Awe
Awe is the body's response to scale it cannot match. The breath stops for a fraction of a second; the eye widens; the sense of self briefly thins so that something larger can occupy the same room. Vela reads awe through the writers and traditions that have refused to make it small — that have kept awe as the encounter with the genuinely outsized rather than as a synonym for liking something a lot.
Working definition · The widening that opens before something vast or beyond the usual scale—wonder mixed with humility.
4329 passages · 9 Vela essays · in 1 cluster
Vela’s read on this emotion
Awe is one of the emotions most actively diluted in contemporary usage. *Awesome* is now an adjective for a sandwich. The reading attends to a more specific register: awe as the response to scale — natural, mortal, divine, historical — that the self cannot domesticate.
The contemplative tradition is the deepest reservoir for awe. The Hebrew word *yir'ah* — translated variably as *fear*, *awe*, *reverence* — names the response to the divine that older translations have struggled to carry into English. The Book of Job, the Psalms of creation, the prophets at the moment of vocation each preserve awe as a primary religious experience. The Sufi tradition — Rumi, Hafiz, the Persian mystical poets — reads awe as the soul's recognition of the Beloved. The Buddhist contemplative literature names a parallel register inside silence rather than presence. Augustine of Hippo writes *trembling awe* — *amor et timor* — as the structure of devotion in the *Confessions*.
The modern reading runs through the writers who have refused to flatten the natural sublime. The Romantic tradition — Wordsworth at Tintern Abbey, the Hudson River school painters, John Muir in the Sierra Nevada — treats awe before mountains, rivers, and storms as a serious cognitive event. The literature of exploration — Robert Kurson's *Rocket Men* on the Apollo 8 crew seeing Earth from the moon, the Antarctic memoirs, the deep-ocean accounts — preserves awe at the scale of what humans can encounter when they leave the human-scaled world. Joy Harjo's *Crazy Brave* reads awe inside the Indigenous spiritual register that the colonial inheritance has tried to refuse.
Awe is not the same as wonder, admiration, fear, or gratitude. Wonder is awe's curious cousin — interested rather than overcome. Admiration is steadied seeing; awe is the witness flooded. Fear shares awe's somatic shape — the breath catch, the still body — but the object is threatening rather than vast. Gratitude can shade into awe when the gift exceeds what can be acknowledged. The four are kin; the reading keeps them distinct because the writers who have been most honest about each have kept them separate.
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Long-form guide in the magazine
An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.
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Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
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4329 tagged passages
From Another Country (1962)
It was to remember the beat: A nigger , said his father, lives his whole life, lives and dies according to a beat. Shit, he humps to that beat and the baby he throws up in there, well, he jumps to it and comes out nine months later like a goddamn tambourine . The beat: hands, feet, tambourines, drums, pianos, laughter, curses, razor blades; the man stiffening with a laugh and a growl and a purr and the woman moistening and softening with a whisper and a sigh and a cry. The beat—in Harlem in the summertime one could almost see it, shaking above the pavements and the roof. And he had fled, so he had thought, from the beat of Harlem, which was simply the beat of his own heart. Into a boot camp in the South, and onto the pounding sea. While he had still been in the Navy, he had brought back from one of his voyages an Indian shawl for Ida. He had picked it up someplace in England. On the day that he gave it to her and she tried it on, something shook in him which had never been touched before. He had never seen the beauty of black people before. But, staring at Ida, who stood before the window of the Harlem kitchen, seeing that she was no longer merely his younger sister but a girl who would soon be a woman, she became associated with the colors of the shawl, the colors of the sun, and with a splendor incalculably older than the gray stone of the island on which they had been born. He thought that perhaps this splendor would come into the world again one day, into the world they knew. Ages and ages ago, Ida had not been merely the descendant of slaves. Watching her dark face in the sunlight, softened and shadowed by the glorious shawl, it could be seen that she had once been a monarch. Then he looked out of the window, at the air shaft, and thought of the whores on Seventh Avenue. He thought of the white policemen and the money they made on black flesh, the money the whole world made. He looked back at his sister, who was smiling at him. On her long little finger she twisted the ruby-eyed snake ring which he had brought her from another voyage. “You keep this up,” she said, “and you’ll make me the best-dressed girl on the block.” He was glad Ida could not see him now. She would have said, My Lord, Rufus, you got no right to walk around like this. Don’t you know we’re counting on you? Seven months ago, a lifetime ago, he had been playing a gig in one of the new Harlem spots owned and operated by a Negro. It was their last night. It had been a good night, everybody was feeling good.
