Anger
Anger is the body mobilized against an obstruction — heat rising into the chest and jaw, the gaze narrowing, the hands wanting a target. It is not a failure of composure but a verdict already reached: something here is wrong, and the wrong has an address. Vela reads anger as a primary emotion with its own dignity, distinct from the cruelty it is so often mistaken for, and attends to how often it is the honest first response to harm.
Working definition · Mobilized objection—heat and pressure toward obstruction, harm, or unfairness.
8921 passages · in 1 cluster
Vela’s read on this emotion
Anger is one of the most moralized of the emotions Vela reads, and the moralizing usually runs in one direction — toward suppression. The reading runs against that reflex. Anger is information before it is a problem; it names the place where a boundary was crossed, and the writers worth following have refused to apologize for it.
The reading is densest where anger has had to be argued for as legitimate. The testimony of the AIDS years — the personal essays and oral histories that came out of ACT UP, the activist coalition that confronted the early epidemic — keeps rage as a load-bearing register, not a lapse. Audre Lorde wrote about the uses of anger as a precise instrument rather than a loss of control. The memoir of survived family harm holds anger that took years to permit itself — anger at a parent, at an institution, at the self for not being angrier sooner. The contemplative inheritance is not silent here either: the Hebrew prophets and the Psalms of imprecation keep an unembarrassed register of anger directed at injustice and even at God.
Anger is not the same as resentment, contempt, or cruelty. Resentment is anger banked and cooled — grievance kept in storage. Contempt has given up on the other and looks down; anger still believes the other can be reached. Cruelty wants harm for its own sake; anger wants the wrong addressed. The four are kin and the reading keeps them separate, because the writers most honest about each have kept them separate.
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An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.
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From Sister Outsider (1984)
If such threats of labelling, vilification and/or emotional isolation are not enough to bring Black women docilely into camp as followers, or persuade us to avoid each other politically and emotionally, then the rule by terror can be expressed physically, as on the campus of a New York State college in the late 1970s, where Black women sought to come together around women’s concerns. Phone calls threatening violence were made to those Black women who dared to explore the possibilities of a feminist connection with non-Black women. Some of these women, intimidated by threats and the withdrawal of Black male approval, did turn against their sisters. When threats did not prevent the attempted coalition of feminists, the resulting campus-wide hysteria left some Black women beaten and raped. Whether the threats by Black men actually led to these assaults, or merely encouraged the climate of hostility within which they could occur, the results upon the women attacked were the same. War, imprisonment, and “the street” have decimated the ranks of Black males of marriageable age. The fury of many Black heterosexual women against white women who date Black men is rooted in this unequal sexual equation within the Black community, since whatever threatens to widen that equation is deeply and articulately resented. But this is essentially unconstructive resentment because it extends sideways only. It can never result in true progress on the issue because it does not question the vertical lines of power or authority, nor the sexist assumptions which dictate the terms of that competition. And the racism of white women might be better addressed where it is less complicated by their own sexual oppression. In this situation it is not the non-Black woman who calls the tune, but rather the Black man who turns away from himself in his sisters or who, through a fear borrowed from white men, reads her strength not as a resource but as a challenge. All too often the message comes loud and clear to Black women from Black men: “I am the only prize worth having and there are not too many of me, and remember, I can always go elsewhere. So if you want me, you’d better stay in your place which is away from one another, or I will call you ‘lesbian’ and wipe you out.” Black women are programmed to define ourselves within this male attention and to compete with each other for it rather than to recognize and move upon our common interests. The tactic of encouraging horizontal hostility to becloud more pressing issues of oppression is by no means new, nor limited to relations between women. The same tactic is used to encourage separation between Black women and Black men.
From Sister Outsider (1984)
Classism . It is a lifetime pursuit for each one of us to extract these distortions from our living at the same time as we recognize, reclaim, and define those differences upon which they are imposed. For we have all been raised in a society where those distortions were endemic within our living. Too often, we pour the energy needed for recognizing and exploring difference into pretending those differences are insurmountable barriers, or that they do not exist at all. This results in a voluntary isolation, or false and treacherous connections. Either way, we do not develop tools for using human difference as a springboard for creative change within our lives. We speak not of human difference, but of human deviance . Somewhere, on the edge of consciousness, there is what I call a mythical norm , which each one of us within our hearts knows “that is not me.” In america, this norm is usually defined as white, thin, male, young, heterosexual, christian, and financially secure. It is with this mythical norm that the trappings of power reside within this society. Those of us who stand outside that power often identify one way in which we are different, and we assume that to be the primary cause of all oppression, forgetting other distortions around difference, some of which we ourselves may be practising. By and large within the women’s movement today, white women focus upon their oppression as women and ignore differences of race, sexual preference, class, and age. There is a pretense to a homogeneity of experience covered by the word sisterhood that does not in fact exist. Unacknowledged class differences rob women of each others’ energy and creative insight. Recently a women’s magazine collective made the decision for one issue to print only prose, saying poetry was a less “rigorous” or “serious” art form. Yet even the form our creativity takes is often a class issue. Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of one’s own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time. The actual requirements to produce the visual arts also help determine, along class lines, whose art is whose. In this day of inflated prices for material, who are our sculptors, our painters, our photographers? When we speak of a broadly based women’s culture, we need to be aware of the effect of class and economic differences on the supplies available for producing art.
From Mud Vein (2014)
But, now that they were going to be taken, I felt protective. I nodded. “I’d like you to keep seeing her … after…” His voice dropped off, and I looked away. “All right.” But I didn’t mean it. He tapped the granite with his fingertip. “All right,” he repeated. “I’ll see you later, Senna.” I started unpacking the groceries. At first I felt nothing. Just boxes of pasta and bags of fruit being shelved … put away. Then I felt something. An itch. It nagged at me, tugging and pulling until I was so frustrated I threw a box of soup crackers across the room. They hit the wall and I stared at the spot where they’d landed, trying to find the sound of my emotion. Sound. I ran to the living room and hit play on Florence Welch. She’d been singing this song to me nonstop for days. Her real voice would be tired by now, but her recorded voice called out to me, unfailing. Strong. How had he known this song, these words, this tormented voice would speak to me? I hated him. I hated him. I hated him. I didn’t see Isaac until a few days before the surgery. I saw plenty of Dr. Elgin. I saw her three times a week upon my surgeon’s demand. It was like trying to fit a lifetime’s worth of therapy into six sessions. She commanded me to speak with her eyes and her tinkling bracelets: tell me more, tell me more. Each time I sank into her couch, I sank a little lower in esteem. This was not me. I was spilling my guts, as some people called it; divulging. It was word vomit and Saphira Elgin had her fingers down my throat. I discovered that private things were mostly sour. They sat spoiling in the corners of your heart for so long that by the time you acknowledged them you were dealing with something rancid. And that’s what I did; I threw every rotting thing at her, and she absorbed each one. It seemed that the more Saphira Elgin absorbed of me, the less of me there was. Sometimes I tried to be funny, just so I could hear the dusty way she laughed. She laughed at the inappropriate, sometimes the crass. I liked her so much on some days, and on others I hated her. At the end of every session the dragon would purr the same thing: “Read Nick’s book. It will give you purrrrspective. Closurrrrre.” I would drive home determined, but then I would get to the title page and see For MV, and quickly close the cover. The dedication page was beginning to look worn and touched, rivets of fingerprints on the page. I waited until our last session to tell her about the rape. I didn’t know why except that other than the cancer, the rape was the last thing that happened to me.
From Sister Outsider (1984)
Those of us who stand outside the circle of this society’s definition of acceptable women; those of us who have been forged in the crucibles of difference — those of us who are poor, who are lesbians, who are Black, who are older — know that survival is not an academic skill. It is learning how to stand alone, unpopular and sometimes reviled, and how to make common cause with those others identified as outside the structures in order to define and seek a world in which we can all flourish. It is learning how to take our differences and make them strengths. For the master’s tools will never dismantle the master’s house. They may allow us temporarily to beat him at his own game, but they will never enable us to bring about genuine change. And this fact is only threatening to those women who still define the master’s house as their only source of support. Poor women and women of Color know there is a difference between the daily manifestations of marital slavery and prostitution because it is our daughters who line 42nd Street. If white american feminist theory need not deal with the differences between us, and the resulting difference in our oppressions, then how do you deal with the fact that the women who clean your houses and tend your children while you attend conferences on feminist theory are, for the most part, poor women and women of Color? What is the theory behind racist feminism? In a world of possibility for us all, our personal visions help lay the groundwork for political action. The failure of academic feminists to recognize difference as a crucial strength is a failure to reach beyond the first patriarchal lesson. In our world, divide and conquer must become define and empower. Why weren’t other women of Color found to participate in this conference? Why were two phone calls to me considered a consultation? Am I the only possible source of names of Black feminists? And although the Black panelist’s paper ends on an important and powerful connection of love between women, what about interracial cooperation between feminists who don’t love each other? In academic feminist circles, the answer to these questions is often, “We did not know who to ask.” But that is the same evasion of responsibility, the same cop-out, that keeps Black women’s art out of women’s exhibitions, Black women’s work out of most feminist publications except for the occasional “Special Third World Women’s Issue,” and Black women’s texts off your reading lists. But as Adrienne Rich pointed out in a recent talk, white feminists have educated themselves about such an enormous amount over the past ten years, how come you haven’t also educated yourselves about Black women and the differences between us — white and Black — when it is key to our survival as a movement?
From Sister Outsider (1984)
It has served me as fire in the ice zone of uncomprehending eyes of white women who see in my experience and the experience of my people only new reasons for fear or guilt. And my anger is no excuse for not dealing with your blindness, no reason to withdraw from the results of your own actions. When women of Color speak out of the anger that laces so many of our contacts with white women, we are often told that we are “creating a mood of hopelessness,” “preventing white women from getting past guilt,” or “standing in the way of trusting communication and action.” All these quotes come directly from letters to me from members of this organization within the last two years. One woman wrote, “Because you are Black and Lesbian, you seem to speak with the moral authority of suffering.” Yes, I am Black and Lesbian, and what you hear in my voice is fury, not suffering. Anger, not moral authority. There is a difference. To turn aside from the anger of Black women with excuses or the pretexts of intimidation is to award no one power — it is merely another way of preserving racial blindness, the power of unaddressed privilege, unbreached, intact. Guilt is only another form of objectification. Oppressed peoples are always being asked to stretch a little more, to bridge the gap between blindness and humanity. Black women are expected to use our anger only in the service of other people’s salvation or learning. But that time is over. My anger has meant pain to me but it has also meant survival, and before I give it up I’m going to be sure that there is something at least as powerful to replace it on the road to clarity. What woman here is so enamoured of her own oppression that she cannot see her heelprint upon another woman’s face? What woman’s terms of oppression have become precious and necessary to her as a ticket into the fold of the righteous, away from the cold winds of self-scrutiny?
From Sister Outsider (1984)
My mother taught me to survive from a very early age by her own example. Her silences also taught me isolation, fury, mistrust, self-rejection, and sadness. My survival lay in learning how to use the weapons she gave me, also, to fight against those things within myself, unnamed. And survival is the greatest gift of love. Sometimes, for Black mothers, it is the only gift possible, and tenderness gets lost. My mother bore me into life as if etching an angry message into marble. Yet I survived the hatred around me because my mother made me know, by oblique reference, that no matter what went on at home, outside shouldn’t oughta be the way it was. But since it was that way outside, I moved in a fen of unexplained anger that encircled me and spilled out against whomever was closest that shared those hated selves. Of course I did not realize it at the time. That anger lay like a pool of acid deep inside me, and whenever I felt deeply, I felt it, attaching itself in the strangest places. Upon those as powerless as I. My first friend asking, “Why do you go around hitting all the time? Is that the only way you know how to be friends? What other creature in the world besides the Black woman has had to build the knowledge of so much hatred into her survival and keep going? It is shortly after the Civil War. In a grey stone hospital on 110th Street in New York City a woman is screaming. She is Black, and healthy, and has been brought here from the South. I do not know her name. Her baby is ready to be born. But her legs have been tied together out of a curiosity masquerading as science. Her baby births itself to death against her bone. Where are you seven-year-old Elizabeth Eckford of Little Rock, Arkansas? It is a bright Monday morning and you are on your way to your first day of school, draped in spittle, white hatred running down your pink sweater and a white mother’s twisted mouth working — savage, inhuman — wide over your jaunty braids held high by their pink ribbons. Numvulo has walked five days from the bleak place where the lorry deposited her. She stands in the Capetown, South Africa rain, her bare feet in the bulldozer tracks where her house once was. She picks up a piece of soaked cardboard that once covered her table and holds it over the head of her baby strapped to her back. Soon she will be arrested and taken back to the reserve, where she does not even speak the language. She will never get permission to live near her husband.
From Sister Outsider (1984)
And I sensed again how as children we learn this, and why. It’s like driving a car: once we know it we can choose to discard it or use it, but you can’t know if it has useful or destructive power until you have a handle on it. It’s like fear: once you put your hand on it, you can use it or push it away. I was saying these things in class and dealing with what was happening with Frances and me, what was going on with this insane man I lived with who wanted to continue pretending life could be looked at one way and lived another. All this, every bit of it funneling into that class. My children were just learning to read in school, and that was important too because I could watch their processes. Then it got even heavier when I went up to Lehmann College and was teaching a class on racism in education, teaching these white students how it was, the connections between their lives and the fury … Adrienne: You taught a course on racism for white students at Lehmann? Audre: They were inaugurating a program in the Education Department for these white kids going into teaching in the New York City schools. Lehmann used to be 99 percent white, and it was these students coming out of the Education Department who were going to teach Black children in the city schools. So the course was called “Race and the Urban Situation.” I had all these white students wanting to know, “What are we doing? Why are our kids hating us in the classroom?” I could not believe that they did not know the most elementary level of interactions. I would say, “When a white kid says 2 + 2 = 4, you say ‘right.’ In the same class, when a Black kid stands up and says 2 + 2 = 4, you pat him on the back, you say, ‘Hey, that’s wonderful.’ But what message are you really giving? Or what happens when you walk down the street on your way to teach? When you walk into class? Let’s play act a little.” And all the fear and loathing of these young white college students would come pouring out; it had never been addressed. Adrienne: They must have been mostly women, weren’t they? In the Education Department? Audre: Yes, mostly women, and they felt like unwilling sacrifices. But I began to feel by the end of two terms that there ought to be somebody white doing this. It was terribly costly emotionally. I didn’t have more than one or two Black students in my class. One of them dropped out saying this wasn’t right for him, and I thought, wait a minute, racism doesn’t just distort white people — what about us? What about the effects of white racism upon the ways Black people view each other?
From Best Erotica & Sexual Deviance Narratives Ever Written (2024)
It seemed to me that she was not telling the truth. I sought to console her by maintaining silence in regard to her parents. I did not imagine that she felt herself simply overwhelmed, and that her parents had nothing to do with her sorrow. She did not listen to me, and I accused her of caprice. I began to laugh at her gently. She dried her tears, and began to reproach me, in hard and wounding terms, for my selfishness and cruelty. “I looked at her. Her whole face expressed hatred, and hatred of me. I cannot describe to you the fright which this sight gave me. ‘How? What?’ thought I, ‘love is the unity of souls, and here she hates me? Me? Why? But it is impossible! It is no longer she!’ “I tried to calm her. I came in conflict with an immovable and cold hostility, so that, having no time to reflect, I was seized with keen irritation. We exchanged disagreeable remarks. The impression of this first quarrel was terrible. I say quarrel, but the term is inexact. It was the sudden discovery of the abyss that had been dug between us. Love was exhausted with the satisfaction of sensuality. We stood face to face in our true light, like two egoists trying to procure the greatest possible enjoyment, like two individuals trying to mutually exploit each other. “So what I called our quarrel was our actual situation as it appeared after the satisfaction of sensual desire. I did not realize that this cold hostility was our normal state, and that this first quarrel would soon be drowned under a new flood of the intensest sensuality. I thought that we had disputed with each other, and had become reconciled, and that it would not happen again. But in this same honeymoon there came a period of satiety, in which we ceased to be necessary to each other, and a new quarrel broke out. “It became evident that the first was not a matter of chance. ‘It was inevitable,’ I thought. This second quarrel stupefied me the more, because it was based on an extremely unjust cause. It was something like a question of money,—and never had I haggled on that score; it was even impossible that I should do so in relation to her. I only remember that, in answer to some remark that I made, she insinuated that it was my intention to rule her by means of money, and that it was upon money that I based my sole right over her. In short, something extraordinarily stupid and base, which was neither in my character nor in hers. “I was beside myself. I accused her of indelicacy.
From Sister Outsider (1984)
To the white women present who recognize these attitudes as familiar, but most of all, to all my sisters of Color who live and survive thousands of such encounters — to my sisters of Color who like me still tremble their rage under harness, or who sometimes question the expression of our rage as useless and disruptive (the two most popular accusations) — I want to speak about anger, my anger, and what I have learned from my travels through its dominions. Everything can be used / except what is wasteful / ( you will need / to remember this when you are accused of destruction. ) * Every woman has a well-stocked arsenal of anger potentially useful against those oppressions, personal and institutional, which brought that anger into being. Focused with precision it can become a powerful source of energy serving progress and change. And when I speak of change, I do not mean a simple switch of positions or a temporary lessening of tensions, nor the ability to smile or feel good. I am speaking of a basic and radical alteration in those assumptions underlining our lives. I have seen situations where white women hear a racist remark, resent what has been said, become filled with fury, and remain silent because they are afraid. That unexpressed anger lies within them like an undetonated device, usually to be hurled at the first woman of Color who talks about racism. But anger expressed and translated into action in the service of our vision and our future is a liberating and strengthening act of clarification, for it is in the painful process of this translation that we identify who are our allies with whom we have grave differences, and who are our genuine enemies. Anger is loaded with information and energy. When I speak of women of Color, I do not only mean Black women. The woman of Color who is not Black and who charges me with rendering her invisible by assuming that her struggles with racism are identical with my own has something to tell me that I had better learn from, lest we both waste ourselves fighting the truths between us. If I participate, knowingly or otherwise, in my sister’s oppression and she calls me on it, to answer her anger with my own only blankets the substance of our exchange with reaction. It wastes energy. And yes, it is very difficult to stand still and to listen to another woman’s voice delineate an agony I do not share, or one to which I myself have contributed. In this place we speak removed from the more blatant reminders of our embattlement as women. This need not blind us to the size and complexities of the forces mounting against us and all that is most human within our environment.
From Sister Outsider (1984)
The absence of these considerations weakens any feminist discussion of the personal and the political. It is a particular academic arrogance to assume any discussion of feminist theory without examining our many differences, and without a significant input from poor women, Black and Third World women, and lesbians. And yet, I stand here as a Black lesbian feminist, having been invited to comment within the only panel at this conference where the input of Black feminists and lesbians is represented. What this says about the vision of this conference is sad, in a country where racism, sexism, and homophobia are inseparable. To read this program is to assume that lesbian and Black women have nothing to say about existentialism, the erotic, women’s culture and silence, developing feminist theory, or heterosexuality and power. And what does it mean in personal and political terms when even the two Black women who did present here were literally found at the last hour? What does it mean when the tools of a racist patriarchy are used to examine the fruits of that same patriarchy? It means that only the most narrow perimeters of change are possible and allowable. The absence of any consideration of lesbian consciousness or the consciousness of Third World women leaves a serious gap within this conference and within the papers presented here. For example, in a paper on material relationships between women, I was conscious of an either/or model of nurturing which totally dismissed my knowledge as a Black lesbian. In this paper there was no examination of mutuality between women, no systems of shared support, no interdependence as exists between lesbians and women-identified women. Yet it is only in the patriarchal model of nurturance that women “who attempt to emancipate themselves pay perhaps too high a price for the results,” as this paper states. For women, the need and desire to nurture each other is not pathological but redemptive, and it is within that knowledge that our real power is rediscovered. It is this real connection which is so feared by a patriarchal world. Only within a patriarchal structure is maternity the only social power open to women. Interdependency between women is the way to a freedom which allows the I to be, not in order to be used, but in order to be creative. This is a difference between the passive be and the active being. Advocating the mere tolerance of difference between women is the grossest reformism. It is a total denial of the creative function of difference in our lives. Difference must be not merely tolerated, but seen as a fund of necessary polarities between which our creativity can spark like a dialectic.
From Sister Outsider (1984)
As Black women, we have shared so many similar experiences. Why doesn’t this commonality bring us closer together instead of setting us at each other’s throats with weapons well-honed by familiarity? The anger with which I meet another Black woman’s slightest deviation from my immediate need or desire or concept of a proper response is a deep and hurtful anger, chosen only in the sense of a choice of desperation — reckless through despair. That anger which masks my pain that we are so separate who should most be together — my pain — that she could perhaps not need me as much as I need her, or see me through the blunted eye of the haters, that eye I know so well from my own distorted images of her. Erase or be erased! I stand in the Public Library waiting to be recognized by the Black woman library clerk seated a few feet behind the desk. She seems engrossed in a book, beautiful in her youth and self-assuredness. I straighten my glasses, giving a tiny shake to my bangles in the process just in case she has not seen me, but I somehow know she has. Otherwise motionless, she slowly turns her head and looks up. Her eyes cross mine with a look of such incidental hostility that I feel pilloried to the wall. Two male patrons enter behind me. At that, she rises and moves toward me. “Yes,” she says, with no inflection at all, her eyes carefully elsewhere. I’ve never seen this young woman before in my life. I think to myself, “now that’s what you call an attitude,” recognizing the rising tension inside of me. The art, beyond insolence, of the Black girl’s face as she cuts her elegant sidelong glance at me. What makes her eyes slide off of mine? What does she see that angers her so, or infuriates her, or disgusts her? Why do I want to break her face off when her eyes do not meet mine? Why does she wear my sister’s face? My daughter’s mouth turned down about to suck itself in? The eyes of a furious and rejected lover? Why do I dream I cradle you at night? Divide your limbs between the food bowls of my least favorite animals? Keep vigil for you night after terrible night, wondering? Oh sister, where is that dark rich land we wanted to wander through together? Hate said the voice wired in 3/4 time printed in dirty type all the views fit to kill, me and you, me or you. And whose future image have we destroyed — your face or mine — without either how shall I look again at both — lacking either is lacking myself. And if I trust you what pale dragon will you feed our brown flesh to from fear, self-preservation, or to what brothered altar all innocent of loving that has no place to go and so becomes another face of terror or of hate?
From Sister Outsider (1984)
In the light of what Black women often willingly sacrifice for our children and our men, this is a much needed exhortation, no matter what illegitimate use the white media makes of it. This call for self-value and self-love is quite different from narcissism, as Staples must certainly realize. Narcissism comes not out of self-love but out of self-hatred. The lack of a reasonable and articulate Black male viewpoint on these questions is not the responsibility of Black women. We have too often been expected to be all things to all people and speak everyone else’s position but our very own. Black men are not so passive that they must have Black women speak for them. Even my fourteen-year-old son knows that. Black men themselves must examine and articulate their own desires and positions and stand by the conclusions thereof. No point is served by a Black male professional who merely whines at the absence of his viewpoint in Black women’s work. Oppressors always expect the oppressed to extend to them the understanding so lacking in themselves. For Staples to suggest, for instance, that Black men leave their families as a form of male protest against female decision making in the home is in direct contradiction to his own observations in “The Myth of the Black Matriarchy.” * Now I am sure there are still some Black men who marry white women because they feel a white woman can better fit the model of “femininity” set forth in this country. But for Staples to justify that act using the reason it occurs, and take Black women to task for it, is not only another error in reasoning; it is like justifying the actions of a lemming who follows its companions over the cliff to sure death. Because it happens does not mean it should happen, nor that it is functional for the well-being of the individual nor the group. It is not the destiny of Black america to repeat white america’s mistakes. But we will, if we mistake the trappings of success in a sick society for the signs of a meaningful life. If Black men continue to define “femininity” instead of their own desires, and to do it in archaic european terms, they restrict our access to each other’s energies. Freedom and future for Blacks does not mean absorbing the dominant white male disease of sexism. As Black women and men, we cannot hope to begin dialogue by denying the oppressive nature of male privilege. And if Black males choose to assume that privilege for whatever reason — raping, brutalizing, and killing Black women — then ignoring these acts of Black male oppression within our communities can only serve our destroyers. One oppression does not justify another.
From Sister Outsider (1984)
But I don’t want to deny them. I know I can’t afford to. I may have to take a long hard look and say, “Is this something I can use? What do I do with this?” I have to try to stand back and not become immersed in what you so forcefully are pronouncing. So there’s a piece of me that wants to resist wholly, and a piece that wants to accept wholly, and there’s some place in between where I have to find my own ground. What I can’t afford is either to wipe out your perceptions or to pretend I understand you when I don’t. And then, if it’s a question of racism — and I don’t mean just the overt violence out there but also all the differences in our ways of seeing — there’s always the question: “How do I use this? What do I do about it?” Audre: “How much of this truth can I bear to see/ and still live/ unblinded?/ How much of this pain/ can I use?” * What holds us all back is being unable to ask that crucial question, that essential step deflected. You know the piece I wrote for The Black Scholar? ** The piece was useful, but limited, because I didn’t ask some essential question. And not having asked myself that question, not having realized that it was a question, I was deflecting a lot of energy in that piece. I kept reading it over, thinking, this isn’t quite what it should be. I thought at the time I was holding back because it would be totally unacceptable in The Black Scholar. That wasn’t it, really. I was holding back because I had not asked myself the question: “Why is women loving women so threatening to Black men unless they want to assume the white male position?” It was a question of how much I could bear, and of not realizing I could bear more than I thought I could at the time. It was also a question of how could I use that perception other than just in rage or destruction. Adrienne: Speaking of rage and destruction, what do you really mean by the first five lines of “Power”? *** Audre: “The difference between poetry/ and rhetoric/ is being/ ready to kill yourself/ instead of your children.” What was I feeling? I was very involved in a case ... Adrienne: The white policeman who shot the Black child and was acquitted. We had lunch around the time you were writing that poem and you were full of it. Audre: I was driving in the car and heard the news on the radio that the cop had been acquitted.
From Sister Outsider (1984)
I also came for reassurance, to see if Grenada had survived the onslaught of the most powerful nation on earth. She has. Grenada is bruised but very much alive. Grenadians are a warm and resilient people (I hear my mother’s voice: “Island women make good wives. Whatever happens, they’ve seen worse”), and they have survived colonizations before. I am proud to be of stock from the country that mounted the first Black english-speaking People’s Revolution in this hemisphere. Much has been terribly lost in Grenada, but not all — not the spirit of the people. Forward Ever, Backward Never22 is more than a mere whistle in the present dark. Notes1. P. Tyler, Washington Post, October 10, 1983, p. A14.2. A. Cockburn, Village Voice, November 8, 1983, p.11.3. B.D. Ayers, New York Times, October 22, 1983, p. A5 and J. McQuiston, New York Times, October 26, 1983, p. A20.4. Text of Treaty, New York Times, October 26, 1983, p. A19.5. S. Taylor, New York Times, October 26, 1983, p. A19.6. A. Lewis, New York Times, November 3, 1983 and A. Cockburn, Village Voice, November 8, 1983, p. 10.7. S. Mydans, New York Times, January 15, 1984, p. 9.8. Christian Science Monitor, November 7, 1983.9. A. Schlesinger, Jr., Wall Street Journal, October 26, 1983.10. C. Sunshine, ed., Grenada — The Peaceful Revolution (E.P.I.C.A., Washington, D.C., 1982).11. C. Sunshine, The Guardian, December 28, 1983.12. E. Ray and B. Schaap, “U.S. Crushes Caribbean Jewel,” Covert Action Bulletin # 20, Winter 1984, p. 11. 13. Ibid., p. 13. 14. Ibid., p. 5.15. S. Taylor, New York Times, November 6, 1983, p. 20.16. Ibid.17. Washington Post, November 21, 1983.18. CBS Evening News, December 18, 1983.19. The London Guardian, November 4, 1983.20. Grenada — The Peaceful Revolution, p. 87.21. Carriacou — In the Mainstream of the Revolution (Fedon Publishers, St. Georges, Grenada, 1982), pp. 54–57.22. Slogan of the Grenadian Revolution * I spent a week in Grenada in late December, 1983, barely two months after the U.S. invasion of the Black Caribbean island my parents left some sixty years earlier. It was my second visit in five years. This is an interim essay, a report written as the rest of Sister Outsider was already being typeset. [image file=image_rsrc1DT.jpg] [image file=image_rsrc1DU.jpg] For a current catalog of books from Crossing Press visit our Web site: www.tenspeed.com [image "Penguin Random House publisher logo" file=image_rsrc1DV.jpg] What’s next on your reading list?Discover your next great read! Get personalized book picks and up-to-date news about this author. Sign up now.
From Between Us
A typical U.S. child’s reply was to communicate anger to their father “so that he would realize it was only a mistake,” and to tell him “you can have the eraser, but you do not need to hit me.” Cole and her colleagues suggest that in a society that emphasized self-reliance and self-assertion, children have learned that feeling and communicating anger is acceptable and effective. How very different were the emotions of Tamang children, whose community valued egalitarianism, tolerance, and minimization of psychological distress! In keeping with their values, the Tamang children often blamed themselves for the unfortunate turn of events: “I snatched the eraser,” they might say. Whereas the U.S. kids felt and showed anger (and blamed their father or friend) with the objective of changing the situation to their benefit, Tamang children blamed themselves to maintain harmony. Parents and other caregivers may play a larger role than they imagine in socializing anger. The observational study of German and Japanese mothers and their five-year-old disobedient children (described above) suggested that mothers play a significant role in socializing their children’s anger. The German mothers in this study were not nearly as patient with their disobedient children as the Japanese mothers had been. Rather than accepting their children’s behavior as immature, as the Japanese mothers had done, the German mothers were quick to infer that their disobedient child had been acting on purpose. Remarks such as “he wants to make me angry” were not uncommon, and many German mothers reacted to their child’s disobedience with their own anger. As an unintended side effect, the German interactions often escalated, with the child and the mother both being angry. My reading is that German mothers treated the disobedience of their children as a power conflict between two individuals with different interests (whereas the Japanese mothers felt responsible for their children and the relationship). Notably, the anger that German five-year-old kids showed during these interactions with their mother, predicted their aggression nine years later (and also explained that, nine years later, the same German children were more aggressive than the Japanese children who had participated in the study). The German mothers may not have so much wanted their children to be angry, but by assuming their child’s individuality and intention, and by showing anger themselves, they created the circumstances for anger. Psychologists Peggy Miller and Linda Sperry followed three working-class mothers who lived in South Baltimore, each with a two-and-a-half-year-old daughter. The mothers also encouraged anger, but not completely in the same way as the German mothers.
From Sister Outsider (1984)
When the world moved against me with a disapproving frown / It was sister put the ground back under my feet.* Hearing those words sung has always provoked the most profound and poignant sense of loss within me for something I wanted to feel and could not because it had never happened for me. There are some Black women for whom it has. For others of us, that sense of being able to depend upon rock bottom support from our sisters is something we dream about and work toward, knowing it is possible, but also very problematic across the realities of fear and suspicion lying between us. Our anger, tempered over survival fires, shuttered behind downcast eyelids, or else blazing out of our eyes at the oddest times. Looking up from between the legs of a lover, over a notebook in the middle of a lecture and I almost lost my train of thought, ringing up groceries in the supermarket, filling out the form behind the unemployment office window, stepping out of a, cab in the middle of Broadway on the arm of a businessman from Lagos, sweeping ahead of me into a shop as I open the door, looking into each others eyes for a split second only — furious, cutting, sisters. My daughter asking me all the time when she was a little girl, “Are you angry about something, Mommy?” As Black women, we have wasted our angers too often, buried them, called them someone else’s, cast them wildly into oceans of racism and sexism from which no vibration resounded, hurled them into each other’s teeth and then ducked to avoid the impact. But by and large, we avoid open expression of them, or cordon them off in a rigid and unapproachable politeness. The rage that feels illicit or unjustified is kept secret, unnamed, and preserved forever. We are stuffed with furies, against ourselves, against each other, terrified to examine them lest we find ourselves in bold print fingered and named what we have always felt and even sometimes preferred ourselves to be — alone. And certainly, there are enough occasions in all our lives where we can use our anger righteously, enough for many lifetimes. We can avoid confrontation with each other very readily. It is so much easier to examine our anger within situations that are (relatively) clearcut and emotionally unloaded. It is so much easier to express our anger in those middle depth relationships that do not threaten genuine self-exposure. And yet always that hunger for the substance known, a hunger for the real shared, for the sister who shares.
From Sister Outsider (1984)
So often this fear is stoked between Black women by the feared loss of a male companion, present or sought after. For we have also been taught that a man acquired was the sole measure of success, and yet they almost never stay. One Black woman sits and silently judges another, how she looks, how she acts, how she impresses others. The first woman’s scales are weighted against herself. She is measuring the impossible. She is measuring the self she does not fully want to be. She does not want to accept the contradictions, nor the beauty. She wishes the other woman would go away. She wishes the other woman would become someone else, anyone other than another Black woman. She has enough trouble dealing with being herself. “Why don’t you learn to fly straight,” she says to the other woman. “Don’t you understand what your poor showing says about us all? If I could fly I’d certainly do a better job than that. Can’t you put on a more together show? The white girls do it. Maybe we could get one to show you how.” The other woman cannot speak. She is too busy keeping herself from crashing upon the ground. She will not cry the tears which are hardening into little sharp stones that spit from her eyes and implant themselves in the first woman’s heart, who quickly heals over them and identifies them as the source of her pain. V There are myths of self-protection that hold us separate from each other and breed harshness and cruelty where we most need softness and understanding. 1. That courtesy or politeness require our not noticing each other directly, only with the most covert of evaluating glances. At all costs, we must avoid the image of our fear. “How beautiful your mouth is” might well be heard as “Look at those big lips.” We maintain a discreet distance between each other also because that distance between us makes me less you, makes you less me. When there is no connection at all between people, then anger is a way of bringing them closer together, of making contact. But when there is a great deal of connectedness that is problematic or threatening or unacknowledged, then anger is a way of keeping people separate, of putting distance between us. 2. That because we sometimes rise to each other’s defense against outsiders, we do not need to look at devaluation and dismissal among ourselves. Support against outsiders is very different from cherishing each other. Often it is a case of “like needs like.”
From Sister Outsider (1984)
I was really sickened with fury, and I decided to pull over and just jot some things down in my notebook to enable me to cross town without an accident because I felt so sick and so enraged. And I wrote those lines down — I was just writing, and that poem came out without craft. That’s probably why I was talking to you about it because I didn’t feel it was really a poem. I was thinking that the killer had been a student at John Jay and that I might have seen him in the hall, that I might see him again. What was retribution? What could have been done? There was one Black woman on the jury. It could have been me. Now I am here teaching in John Jay College. Do I kill him? What is my effective role? Would I kill her in the same way — the Black woman on the jury. What kind of strength did she, would I, have at the point of deciding to take a position … Adrienne: Against eleven white men … Audre: … that atavistic fear of an articulated power that is not on your terms. There is the jury — white male power, white male structures — how do you take a position against them? How do you reach down into threatening difference without being killed or killing? How do you deal with things you believe, live them not as theory, not even as emotion, but right on the line of action and effect and change? All of those things were riding in on that poem. But I had no sense, no understanding at the time, of the connections, just that I was that woman. And that to put myself on the line to do what had to be done at any place and time was so difficult, yet absolutely crucial, and not to do so was the most awful death. And putting yourself on the line is like killing a piece of yourself, in the sense that you have to kill, end, destroy something familiar and dependable, so that something new can come, in ourselves, in our world. And that sense of writing at the edge, out of urgency, not because you choose it but because you have to, that sense of survival — that’s what the poem is out of, as well as the pain of my spiritual son’s death over and over. Once you live any piece of your vision it opens you to a constant onslaught. Of necessities, of horrors, but of wonders too, of possibilities. Adrienne: I was going to say, tell it on the other side.
From Sister Outsider (1984)
Black women eating our own hearts out for nourishment in an empty house empty compound empty city in an empty season, and for each of us one year the spring will not return — we learned to savor the taste of our own flesh before any other because that was all that was allowed us. And we have become to each other unmentionably dear and immeasurably dangerous. I am writing about an anger so huge and implacable, so corrosive, it must destroy what it most needs for its own solution, dissolution, resolution. Here we are attempting to address each others’ eyes directly. Even if our words taste sharp as the edge of a lost woman’s voice, we are speaking. IIA Black woman, working her years, committed to life as she lives it, the children fed and clothed and loved as she can into some strength that does not allow them to encyst like horse chestnuts, knowing all the time from the start that she must either kill them or eventually send them into the deathlands, the white labyrinth. I sat at our Thanksgiving Day table listening to my daughter talk about the university and the horrors of determined invisibility. Over the years I have recorded her dreams of death at their hands, sometimes glorious, sometimes cheap. She tells me of the teachers who refuse to understand simple questions, who look at her as if she were a benign — meaning powerless — but unsightly tumor. She weeps. I hold her. I tell her to remember the university doesn’t own her, that she has a home. But I have let her go into that jungle of ghosts, having taught her only how to be fleet of foot, how to whistle, how to love, and how not to run. