Anxiety
Anxiety is the body braced for a threat it cannot locate — the chest tight, the thoughts running ahead, the attention scanning a horizon for the thing that has not arrived and may not. It is fear without an object, which is what makes it so hard to argue with. Vela reads anxiety as a primary emotion, distinct from the fear it resembles, and follows the writers who have lived inside its particular forward-tilted dread.
Working definition · Unease about uncertain outcomes; the body and mind braced for what might come.
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Vela’s read on this emotion
Anxiety is the emotion most thoroughly handed over to the clinic, and the reading borrows from the clinic without becoming it. The clinical literature can name the mechanism; the writers name what it is like to live there, and the difference is the whole reason for the page.
The reading is densest in memoir and in the contemplative literature of the restless soul. The memoir of the anxious mind reads the condition from inside — the catastrophizing, the bodily vigilance, the exhaustion of bracing for what never comes. Augustine of Hippo, writing the Confessions in the late fourth century, opened with a sentence that names a kind of structural anxiety — the heart restless until it rests — and almost every Christian thinker since has inherited the diagnosis. The existential tradition treats anxiety as a feature rather than a flaw: the dizziness of freedom, the dread that attends having to choose without a guarantee.
Anxiety is not the same as fear, worry, or stress. Fear has an object the body can point to; anxiety is the bracing without one. Worry is anxiety put into sentences, rehearsed in language. Stress is the body's response to a load it is currently carrying; anxiety is the response to a load it imagines. The four are kin and the reading keeps them apart, because the difference between a present threat and an imagined one is the difference between what can be acted on and what can only be sat with.
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Long-form guide in the magazine
An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.
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From Best Erotica & Sexual Deviance Narratives Ever Written (2024)
He continued to finger me: whether because of habit in the youth, whether because of the satyr's dexterity, in a very brief space Nature, vanquished, caused there to flow into the mouth of the one what was ejected from the member of the other. That was how the libertine exhausted the unfortunate children he kept in his house, whose number we will shortly see; 'twas thus he sapped their strength, and that was what caused the languor in which I beheld them to be. And now let us see how he managed to keep women in the same state of prostration and what was the true cause of his own vigor's preservation. The homage the Count rendered me had been protracted, but during it not a trace of infidelity to his chosen temple had he revealed; neither his glances, nor his kisses, nor his hands, nor his desires strayed away from it for an instant; after having sucked the other lad and having in likewise gathered and devoured his sperm: "Come," he said to me, drawing me into an adjacent room before I could gather up my clothes, "come, I am going to show you how we manage." I was unable to dissimulate my anxiety, it was terrible; but there was no other way to put a different aspect upon my fate, I had to quaff to the lees the potion in the chalice tendered to me. Two other boys of sixteen, quite as handsome, quite as peaked as the first two we had left in the salon, were working upon a tapestry when we entered the room. Upon our entrance they rose. "Narcisse," said the Count to one of them, "here is the Countess' new chambermaid; I must test her; hand me the lancets." Narcisse opens a cupboard and immediately produces all a surgeon's gear. I allow your imagination to fancy my state; my executioner spied my embarrassment, and it merely excited his mirth. "Put her in place, Zephire," Monsieur de Gernande said to another of the youths, and this boy approached me with a smile. "Don't be afraid, Mademoiselle," said he, "it can only do you the greatest good. Take your place here." It was a question of kneeling lightly upon the edge of a tabouret located in the middle of the room; one's arms were elevated and attached to two black straps which descended from the ceiling. No sooner have I assumed the posture than the Count steps up scalpel in hand: he can scarcely breathe, his eyes are alive with sparks, his face smites me with terror; he ties bands about both my arms, and in a flash he has lanced each of them. A cry bursts from between his teeth, it is accompanied by two or three blasphemies when he catches sight of my blood; he retires to a distance of six feet and sits down.
From Best Erotica & Sexual Deviance Narratives Ever Written (2024)
In the second place, you are going to pass, insofar as the public is concerned, for the Marquise's murderer; if she yet breathes, I am going to see to it she carries this notion into the grave, the entire household will share it; and there you have two trials still to face instead of one: instead of a vile usurer, you have for an adversary a rich and powerful man who is determined to hound you into Hell itself if you misuse the life his compassion leaves to you." Chapter 16 Monsieur Rodin kept a school for children of both sexes; during his wife's lifetime he had obtained the required charter and they had not seen fit to deprive him of it after he had lost her. Monsieur Rodin's pupils were few but select: in all, there were but fourteen girls and fourteen boys: he never accepted them under twelve and they were always sent away upon reaching the age of sixteen; never had monarch prettier subjects than Rodin. If there were brought to him one who had some physical defect or a face that left something to be desired, he knew how to invent twenty excuses for rejecting him, all his arguments were very ingenious, they were always colored by sophistries to which no one seemed able to reply; thus, either his corps of little day students had incomplete ranks, or the children who filled them were always charming. These youngsters did not take their meals with him, but came twice a day, from seven to eleven in the morning, from four to eight in the afternoon. If until then I had not yet seen all of this little troupe it was because, having arrived at Rodin's during the holidays, his scholars were not attending classes; toward the end of my recovery they reappeared. Rodin himself took charge of the boys' instruction, his governess looked after that of the girls, whom he would visit as soon as he had completed his own lessons; he taught his young pupils writing, arithmetic, a little history, drawing, music, and for all that no other master but himself was employed. I early expressed to Rosalie my astonishment that her father, while performing his functions as a doctor, could at the same time act as a schoolmaster; it struck me as odd, said I, that being able to live comfortably without exercising either the one or the other of these professions, he devoted himself to both.
From Between Us
To the contrary, they were reticent to share prideful happiness situations. On Mayumi Karasawa’s strong recommendation, we thus turned the order of the emotions around for the Japanese respondents. And much against my intuition, starting the interview by reporting an instance of shame broke the ice for Japanese respondents. When shame is a step towards remedying your shortcomings and mending a relationship in jeopardy, it is good to be talking about it. Shame was “right,” and in our survey studies, Japanese respondents reported higher frequencies of shame than their U.S. counterparts. If shame sets off a downward spiral in WEIRD cultures, it has the exact opposite effect in cultures where it is “right.” In many of those cultures, it motivates you to invest in the relationship at stake, adding to its reputation as a socially beneficial emotion. In their study on shame, Bagozzi and his colleagues compared Dutch salespeople to their Filipino counterparts. Like the Dutch, the Filipino salespeople recognized shame as feeling exposed, a failure, and small and weak. But shame did not make the Filipino salespeople withdraw or stumble. To the contrary, shame signaled that they had to invest in the customer relationship that was not going well. Rather than making them want to hide, shame made them reach out to their customers. Separately, Filipino salespeople who felt shame reported better sales interactions and higher sales volumes—showing the yields of their investment in the customer relationship. There are other cultures in which showing shame breeds acceptance. Among the Minangkabau and the Taiwanese, for example, the shameful child is a good child who saves their parents’ face. Shame is shared by the members of the secure family network and gains them acceptance in the broader community. The Japanese friend or spouse expressing shame or self-criticism meets cultural expectations, and can count on their friend’s or spouse’s acceptance and support. And in fact, Japanese college students indicated that they encountered many situations eliciting strong shame—the opposite of their American counterparts. The Japanese students seem to seek out shame situations, rather than avoid them as the American students did. Shame means you know your place or your shortcomings, and in a culture where this does not change anything in the relationships, this is a good thing. Yet, in other cultures where your position is less assured, and where social regard is subject to continuous negotiation, shame is the marker of losing ground. This is the case in honor cultures, when insults threaten the very thing that is important: the positive image that others have of you. Shame is “right” under these circumstances because it keeps you focused on your social position, but the social dynamics are very different from the cultures where your position is assured. During the interviews in the Netherlands (chapter 2), it struck me that many Turkish participants reportedly ended the relationship with whomever offended them.
From Going Clear (2013)
That year the band had a number one song, “The Joker,” and Thompson rode into town with a glow of fame around him. “He had a weird stare,” De Vocht remembered. “He invited my sister to meet Steve Miller and John Travolta.” Within a year, most of De Vocht’s family had joined the Church of Scientology. In July 1977, thirteen-year- old Tom De Vocht signed the billion-year contract for the Sea Org. De Vocht became one of Miscavige’s allies and moved up the bureaucratic ladder quickly. In 1986, he was appointed the Commanding Officer of the Commodore’s Messengers Org at Flag. In 2001, Miscavige called him, complaining, “Tom, I can’t get my building done.” The new headquarters for the Religious Technology Center at Gold Base, Building 50, was years behind schedule and well over budget. Miscavige directed De Vocht to come to Gold Base and oversee the construction. The first day he got there, De Vocht realized that “this building is going to be the end of me.” Forty-seven million dollars—more than a thousand dollars per square foot—had previously been spent on the new center. The building had already been completed a couple of times, using the highest-grade materials—cold rolled steel, and anigre, a beautiful but extremely hard, pinkish African wood—only to have components ripped out because they didn’t meet Miscavige’s standards. Miscavige’s desk, also made of steel, was so heavy that De Vocht worried whether the structure would support it. He discovered that there were no actual architectural drawings for the building; there were only renderings of what it should look like. The stucco exterior walls were already cracked because the whole edifice was at a 1.25-inch tilt. The walls weren’t actually connected to the floors. Even a minor earthquake (Gold Base was just west of the San Andreas Fault) might cause the whole building to collapse. De Vocht recommended that the building be torn down and rebuilt from scratch, but Miscavige rejected that idea. The expense of essentially rebuilding a poorly constructed building from the inside was immense. When De Vocht had almost finished construction, having spent an additional $60 million, Miscavige still had a list of complaints. He was also critical of the landscaping. Gold Base is in a desert, but Miscavige demanded that the building appear to be set in a forest. One morning, De Vocht says, Miscavige and his wife were inspecting the large vault in the legal department of Building 50, when the leader stopped in his tracks and began rubbing his head. He turned pale. “Where did we put the gold bullion?” he asked his wife. For a full minute, Miscavige kept rubbing his head and asking about the gold, but then he snapped out of it and went on as if nothing had happened.
From Going Clear (2013)
He had become an informal spokesperson for Scientology defectors who, like him, believed that the church had broken away from Hubbard’s original teachings. He called Haggis, who was shooting in Pittsburgh, and asked if he could publish the letter on his blog. “You’re a journalist, you don’t need my permission,” Haggis said, although he did ask him to excise the portion of the letter that dealt with his dinner with John Travolta and Kelly Preston and the part about his daughter Katy’s homosexuality. Haggis didn’t think about the consequences of his decision. He thought it would show up on a couple of websites. He was a writer, not a movie star. But Rathbun got fifty-five thousand hits on his blog that afternoon. The next morning, the story was in newspapers around the world. Haggis got a call from Tommy Davis. “Paul, what the hell!” 1 Four years before, the church had actively campaigned against Proposition 63, the Mental Health Services Act, which raised taxes to provide for increased care for the mentally ill; the proposition passed. 2 Mary Benjamin says they were never parties to the suit. 3 Cruise’s attorney, Bertram Fields, denies this took place: “Mr. Cruise has never asked Mr. Haggis or anyone else to denounce media attacks on Mr. Cruise on the Larry King show or anywhere else or to do anything like that.” 4 The church characterizes this as an attempt at extortion. 5 The church forwarded a letter to me from Katy Haggis’s friend in which she denies losing a job because of their friendship and asserts that the church is welcoming to everyone, regardless of their sexual orientation. The friend, whose parents are both employed by the church, did not respond to a request to talk further. 6 Tommy Davis gave me an affidavit, signed by Scobee, in which she admits to having liaisons. Scobee told me there were only two incidents, both of which involved a kiss and nothing more. She says she did not write the affidavit; she says she only signed it in the hope of leaving the church on good terms so that she could stay in touch with relatives. The church maintains that it does not use confidential information derived from auditing sessions. 7 The church denies that blow drills exist. 8 According to Tommy Davis, “Mr. Miscavige has never physically assaulted Marc Headley or anyone else.”
From Best Erotica & Sexual Deviance Narratives Ever Written (2024)
Will it be to that God you have just implored with such earnestness and who, by way of reward for your fervor, only precipitates you into further snares, each more fatal than the last? to that illusory God we ourselves outrage all day long by insulting his vain commandments?... And so, Therese, you conceive that there is no power, of whatever species you may suppose, which could possibly deliver you out of our hands, and there is neither in the category of things real nor in that of miracles, any sort of means which might permit you successfully to retain this virtue you yet glory in; which might, in fine, prevent you from becoming, in every sense and in every manner, the prey of the libidinous excesses to which we, all four of us, are going to abandon ourselves with you... Therefore, little slut, off with your clothes, offer your body to our lusts, let it be soiled by them instantly or the severest treatment will prove to you what risks a wretch like yourself runs by disobeying us." This harangue... this terrible order, I felt, left me no shifts, but would I not have been guilty had I failed to employ the means my heart prompted in me ? my situation left me this last resource: I fall at Dom Severino's feet, I employ all a despairing soul's eloquence to supplicate him not to take advantage of my state or abuse it; the bitterest tears spring from my eyes and inundate his knees, all I Imagine to be of the strongest, all I believe the most pathetic, I try everything with this man.... Great God! what was the use? could I have not known that tears merely enhance the object of a libertine's coveting? how was I able to doubt that everything I attempted in my efforts to sway those savages had the unique effect of arousing them.... "Take the bitch," said Severino in a rage, "seize her, Clement, let her be naked in a minute, and let her learn that it is not in persons like ourselves that compassion stifles Nature." My resistance had animated Clement, he was foaming at the mouth: he took hold of me, his arm shook nervously; interspersing his actions with appalling blasphemies, he had my clothing torn away in a trice. "A lovely creature," came from the superior, who ran his fingers over my flanks, "may God blast me if I've ever seen one better made; friends," the monk pursued, "let's put order into our procedures; you know our formula for welcoming newcomers: she might be exposed to the entire ceremony, don't you think?
From Between Us
Most of these were European American. Even more interestingly, Mauss and Butler tracked anger experience and cardiac output during the same experiment. Low cardiac output is often a sign that the individual has difficulty coping with the situation (the situation is a “threat”); high cardiac output can mean that the individual feels well equipped to cope with the situation and that the situation feels under control (the situation is a “challenge”). Judging by cardiac output measures, anger affected the cultural groups in the study differently. European Americans who showed little anger had stronger anger feelings and felt more “threat” than European Americans who did show anger. In contrast, Asian Americans who showed little anger felt less angry and better equipped to cope than Asian Americans who did show anger. These findings suggest that emotional control, while effortful, allowed Asian American individuals to achieve the emotional state that they were aiming for. Moreover, the outward-in adjustment felt under control. Outside-in emotions do not always move away from strong to weaker emotions. Norms, other people’s needs and expectations, or relationship concerns may call for expression rather than suppression: either for an emotion that was not there in the first place, or for amplification of an existing emotion. Among the Ifaluk, who live on a small Micronesian island in the southwest Pacific, another person’s needs call for fago, the readiness to care for others. Fago can be translated as a mix of compassion, love, and sadness. A sister who feels fago for her brother comes to his aid. When Tamalekar, an Ifaluk man, was shamed by his ten-year-old son who had thrown rocks at a man who lived on the island and suffered from psychosis, this elicited fago in Tamalekar’s sisters. The sisters “hurried to his house with gifts and cloth to be given, by way of apology, to the family of the ‘crazy’ man.” My colleague Alba Jasini tells me that in her country of origin, Albania, the relatives of deceased people hire “professional mourners” to wail for (and with) the family, and thus raise the level of grief display to the right cultural standards. Outside-in emotions may involve excitation rather than suppression. Arguably, many rituals have a similar function of collectively supplying individuals with situationally appropriate options for behavior during emotional events. Among the Indonesian Minangkabau, people are expected to show malu (roughly equivalent to shame) when they violate any social norms. If necessary, educators force the display by highlighting the norm. Malu was induced in thirteen-year-old Andi who had his hair cut in front of the class. In Andi’s own words: “Two days ago, the teacher told me to get my hair cut. Today, she called me in front of the class and took a pair of scissors out of her desk. She gave me a haircut and the others [classmates] watched.
From Best Erotica & Sexual Deviance Narratives Ever Written (2024)
What! sorrows are only for a time; come, be free, here is a worthy gentleman who has heard of your misfortunes, and is willing to serve you; you must be better acquainted with him, do not you now stand upon your punctilios, and this and that, but make your market while you may.” At this so delicate, and eloquent harangue, the gentleman, who saw I looked frighted and amazed, and, indeed, incapable of answering, took her up for breaking things in so abrupt a manner, as rather to shock than incline me to an acceptance of the good he intended me then, addressing himself to me, told me “he was perfectly acquainted with my whole story, and every circumstance of my distress which he owned was a cruel plunge for one of my youth and beauty to fall into.... that he had long taken a liking to my person, for which he appealed to Mrs. Jones, there present; but finding me so deeply engaged to another, he had lost all hopes of succeeding, till he had heard the sudden reverse of fortune that had happened to me, on which he had given particular orders to my landlady to see that I should want for nothing; and that, had he not been forced abroad to the Hague, on affairs he could not refuse himself to, he would himself have attended me during my sickness;... that on his return, which was the day before, he had, on learning my recovery, desired my landlady’s good offices to introduce him to me, and was as angry, at least, as I was shocked, at the manner in which she had conducted herself towards obtaining him that happiness; but, that to show me how much he disdained her procedure, and how far he was from taking any ungenerous advantage of my situation, and from exacting any security for my gratitude, he would before my face, that instant, discharge my debt entirely to my landlady, and give me her receipt in full; after which I should be at liberty either to reject or grant his suit, as he was much above putting any force upon my inclinations.” Whilst he was exposing his sentiments to me, I ventured just to look up to him, and observed his figure, which was that of a very well-looking gentleman, well made, of about forty, dressed in a suit of plain clothes, with a large diamond ring on one of his fingers, the lustre of which played in my eyes as he waved his hand in talking, and raised my notions of his importance.
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
On a visit to his parents’ house, Gregory against his will, and even without his previous knowledge, was ordained presbyter by his father before the assembled congregation on a feast day of the year 361. Such forced elections and ordinations, though very offensive to our taste, were at that time frequent, especially upon the urgent wish of the people, whose voice in many instances proved to be indeed the voice of God. Basil also, and Augustine, were ordained presbyters, Athanasius and Ambrose bishops, against their will. Gregory fled soon after, it is true, to his friend in Pontus, but out of regard to his aged parents and the pressing call of the church, he returned to Nazianzum towards Easter in 362, and delivered his first pulpit discourse, in which he justified himself in his conduct, and said: "It has its advantage to hold back a little from the call of God, as Moses, and after him Jeremiah, did on account of their age; but it has also its advantage to come forward readily, when God calls, like Aaron and Isaiah; provided both be done with a devout spirit, the one on account of inherent weakness, the other in reliance upon the strength of him who calls." His enemies accused him of haughty contempt of the priestly office; but he gave as the most important reason of his flight, that he did not consider himself worthy to preside over a flock, and to undertake the care of immortal souls, especially in such stormy times. Basil, who, as metropolitan, to strengthen the catholic interest against Arianism, set about the establishment of new bishoprics in the small towns of Cappadocia, intrusted to his young friend one such charge in Sasima, a poor market town at the junction of three highways, destitute of water, verdure, and society, frequented only by rude wagoners, and at the time an apple of discord between him and his opponent, the bishop Anthimus of Tyana. A very strange way of showing friendship, unjustifiable even by the supposition that Basil wished to exercise the humility and self-denial of Gregory.1974 No wonder that, though a bishopric in itself was of no account to Gregory, this act deeply wounded his sense of honor, and produced a temporary alienation between him and Basil.1975 At the combined request of his friend and his aged father, he suffered himself indeed to be consecrated to the new office; but it is very doubtful whether he ever went to Sasima.1976 At all events we soon afterwards find him in his solitude, and then again, in 372, assistant of his father in Nazianzum. In a remarkable discourse delivered in the presence of his father in 372, he represented to the congregation his peculiar fluctuation between an innate love of the contemplative life of seclusion and the call of the Spirit to public labor.
From Mud Vein (2014)
Montoll opened his mouth to speak, but Isaac cut him off. “The patient has made her decision, doctor.” He was staring straight at me when he said it. I pulled my lips tight, in thanks. “If my services aren’t needed, you’ll excuse me,” Dr. Montoll said, before making his exit. I looked at my hands. Dr. Akela sat on the edge of my bed. We spoke for a few minutes about the radiation I’d have to go through after my surgery. Six weeks. I had to admire her bedside manner; she was warm and personal. On her way out she touched Isaac lightly on the back of his arm. Mine. Isaac waited until the door clicked shut before he took a step forward. I braced myself for an influx of questions, but instead he said, “You can get dressed now. Are you free for lunch?” I blinked up at him. “Isn’t that a conflict of interest? Eating lunch with a patient?” He smiled. “Yes, we’d have to go somewhere other than the hospital cafeteria.” I was about to say no , when I heard the lyrics of the song he gave me this morning, playing in my head. Who gave someone a song that said, No need to worry because everybody will die when they had cancer? I liked it. It was the honesty. “All right,” I said. He glanced at his watch. “Meet you in the parking lot in ten?” I nodded. I got dressed and made my way downstairs. “I’m over this way,” he said, once I found him in the parking lot. He’d changed out of his scrubs and was wearing a white shirt and grey pinstriped pants. I followed him to his car, and he opened the door for me. It was too much. I freaked. “I can’t do this,” I said. I backed away from the car. “I’m sorry. I need to get home.” I didn’t look back as I walked toward my car. He probably thought I was losing my mind. There was a good chance I was. Isaac was waiting for me when I got home a few hours later, leaning against his car with his face turned upward. Soak it up, Isaac, I thought. Tomorrow my clouds will be back. For a brief second, I thought about not turning into my driveway and heading up to Canada instead. But I’d been driving around for hours and the needle to my gas tank was pointing to E. I wanted to go home. I walked past him to the front door. We were barely past the foyer when I said, “Why didn’t you ask me why I don’t want reconstruction?” “Because if you want to tell me, you will.” “We’re not friends, Isaac!” “No?” “I don’t have friends. Can’t you see that?” “I can see that,” he said. I waited for him to say something more, but he didn’t.
From Between Us
In my own country, I was used to being a socially adept and emotionally intelligent person. But when I arrived at the University of Michigan in November 1993, I felt emotionally out of sync. My new colleagues were gracious, happy, and outgoing. They exchanged niceties with each other and with me. I liked their company, and I liked how they treated me. Yet, things were not easy, because I was unable to reciprocate in appropriate ways: I felt my own emotional shortcomings. In conversations, it did not come naturally to me to be outgoing and appreciative, to offer compliments, or to acknowledge effort and intention. I was not happy or grateful enough; not as happy as I clearly felt I ought to be, given the situation and given how everybody else was acting. It bothered me that I was emotionally underperforming, and I was not merely imagining that I was. I simply was not smooth. One day, a colleague asked me if I would like to have lunch with her the next day. I replied in truth, “Tomorrow I can’t.” My new friend Michele Acker overheard the conversation, and coached me privately that I could have been more forthcoming and pleasant: “I would love to go out for lunch with you, can we do it some other time though? I already have plans for tomorrow. . . .” Instead, she said I sounded rude. Rude? It certainly wasn’t what I meant to be; in my mind, it was simply informative. I also had difficulty making sense of others’ emotions. When Michele and I entered a drugstore, and she greeted the store clerk with an enthusiastic “How are you?,” I asked her if she knew this woman (she did not). The interest she displayed in the clerk’s well-being did not seem to fit the situation. The clerk, without missing a beat, reciprocated with a smooth, “Wonderful, and what about yourself?” I was left wondering what I had missed in this enthusiastic exchange between strangers.
From Mud Vein (2014)
I am startled by the randomness of his question. We don’t talk about normal things. Our conversations are about survival. My hand trembles when I take the cup. Who could think about children at a time like this? Two pals just sitting around, chatting about their life expectations? I want to rip open my shirt and remind him that he cut off my breasts. Remind him that we are prisoners. People in our predicament didn’t talk about the possibility of children. But still … because it is Isaac who asks me, and because he has given so much, I let my mind rove over what he’s saying. I once saw a toddler throw a fit at Heathrow Airport. Her older sister confiscated an iPhone from the little girl’s hands when she threatened to send it flying across the floor. As with most children, the tiny girl, who teetered on fresh, newly-walking legs, had a loud, indignant response. She wailed, dropped to her knees and made an awful herky-jerky noise that sounded like an ambulance siren. It rose and fell in crescendo, causing people to look and wince. As she wailed, she slid backwards on the ground until she was lying face up, her knees bent underneath her. I watched in astonishment as her arms flailed about, alternating between what looked like the backstroke and an interpretive butterfly dance. Her face was pressed into an anguished scowl, her mouth still sending out those godawful noises, when all of a sudden she scrambled to her feet, and ran laughing toward a fountain a few yards away. As far as I was concerned children had bipolar disorder. They were angry, unpredictable, emotional ambulance-sirens with pigtails, grubby hands and food-crusted mouths that twisted from smiles to frowns and back again as quick as a breath. No, thank you very much. If I wanted a three-foot warlord as my master, I’d hire a rabid monkey to do the job. “No,” I say. He takes a long sip. Nods. “I didn’t think so.” I wait for him to tell me why he asked, but he doesn’t. After a few minutes it clicks together— snap, snap, snap —and I feel sick. Isaac hasn’t been eating. He hasn’t been sleeping. He hasn’t been speaking much. I’ve watched him deteriorate slowly over the last week, coming alive only for the delivery of the white box. I suddenly feel less angry about his out-of-place question. More concerned. “How long have we been here?” I ask. “Nine months.” My Rubik’s cube brain twists. More of my anger dissipates. When we first woke up here he told me that Daphne was eight weeks pregnant. “She carried to term,” I say, firmly.
From Mud Vein (2014)
“It doesn’t make sense,” I say. We both stopped messing with the keypad the day I spilled all that nonsense about Adam and Eve. “Maybe we should get back to breaking out of here,” I say. Then I run back to the bathroom and throw up. Later as I lie in my bed, still green-faced and queasy, I decide not to try to help anymore. It’s not my forte. I want to be left alone, I should therefore leave others alone. We pick up our code breaking again, for lack of anything else to do. To stave off boredom I try my hand at reading again. It doesn’t work; I have kidnapped ADD. I like the feel of paper beneath my fingertips. The sound a page makes when it turns over. So I don’t see the words, but I touch the pages and turn them until I’ve finished the book. Isaac sees me doing it one day, and laughs at me. “Why don’t you just read the book?” he asks. “I can’t focus. I want to, but I can’t.” He comes over and takes it from my hands. The sofa yields as he sits down next to me and opens it to the first page. He’s sitting so close our legs are touching. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. I close my eyes and listen to his voice. When he reads the words, “I was destined to be unlucky in life…” my eyes shoot open. I want to say Jinx. Maybe I’ll like David Copperfield after all. This isn’t the first time Isaac’s read to me. The last time was under very different circumstances. Very different and very much the same. He reads until his voice becomes hoarse. Then I take the book from him and read until mine gives, too. We mark the spot and set it down until tomorrow. [image file=image10.jpg] Nothing happens for weeks. We develop a routine, if you can call it that. It’s more of a day-to-day stay sane and survive kind of thing. I call it Sanity Circulation. When you’re caged up you need somewhere to send your hours, or you start getting prickly, like when you sit in the same position for too long and your legs get pins and needles. Except when you get them in your brain, you’re pretty much on your way to the nuthouse. So we try to circulate. Or, I do at least. Isaac looks like he’s two blinks away from needing Haloperidol and a padded room. He makes coffee in the morning, that’s consistent. There is a huge sack of coffee beans in the pantry and several industrial sized cans of instant. He uses the beans, saying that when we run out of juice in the generator we can heat water for the instant over the fire. When … not if.
From Best Erotica & Sexual Deviance Narratives Ever Written (2024)
However, such an academy, dangers so permanent, so real, caused me to tremble for Rosalie, so much so in fact that I could not find myself in any wise guilty in engaging her to fly from this perverse household. It seemed to me that to snatch her from her incestuous father were a lesser evil than to leave her prey to all the risks she must run by staying with him. I had already delicately hinted at the idea and perhaps I was not so very far from success when all of a sudden Rosalie vanished from the house; all my efforts to find out where she was failed. When I interrogated his women or Rodin himself I was told she had gone to pass the summer months with a relative who lived ten leagues away. When I made inquiries around the neighborhood, they were at first astonished to hear such a question from a member of the household, then, as had Rodin and his domestics, they would answer that she had been seen, everyone had bade her farewell the day before, the day she had left; I received the same replies everywhere. I asked Rodin why this departure had been kept secret from me; why had I not been allowed to accompany my mistress? He assured me the unique reason had been to avoid a scene difficult for both Rosalie and me, and that I would certainly see the person I loved very soon. I had to be content with these answers, but it was more difficult to be convinced of their truth. Was it presumable that Rosalie Ä and how great was her affection for me I Ä could have consented to leave me without so much as one word? and according to what I knew of Rodin's character, was there not much to fear for the poor girl's fate? I resolved to employ every device to learn what had become of her, and in order to find out, every means seemed justifiable. The following day, noticing I was alone in the house, I carefully investigated every corner of it; I thought I caught the sound of moans emanating from a very obscure cellar.... I approached; a pile of firewood seemed to be blocking a narrow door at the end of a passageway; by removing the obstructions I am able to advance... further noises are to be heard... I believe I detect a voice... I listen more carefully... I am in doubt no longer. "Therese," I hear at last, "O Therese, is it you?"
From Going Clear (2013)
Again Bud paused, which he never did, and surveyed the sparse crowd imploringly. An auctioneer can sense when the audience digs in its heels. He knows that the sellers have placed their trust in his ability to charm the dollars out of those pockets, and if he fails, mortgages don’t get paid, hay doesn’t get bought, careers end. So do marriages. In a good year— back when there were good years—ranchers would bring stock to auction and walk away with what might be the only check they got until the following spring. Many were now living month to month. It was a heavy load to carry, and Bud did so nobly. “You wanna improve your breeding program, this bull is for you!” Bud said. “C’mon folks, don’t let this opportunity pass you by. I know there’s hard times out there but this is a once-in-a-lifetime bargain. Let’s start again, at SEVEN-SEVEN- SEVEN...” People were dead still, some actually sitting on their hands, fighting the urge. Sonny could see they were embarrassed for him. Meantime, Joaquin pranced around and pawed the sawdust, like the only living creature on the planet, his hot breath clouding the chill air. “FIVE!” Bud cried. “Folks, I’ve never done this before, but if I don’t hear five I’m gonna stop the auction. There’s no way this fine animal should sell for less than half his worth. So there you have it. Five or we bring in the next animal.” Bud’s gavel was in midair when the slaughterhouse man tipped his buckaroo. “FIVE-FIVE GIMME SIX, NOW FIVE, GIMME SIX-SIX-SIX,” pause, then less forcefully, “Six, six, I have five, do I hear five and a half?” Bud’s eyes scanned the crowd, pleadingly, looking for anyone who would spare Joaquin the indignity of the slaughterhouse. Surely, as cattlemen, they must perceive the absence of justice, the offense against nature. Doris raised her hand. Bud gave her a look and pointedly ignored her bid. “FIVE-FIVE, GOING ONCE, GOING—.” “SIX!” Doris called out so the whole world could hear. Bud rolled his eyes. “Six from the cowgirl in back,” he said, “who ain’t got her head screwed on today.” “Mom, what are you doing?” Sonny demanded. “I need a new pet,” she said. “I’m lonely.” “What are you gonna do, sell the café?” Fortunately, the slaughterhouse man bid six and a half. “Seven!” said Doris. “Mom, you don’t have seven thousand dollars,” Sonny said under his breath. “Please stop.” “Let’s get some other bidders in here,” Bud pleaded. “This is the finest animal we’ve had in here all week. SEVEN, I GOT SEVEN, NOW HALF, GIMME HALF—” The slaughterhouse man nodded. You could see he was feeling competitive, perhaps a little jealous of his privilege to buy any damn animal he wanted.
From Mud Vein (2014)
He didn’t know anything. Not about me, at least. “Don’t run,” he said, coming to stand in the spot where the kitchen met the living room. “You haven’t left the house in three weeks. It’s just dinner.” “Get out,” I said, pointing to the door. He didn’t move. “I won’t let anything happen to you, Senna.” The silence that followed was so loud that I could hear my faucet dripping, my heart beating, the scratchy feet of fear as it crawled out of my pores. Thirty seconds, two minutes, one minute, five. I don’t know how long we stood there in a silent standoff. He hadn’t really said my name since the night he found me outside. We’d been two strangers. Now that he’d said it, it made everything feel real. This is really happening , I thought. All of it. He moved in for the kill. “We’ll walk to the car,” he said. “I’ll open the door for you, because that’s what I do. We will drive to a great Greek place. Best gyros you’ve ever tasted-open twenty-four hours. You get to choose the music in the car. I’ll open your door, we’ll go inside, get a table by the window. We want the table by the window because the restaurant is across the street from a gym, and the gym is next door to a doughnut shop. And we’ll want to count how many gym goers stop for doughnuts after they work out. We’ll talk or we can just watch the doughnut shop. Whatever you want. But you have to leave the house, Senna. And I’m not going to let anything happen to you. Please.” I was shaking by the time he finished. So violently I had to sit down on the bottom stair, my fingernails bending against the wood. That meant I was considering what he was saying. Actually thinking about leaving the house, wanting to taste the gyros … see the doughnut shop. But not just that, there was something in his voice. He needed to do this. When I looked up, Isaac Asterholder was still where he was. Waiting. “Okay,” I said. It wasn’t like me, but everything had changed. And if he kept showing up for me, I could show up for him. Just this once. It was raining. I liked the cover that rain provided. It protected you from the hard brutality of the sun. It brought things to life, made them flourish. I was born in the desert where the sun and my father almost killed me. I lived in Washington because of the rain, because of how it made my life feel washed of my past. I stared out the window until Isaac handed me his iPod. It was beat-up looking. Well loved.
From Mud Vein (2014)
I stop fighting. I’m not crying, but somehow my nose is running. I reach up and wipe it as Isaac carries me to the living room and sits me down. The couch is barely a couch. We hacked parts of it away to burn when we discovered that there was a wooden frame underneath the stuffing. The cushions are gouged; they sink beneath me. The back of the sofa is gone; there is nowhere to rest my back. I sit straight, my leg poking out in front of me. My anxiety climbs every second that Isaac is gone. My ears follow him to the door, where his breath hitches as he lifts the box. It’s heavy. The door closes again. When he walks back into the room he’s carrying it like a body, his arms stretched around its sides. There is no coffee table to set it on—we hacked that up too—so he places it at the floor by my feet, and steps back. “What’s MV , Senna?” I stare at the blood, the part of the V that I smudged with my finger. “It’s me,” I say. He tilts his head forward. It feels like he’s lining up our eyes. Truth. I’m going to have to feed him some truth. “Mud Vein. I’m Mud Vein.” My mouth feels dry. I want to purge it with a gallon of snow. His eyes flicker. He’s remembering. “The dedication in his book.” Our eyes are connected, so I don’t need to nod. “Would he…?” “I don’t know anything anymore.” “What does it mean?” he asks. I lower my eyes away from his, and to the blood letters. For MV “What’s inside?” I ask. “I’ll open it when you tell me why the zookeeper addressed that box to Mud Vein.” The box is just out of my reach. To get to it I’ll have to use something to pull myself up. Since the couch no longer has a back, there is nothing I can use for leverage. Isaac, I realize, is being very strategic. I take a breath; it is broken in half by a sob that never reaches my lips. My chest convulses as I open my mouth to speak. I don’t want to tell him anything, but I must. “It’s the black vein that curves around the back of a shrimp. Nick called it the mud vein. You have to remove it to make the shrimp clean…” My voice is monotone. “Why did he call you that?” When Isaac and I ask each other questions it reminds me of a tennis match. Once you’ve sent one over the net, you know it’s going to come back, you just don’t know the direction. “Isn’t it obvious?” He blinks at me.
From Mud Vein (2014)
“He can refuel it,” I say. “I think that as long as we stay put, he will refill the generator. If we figure out the code and get out, we will lose power and freeze.” He thinks long and hard about this. It sounds right. To me, at least. “Why?” asks Isaac. “Why would you think that?” “It’s in the Bible,” I say, and then automatically flinch. “You’re going to have to break this one down for me, Senna,” he says, frowning. His voice is terse. He’s losing patience with me, which isn’t really fair since we are both sinking in the same ship. “Have you seen the picture hanging next to the door?” He nods. Of course. How could he miss it? There are seven prints hanging on the walls of this house. When you spend six weeks locked up somewhere, you spend a lot of time examining the art on the walls. “It’s a painting by F. Cayley. It’s supposed to be of Adam and Eve when they find out they have to leave Eden.” He shakes his head. “I thought it was just of two very depressed people on the beach.” I smile. “We are like the first two people,” I say. “Adam and Eve?” He’s already so full of disbelief I don’t even want to tell him the rest. I shrug. “Sure.” “Go on,” he says. “God put them in the garden and told them not to eat the forbidden fruit, remember?” Now it’s Isaac’s turn to shrug. “Yeah, I guess. Sunday school one-o- one.” “Once they were tempted and ate the fruit they were on their own, exiled from God’s provision and his protection in the place he created for them.” When Isaac doesn’t say anything, I go on. “They leave perfection and have to fend for themselves—hunt, garden, experience cold and death and childbirth.” I flush after the last word leaves my mouth. It was dumb of me to mention childbirth considering Daphne and their unborn baby. But Isaac doesn’t skip a beat. “So you’re saying,” he says, crinkling his eyebrows together, “that so long as we stay here—in the place our kidnapper provided for us—we will be safe and he will keep the heat and food coming?” “It’s just a wild guess, Isaac. I don’t really know.” “So what’s the forbidden fruit?” I tap my finger on the tabletop. “The keypad, maybe…” “This is sick,” he says. “And if one painting means that much, what else is hidden in here?” I don’t want to think about it. “I’ll make dinner tonight,” I say.
From Best Erotica & Sexual Deviance Narratives Ever Written (2024)
I peered into the alcove destined for me; it was eight feet square, daylight entered it, as in the great room, by a very high window fitted all over with iron. The only furniture was a bidet, a lavatory basin and a chaise perce'e. I re-emerged; my companions, eager to see me, gathered round in a circle: they were seven, I made the eighth. Omphale, inhabiting the other room, was only in this to indoctrinate me; were I to wish it, she would remain with me, and one of the others would take her place in her own chamber; I asked to have the arrangement made. But before coming to Omphale's story, it seems to me essential to describe the seven new companions fate had given me; I will proceed according to age, as I did with the others. The youngest was twelve years old: a very animated, very spirited physiognomy, the loveliest hair, the prettiest mouth. The second was sixteen: she was one of the most beautiful blondes imaginable, with truly delicious features and all the grace, all the sweetness of her age, mingled with a certain interesting quality, the product of her sadness, which rendered her yet a thousand times more beautiful. The third was twenty-three; very pretty, but an excessive effrontery, too much impudence degraded, so I thought, the charms Nature had endowed her with. The fourth was twenty-six: she had the figure of Venus; but perhaps her forms were rather too pronounced; a dazzling fair skin; a sweet, open, laughing countenance, beautiful eyes, a mouth a trifle large but admirably furnished, and superb blond hair. The fifth was thirty-two; she was four months pregnant; with an oval, somewhat melancholic face, large soulful eyes; she was very pale, her health was delicate, she had a harmonious voice but the rest seemed somehow spoiled. She was naturally libertine: she was, I was told, exhausting herself. The sixth was thirty-three; a tall strapping woman, the loveliest face in the world, the loveliest flesh. The seventh was thirty-eight; a true model of figure and beauty: she was the superintendent of my room; Omphale forewarned me of her malicious temper and, principally, of her taste for women. "To yield is the best way of pleasing her," my companion told me; "resist her, and you will bring down upon your head every misfortune that can befall you in this house. Bear it in mind." Omphale asked permission of Ursule, which was the superintendent's name, to instruct me; Ursule consented upon condition I kiss her.
From Mud Vein (2014)
I hate this feeling. And I hate how it hits me out of nowhere so that I can never be prepared. I don’t know what’s more overwhelming at this moment, the fact that I can’t breathe, or the realization that was powerful enough to steal my breath away. Either way, I have to get to a nebulizer. Isaac found them down the table. He brought one up. Where did he put it? I look helplessly around the room. The top of the wardrobe. I get out of bed. It’s a struggle. When I’m halfway there he walks in carrying our wood ration for the day. He drops his armload when he sees my face. He darts to the wardrobe and grabs the nebulizer. Then he’s pushing it between my lips. I feel a cold rush; the vapor hits my lungs and I can breathe again. Isaac looks pissed. “What happened?” “I had an asthma attack, idiot.” “Senna,” he says, swinging me into his arms and carrying me back to the bed. “Ninety percent of the time your asthma attacks are stress induced. Now. What happened?” “I didn’t know I needed anything extra,” I snap. “Other than being imprisoned in a house made of ice with my…” I lose my words. “Doctor,” he finishes. I twist my body so that I’m facing away from him. I need to think. I need to form a structure for this theory. The Rubik’s cube twists. Isaac gives me space. I’m locked in a house with my doctor. He’s right. I’m locked in a house with my doctor. I’m locked in a house with my doctor. With my doctor. Doctor… Christmas comes. Isaac is very quiet. But I was wrong; we don’t eat beans. He cooks us a feast over our little makeshift stove in the attic: canned corn, spam, green beans and, to top it all off, a can of pumpkin pie filling. For breakfast. For a moment, we are happy. Then Isaac looks at me and says, “When I first opened my eyes and saw you standing over me, I felt like I took my first breath in three years.” I grind my teeth. Shut up! Shut up! Shut up! “ We only knew each other for three months before this,” I say. “You don’t know me.” But, even as I say it, I know it’s not true. “You were just my doctor…” He’s wearing the expression of someone being slapped over and over again. I slap him once more to put an end to this. “You took things too far.” He walks out before I can say any more. I bury my face. “Fuck you, Isaac,” I say into my pillow. At noon the lights turn on. Isaac’s head appears through the trapdoor a minute later. I wonder where he’s been. My bet is on the carousel room.