From The Spiral Staircase: My Climb Out of Darkness (2004)
“Karen,” he growled, “if you have something to say, say it! If not, sheket!” The last word clearly meant “Shut up!” I looked back at Joel inquiringly, surprised to find that I did not feel at all offended. Joel grinned. “You are not in England now!”—a phrase that would often fall from his lips during the coming months. “There is no need to be a polite lady here in Israel. We are not formal people. There is no point to speak if there is nothing to say.” Curiously, I found this liberating. After years of deference and formality, it was strangely peaceful to abandon these codes of politeness, at least for a while. I was quite content to sit in the car and gaze enthralled at the biblical scenery without having to think of stimulating topics of conversation. For the first two days of my stay, the weather was cold. It didn’t snow, after all, but there was a sharp wind and a sleety rain. But even though this didn’t fit my expectation of sun-baked deserts, the sense of walking in an already familiar landscape persisted. It was like stepping into a myth. Here were the places I had struggled to imagine during all those meditations: the Garden of Gethsemane, the Via Dolorosa, and Ein Karim, the home of John the Baptist. Jesus had probably walked up those steps leading to the temple mount. He had certainly walked right here beside the Sea of Galilee. This was the best sightseeing I had ever done in my life. I was not simply letting the sights and sounds of the Holy Land sweep past me in an impressive panorama, but was in search of Jesus and Paul, trying to fit my thoughts and ideas with the landscape and the convoluted history of its famous sites. In the process, these holy places entered my mind and heart in a way that they had never done when I had tried to re-create them in the “composition of place” during meditation. I could understand why so many people felt possessive about the Holy Land. I was beginning to feel that it was mine, too.
From The Spiral Staircase: My Climb Out of Darkness (2004)
After one of these evenings, Ahmed and three of his mates were driving me back to the hotel. The car radio was blaring out some tinny Arabic music, and two of the men on the backseat were drinking bottled beer. Suddenly the music stopped, there was an announcement, and the atmosphere in the car became very still. “It’s the Koran,” Ahmed told me tersely, but with eager anticipation, as though he were expecting a great treat. I was surprised. I knew that Ahmed was not a practicing Muslim; in fact, he seemed to dislike religion. Had I been driving in London with beer-drinking secularists and found that we were about to be treated to a reading from the Bible on the radio, somebody would have lunged immediately for the off button. But it was very different here. I listened to the chanted recitation as it filled the car. Periodically one of the men would make an involuntary exclamation of delight, and soon, feeling sorry for me, they tried to include me in the experience, by translating the text into English, the words tumbling over one another as they tried to express its complexity. “This is so beautiful!” Ahmed kept saying in obvious excitement. “I wish you could hear this!” He would then attempt another version of the words but broke off in frustration. “It is that, but more than that. Too much to tell you!” I was not merely impressed, but astonished. Somehow this scripture could still move these tough fifty-year-old men almost to tears, even though they never went near a mosque and saw religion as the bane of the Middle East. It was another impression to file away to think about later, when I had time.
From Simply Jesus (2011)
It was, in particular, the place where God himself had promised to come and live. This was where God’s glory, his tabernacling presence, his Shekinah, had come to rest. That’s what the Bible had said, and some fortunate, though frightened, individuals had glimpsed it and lived to tell the tale. But God lived, by definition, in heaven. Nobody, however, supposed that God lived most of the time in heaven, a long way away, and then, as though for an occasional holiday or royal visitation, went to live in the Temple in Jerusalem instead. Somehow, in a way most modern people find extraordinary to the point of being almost unbelievable, the Temple was not only the center of the world. It was the place where heaven and earth met. This isn’t, then, just a way of saying, “Well, the Jews were very attached to their land and their capital city.” It was the vital expression of a worldview in which “heaven” and “earth” are not far apart, as most people today assume, but actually overlap and interlock. [image file=image_rsrc27Z.jpg] And Jesus, as we have already seen, had been going about saying that this God, Israel’s God, was right now becoming king, was taking charge, was establishing his long-awaited saving and healing rule on earth as in heaven. Heaven and earth were being joined up—but no longer in the Temple in Jerusalem. The joining place was visible where the healings were taking place, where the party was going on (remember the angels celebrating in heaven and people joining in on earth?), where forgiveness was happening. In other words, the joining place, the overlapping circle, was taking place where Jesus was and in what he was doing. Jesus was, as it were, a walking Temple. A living, breathing place-where-Israel’s-God-was-living. As many people will see at once, this is the very heart of what later theologians would call the doctrine of the incarnation. But it looks quite different from how many people imagine that doctrine to work. Judaism already had a massive “incarnational” symbol, the Temple. Jesus was behaving as if he were the Temple, in person. He was talking about Israel’s God taking charge. And he was doing things that put that God-in-chargeness into practice. It all starts to make sense. In particular, it answers the old criticism that “Jesus talked about God, but the church talked about Jesus”—as though Jesus would have been shocked to have his pure, God-centered message corrupted in that way. This sneer fails to take account of the fact that, yes, Jesus talked about God, but he talked about God precisely in order to explain the things that he himself was doing.
From Simply Jesus (2011)
We will find it difficult even to understand what it was about . If we do try to believe it, we will be forced to treat it simply as fantasy, a pretty idea rather than rock-bottom reality. That is the curse of the false either/or that has been wished on scholarship these many years: either robust skepticism or grit-your-teeth conservatism. Back to our first perfect storm. It’s time for both of those false reactions to be confronted by first-century reality. Space, time, and now matter. In this last respect too the prophetic visions of the ancient scriptures suddenly acquire new dimensions. Jesus’s announcement that God is now in charge, that God is becoming king on earth as in heaven, means that we can glimpse, fitfully and in flashes, something of what this prophetic vision might mean—in where Jesus is and what he is doing. We can see the material world itself being transformed by the presence and power of Israel’s God, the creator. We see it already, to be sure, in the healing stories. In them the physical matter of someone’s body is being transformed by a strange power, which, in one telling scene, Jesus feels going out of him (Mark 5:30). But then, to the astonishment of the first onlookers and the scornful skepticism of Epicureans ancient or modern, we see creation, as it were, under new management. The professional fishermen who caught nothing during the night are overwhelmed with the catch they get when Jesus tells them where to cast the net. Jesus not only heals the sick; he raises the dead. He feeds a hungry crowd with a few loaves and a couple of fish. Something new is happening, and it’s happening to the material world itself. He commands the raging storm to be quiet, and it obeys. Then, worse still, he walks on the lake and invites Peter to do it too. As with the resurrection itself, which forms the climax to this whole sequence, it is no use trying to rationalize these events. Disbelieve them if you will; retain the Epicurean detachment, the belief that if there is a God he (or she, or it) is a long way away and doesn’t get involved with this world. But at least see what is being claimed. These “miracles” make little or no sense within the present world of creation, where matter is finite, humans do not walk on water, and storms do what storms will do, no matter who, Canute-like, tries to tell them not to. But suppose, just suppose, that the ancient prophetic dream had glimpsed a deeper truth. Suppose there were a god like Israel’s God.
From Simply Jesus (2011)
Space, time, and now matter. In this last respect too the prophetic visions of the ancient scriptures suddenly acquire new dimensions. Jesus’s announcement that God is now in charge, that God is becoming king on earth as in heaven, means that we can glimpse, fitfully and in flashes, something of what this prophetic vision might mean—in where Jesus is and what he is doing. We can see the material world itself being transformed by the presence and power of Israel’s God, the creator. We see it already, to be sure, in the healing stories. In them the physical matter of someone’s body is being transformed by a strange power, which, in one telling scene, Jesus feels going out of him (Mark 5:30). But then, to the astonishment of the first onlookers and the scornful skepticism of Epicureans ancient or modern, we see creation, as it were, under new management. The professional fishermen who caught nothing during the night are overwhelmed with the catch they get when Jesus tells them where to cast the net. Jesus not only heals the sick; he raises the dead. He feeds a hungry crowd with a few loaves and a couple of fish. Something new is happening, and it’s happening to the material world itself. He commands the raging storm to be quiet, and it obeys. Then, worse still, he walks on the lake and invites Peter to do it too. As with the resurrection itself, which forms the climax to this whole sequence, it is no use trying to rationalize these events. Disbelieve them if you will; retain the Epicurean detachment, the belief that if there is a God he (or she, or it) is a long way away and doesn’t get involved with this world. But at least see what is being claimed. These “miracles” make little or no sense within the present world of creation, where matter is finite, humans do not walk on water, and storms do what storms will do, no matter who, Canute-like, tries to tell them not to. But suppose, just suppose, that the ancient prophetic dream had glimpsed a deeper truth. Suppose there were a god like Israel’s God. Suppose this God did after all make the world.
From Simply Jesus (2011)
Once we grapple with these two puzzles, though, we begin to discover something much of our world, including much of today’s church, has ignored or forgotten altogether. This is the hidden puzzle behind the other two. Throughout his short public career Jesus spoke and acted as if he was in charge . Jesus did things people didn’t think you were allowed to do, and he explained them by saying he had the right to do them. He wasn’t, after all, merely a teacher, though of course he was that too—in fact, one of the greatest teachers the world has ever known. He spoke and acted as more than a teacher. He behaved as if he had the right, and even the duty, to take over, to sort things out, to make his country and perhaps even the wider world a different place. He behaved suspiciously like someone trying to start a political party or a revolutionary movement. He called together a tight and symbolically charged group of associates (in his world, the number twelve meant only one thing: the new Israel, the new people of God). And it wasn’t very long before his closest followers told him that they thought he really was in charge, or ought to be. He was the king they’d all been waiting for. If we look for a parallel in today’s world, we won’t find it so much in the rise of a new “religious” teacher or leader as in the emergence of a charismatic, dynamic politician whose friends are encouraging him to run for president—and who gives every appearance of having what it takes to sort everything out when he gets there. You might have thought, and people certainly did at the time, that Jesus’s untimely death dashed all those hopes once and for all. But not long after his death his associates started to claim that he was now in charge, for real. And they started to act as if it was true. This isn’t about “religion” in the sense the Western world has imagined for over two hundred years. This is about everything: life, art, the universe, justice, death, money. It’s about politics, philosophy, culture, and being human. It’s about a God who is so much bigger than the “God” of ordinary modern “religion” that it’s hardly possible to think of the two in the same breath. The really striking, and really puzzling, thing about Jesus—then and now—is that he seems not only to have been talking about this much bigger God, but actually launching the transformative new project this God had planned all along.
