonable and satisfactory for me to accept the silly hypothesis of re-incarnation,—the old doctrine of metempsychosis,—as taught by some spiritualists to-day, and to believe that I lived a former life here, and that once in a while it dominates my intellectual powers, and writes chapters upon the philosophy of life, or opens a post-office for spirits to drop their effusions, and have them put into English script. No; the easiest and most natural solution to me is to admit the claim made, i.e., that it is a decarnated intelligence who writes. But who? that is the question. The names of scholars and thinkers who once lived are affixed to the most ungrammatical and weakest of bosh . . . "It seems reasonable to me—upon the hypothesis that it is a person using another's mind or brain—that there must be more or less of that other's style or tone incorporated in the message, and that to the unseen personality, i.e., the power which impresses, the thought, the fact, or the philosophy, and not the style or tone, belongs. For instance, while the influence is impressing my brain with the greatest force and rapidity, so that my pencil fairly flies over the paper to record the thoughts, I am conscious that, in many cases, the vehicle of the thought, i.e., the language, is very natural and familiar to me, as if, somehow, my personality as a writer was getting mixed up with the message. And, again, the style, language, everything, is entirely foreign to my own style." I am myself persuaded by abundant acquaintance with the trances of one medium that the 'control' may be altogether different from any possible waking self of the person. In the case I have in mind, if professes to be a certain departed French doctor; and is, I am convinced, acquainted with facts about the circumstances, and the living

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    such words to be used at all? Does not a loud explosion rend the consciousness upon which it abruptly breaks, in twain? Does not every sudden shock, appearance of a new object, or change in a sensation, create a real interruption, sensibly felt as such, which cuts the conscious stream across at the moment at which it appears? Do not such interruptions smite us every hour of our lives, and have we the right, in their presence, still to call our consciousness a continuous stream? This objection is based partly on a confusion and partly on a superficial introspective view. The confusion is between the thoughts themselves, taken as subjective facts, and the things of which they are aware. It is natural to make this confusion, but easy to avoid it when once put on one's guard. The things are discrete and discontinuous; they do pass before us in a train or chain, making often explosive appearances and rending each other in twain. But their comings and goings and contrasts no more break the flow of the thought that thinks them than they break the time and the space in which they lie. A silence may be broken by a thunder-clap, and we may be so stunned and confused for a moment by the shock as to give no instant account to ourselves of what has happened. But that very confusion is a mental state, and a state that passes us straight over from the silence to the sound. The transition between the thought of one object and the thought of another is no more a break in the thought than a joint in a bamboo is a break in the wood. It is a part of the consciousness as much as the joint is a part of the bamboo . The superficial introspective view is the overlooking, even when the things are contrasted with each other most violently, of the large amount of affinity that may still remain between the thoughts by whose means they are cognized. Into the awareness of the thunder itself the awareness of the previous silence creeps and continues; for what we hear when the thunder crashes is not thunder pure , but thunder-breaking-upon-silence-and-contrasting-with-it.[225] Our feeling of the same objective thunder, coming in this way, is quite different from what it would be were the thunder a continuation of previous thunder. The thunder itself we believe to abolish and exclude the silence; but the feeling of the thunder is also a feeling of the silence as just gone; and it would be difficult to find in the actual concrete consciousness of man a feeling so limited to the present as not to have an inkling of anything that went before. Here, again, language works against our perception of the truth. We name our thoughts simply, each after its thing, as if each knew its own thing and nothing else. What each really knows is clearly the thing it is named for, with dimly perhaps a

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    trance after the suggestion has taken effect. A man N., . . . whom M. Janet operated on at long intervals, was betweenwhiles tampered with by another operator, and when put to sleep again by M. Janet, said he was 'too far away to receive orders, being in Algiers.' The other operator, having suggested that hallucination, had forgotten to remove it before waking the subject from his trance, and the poor passive trance-personality had stuck for weeks in the stagnant dream. Léonie's sub-conscious performances having been illustrated to a caller, by a 'pied de nez ' executed with her left hand in the course of conversation, when, a year later, she meets him again, up goes the same hand to her nose again, without Léonie's normal self suspecting the fact. All these facts, taken together, form unquestionably the beginning of an inquiry which is destined to throw a new light into the very abysses of our nature. It is for that reason that I have cited them at such length in this early chapter of the book. They prove one thing conclusively, namely, that we must never take a person's testimony, however sincere, that he has felt nothing, as proof positive that no feeling has been there . It may have been there as part of the consciousness of a 'secondary personage,' of whose experiences the primary one whom we are consulting can naturally give no account. In hypnotic subjects (as we shall see in a later chapter) just as it is the easiest thing in the world to paralyze a movement or member by simple suggestion, so it is easy to produce what is called a systematized anæsthesia by word of command. A systematized anæsthesia means an insensibility, not to any one element of things, but to some one concrete thing or class of things. The subject is made blind or deaf to a certain person in the room and to no one else, and thereupon denies that that person is present, or has spoken, etc. M. P. Janet's Lucie, blind to some of the numbered cards in her lap (p. 140 above), is a case in point. Now when the object is simple, like a red wafer or a black cross, the subject, although he denies that he sees it when he looks straight at it, nevertheless gets a 'negative after-image' of it when he looks away again, showing that the optical impression of it has been received. Moreover reflection shows that such a subject must distinguish the object from others like it in order to be blind to it . Make him blind to one person in the room, set all the persons in a row, and tell him to count them. He will count all but that one. But how can he tell which one not to count without recognizing who he is? In like manner, make a stroke on paper or blackboard, and tell him it is not there, and he will see nothing but

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    higher regions of the brain, a change of consciousness simultaneously occurs. . . . The change of consciousness never takes place without the change in the brain; the change in the brain never . . . without the change in consciousness. But why the two occur together, or what the link is which connects them, we do not know, and most authorities believe that we never shall and never can know. Having firmly and tenaciously grasped these two notions, of the absolute separateness of mind and matter, and of the invariable concomitance of a mental change with a bodily change, the student will enter on the study of psychology with half his difficulties surmounted."[157] Half his difficulties ignored, I should prefer to say. For this 'concomitance' in the midst of 'absolute separateness' is an utterly irrational notion. It is to my mind quite inconceivable that consciousness should have nothing to do with a business which it so faithfully attends. And the question, 'What has it to do?' is one which psychology has no right to 'surmount,' for it is her plain duty to consider it. The fact is that the whole question of interaction and influence between things is a metaphysical question, and cannot be discussed at all by those who are unwilling to go into matters thoroughly. It is truly enough hard to imagine the 'idea of a beefsteak binding two molecules together;' but since Hume's time it has been equally hard to imagine anything binding them together. The whole notion of 'binding' is a mystery, the first step towards the solution of which is to clear scholastic rubbish out of the way. Popular science talks of 'forces,' 'attractions' or 'affinities' as binding the molecules; but clear science, though she may use such words to abbreviate discourse, has no use for the conceptions, and is satisfied when she can express in simple 'laws' the bare space-relations of the molecules as functions of each other and of time. To the more curiously inquiring mind, however, this simplified expression of the bare facts is not enough; there must be a 'reason' for them, and something must 'determine' the laws. And when one seriously sits down to consider what sort of a thing one means when one asks for a 'reason,' one is led so far afield, so far away from popular science and its scholasticism, as to see that even such a fact as the existence or non-existence in the universe of 'the idea of a beefsteak' may not be wholly indifferent to other facts in the same universe, and in particular may have something to do with determining the distance at which two molecules in that universe shall lie apart. If this is so, then common-sense, though the intimate nature of causality and of the connection of things in the universe lies beyond her pitifully bounded horizon, has the root and gist of the truth in her hands when she obstinately holds to it that feelings and ideas are causes.

  • From The Principles of Psychology (Volume 1 of 2) (1890)

    card whose number was a multiple of three. This is the ordinary so-called 'post-hypnotic suggestion,' now well known, and for which Lucie was a well-adapted subject. Accordingly, when she was awakened and asked about the papers on her lap, she counted and said she saw those only whose number was not a multiple of 3. To the 12, 18, 9, etc., she was blind. But the hand , when the sub-conscious self was interrogated by the usual method of engrossing the upper self in another conversation, wrote that the only cards in Lucie's lap were those numbered 12, 18, 9, etc., and on being asked to pick up all the cards which were there, picked up these and let the others lie. Similarly when the sight of certain things was suggested to the sub-conscious Lucie, the normal Lucie suddenly became partially or totally blind. "What is the matter? I can't see!" the normal personage suddenly cried out in the midst of her conversation, when M. Janet whispered to the secondary personage to make use of her eyes. The anæsthesias, paralyses, contractions and other irregularities from which hysterics suffer seem then to be due to the fact that their secondary personage has enriched itself by robbing the primary one of a function which the latter ought to have retained. The curative indication is evident: get at the secondary personage, by hypnotization or in whatever other way, and make her give up the eye, the skin, the arm, or whatever the affected part may be. The normal self thereupon regains possession, sees, feels, or is able to move again. In this way M. Jules Janet easily cured the well-known subject of the Salpétrière, Wit., of all sorts of afflictions which, until he discovered the secret of her deeper trance, it had been difficult to subdue. "Cessez cette mauvaise plaisanterie ," he said to the secondary self—and the latter obeyed. The way in which the various personages share the stock of possible sensations between them seems to be amusingly illustrated in this young woman. When awake, her skin is insensible everywhere except on a zone about the arm where she habitually wears a gold bracelet. This zone has feeling; but in the deepest trance, when all the rest of her body feels, this particular zone becomes absolutely anæsthetic. Sometimes the mutual ignorance of the selves leads to incidents which are strange enough. The acts and movements performed by the sub-conscious self are withdrawn from the conscious one, and the subject will do all sorts of incongruous things of which he remains quite unaware. "I order Lucie [by the method of distraction ] to make a pied de nez , and her hands go forthwith to the end of her nose. Asked what she is doing, she replies that she is doing nothing, and continues for a long time talking, with no apparent suspicion that her fingers are moving in front of her nose. I make her walk about the room; she continues to

  • From Sex at Dawn (2010)

    We’ll see that anthropologists find marriage wherever they look mainly because they haven’t quite decided what it looks like. * Where nonparents act in a parental role. Sex at Dawn: The Prehistoric Origins of Modern Sexuality CHAPTER EIGHT Making a Mess of Marriage, Mating, and Monogamy Marriage is the most natural state of man, and therefore the state in which you are most likely to find solid Happiness. B ENJAMIN F RANKLIN Love is an ideal thing, marriage a real thing; a confusion of the real with the ideal never goes unpunished. J OHANN W OLFGANG VON G OETHE When Albert Einstein proclaimed that E=mc 2 , no physicists asked each other, “What’s he mean by E?” In the hard sciences, the important stuff comes packaged in numbers and predefined symbols. Imprecise wording rarely causes confusion. But in more interpretive sciences such as anthropology, psychology, and evolutionary theory, misinterpretation and misunderstanding are common. Take the words love and lust, for example. Love and lust are as different from each other as red wine and blue cheese, but because they can also complement one another splendidly, they get conflated with amazing, dumbfounding regularity. In the literature of evolutionary psychology, in popular culture, in the tastefully appointed offices of marriage counselors, in religious teachings, in political discourse, and in our own mixed-up lives, lust is often mistaken for love. Perhaps even more insidious and damaging in societies insistent on long-term, sexually exclusive monogamy, the negative form of that statement is also true. The absence of lust is misread as indicating an absence of love (we’ll explore this in Part V ). Experts inadvertently encourage us to confuse the two. Helen Fisher’s Anatomy of Love, a book referenced earlier, is far more concerned with shared parental responsibility for a child’s first few years than with the love joining the parents to one another. But we can’t blame Fisher, as the language itself works against clarity. We can “sleep with” someone without ever closing our eyes. 1 When we read that the politician “made love” with the prostitute, we know love had little to do with it. When we report how many “lovers” we’ve had, are we claiming to have been “in love” with all of them? Similarly, if we “mate” with someone, does that make us “mates”? Show a guy a photo of a hot-looking woman and ask him if he’d like to “mate with her.” Chances are good he’ll say (or think), “Sure!” But chances are also high that marriage, children, and the prospect of a long future together never entered into his decision-making process. Everyone knows these are arbitrary expressions for an almost infinite range of situations and relationships—everyone, it appears, but the experts. Many evolutionary psychologists and other researchers seem to think that “love” and “sex” are interchangeable terms.

  • From Sex at Dawn (2010)

    In apartheid regimes, interracial contact is treated as unnatural. In free-market regimes, self-interest is treated as hardwired.” 7 Paradoxically, in each of these cases, so-called natural behavior has to be encouraged and unnatural aberrations punished. The now-forgotten diseases drapetomania and dysaethesia aethiopica illustrate this point. Both were described in 1851 by Dr. Samuel Cartwright, a leading authority on the medical care of “Negroes” in Louisiana and a leading thinker in the pro-slavery movement. In his article “Diseases and Peculiarities of the Negro Race,” Dr. Cartwright explained that drapetomania was the disease “causing Negroes to run away … the absconding from service” to their white owners, while dysaethesia aethiopica was characterized by “hebetude of and obtuse sensibility of the body.” He noted that slave overseers often referred to this disease, more simply, as “rascality.” 8 Despite high-minded claims to the contrary—often couched in language chosen to intimidate would-be dissenters (dysaethesia aethiopica !)—science all too often grovels at the feet of the dominant cultural paradigm. Another weakness of many of these studies is known as the “translation paradox:” the assumption that a word (marriage, for instance) translated from one language to another has an identical meaning. We can agree that birds sing and bees dance only as long as we remember that their singing and dancing has almost nothing in common with ours—from motivation to execution. We use identical words to signify very different behaviors. It’s the same with marriage. People everywhere do pair off—even if just for a few hours, days, or years. Maybe they do it to share pleasure, to make babies, to please their families, to seal a political alliance or business deal, or just because they like each other. When they do, the resident anthropologist standing in the shadows of love says, “Aha, this culture practices marriage, too. It’s universal!” But many of these relationships are as far from our sense of marriage as a string hammock is from Grandma’s featherbed. Simply changing the jargon and referring to long-term pair bond rather than marriage is no better. As Donald Symons put it, “The lexicon of the English language is woefully inadequate to reflect accurately the texture of human experience…. To shrink the present vocabulary to one phrase—pair-bond—and to imagine that in so doing one is being scientific … is simply to delude oneself.” 9 On Matrimonial Whoredom Even if we overlook the ubiquitous linguistic confusion, people who consider themselves to be married can have strikingly different notions of what their marriage involves. The Aché of Paraguay say that a man and woman sleeping in the same hut are married. But if one of them takes his or her hammock to another hut, they’re not married anymore. That’s it. The original no-fault divorce. Among the !Kung San (also known as Ju/’hoansi) of Botswana, most girls marry several times before they settle into a long-term relationship.

  • From Sex at Dawn (2010)

    Power noticed that data Goodall collected in her first years at Gombe (from 1961 to 1965) painted a different picture of chimpanzee social interaction than the accounts of chimpanzee warfare she and her colleagues published to global acclaim a few years later. Observations from those first four years at Gombe had left Goodall with the impression that the chimps were “far more peaceable than humans.” She saw no evidence of “war” between groups and only sporadic outbreaks of violence between individuals. These initial impressions of overall primate peace mesh with research published four decades later, in 2002, by primatologists Robert Sussman and Paul Garber, who conducted a comprehensive review of the scientific literature on social behavior in primates. After reviewing more than eighty studies of how various primates spend their waking hours, they found that “in almost all species across the board, from diurnal lemurs—the most primitive primates—to apes … usually less than 5 percent of their day is spent in any active social behavior whatsoever.” Sussman and Garber found that “usually less than 1 percent of their day is spent fighting or competing, and it’s unusually much less than 1 percent.” They found cooperative, affiliative behavior like playing and grooming to be ten to twenty times more common than conflict in all primate species. 15 But Goodall’s impression of relative harmony was to change—not coincidentally, argues Power—precisely when she and her students began giving the chimps hundreds of bananas every day, to entice them to hang around the camp so they could be observed more easily. In the wild, chimps spread out to search for food individually or in small groups. Because the food is scattered throughout the jungle, competition is unusual. But, as Frans de Waal explains, “as soon as humans start providing food, even in the jungle, the peace is quickly disturbed.” 16 The mounds of deliciously smelly fruit locked in reinforced concrete boxes opened only for timed, regular feedings altered the chimps’ behavior dramatically. Goodall’s assistants had to keep rebuilding the boxes, as the frustrated apes found endless ways of prying or smashing them open. Ripe fruit that could not be eaten immediately was a new experience for them—one that left the chimps confused and enraged. Imagine telling a room of unruly three-year-olds on Christmas morning (each with the strength of four adult men) that they’ll have to wait an unspecified amount of time to open the piles of presents they can see right there, under the tree. Recalling this period a few years later, Goodall wrote, “The constant feeding was having a marked effect upon the behaviour of the chimps.

  • From Sex at Dawn (2010)

    It could well be that the price of women’s greater erotic flexibility is more difficulty in knowing—and, depending on what cultural restrictions may be involved, in accepting—what they’re feeling. This is worth keeping in mind when considering why so many women report lack of interest in sex or diffaculties in reaching orgasm. * If you aren’t confused already, consider that research psychiatrist Andrey Anokhin and his colleagues found that erotic images elicit significantly quicker and stronger response in women’s brains than either pleasant or frightening images without erotic content. They showed 264 women a randomly ordered collection of images ranging from snarling dogs to water skiers to semi-naked couples getting hot and heavy. The women’s brains responded about 20 percent faster to the erotic images than to any others. With men this eager responsiveness was expected, but the results among the supposedly less visual, less libidinous women surprised the researchers. 5 The female erotic brain is full of such surprises. Dutch researchers used positron emission tomography (PET) to scan the brains of thirteen women and eleven men in the throes of orgasm. While the brevity of the male orgasm made reliable readings difficult to get, the heightened activity they found in the secondary somatosensory cortex (associated with genital sensation) was what they’d expected. But the women’s brains left the researchers befuddled. It seems the female brain goes into standby mode at orgasm. What little increase in cerebral activity the ladies’ brains exhibited was in the primary somatosensory cortex, which registers the presence of sensation, but not much excitement about it. “In women the primary feeling is there,” one of the researchers said, “but not the marker that this is seen as a big deal. For males, the touch itself is all-important. For females, it is not so important.” 6 Every woman knows her menstrual cycle can have profound effects on her eroticism. Spanish researchers confirmed that women experience greater feelings of attractiveness and desire around ovulation, while others have reported that women find classically masculine faces more attractive around ovulation, opting for less chiseled-looking guys when not fertile. 7 Since the birth control pill affects the menstrual cycle, it’s not surprising that it may affect a woman’s patterns of attraction as well. Scottish researcher Tony Little found women’s assessment of men as potential husband material shifted if they were on the pill. Little thinks the social consequences of his finding may be immense: “Where a woman chooses her partner while she is on the Pill, and then comes off it to have a child, her hormone-driven preferences have changed and she may find she is married to the wrong kind of man.” 8 Little’s concern is not misplaced. In 1995, Swiss biological researcher Claus Wedekind published the results of what is now known as the “Sweaty T-shirt Experiment.”

  • From Sex at Dawn (2010)

    Yet, the Europeans were convinced the Aborigines were starving to death. Why? Because they saw the native people resorting to last resorts—eating insects, Witchetty grubs, and rats, critters that surely nobody would eat who wasn’t starving. That this diet was nutritious, plentiful, and could taste like “nut-flavored scrambled eggs and mild mozzarella” never occurred to the British, who were no doubt homesick for haggis and clotted cream. Our point? That something feels natural or unnatural doesn’t mean it is. Every one of the examples above, including saliva beer, is savored somewhere—by folks who would be disgusted by much of what you eat regularly. Especially when we’re talking about intimate, personal, biological experiences like eating or having sex, we mustn’t forget that the familiar fingers of culture reach deep into our minds. We can’t feel them adjusting our dials and flicking our switches, but every culture leads its members to believe some things are naturally right and others naturally wrong. These beliefs may feel right, but it’s a feeling we trust at our own peril. Like those early Europeans, each of us is constrained by our own sense of what is normal and natural. We’re all members of one tribe or another—bonded by culture, family, religion, class, education, employment, team affiliation, or any number of other criteria. An essential first step in discerning the cultural from the human is what mythologist Joseph Campbell called detribalization. We have to recognize the various tribes we belong to and begin extricating ourselves from the unexamined assumptions each of them mistakes for the truth. Authorities assure us that we are jealous of our mates because such feelings are only natural. Experts opine that women need commitment to feel sexual intimacy because “that’s just the way they are.” Some of the most prominent evolutionary psychologists insist that science has confirmed that we are, at base, a jealous, possessive, murderous, and deceitful species just barely saved by our precarious capacity to rise above our dark essence and submit to civilized propriety. To be sure, we humans have hankerings and aversions deeper than cultural influence, at the core of our animal being. We don’t argue that humans are born “blank slates,” awaiting operating instructions. But how something “feels” is far from a reliable guide to distinguishing biological truth from cultural influence. Go looking for a book about human nature and you’ll be confronted by Demonic Males, Mean Genes, Sick Societies, War Before Civilization, Constant Battles, The Dark Side of Man, and The Murderer Next Door. You’ll be lucky to escape alive! But do these blood-splattered volumes offer a realistic depiction of scientific truth, or a projection of contemporary assumptions and fears onto the distant past? In the following chapters, we reconsider these and other aspects of social behavior, rearranging them to form a different view of our past.

  • From Sex at Dawn (2010)

    The videos included a wide range of possible erotic configurations: man/woman, man/man, woman/woman, lone man masturbating, lone woman masturbating, a muscular guy walking naked on a beach, and a fit woman working out in the nude. To top it all off, she also included a short film clip of bonobos mating. 3 While her subjects were being buffeted by this onslaught of varied eroticism, they had a keypad where they could indicate how turned on they felt. In addition, their genitals were wired up to Plethysmographs. Isn’t that illegal? No, a plethysmograph isn’t a torture device (or a dinosaur, for that matter). It measures blood flow to the genitals, a surefire indicator that the body is getting ready for love. Think of it as an erotic lie detector. What did Chivers find? Gay or straight, the men were predictable. The things that turned them on were what you’d expect. The straight guys responded to anything involving naked women, but were left cold when only men were on display. The gay guys were similarly consistent, though at 180 degrees. And both straight and gay men indicated with the keypad what their genital blood flow was saying. As it turns out, men can think with both heads at once, as long as both are thinking the same thing. The female subjects, on the other hand, were the very picture of inscrutability. Regardless of sexual orientation, most of them had the plethysmograph’s needle twitching over just about everything they saw. Whether they were watching men with men, women with women, the guy on the beach, the woman in the gym, or bonobos in the zoo, their genital blood was pumping. But unlike the men, many of the women reported (via the keypad) that they weren’t turned on. As Daniel Bergner reported on the study in The New York Times, “With the women … mind and genitals seemed scarcely to belong to the same person.” 4 Watching both the lesbians and the gay male couple, the straight women’s vaginal blood flow indicated more arousal than they confessed on the keypad. Watching good old-fashioned vanilla heterosexual couplings, everything flipped and they claimed more arousal than their bodies indicated. Straight or gay, the women reported almost no response to the hot bonobo-on-bonobo action, though again, their bodily reactions suggested they kinda liked it. This disconnect between what these women experienced on a physical level and what they consciously registered is precisely what the theory of differential erotic plasticity predicts.

  • From Sex at Dawn (2010)

    Hard to argue with that. But let’s try, because slippery use of the word marriage in the anthropological literature has resulted in a huge headache for anyone trying to understand how marriage and the nuclear family really fit into human nature—if at all. The word, we’ll find, is used to refer to a whole slew of different relationships. In Female Choices, her survey of female primate sexuality, primatologist Meredith Small writes of the confusion that resulted when the term consortship drifted away from its original meaning—a striking parallel to the confusion over marriage. Small explains, “The word ‘consortship’ was used initially to define the close male-female sexual bond seen in savannah baboons and then usage of the word spread to the relationship of other mating pairs.” This semantic leap, says Small, was a mistake. “Researchers began to think that all primates form consortships, and they applied the word to any short or long, exclusive or nonexclusive mating.” This is a problem because “what was originally intended to describe a specific male-female association that lasted during the days surrounding ovulation became an all-inclusive word for mating…. Once a female is described as ‘being in consort,’ no one sees the importance of her regular copulations with other males.” 5 Biologist Joan Roughgarden has noted the same problematic application of present-day human mating ideals to animals. She writes, “Sexual selection’s primary literature describes extrapair parentage as ‘cheating’ on the pair bond; the male is said to be ‘cuckolded’; offspring of extrapair parentage are said to be ‘illegitimate’; and females who do not participate in extrapair copulations are said to be ‘faithful.’ This judgmental terminology,” concludes Roughgarden, “amounts to applying a contemporary definition of Western marriage to animals.” 6 Indeed, when familiar labels are applied, supporting evidence becomes far more visible than counter-evidence in a psychological process known as confirmation bias. Once we have a mental model, we’re much more likely to notice and recall evidence supporting our model than evidence against it. Contemporary medical researchers attempt to neutralize this effect by using double-blind methodology in all serious research—where neither the researcher nor the subject knows which pills contain the real medicine. Without a clear definition of what they’re looking for, many anthropologists have found marriage wherever they’ve looked. George Murdock, a central figure in American anthropology, asserted in his classic cross-cultural anthropological survey that the nuclear family is a “universal human social grouping.” He went on to declare that marriage is found in every human society. But as we’ve seen, researchers trying to describe human nature are highly susceptible to Flintstonization: unconsciously tending to “discover” features that look familiar, and thereby universalizing contemporary social configurations while inadvertently blocking insight into the truth. Journalist Louis Menand noted this tendency in a piece in The New Yorker, writing, “The sciences of human nature tend to validate the practices and preferences of whatever regime happens to be sponsoring them. In totalitarian regimes, dissidence is treated as a mental illness.

  • From Anna Karenina (1877)

    But he did not display his knowledge except when he was compelled to do so. Still less could Levin say that he was a knave, as Sviazhsky was unmistakably an honest, good-hearted, sensible man, who worked good-humouredly, keenly, and perseveringly at his work; he was held in high honour by everyone about him, and certainly had never consciously done, and was indeed incapable of doing, anything base. Levin tried to understand him, and could not understand him, and looked at him and his life as at a living enigma. Levin and he were very friendly, and so Levin used to venture to sound Sviazhsky, to try to get at the very foundation of his view of life; but it was always in vain. Every time Levin tried to penetrate beyond the outer chambers of Sviazhsky's mind, which were hospitably open to all, he noticed that Sviazhsky was slightly disconcerted; faint signs of alarm were visible in his eyes, as though he were afraid Levin would understand him, and he would give him a kindly, good-humoured repulse. Just now, since his disenchantment with farming, Levin was particularly glad to stay with Sviazhsky. Apart from the fact that the sight of this happy and affectionate couple, so pleased with themselves and everyone else, and their well-ordered home always had a cheering effect on Levin, he felt a longing, now that he was so dissatisfied with his own life, to get at that secret in Sviazhsky that gave him such clearness, definiteness, and good courage in life. Moreover, Levin knew that at Sviazhsky's he should meet the landowners of the neighbourhood, and it was particularly interesting for him just now to hear and take part in those rural conversations concerning crops, labourers' wages, and so on, which, he was aware, are conventionally regarded as something very low, but which seemed to him just now to constitute the one subject of importance. 'It was not, perhaps, of importance in the days of serfdom, and it may not be of importance in England. In both cases the conditions of agriculture are firmly established; but among us now, when everything has been turned upside down and is only just taking shape, the question what form these conditions will take is the one question of importance in Russia,' thought Levin. The shooting turned out to be worse than Levin had expected. The marsh was dry and there were no grouse at all.

  • From Anna Karenina (1877)

    In the entr'acte Levin and Pestsov fell into an argument upon the merits and defects of music of the Wagner school. Levin maintained that the mistake of Wagner and all his followers lay in their trying to take music into the sphere of another art, just as poetry goes wrong when it tries to paint a face as the art of painting ought to do, and as an instance of this mistake he cited the sculptor who carved in marble certain poetic phantasms flitting round the figure of the poet on the pedestal. 'These phantoms were so far from being phantoms that they were positively clinging on the ladder,' said Levin. The comparison pleased him, but he could not remember whether he had not used the same phrase before, and to Pestsov, too, and as he said it he felt confused. Pestsov maintained that art is one, and that it can attain its highest manifestations only by conjunction with all kinds of art. The second piece that was performed Levin could not hear. Pestsov, who was standing beside him, was talking to him almost all the time, condemning the music for its excessive affected assumption of simplicity, and comparing it with the simplicity of the Pre-Raphaelites in painting. As he went out Levin met many more acquaintances, with whom he talked of politics, of music, and of common acquaintances. Among others he met Count Bol, whom he had utterly forgotten to call upon. 'Well, go at once then,' Madame Lvov said, when he told her; 'perhaps they'll not be at home, and then you can come to the meeting to fetch me. You'll find me still there.' VI 'P ERHAPS they're not at home?' said Levin, as he went into the hall of Countess Bol's house. 'At home; please walk in,' said the porter, resolutely removing his overcoat. 'How annoying!' thought Levin with a sigh, taking off one glove and stroking his hat. 'What did I come for? What have I to say to them?' As he passed through the first drawing-room Levin met in the doorway Countess Bol, giving some order to a servant with a careworn and severe face. On seeing Levin she smiled, and asked him to come into the little drawing-room, where he heard voices. In this room there were sitting in arm-chairs the two daughters of the countess, and a Moscow colonel, whom Levin knew. Levin went up, greeted them, and sat down beside the sofa with his hat on his knees. 'How is your wife? Have you been at the concert? We couldn't go. Mamma had to be at the funeral service.' 'Yes, I heard . . . What a sudden death!' said Levin. The countess came in, sat down on the sofa, and she too asked after his wife and inquired about the concert. Levin answered, and repeated an inquiry about Madame Apraksin's sudden death.