Skip to content

Awe

Awe is the body's response to scale it cannot match. The breath stops for a fraction of a second; the eye widens; the sense of self briefly thins so that something larger can occupy the same room. Vela reads awe through the writers and traditions that have refused to make it small — that have kept awe as the encounter with the genuinely outsized rather than as a synonym for liking something a lot.

Working definition · The widening that opens before something vast or beyond the usual scale—wonder mixed with humility.

4329 passages · 9 Vela essays · in 1 cluster

Vela’s read on this emotion

Awe is one of the emotions most actively diluted in contemporary usage. *Awesome* is now an adjective for a sandwich. The reading attends to a more specific register: awe as the response to scale — natural, mortal, divine, historical — that the self cannot domesticate.

The contemplative tradition is the deepest reservoir for awe. The Hebrew word *yir'ah* — translated variably as *fear*, *awe*, *reverence* — names the response to the divine that older translations have struggled to carry into English. The Book of Job, the Psalms of creation, the prophets at the moment of vocation each preserve awe as a primary religious experience. The Sufi tradition — Rumi, Hafiz, the Persian mystical poets — reads awe as the soul's recognition of the Beloved. The Buddhist contemplative literature names a parallel register inside silence rather than presence. Augustine of Hippo writes *trembling awe* — *amor et timor* — as the structure of devotion in the *Confessions*.

The modern reading runs through the writers who have refused to flatten the natural sublime. The Romantic tradition — Wordsworth at Tintern Abbey, the Hudson River school painters, John Muir in the Sierra Nevada — treats awe before mountains, rivers, and storms as a serious cognitive event. The literature of exploration — Robert Kurson's *Rocket Men* on the Apollo 8 crew seeing Earth from the moon, the Antarctic memoirs, the deep-ocean accounts — preserves awe at the scale of what humans can encounter when they leave the human-scaled world. Joy Harjo's *Crazy Brave* reads awe inside the Indigenous spiritual register that the colonial inheritance has tried to refuse.

Awe is not the same as wonder, admiration, fear, or gratitude. Wonder is awe's curious cousin — interested rather than overcome. Admiration is steadied seeing; awe is the witness flooded. Fear shares awe's somatic shape — the breath catch, the still body — but the object is threatening rather than vast. Gratitude can shade into awe when the gift exceeds what can be acknowledged. The four are kin; the reading keeps them distinct because the writers who have been most honest about each have kept them separate.

Study and magazine

Long-form guide in the magazine

An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.

Read the guide

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

Page 195 of 217 · 20 per page

4329 tagged passages

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    He is also ignored by Columba and by the Roman Catholic writers, until his mediaeval biographers from the eighth to the twelfth century Romanized him, appealing not to his genuine Confession, but to spurious documents and vague traditions. He is said to have converted all the Irish chieftains and bards, even Ossian, the blind Homer of Scotland, who sang to him his long epic of Keltic heroes and battles. He founded 365 or, according to others, 700 churches, and consecrated as many bishops, and 3,000 priests (when the whole island had probably not more than two or three hundred thousand inhabitants; for even in the reign of Elizabeth it did not exceed 600,000).56 He changed the laws of the kingdom, healed the blind, raised nine persons from death to life, and expelled all the snakes and frogs from Ireland.57 His memory is celebrated March 17, and is a day of great public processions with the Irish Catholics in all parts of the world. His death is variously put in the year 455 (Tillemont), 464 or 465 (Butler, Killen), 493 (Ussher, Skene, Forbes, Haddan & Stubbs). Forbes (Kalendars, p. 433) and Skene (Keltic Scotland, II. 427 sqq.) come to the conclusion that the legend of St. Patrick in its present shape is not older than the ninth century, and dissolves into three personages: Sen-Patrick, whose day in the Kalendar is the 24th of August; Palladius, "qui est Patricius," to whom the mission in 431 properly belongs, and Patricius, whose day is the 17th of March, and who died in 493. "From the acts of these three saints, the subsequent legend of the great Apostle of Ireland was compiled, and an arbitrary chronology applied to it." § 15. The Irish Church after St. Patrick. The Missionary Period. The labors of St. Patrick were carried on by his pupils and by many British priests and monks who were driven from England by the Anglo-Saxon invasion in the 5th and 6th centuries.58 There was an intimate intercourse between Ireland and Wales, where British Christianity sought refuge, and between Ireland and Scotland, where the seed of Christianity, had been planted by Ninian and Kentigern. In less than a century, after St. Patrick’s death Ireland was covered with churches and convents for men and women. The monastic institutions were training schools of clergymen and missionaries, and workshops for transscribing sacred books. Prominent among these are the monasteries of Armagh, Banchor or Bangor (558), Clonard (500), Clonmacnois (528), Derry (555), Glendolough (618). During the sixth and seventh centuries Ireland excelled all other countries in Christian piety, and acquired the name of "the Island of Saints." We must

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    The English chronicler’s enthusiasm for this event seems not to have been in the least dampened by the fact that the English abbey of Bromholm also possessed the true cross. It reached England in 1247, through a monk who had found it among the effects of the Emperor Baldwin, after he had fallen in battle. The monk appeared at the convent door with his two children, and carrying the sacred relic under his cloak. Heed was given to his story and he was taken in. Miracles at once began to be performed, even to the cleansing of lepers and the raising of the dead.2052 Some idea of the popular estimate of the value of relics may be had from the story which Caesar of Heisterbach relates of a certain Bernard who belonged to Caesar’s convent.2053 Bernard was in the habit of carrying about with him a box containing the relics of St. Peter and St. Paul. Happening to give way to sensual thoughts, the two saints gave him a punch in the side. On Bernard’s assuming a proper mental state, the thumping stopped, but as soon as he renewed the unseemly thoughts the thumping began again. Bernard took the hint and finally desisted altogether. Caesar had the satisfaction of knowing that when Bernard had these experiences, he was not yet a monk. The resentment of relics at being mistreated frequently came within the range of Caesar’s experience. One of St. Nicolas’ teeth, kept at Brauweiler, on one occasion jumped out of the glass box which contained it, to show the saint’s disgust at the irreverence of the people who were looking at it. Another case was of the relics of two virgins which had been hid in time of war and were left behind when other relics were restored to the reliquary. They were not willing to be neglected and struck so hard against the chest which held them that the noise was heard all through the convent, and continued to be heard till they were released.2054 An organized traffic in relics was carried on by unscrupulous venders who imposed them upon the credulity of the pious. The Fourth Lateran sought to put a stop to it by forbidding the veneration of novelties without the papal sanction. According to Guibert of Nogent,2055 the worshipper who made the mistake of associating spurious relics with a saint whom he wished to worship, did not thereby lose any benefit that might accrue from such worship. All the saints, he said, are one body in Christ (John 17:22), and in worshipping one reverence is done to the whole corporation.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    Arise, and come to deliver thy Church from the hands of devils, from the hands of tyrants, from the hands of iniquitous prelates.1177 Dizzy flights of fancy abounded in Savonarola’s discourses and took the place of calm and logical exposition. On the evening before he preached his last sermon in Advent, 1492, Savonarola beheld in the middle of the sky a hand holding a sword with the inscription, Behold the sword of the Lord will descend suddenly and quickly upon the earth—Ecce gladius Domini super terram cito et velociter. Suddenly the sword was turned toward the earth, the sky was darkened, swords, arrows and flames rained down. The heavens quaked with thunder and the world became a prey to famine and death. The vision was ended by a command to the preacher to make these things known. Again and again, in after years did he refer to this prophetic vision.1178 Its memory was also preserved by a medal, representing on one side Savonarola and on the other a sword in the heavens held by a hand and pointing to a city beneath. The inscription on the heavenly sword well represents the style of Savonarola’s preaching. It was impulsive, pictorial, eruptive, startling, not judicial and instructive. And yet it made a profound impression on men of different classes. Pico della Mirandola the elder has described its marvellous effect upon himself. On one occasion, when he announced as his text Gen. 6:17, "Behold I will bring the flood of waters upon the earth," Pico said he felt a cold shudder course through him, and his hair, as it were, stand on end. One is reminded of some of the impressions made by the sermons of Christmas Evans, the Welsh preacher, and the impression made by Whitefield’s oratory upon Lord Chesterfield and Franklin. But the imagery of the sermon, brilliant and weird as it was, is no sufficient explanation of the Florentine preacher’s power. The preacher himself was burning with religious passion. He felt deeply and he was a man of deep devotion. He had the eye of the mystic and saw beneath the external and ritual to the inner movements of spiritual power. The biblical element was also a conspicuous feature of his preaching. Defective as Savonarola’s exegesis was, the biblical element was everywhere in control of his thought and descriptions. His famous discourses were upon the ark, Exodus, and the prophets Haggai, Ezekiel, Amos and Hosea, and John’s Revelation. He insisted upon the authority of Scripture. "I preach the regeneration of the Church," he said, "taking the Scriptures as my sole guide."1179 Another element which gave to Savonarola’s sermons their virility and power was the prophetic element. Savonarola was not merely the expounder of righteousness.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    And finally lift up thine eyes on high and read the third book, written in golden script; that is, consider the glory of the life eternal, in Comparison with which the earthly vanishes away as the light of the candle before the splendor of the sun at midday."499 § 34. Gerrit de Groote and the Brothers of the Common Life. It was fortunate for the progress of religion, that mysticism in Holland and Northwestern Germany did not confine itself to the channel into which it had run at Groenendal. In the latter part of the fourteenth century, and before Ruysbroeck’s death, it associated with itself practical philanthropic activities under the leadership of Gerrit Groote, 1340–1384, and Florentius Radewyn, 1350–1400, who had finished his studies in Prag. They were the founders of the Windesheim Congregation and the genial company known as the Brothers of the Common Life, called also the Brothers of the New Devotion. To the effort to attain to union with God they gave a new impulse by insisting that men imitate the conduct of Christ. 500 Originating in Holland, they spread along the Rhine and into Central Germany. Groote was born at Deventer, where his father had been burgomaster. After studying at Paris, he taught at Cologne, and received the appointment of canon, enjoying at least two church livings, one at Utrecht and one at Aachen. He lived the life of a man of the world until he experienced a sudden conversion through the influence of a friend, Henry of Kolcar, a Carthusian prior. He renounced his ecclesiastical livings and visited Ruysbroeck, being much influenced by him. Thomas à Kempis remarks that Groote could say, after his visits to Ruysbroeck, "Thy wisdom and knowledge are greater than the report which I heard in my own country." At forty he began preaching. Throngs gathered to hear him in the churches and churchyards of Deventer, Zwolle, Leyden and other chief towns of the Lowlands.501 Often he preached three times a day. His success stirred up the Franciscans, who secured from the bishop of Utrecht an inhibition of preaching by laymen. Groote came under this restriction, as he was not ordained. An appeal was made to Urban VI., but the pope put himself on the side of the bishop. Groote died in 1384, before the decision was known. Groote strongly denounced the low morals of the clergy, but seems not to have opposed any of the doctrines of the Church. He fasted, attended mass, laid stress upon prayer and alms, and enforced these lessons by his own life. To quote an old writer, he taught by living righteously—docuit sancte vivendo. In 1374, he gave the house he had inherited from his father at Deventer as a home for widows and unmarried women. Without taking vows, the inmates were afforded an opportunity of retirement and a life of religious devotion and good works. They were to support themselves by weaving, spinning, sewing, nursing and caring for the sick.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    1472, who bore testimony that the sight of a lovely landscape had more than once made him well of sickness.984 In the narrower sense, the Renaissance may be confined to the recovery of the culture of Greece and Rome and the revival of polite literature and art, and it is sometimes designated the Revival of Letters. After having been taught for centuries that the literature of classic antiquity was full of snares and dangers for a Christian public, men opened their eyes and revelled with childlike delight in the discovery of ancient authors and history. Virgil sang again the Aeneid, Homer the Iliad and Odyssey. Cicero once more delivered his orations and Plato taught his philosophy. It was indeed an intellectual and artistic new birth that burst forth in Italy, a regeneration, as the word Renaissance means. But it was more. It was a revolt against monastic asceticism and scholasticism, the systems which cramped the free flow of bodily enthusiasm and intellectual inquiry.985 It called man from morbid self-mortifications as the most fitting discipline of mortal existence here below, and offered him the satisfaction of all the elements of his nature as his proper pursuit. Beginning in Italy, this new enthusiasm spread north to Germany and extended as far as Scotland. North of the Alps, it was known as Humanism and its representatives as Humanists, the words being taken from literae humanae, or humaniores, that is, humane studies, the studies which develop the man as the proprietor of this visible sphere. In the wider sense, it comprehends the revival of literature and art, the development of rational criticism, the transition from feudalism to a new order of social organization, the elevation of the modern languages of Europe as vehicles for the highest thought, the emancipation of intelligence, and the expansion of human interests, the invention of the printing-press, the discoveries of navigation and the exploration of America and the East, and the definition of the solar system by Copernicus and Galileo,—in one word, all the progressive developments of the last two centuries of the Middle Ages, developments which have since been the concern of modern civilization. The most discriminating characterization of this remarkable movement came from the pen of Michelet, who defined it as the discovery of the world and man. In this twofold aspect, Burckhardt, its leading historian for Italy, has treated the Renaissance with deep philosophical insight. The period of the Renaissance lasts from the beginning of the 14th to the middle of the 16th century, from Roger Bacon, d. 1294, and Dante, d. 1321, to Raphael, d. 1520, and Michelangelo, d. 1564, Reuchlin, d. 1522, and Erasmus, d. 1536. For more than a century it proceeded in Italy without the patronage

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    When he announced it in a sermon, many women exclaimed, "I, too, I, too." Other monks of St. Mark’s and hundreds of young men announced their readiness to pass through the flames out of regard for their spiritual guide. Alexander VI. waited with intense interest for the last bulletins from Florence. His exact state of mind it is difficult to determine. He wrote disapproving of the ordeal and yet he could not but feel that it afforded an easy way of getting rid of the enemy to his authority. After the ordeal was over, he praised Francesco and the Franciscans in extravagant terms and declared the Franciscans could not have done anything more agreeable to him.1201 The coming trial was looked for with the most intense interest. There was scarcely any other topic of conversation in Florence or in Rome. Great preparations were made. Two pyres of thorns and other wood were built on the public square about 60 feet in length, 3 feet wide at the base and 3 or 4 feet high,1202 the wood soaked with pitch and oil. The distance between the pyres was two feet, just wide enough for a man to pass through. All entrances to the square were closed by a company of 300 men under Marcuccio Salviatis and two other companies of 500 each, stationed at different points. The people began to arrive the night before. The windows and roofs of the adjoining houses were crowded with the eager spectators. The solemnity was set for eleven o’clock. The Dominicans made a solemn impression as they marched to the appointed place. Fra Domenico, in the van, was clothed in a fiery red velvet cope. Savonarola, clad in white and carrying a monstrance with the host, brought up the rear of the body of monks and these were followed by a great multitude of men, women and children, holding lighted tapers. When the hour arrived for the procession to start, Savonarola was preaching. He had again told the people that his work required no miracle and that he had ever sought to justify himself by the signs of righteousness and declared that, as on Mt. Carmel, miraculous intervention could only be expected in answer to prayer and humility. Later mediaeval history has few spectacles to offer to the eye and the imagination equal in interest to the spectacle offered that day. There, stood the greatest preacher of his time and the most exalted moral figure since the days of John Huss and Gerson. And there, the ancient method of testing innocency was once more to be tried, a novel spectacle, indeed, to that cultured generation of Florentines. The glorious pageants of Medicean times had afforded no entertainment more attractive. The crowds were waiting. The hour was past. There was a mysterious moving of monks in and out of the signory-palace. The whole story of what occurred was later told by Savonarola himself as well as by other eyewitnesses.

  • From How God Became King (2012)

    But the one who is thus exalted to worldwide sovereignty after his suffering is the one who then sits on the second throne in heaven. This is a huge claim, but it is exactly cognate with the implicit claim we saw in all four gospels in Chapter 5. The messianic vocation of suffering and kingship appears to be a vocation marked out in scripture for God’s own use. When we understand the ancient Jewish roots of the gospels’ “incarnational” vision of Jesus, we understand more fully that this vision belongs intimately and inextricably with the establishment of God’s kingdom, through the figure who now shares his throne, across the whole world. We understand, in other words, that the “gap” in the classic creeds—the gap between incarnation and atonement—is filled by the evangelists with their claim that in Jesus, and particularly through his suffering, Israel’s God was becoming king of the whole world. Daniel 7 is about the establishment not just of a radical and total theocracy, but of the rule (“- cracy”) of the God (“theo-”) who calls the cruel powers of the world to account and exalts those who have been crushed under their arrogance. That theme, of course, resonates with every corner of Matthew, Mark, Luke, and John. It chimes with the song of Jesus’s mother: “Down from their thrones he hurled the rulers, up from the earth he raised the humble” (Luke 1:52). It fits exactly with the Beatitudes: “Blessings on people who hunger and thirst for God’s justice! You’re going to be satisfied” (Matt. 5:6). It dovetails precisely with Jesus’s own great redefinition of power and kingdom; the rulers of the earth behave in one way, but we’re going to do it the other way: “Anyone who wants to be first must be everyone’s slave.... The son of man didn’t come to be waited on. He came to be the servant, to give his life ‘as a ransom for many’” (Mark 10:42–45). Kingdom and cross belong exactly and profoundly together. And both gain their astonishing depth of meaning from the music we hear in the second of our speakers. The one who goes to the cross to establish God’s kingdom is none other than “the arm of YHWH,” Israel’s God in human form, the one who shares the throne of the “Ancient One.” All this is bringing us nearer, I think, to understanding the evangelists’ atonement theology. It highlights too the distortions that result when people construct an “atonement theology” that bypasses the gospels. God himself will come to the place of pain and horror, of suffering and even of death, so that somehow he can take it upon himself and thereby set up his new style theocracy at last.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    § 83. Origin and History of the Catacomb. The Catacombs of Rome and other cities open a new chapter of Church history, which has recently been dug up from the bowels of the earth. Their discovery was a revelation to the world as instructive and important as the discovery of the long lost cities of Pompeii and Herculaneum, and of Nineveh and Babylon. Eusebius says nothing about them; the ancient Fathers scarcely allude to them, except Jerome and Prudentius, and even they give us no idea of their extent and importance. Hence the historians till quite recently have passed them by in silence.516 But since the great discoveries of Commendatore De Rossi and other archaeologists they can no longer be ignored. They confirm, illustrate, and supplement our previous knowledge derived from the more important literary remains. The name of the Catacombs is of uncertain origin, but is equivalent to subterranean cemeteries or resting-places for the dead.517 First used of the Christian cemeteries in the neighborhood of Rome, it was afterwards applied to those of Naples, Malta, Sicily, Alexandria, Paris, and other cities. It was formerly supposed that the Roman Catacombs were originally sand-pits (arenariae) or stone-quarries (lapidicinae), excavated by the heathen for building material, and occasionally used as receptacles for the vilest corpses of slaves and criminals.518 But this view is now abandoned on account of the difference of construction and of the soil. A few of the catacombs, however, about five out of thirty, are more or less closely connected with abandoned sand-pits.519 The catacombs, therefore, with a few exceptions, are of Christian origin, and were excavated for the express purpose of Christian burial. Their enormous extent, and the mixture of heathen with Christian symbols and inscriptions, might suggest that they were used by heathen also; but this is excluded by the fact of the mutual aversion of Christians and idolaters to associate in life and in death. The mythological features are few, and adapted to Christian ideas.520 Another erroneous opinion, once generally entertained, regarded the catacombs as places of refuge from heathen persecution. But the immense labor required could not have escaped the attention of the police. They were, on the contrary, the result of toleration. The Roman government, although (like all despotic governments) jealous of secret societies, was quite liberal towards the burial clubs, mostly of the poorer classes, or associations for securing, by regular contributions, decent interment with religious ceremonies.521 Only the worst criminals, traitors, suicides, and those struck down by lightning (touched by the gods) were left unburied. The pious care of the dead is an instinct of human nature, and is found among all nations. Death is a mighty leveler of distinctions and preacher of toleration and charity; even despots bow before it, and are reminded of their own vanity; even hard hearts are moved by it to pity and to tears.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    All created things were created out of nothing, and yet they were eternally in God. The master who produces pieces of art, first had all his art in himself. The arts are master within the master. Likewise the first Principle, which Eckart calls Erstigkeit, embodied in itself all images, that is, God in God. Creation is an eternal act. As soon as God was, He created the world. Without creatures, God would not be God. God is in all things and all things are God—Nu sint all Ding gleich in Gott und sint Got selber.447 Thomas Aquinas made a clear distinction between the being of God and the being of created things. Eckart emphasized their unity. What he meant was that the images or universals exist in God eternally, as he distinctly affirmed when he said, "In the Father are the images of all creatures."448 As for the soul, it can be as little comprehended in a definition as God Himself.449 The soul’s kernel, or its ultimate essence, is the little spark, Fünkelein, a light which never goes out which is uncreated and uncreatable.450 Notwithstanding these statements, the German theologian affirms that God created the soul and poured into it, in the first instance, all His own purity. Through the spark the soul is brought into union with God, and becomes more truly one with Him than food does with the body. The soul cannot rest till it returns to God, and to do 80 it must first die to itself, that is, completely submit itself to God.451 Eckart’s aim in all his sermons, as he asserts, was to reach this spark. It is one of Eckart’s merits that he lays so much stress upon the dignity of the soul. Several of his tracts bear this title.452 This dignity follows from God’s love and regenerative operation. Passing to the incarnation, it is everywhere the practical purpose which controls Eckart’s treatment, and not the metaphysical. The second person of the Trinity took on human nature, that man might become partaker of the divine nature. In language such as Gregory of Nyssa used, he said, God became man that we might become God. Gott ist Mensch worden dass wir Gott wurden. As God was hidden within the human nature so that we saw there only man, so the soul is to be hidden within the divine nature, that we should see nothing but God.453 As certainly as God begets the Son from His own nature, so certainly does He beget Him in the soul. God is in all things, but He is in the soul alone by birth, and nowhere else is He so truly as in the soul. No one can know God but the only begotten Son. Therefore, to know God, man must through the eternal generation become Son. It is as true that man becomes God as that God was made man.454

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    There is no record that the beating of drums played any part in the movement, but they used popular songs, a series of distinctive physical gestures and peculiar vociferations, uniforms and some of the discipline of the camp. Their campaigns were penitential crusades in which the self-mortifications of the monastery were transferred to the open field and the public square, and were adapted to impress the impenitent to make earnest in the warfare against the passions of the flesh. The Flagellants buffeted the body if they did not always buffet Satan. An account has already been given of the first outbreak of the enthusiasm in Italy in 1259, which, starting in Perugia, spread to Northern Italy and extended across the Alps to Austria, Prag and Strassburg.886 Similar outbreaks occurred in 1296, 1333, 1349, 1399, and again at the time of the Spanish evangelist, Vincent Ferrer. From being regarded as harmless fanatics they came to be treated as disturbers of the ecclesiastical peace, and in Northern Europe were classed with Beghards, Lollards, Hussites and other unchurchly or heretical sectarists. The movement of 1333 was led by an eloquent Dominican, Venturino of Bergamo, and is described at length by Villani. Ten thousand followed this leader, wearing head-bands inscribed with the monogram of Christ, IHS, and on their chests a dove with an olive-branch in her mouth. Venturino led his followers as far as Rome and preached on the Capitoline. The penniless enthusiasts soon became a laughing-stock, and Venturino, on going to Avignon, gained absolution and died in Smyrna, 1346. The earlier exhibitions of Flagellant zeal were as dim candlelights compared with the outbursts of 1349, during the ravages of the Black Death, which in contemporary chronicles and the Flagellant codes was called the great death—das grosse Sterben, pestis grandis, mortalitas magna. Bands of religious campaigners suddenly appeared in nearly all parts of Latin Christendom, Hungary, Bohemia, Italy, France, Germany and the Netherlands. John du Fayt, preaching before Clement VI., represented them as spread through all parts—per omnes provincias—and their numbers as countless. The exact numbers of the separate bands are repeatedly given, as they appeared in Ghent, Tournay, Dort, Bruges, Liége and other cities.887 Even bishops and princes took part in them. There were also bands of women. Our knowledge of the German and Lowland Flagellants is most extensive. While the accounts of chroniclers differ in details, they agree in the main features. The Flagellants clad themselves in white and wore on their mantles, before and behind, and on their caps, a red cross, from which they got the name, the Brothers of the Cross. They marched from place to place, stopping only a single day and night at one locality, except in case of Sunday, when they often made an exception. In the van of their processions were carried crosses and banners. They sang hymns as they marched.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    The elevation and adoration of the host were practised in the Latin Church as early as the twelfth century. Honorius III., 1217, made obligatory the ringing of a bell at the moment the words of institution were uttered that the worshippers might fall on their knees and adore the host. The Lambeth synod of 1281 ordered the church bells to be rung at the moment of consecration so that the laboring man on the field and the woman engaged in her domestic work might bow down and worship. Synods prescribed that the pyx, the receptacle for the host, be made of gold, silver, ivory, or, at least, of polished copper. A light was kept burning before it perpetually. In case a crumb of the bread or a drop of the wine fell upon the cloth or the priest’s garments, the part was to be cut out and burnt and the ashes thrown into the sacrary. And if the corporale, the linen cover prescribed for the altar, should be wet in the blood, it was to be washed out three times and the water drunk by a priest. If a drop happened to fall on a stone or a piece of wood or hard earth, the priest or some pious person was to lick it up. The festival of the eucharist, Corpus Christi, celebrated the first Thursday after Trinity Sunday, had its origin in the vision of Juliana, a nun of Liege, who saw the full moon, representing the church year, with one spot on its surface. This spot indicated the Church’s neglect to properly honor the real presence. She made her vision known to the bishop of Liege and the archdeacon, James Pantaleon. A celebration was appointed for the diocese, and when James became pope, under the name of Urban IV., he prescribed, in 1264, the general observance of the festival. John XXII. inaugurated the procession wherein, on Corpus Christi day, the host was carried about the streets with great solemnities.1690 The liturgical service used on Corpus Christi was prepared by Thomas Aquinas at the appointment of Urban IV. Two important changes occurred in this period in the distribution of the elements,—the abandonment of the communion of children and the withdrawal of the cup from the laity.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    Such are some of the occurrences which seemed wonderful to the racy English historian. If he had read over the leaves of his Chronicles as we do, how many other events he might have singled out,—from the appearance of the elephant, a gift of the king of France to the king of England, which, as he says, was the first ever seen in England and the appearance of the sea-monster thrown up in Norwich,2151 to his instructive accounts of the doings of popes and emperors, and the chafings of the English people under papal injustice. Life was by no means a humdrum, monotonous existence to the people who lived in the age of the Crusades and Innocent III. On the contrary it was full of surprises and attractive movements, from every turn of the papacy and empire, to the expeditions of the Crusaders and the travels of Marco Polo and Rubruquis. A historical period is measured by the judgment passed upon it by its contemporaries and by the judgment of succeeding generations. What did the period from 1050 to 1294 offer that seemed notable to those who were living then and what contribution did it make to the progress and well-being of mankind? The first of these questions can be answered by the generation which then lived; the second, best by the generations which have come since. It is the persuasion of a school of mediaeval enthusiasts that this period was a golden age of faith and morals and tenable systems of belief, an age when the laws of God were obeyed as they have not been since, an age when proper attention was given to the things of religion, an age of high ideals and spiritual repose. Is this judgment justified or is the older Protestant view the right one that the Middle Ages handed down nothing distinctive—which has been of permanent value; but, on the contrary, many of the superstitions and false doctrines now prevailing in the Church are an inheritance from the Middle Ages, and it would have been better if the Church had passed directly from the patristic age and skipped the mediaeval.2152 Neither judgment is right. A more just opinion is beginning to prevail, and upon a modification of the extreme views of Protestants and Roman Catholics on the subject depends to a considerable extent the closer fellowship between the ecclesiastical communions of the West. Much chaff will be found there mixed with the wheat. On the other hand, in this mediaeval period were also sown the seeds of religious ideas and institutions which are now in their period of bloom or awaiting the time of full fruitage.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    The mystics along the Rhine agreed with all genuine mystics in striving after the direct union of the soul with God. They sought, as did Eckart, the loss of our being in the ocean of the Godhead, or with Tauler the undisturbed peace of the soul, or with Ruysbroeck the impact of the divine nature upon our nature at its innermost point, kindling with divine love as fire kindles. With this aspiration after the complete apprehension of God, they combined a practical tendency. Their silent devotion and meditation were not final exercises. They were moved by warm human sympathies, and looked with almost reverential regard upon the usual pursuits and toil of men. They approached close to the idea that in the faithful devotion to daily tasks man may realize the highest type of religious experience. By preaching, by writing and circulating devotional works, and especially by their own examples, they made known the secret and the peace of the inner life. In the regions along the lower Rhine, the movement manifested itself also in the care of the sick, and notably in schools for the education of the young. These schools proved to be preparatory for the German Reformation by training a body of men of wider outlook and larger sympathies than the mediaeval convent was adapted to rear.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    It is a land of grim deserts and strips of green verdure, of drought and barrenness, violent rains, clear skies, tropical heat, date palms, aromatic herbs, coffee, balsam, myrrh, frankincense, and dhurra (which takes the place of grain). Its chief animals are the camel, "the ship of the desert," an excellent breed of horses, sheep, and goats. The desert, like the ocean, is not without its grandeur. It creates the impression of infinitude, it fosters silence and meditation on God and eternity. Man is there alone with God. The Arabian desert gave birth to some of the sublimest compositions, the ode of liberty by Miriam, the ninetieth Psalm by Moses, the book of Job, which Carlyle calls "the grandest poem written by the pen of man." The Arabs love a roaming life, are simple and temperate, courteous, respectful, hospitable, imaginative, fond of poetry and eloquence, careless of human

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    140): "Many high-minded rulers arose in the ten centuries after Charles, but none had a higher aim. To be ranked with him, satisfied the boldest conquerors, the wisest princes of peace. French chivalry of later times glorified Charlemagne as the first cavalier; the German burgeoisie as the fatherly friend of the people and the most righteous judge; the Catholic Church raised him to the number of her saints; the poetry of all nations derived ever new inspiration and strength from his mighty person. Never perhaps has richer life proceeded from the activity of a mortal man (Nie vielleicht ist reicheres Leben von der Wirksamkeit eines sterblichen Menschen ausgegangen)." We add the eloquent testimony of an American author, Parke Godwin (History of France, N. Y., 1860, vol. i. p. 410): "There is to me something indescribably grand in the figure of many of the barbaric chiefs—Alariks, Ataulfs, Theodoriks, and Euriks—who succeeded to the power of the Romans,

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    Elizabeth of Hungary and St. Hildegard flourished. The ordeal of fire and water was abolished. Seville, Cordova, and other parts of Spain were rescued from the Moors. The orders of the Minorites and the Preachers arose, startling the world by their devotion and disgusting it by their sudden decline. Some of the blood of Christ and a stone, bearing his footprints, arrived in England. Such are some of the occurrences which seemed wonderful to the racy English historian. If he had read over the leaves of his Chronicles as we do, how many other events he might have singled out,—from the appearance of the elephant, a gift of the king of France to the king of England, which, as he says, was the first ever seen in England and the appearance of the sea-monster thrown up in Norwich,2151 to his instructive accounts of the doings of popes and emperors, and the chafings of the English people under papal injustice. Life was by no means a humdrum, monotonous existence to the people who lived in the age of the Crusades and Innocent III. On the contrary it was full of surprises and attractive movements, from every turn of the papacy and empire, to the expeditions of the Crusaders and the travels of Marco Polo and Rubruquis. A historical period is measured by the judgment passed upon it by its contemporaries and by the judgment of succeeding generations. What did the period from 1050 to 1294 offer that seemed notable to those who were living then and what contribution did it make to the progress and well-being of mankind? The first of these questions can be answered by the generation which then lived; the second, best by the generations which have come since. It is the persuasion of a school of mediaeval enthusiasts that this period was a golden age of faith and morals and tenable systems of belief, an age when the laws of God were obeyed as they have not been since, an age when proper attention was given to the things of religion, an age of high ideals and spiritual repose. Is this judgment justified or is the older Protestant view the right one that the Middle Ages handed down nothing distinctive—which has been of permanent value; but, on the contrary, many of the superstitions and false doctrines now prevailing in the Church are an inheritance from the Middle Ages, and it would have been better if the Church had passed directly from the patristic age and skipped the mediaeval.2152 Neither judgment is right. A more just opinion is beginning to prevail, and upon a modification of the extreme views of Protestants and Roman Catholics on the subject depends to a considerable extent the closer fellowship between the ecclesiastical communions of the West. Much chaff will be found there mixed with the wheat.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    Heavenly beauty and earthly sensuality meet side by side, and the latter often draws attention away from the former. The same illustrious painters, says Hawthorne, in the Marble Faun, "seem to take up one task or the other—the disrobed woman whom they called Venus, or the type of highest and tenderest womanhood in the mother of their Saviour—with equal readiness, but to achieve the former with far more satisfactory success." One moment the painter represented Bacchus wedding Ariadne and another depicted Mary on the hill of Calvary. Michelangelo now furnished the Pietà for St. Peter’s, now designed the Rape of Ganymede for Vittoria Colonna and the statue of the drunken Bacchus for the Roman Jacopo Galli. Titian’s Magdalen in the Pitti gallery, Florence, exhibits in one person the voluptuous woman with exposed breasts and flowing locks and the penitent saint looking up to heaven. Of Sandro Botticelli, Vasari said that "in many homes he painted of naked women a plenty." If, however, the Christian religion furnished only to a single writer, Dante, the subject of his poem, it furnished to all the painters and sculptors many subjects from both Testaments and also from Church history, for the highest productions of their genius. In looking through the long list of distinguished sculptors, painters and architects who illuminated their native Italy in the Renaissance period, one is struck with the high age which many of them reached and, at the same time, with the brief period in which some of them acquired undying fame. Michelangelo lived to be 89, while Correggio died before he was 44. Titian, had he lived one year longer, would have rounded out a full century, while death took the brush out of Raphael’s hand before he was 37, a marvellous example of production in a short period, to be compared with Mozart in the department of music and Blaise Pascal in letters. And again, several of the great artists are remarkable examples of an extraordinary combination of talents. Lionardo da Vinci and Michelangelo excelled alike as architects, sculptors, painters and poets. Lionardo was, besides being these, a chemist, engineer, musician, merchant and profound thinker, yea, "the precocious originator of all modern wonders and ideas, a subtle and universal genius, an isolated and insatiate investigator," and is not unjustly called, on his monument at Milan, "the restorer of the arts and sciences."1026 His mural picture of the Last Supper in Milan, best known by the engraving of Raphael Morghen, in spite of its defaced condition, is a marvellous reproduction of one of the sublimest events, adapted to the monks seated around their refectory table (instead of the reclining posture on couches), and every head a study. As for Michelangelo, he has been classed by Taine with Dante, Shakespeare and Beethoven among the four great intellects in the world of art and literature.

  • From How God Became King (2012)

    But most of his contemporaries had in mind a different kind of river. “You study the Bible,” Jesus says, “because you suppose that you’ll discover the life of God’s coming age in it. In fact, it’s the Bible which gives evidence about me! But you won’t come to me so that you can have life” (5:39–40). They are telling the biblical story one way, leading up to their own vision of “God’s coming age.” Jesus is telling it a different way, or rather he is living it a different way. Central to John, as to almost every New Testament writer, is the clash between two conflicting visions of how the ancient scriptural story is to be told and how, in particular, it is to reach its goal. People ask how Jesus can possibly be the Messiah, but others insist that he must be (e.g., 7:31–52; 10:22–30). Jesus persists, saying that when Moses wrote, he was writing about him, and when Abraham believed God, he was looking forward to him (5:46; 8:30–59). This is not merely a clash of different ideas, different theories. It becomes nakedly political. Caiaphas, the high priest at the time, suggests that the way to rescue the nation and its Temple from the Romans is to let one man—Jesus himself—die instead (11:50). It is a moment of heavy irony, because in Caiaphas’s version of Israel’s story the absolute priority is saving the nation and the Temple, but John sees, underneath his cold calculation, a different story being played out: Jesus will indeed “die for the nation; and not only for the nation, but to gather into one the scattered children of God” (11:51–52). The paradox of the two stories remains all the way through, and John claims that Jesus was in line with the ancient prophecies, which always included prophecies about Israel’s failure to see, hear, and understand (12:37–41). And all the lines draw the eye up to the final scene in which Jesus announces God’s kingdom before Caesar’s representative, while Israel’s official leaders declare that “we have no king except Caesar” (19:15). The result—the climax of the gospel, and for John the climax of Israel’s entire story—is the paradoxical “enthronement” of Jesus on the cross, the final moment of the fulfillment of the great scriptural story (19:19, 24, 28). Jesus’s final word, tetelestai, “It’s all done!” says it clearly. The story has been completed—the story of creation, the story of God’s covenant with Israel. Now new creation can begin, as it does immediately afterwards with Jesus’s resurrection. Now the new covenant can be launched, as the disciples are sent out into the world equipped with Jesus’s own Spirit (20:19–23). This is how Israel’s story has reached its goal and can now bear fruit in all the world.

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    Peter’s, a marble group representing the Virgin Mary holding the crucified Saviour in her arms, raised him suddenly to the rank of the first sculptor of Italy.1032 His Last Judgment, on the altar wall of the Sistine chapel, represents the dominant conception of the Middle Ages of Christ as an angry judge, and is as Dantesque as Dante’s Inferno itself.1033 The artist’s last work in marble was the unfinished Pietà, in the cathedral of Florence; his last design a picture of the crucifixion. In his last poems, he took farewell of the fleeting pleasures of life, turned to God as the only reality and found in the crucified Saviour his only comfort. This is the core of the evangelical doctrine of justification rightly understood. The day of Michelangelo’s death was the day of Galileo Galilei’s birth in Florence. The golden age of art had passed: the age of science was at hand. Among the greater churches of Italy,—the cathedrals of Milan, Venice, Pisa, Siena, Florence and Rome,—St. Peter’s stands pre-eminent in dimensions, treasures of art and imposing ecclesiastical associations.1034 This central cathedral of Christendom was not dedicated till 1626 by Urban VIII. Its reconstruction was planned on a colossal scale by Nicolas V., but little was done till Julius II. took up the work. Among the architects who gave to the building their thought, Bramante and Michelangelo did most. On April 18, 1506, Julius II. laid the first stone according to Bramante’s design. A mass being said by Cardinal Soderini, the old pope descended by a ladder into the trench which had been dug at the spot where the statue of St. Veronica now stands. There was much fear, says Paris de Grassis, that the ground would fall in and the pope, before consecrating the foundations, cried out to those above not to come too near the edge. Under Leo X., Raphael was appointed sole architect, and was about to deviate from Bramante’s plan, when death stayed his hand. Michelangelo, taking up the task in 1535, gave to the structure its crowning triumph in the dome, the noblest in Western Europe, and the rival of the dome of St. Sophia. That vast and wondrous dome, To which Diana’s marvel was a cell, — Christ’s mighty shrine above his martyr’s tomb.1035 § 67. The Revival of Paganism. The revival of letters and the cultivation of art brought no purification of morals to Italy nor relief from religious formalism. The great modern historians of the period,—Voigt, Burckhardt, Gregorovius, Pastor, Creighton and Symonds,—agree in depicting the decline of religion and the degeneracy of morals in

  • From History of the Christian Church: The Complete Set of Eight Volumes (1858)

    None of the Schoolmen goes more thoroughly than Hugo of St. Victor into the question of the part played by the Holy Spirit in the conception of Jesus. He was at pains to show that, while the Spirit influenced the Virgin in conception, he was not the father of Jesus. The Spirit did not impart to Mary seed from his own substance, but by his power and love developed substance in her through the agency of her own flesh.2028 According to Anselm, God can make a human being in four ways, by the co-operation of a man and woman; without either as in the case of Adam; with the sole co-operation of the man as in the case of Eve; or from a woman without a man. Having produced men in the first three ways, it was most fitting God should resort to the fourth method in the case of Jesus. In another work he compares God’s creation of the first man from clay and the second man from a woman without the co-operation of a man.2029 Thomas Aquinas is very elaborate in his treatment of Mary’s virginity. "As a virgin she conceived, as a virgin gave birth, and she remains a virgin forevermore." The assumption that she had other children derogates from her sanctity, for, as the mother of God, she would have been most ungrateful if she had not been content with such a Son. And it would have been highest presumption for Joseph to have polluted her who had received the annunciation of the angel. He taught that, in the conception of Christ’s body, the whole Trinity was active and Mary is to be called "rightly, truly, and piously, genetrix Dei," the mother of God.2030 The mediaeval estimate of Mary found its loftiest expression in the doctrine of the immaculate conception, the doctrine that Mary herself was conceived without sin. The Schoolmen were agreed that she was exempt from all actual transgression. They separated on the question whether she was conceived without sin and so was immaculate from the instant of conception or whether she was also tainted with original sin from which, however, she was delivered while she was yet in her mother’s womb. The latter view was taken by Anselm, Hugo of St. Victor, Albertus Magnus, Thomas Aquinas, and even Bonaventura.2031 The view that she was conceived without sin and thus was never tainted with original sin was advocated by Duns Scotus, who, however, did not go further than to assert for it probability. Bernard, writing to the church of Lyons, condemned it for having introduced the festival of the immaculate conception, which he said lacked the approval of the Church, of reason and tradition. If Mary was conceived without sin, then why might not sinless conception be affirmed of Mary’s parents and grandparents and her ancestors to remotest antiquity. However, Bernard expressed his willingness to yield if the Church should appoint a festival of the immaculate conception.203

In behavioral science