From The Fermata (1994)
She needed, it seemed to me, to see, or sense, my Moving Psi Squares. I had in my briefcase three rarely opened envelopes. One held many one-inch squares of construction paper, some black, some pink. The second held one-inch squares I had cut out of fashion magazines and Garnet Hill catalogs, just faces: beautiful, interesting, exotic, or otherwise noteworthy women’s and men’s faces. The third envelope held squares I had cut out of a flyer I had gotten in the mail from a place called Elmwood Distributors, a somewhat low-end distributor of porn films, most of which were compilations, or “revues,” of surprising specificity, with titles such as Double Hand-Job Revue, Brunette Lactating Hermaphrodite Blowjob Revue, and Big Uncut Dick Facial Cumshot Revue. Each film was illustrated by a single one-inch-square still, some of which I had cut out. Now I arranged many of these squares randomly in a rectangle around the microfilm page that the woman was gazing at, took my seat, lifted my book, and snapped time on for a fraction of a second and then off again: snap snap. Then I went over to her and displaced each square in a counterclockwise direction, again took my seat, again snapped time on and immediately off. I did this repeatedly, dozens and dozens of times, wanting to offer her a pulsing marquee of images on the periphery of her vision as she read her forties Harper’s Bazaars. I must say, the work was tedious in the extreme—whenever I do my Moving Psi Squares I feel new respect for the most primitive of Sesame Street animated shorts, and I’m awed by Hanna-Barbera. (Sometimes, when I have less energy, I employ just one square, a face-square or a porn-square, something that I think, judging by the way the woman looks, might interest her, flashing it for an instant every minute or so in a different position on the open page of the book she is reading.) In the present case, the woman with the cloudy yellow earrings sighed and lowered her head for a moment. I stopped time and removed all the squares and put them away, then switched time on. She yawned, throwing her head back with her hands held behind her neck; then she pressed her thumb hard between her eyebrows. She thought she had been working too hard, seeing things—and in fact she had been seeing things: she had been seeing the little sexsquares that I was strobing into her life. I sensed her glance at me for a moment. I didn’t look up: I was paging in a leisurely, preoccupied way through Maurice Baring’s account of his years in Sweden. The woman yawned again and gathered her things. I had no idea what she was thinking. She walked over to the trash can beside one of the other tables. Just before she threw out some of the Bazaar pages, I stopped time and put my Monasticon vibrator on the top of the trash, where she might spot it peeping out of a paper bag. She did see it: she lifted the bag and peered inside, looked to her right and to her left, checked the contents of the bag once more. What on earth, she was wondering, was a brand-new, mint-in-box, sealed-in-plastic vibrating dildo representing a Capuchin monk and his clit-fondling manuscript doing in the trash of the Boston Public Library? She stood there for a second or two, pondering what to do, frowning, and then the bagged vibrator went quietly into her Boston University book bag. She walked toward the exit. I blew a kiss at her back. Good luck to her.
From Tipping the Velvet (1998)
A dozen hands reached up to snatch them.There were calls for an encore, then; but we, of course, had none to make. We could only dance back beneath the dropping curtain while the crowd still cheered and the chairman called for order. The next act - a couple of trick-cyclists - was pushed hurriedly on to take our place; but even at the end of their set there were still one or two voices calling for us.We were the hit of the evening.Back stage, with Kitty’s lips upon my cheek, Walter’s arm about my shoulders, and exclamations of delight and praise greeting me from every corner, I stood quite stunned, unable either to smile at the compliments or modestly disclaim them. I had passed perhaps seven minutes before that gay and shouting crowd; but in those few, swift minutes I had glimpsed a truth about myself, and it had left me awed and quite transformed.The truth was this: that whatever successes I might achieve as a girl, they would be nothing compared to the triumphs I should enjoy clad, however girlishly, as a boy.I had, in short, found my vocation. Next day, rather appropriately, I got my hair cut off, and changed my name.The hair I had barbered at a house in Battersea, by the same theatrical hairdresser who cut Kitty’s. He worked on me for an hour, while she sat and watched; and at the end of that time I remember he held a glass to his apron and said warningly: ‘Now, you will squeal when you see it - I never cropped a girl before who didn’t squeal at the first look,’ and I trembled in a sudden panic.But when he turned the glass to show me, I only smiled to see the transformation he had made. He had not clipped the hair as short as Kitty‘s, but had left it long and falling, Bohemian-like, quite to my collar; and here, without the weight of the plait to pull it flat and lank, it sprang into a slight, surprising curl. Upon the locks which threatened to tumble over my brow he had palmed a little macassar-oil, which turned them sleek as cat’s fur, and gold as a ring. When I fingered them - when I turned and tilted my head - I felt my cheeks grow crimson. The man said then, ‘You see, you will find it queer,’ and he showed me how I might wear my severed plait, as Kitty wore hers, to disguise his barbering.I said nothing; but it was not with regret that I had blushed. I had blushed because my new, shorn head, my naked neck, felt saucy. I had blushed because - just as I had done when I first pulled on a pair of trousers - I had felt myself stir, and grow warm, and want Kitty.
From Simply Jesus (2011)
Israel’s God had promised to return and establish his kingdom. He would do this in and as the Messiah, the servant. In and as Jesus of Nazareth. Jesus must have known that to believe something like this about oneself, about one’s own vocation, was to court the charge of madness or of blasphemy. These charges were duly made against him—by, among others, members of his own family. It is highly unlikely that the early church made such things up. Jesus really did speak and act as though he believed he was called to bring these three great rivers of historic purpose into one. It must have been clear from early on that they would carry him over a final great waterfall into an abyss never previously imagined. Every other way of bringing God’s kingdom had been tried and failed. This one was where the scriptures seemed to point and where his own prayerful awareness of vocation was pointing with them. He went ahead. The Baptism It is indeed by a river, Israel’s principal river, that we glimpse the first of these moments of triple vocation. John, Jesus’s cousin, was baptizing people in the river Jordan, the place (it cannot have been accidental) where the Exodus story reached its goal and the people their inheritance. Jesus joins the crowds, and, as he is baptized, his vocation is confirmed and sharpened by a voice from the heavens: “You are my son! You are the one I love! You make me very glad” (Mark 1:11). That voice, a sudden audible joining of heaven and earth, also provides a sudden joining of the royal vocation of the Messiah, who will rule the nations from his throne in Jerusalem (Ps. 2), and the servant (Isa. 42–53), who will bring God’s justice to the nations through his own obedient suffering. Everything we know about the public career of Jesus indicates that he took that double role as the crucial shaping of his own sense of vocation. All the signs are that Jesus understood his baptism as the moment when he was “anointed,” like Israel’s kings long ago, for this task. Israel’s God was acting through him, in him, as him. The baptism confirmed what Jesus had intuited long before and gave him the moment and the platform from which to launch the kingdom movement through which the saving plan would be accomplished. Bringing together these three ideas, up to now quite separate, was breathtaking. A royal figure? Yes, people believed that such a figure would rule, bring God’s justice to the whole world, and smash the pagans with a rod of iron. The servant? Yes, the servant would suffer and die; the servant people would bear a heavy load, leading not least to martyrdom. And God himself? Israel’s God would come back to dwell with his people; devout Jews believed it. That was why it was so important to rebuild or cleanse the Temple. Up to this point, though, the three themes had been separate.
From The Spiral Staircase: My Climb Out of Darkness (2004)
This became my own method of study. Henceforth I tried not to dismiss an idea that seemed initially alien, but to ask repeatedly, “Why?” until, finally, the doctrine, the idea, or the practice became transparent and I could see the living kernel of truth within—an insight that quickened my own pulse. I would not leave an idea until I could to some extent experience it myself, and understand why a Jew, a Christian, or a Muslim felt in this way. I found that one of my new luminaries, the late Canadian scholar Wilfred Cantwell Smith, himself a Christian minister, had made his students live according to Muslim law when he was teaching Islamic studies at McGill University. They had to pray five times a day, prostrating themselves in the direction of Mecca, observe the fasts and dietary laws, and give alms. Why? Because, Cantwell Smith believed, you could not understand the truth of a religion by simply reading about its beliefs. The tradition became alive only when you lived it and observed those rituals that were designed to open a window on transcendence. But (I can almost hear an exasperated reader ask) what is this truth? Does this woman believe in God, or not? Is there, or is there not, anything out there? Does she believe that the God of the Bible exists? Does she, or does she not, worship a personal God? These are surely the truth claims of religion, and all this talk about compassionate empathy and religion as an art form is merely a distraction from the real issue. To believe or not to believe: that is surely the religious question, is it not?
From Simply Jesus (2011)
After six days Jesus took Peter, James, and James’s brother John, and led them off up a high mountain by themselves. There he was transformed in front of them. His face shone like the sun, and his clothes became as white as light. Then, astonishingly, Moses and Elijah appeared to them. They were talking with Jesus. Peter just had to say something. “Master,” he said to Jesus, “it’s wonderful for us to be here! If you want, I’ll make three shelters here—one for you, one for Moses, and one for Elijah!” While he was still speaking, a bright cloud overshadowed them. Then there came a voice out of the cloud. “This is my dear son,” said the voice, “and I’m delighted with him. Pay attention to him.” When the disciples heard this, they fell on their faces and were scared out of their wits. Jesus came up and touched them. “Get up,” he said, “and don’t be afraid.” When they raised their eyes, they saw nobody except Jesus, all by himself. (Matt. 17:1–8) Suppose that, after all, the ancient Jewish story of a God making the world, calling a people, meeting with them on a mountain—suppose this story were true. And suppose this God had a purpose for his world and his people that had now reached the moment of fulfillment. Suppose, moreover, that this purpose had taken human form and that the person concerned was going about doing the things that spoke of God’s kingdom coming on earth as in heaven, of God’s space and human space coming together at last, of God’s time and human time meeting and merging for a short, intense period, and of God’s new creation and the present creation somehow knocking unexpected sparks off one another. The earth shall be filled, said the prophet, with the knowledge of the glory of YHWH as the waters cover the sea. It is within some such set of suppositions that we might make sense of the strangest moment of all, at the heart of the narrative, when the glory of God comes down not to the Temple in Jerusalem, not to the top of Mount Sinai, but onto and into Jesus himself, shining in splendor, talking with Moses and Elijah, drawing the Law and the Prophets together into the time of fulfillment. The transfiguration, as we call it, is the central moment. This is when what happens to space in the Temple and to time on the sabbath happens, within the life of Jesus, to the material world itself or rather, more specifically, to Jesus’s physical body itself. So what does this story mean? What, if anything, does it “prove”? Consider another transfiguration story, from a different time and place. Nicholas Motovilov (1809–32) visited Seraphim of Sarov (1754–1833), a well-known saintly hermit, and asked him how one could know that the Spirit of God was really present. It was a cloudy day, and they were sitting on tree stumps in the woods. He describes what followed:
From Simply Jesus (2011)
But I have become convinced, the more I have read and studied and prayed the story of Jesus, that all these constructions need to be put within a larger one again—the larger one that the gospels themselves are trying to insist on and that seems to me exactly in line with the aims and motivations of Jesus himself. Somehow, Jesus’s death was seen by Jesus himself, and then by those who told and ultimately wrote his story, as the ultimate means by which God’s kingdom was established. The crucifixion was the shocking answer to the prayer that God’s kingdom would come on earth as in heaven. It was the ultimate Exodus event through which the tyrant was defeated, God’s people were set free and given their fresh vocation, and God’s presence was established in their midst in a completely new way for which the Temple itself was just an advance pointer. That is why, in John’s gospel, the “glory of God”—with all the echoes of the anticipated return of YHWH to Zion—is revealed in and through Jesus, throughout his public career, in the “signs” he performed, but fully and finally as he is “lifted up” on the cross. How can this be? How can the horrible, ugly, and brutal execution of a young prophet be the means of establishing God’s kingdom? What does it mean to say, as we have done throughout this book, that the point of the story is that God is now in charge, if the means by which that is accomplished is the death of the one who had gone about making it happen? There is of course much more that could be said on this subject. But, trying to boil it down and keep it simple, I think we can and must say at least this. In Jesus’s own understanding of the battle he was fighting, Rome was not the real enemy. Rome provided the great gale, and the distorted ambitions of Israel the high-pressure system, but the real enemy, to be met head-on by the power and love of God, was the anti-creation power, the power of death and destruction, the force of accusation, the Accuser who lays a charge against the whole human race and the world itself that all are corrupt and decaying, that all humans have contributed to this by their own idolatry and sin. The terrible thing is that this charge is true. All humans have indeed worshipped what is not divine and so have failed to reflect God’s image into the world. They, and creation, are therefore subject to corruption and death. At this level the Accuser is absolutely right.
From The Spiral Staircase: My Climb Out of Darkness (2004)
That, I think, is the meaning of the story of the apparition of Jesus on the road to Emmaus. The two disciples are depressed; Jesus has just died a terrible and disgraceful death, and this has dashed all their hopes. A stranger joins them on the road and engages them in conversation. He discusses the scriptures with them, showing that the Messiah had to suffer before his glorification. That evening the three dine together, and the stranger breaks bread. In that instant they recognize that he is Jesus, but just as they realize this he disappears, like Dionysus. The story recalls the oft-repeated rabbinical teaching about the divine becoming present whenever two or three people study Torah together. Even though the disciples were not aware of it, the presence was with them while they were reviewing the scriptures together on the road. Henceforth, we will catch only a fleeting glimpse of it—in the study of sacred writings, in other human beings, in liturgy, and in communion with the stranger. But these moments remind us that our fellow men and women are themselves sacred; there is something about them that is worthy of absolute reverence, is in the last resort mysterious, and will always elude us. Perhaps in our broken world, we can only envisage an absent God. Since September 11, I have found myself drawn to the powerful mythology of the Jewish Kabbalah, which imagines God as originally a sacred emptiness; sees creation as a massive error, the world shattered and dense with evil; and offers no easy solution. Everything is a bewildering puzzle. One kabbalistic text tells us that when the temple of Jerusalem was destroyed, the Holy King departed from the earth and no longer dwelt in our midst. Maybe God vanished also—like Dionysus—after the destruction of the World Trade Center, an atrocity that was committed in God’s name. The events of September 11 were a dark epiphany, a terrible revelation of what life is like if we do not recognize the sacredness of all human beings, even our enemies. Maybe the only revelation we can hope for now is an experience of absence and emptiness. We have seen too much religious certainty recently. Maybe this is a time for honest, searching doubt, repentance, and a yearning for holiness in a world that has lost its bearings.
From The Spiral Staircase: My Climb Out of Darkness (2004)
Well . . . no. To my very great surprise, I was discovering that some of the most eminent Jewish, Christian, and Muslim theologians and mystics insisted that God was not an objective fact, was not another being, and was not an unseen reality like the atom, whose existence could be empirically demonstrated. Some went so far as to say that it was better to say that God did not exist, because our notion of existence was too limited to apply to God. Many of them preferred to say that God was Nothing, because this was not the kind of reality that we normally encountered. It was even misleading to call God the Supreme Being, because that simply suggested a being like us, but bigger and better, with likes and dislikes similar to our own. For centuries, Jews, Christians, and Muslims had devised audacious new theologies to bring this point home to the faithful. The doctrine of the Trinity, for example, was crafted in part to show that you could not think about God as a simple personality. The reality that we call God is transcendent—that is, it goes beyond any human orthodoxy—and yet God is also the ground of all being and can be experienced almost as a presence in the depths of the psyche. All traditions went out of their way to emphasize that any idea we had of God bore no absolute relationship to the reality itself, which went beyond it. Our notion of a personal God is one symbolic way of speaking about the divine, but it cannot contain the far more elusive reality. Most would agree with the Greek Orthodox that any statement about God had to have two characteristics. It must be paradoxical, to remind us that God cannot be contained in a neat, coherent system of thought; and it must be apophatic, that is, it should lead us to a moment of silent awe or wonder, because when we are speaking of the reality of God we are at the end of what words or thoughts can usefully do.
From Simply Jesus (2011)
This is, of course, to run too far ahead of ourselves. If we are to approach that density of understanding, we must first grasp just how powerful, within the ancient scriptures, this theme of God’s sovereign, independent action really was. Sometimes, indeed, Israel’s God was envisaged, as in our present running metaphor, in terms of the violent forces of nature, rampaging through the heavens and coming to the rescue of his people: The earth reeled and rocked; the foundations also of the mountains trembled and quaked, because he was angry. Smoke went up from his nostrils, and devouring fire from his mouth; glowing coals flamed forth from him. He bowed the heavens, and came down; thick darkness was under his feet. He rode on a cherub, and flew; he came swiftly upon the wings of the wind. He made darkness his covering around him, his canopy thick clouds dark with water. Out of the brightness before him there broke through his clouds hailstones and coals of fire. YHWH also thundered in the heavens, and the Most High uttered his voice. And he sent out his arrows, and scattered them; he flashed forth lightnings, and routed them. Then the channels of the sea were seen, and the foundations of the world were laid bare at your rebuke, O YHWH, at the blast of the breath of your nostrils. (Ps. 18:7–15) That sounds pretty much like a hurricane to me. And perhaps something more. Whatever else the ancient Israelites believed about their God, he was not a tame God. He was not the cool, detached God of ancient Epicureanism or modern Deism. But nor was he simply the personification of those forces of nature. He uses them, riding on the wind. At other times he tells the winds to be quiet. He remains sovereign over the elements. He is, after all, their creator. This is a different sort of wind altogether. In a sense, it’s strange even to put it alongside the other two. But the reason for doing so is that the first- century Jews told stories not only about their national history, but about their God. They celebrated his power, singing psalms like the one I’ve just quoted. They held together, with fierce devotion, their robust beliefs that their God was the one and only God, their anguish was the pain of the world, and the agony of their own people was at the heart of that world. Jerusalem, as ever, stood at the point where the tectonic plates of the world crashed together. It was, it seemed, the appropriate place of prayer for a world in pain.
From Simply Jesus (2011)
So Jesus is executed as the “king of the Jews.” All four gospels report that this phrase was written out and nailed above his head on the cross. Just as condemned criminals in early modern Britain used to carry a placard telling the onlookers of their crime, so the Romans would put such a notice on the cross, as a warning to others. The gospel writers, of course, see the sign over Jesus’s head as heavily ironic, charged with meaning of which the Roman governor and his soldiers were ignorant—just as John sees Caiaphas’s statement about Jesus dying for the people (11:50). Pilate’s words point, despite his cynical intention, to the reality: the “king of the Jews” must complete his scripturally rooted vocation by giving his life for his people, for the world, expressing and embodying the saving, healing, sovereign love of Israel’s God, the world’s creator. He should die, say the Jewish leaders, because “he made himself the Son of God” (19:7), just as in Mark and elsewhere the bystanders at the cross mock Jesus and challenge him to come down from the cross if he is the Son of God. But John’s readers and Mark’s readers know by now that it is because he is Son of God that Jesus must go to the cross, that he must stay there, that he must drink the cup to the dregs. And he must do so not in order to rescue people from this world for a faraway heaven, but in order that God’s kingdom may be established on earth as in heaven. That is why, in John’s account, the last words of Jesus are reported as being, “It’s all done” (19:30), in other words, “It’s accomplished” or “It’s completed.” The echo is of Genesis: at the end of the sixth day, God completed all the work that he had done. The point was not to rescue people from creation, but to rescue creation itself. With the death of Jesus, that work is complete. Now, and only now, and only in this way can new creation come about. How then can we interpret Jesus’s death? What models, what metaphors, what constructions can we find to do justice to it? It is, of course, easy to belittle it, to treat it as yet another example of a good man crushed by “the system,” another eager revolutionary who gave his life for the cause. Of course, there is a sense in which that is true, but if we are to understand Jesus’s own intentions, it is far from the whole truth.
From Simply Jesus (2011)
Jesus himself wrote nothing, so far as we know. The sources we have for his public career— the four gospels in the New Testament—are dense, complex, and multilayered. They are works of art (of a sort) in their own right. But it is quite impossible to explain their very existence, let alone their detailed content, unless Jesus was himself not only a figure of real, solid history, but also pretty much the sort of person they make him out to be. If he wasn’t that—if cunning people made him up out of thin air to validate their own new movement, as some have ridiculously suggested—he’s not worth bothering with. But if he was a figure of history, we can try to discover what he did and what it meant in his own day. We can try to get, not “behind” the gospels, as some sneeringly suggest is the purpose of historical research, but inside them, to discover the Jesus they’ve been telling us about all along, but whom we had managed to screen out. That will occupy the bulk of the book. But Christians have always believed, as well, that Jesus is alive in the present and that he will play a crucial role in the eventual future toward which we are heading. He is the same, declared another wise early Christian writer, “yesterday, today and forever” (Heb. 13:8). This book is mostly about the “yesterday,” not least because that’s the part many today simply don’t know. But toward the end of the book I shall deal a little with the “tomorrow” part (what will Jesus be in God’s ultimate future?) and suggest ways in which this combination of “yesterday” and “tomorrow” might condition us to think and behave differently in relation to Jesus “today.” J Chapter 2 The Three Puzzles ESUS OF NAZARETH, then, stands out in the middle of history. Tens of millions call him “Lord” and do their best to follow him. Countless others, including some who try to ignore him, find that he pops up all over the place—a line in a song, an image in a movie, a cross on a distant skyline. Most of the world has adopted a dating system based, supposedly, on his birth (it’s a few years off, but near enough). Jesus is unavoidable. But Jesus is also deeply mysterious. This isn’t just because, like any figure of ancient history, we don’t know as much about him as we might like.
From Simply Jesus (2011)
Jesus was going up to Jerusalem, but, as we have seen, his deeds and words indicated that he was going to upstage the Temple, to do something that would make it redundant and leave it to its fate. Prophet? Yes, indeed, he spoke and acted as a prophet, but, however cryptically, he described his cousin as “more than a prophet” and clearly believed that he was bringing something greater again. Prophets characteristically pointed away from themselves to God and what God was doing and would do, but Jesus, as we have seen, spoke about God in order to explain what he himself was doing and was about to do. It was as though he filled the existing categories, flexible as they were, so full that they all overflowed, and in that overflow he overwhelmed his followers, his hearers, the enthusiastic and the suspicious alike, and ultimately those who were attempting to put him on trial, both Jews and pagans. The story, as we have it in the different gospels, is punctuated with moments of clarity, moments that steer the narrative away from the banal attempt that readers have made from time to time to squash Jesus into this or that box. Instead, these moments open the story up to the possibility that maybe, after all, heaven and earth would come together, God’s time and human time would coincide, and the physical reality of this world might indeed become the bearer of the fresh reality of God’s new creation. There are certain moments in the life of Jesus and indeed certain geographical locations that were already heavy with symbolic meaning. Think of the great Jewish festivals, particularly Passover, or the great Jewish landmarks, particularly the river Jordan and Jerusalem itself. At these moments and in these places, repeated throughout our sources, we find three strands meeting up, not now like the elements of a perfect storm, but more like three great rivers that had been traveling in separate valleys and now come together, as though through an earthquake or a landslip, merging with a swirl and a rush, a gigantic and powerful confluence. The great river of messiahship, of Israel’s long and checkered history of monarchy, comes crashing together with the dark flow of the servant, and both together are swept up in the longer, darker, and still more powerful current of the belief that Israel’s God would return at last to his people. The best historical analysis we can offer of what we can only call Jesus’s “vocation” is that he believed, through his prayerful study of the scriptures and his reading of what he himself called the “signs of the times,” that the full force of this great combined river would accomplish the purposes for which Israel itself had been called in the first place; and that it would do so in him, in his willing obedience to this vast and terrifying purpose.
From Simply Jesus (2011)
The point of “apocalyptic” is that the seer, the visionary—Daniel, Jesus—is able to glimpse what is actually going on in heaven and, by means of this storytelling technique, the strange-story-plus-interpretation, is able to unveil, and therefore actually to set forward, the purposes of heaven on earth. The very form of the parable thus embodies the content it is trying to communicate: heaven appearing on earth. The content too does not then disappoint. Here is a sower sowing seed. The wise first-century Jew, hearing this, may suspect that this is about God sowing Israel again after the time of tragedy, the sorrow of the exile. Yes, says Jesus, but see what heaven’s perspective on this is going to be. Israel is indeed to be sown again. But there will be many who look and look, but never see, who hear and hear, but never understand. Many seeds will fall on the path, on rocky ground, and among thorns. Israel is not to be reaffirmed as it stands. John the Baptist got it right: you can’t just say “Abraham is our father,” because the axe is laid to the roots of the tree (another scriptural metaphor for the judgment of Israel), and God can now raise up children for Abraham from these stones (Matt. 3:9–10). Jesus echoes that elsewhere: many will come from east and west and sit down with Abraham, Isaac, and Jacob in the kingdom of heaven, while the children of the kingdom—those who are presuming on ancestral heritage rather than grasping the chance of the kingdom itself now that it’s here—will be cast out (Matt. 8:11–12). Jesus is telling his contemporaries what heaven’s verdict is right now, what heaven’s action on earth looks like now, and he is using the best possible medium for doing so, the apocalyptic tradition of story-plus-interpretation, which allows the bifocal vision of heaven and earth, the simultaneous translation from the one language into the other, to take effect. Not all the stories, of course, work in this way. Jesus is anything but a wooden, stilted teacher, a one-string fiddle or a one-tune wonder. Some of the stories amount to pithy sayings or extended metaphors heavy with the hidden excitement of a new world waiting to be born. Think of the wedding guests being unable to fast, because the bridegroom is there with them, or the new wine needing new wineskins: Then John’s disciples came to him with a question. “How come,” they asked, “we and the Pharisees fast a good deal, but your disciples don’t fast at all?” “Wedding guests can’t fast, can they,” replied Jesus, “as long as the bridegroom is with them? But sooner or later the bridegroom will be taken away from them.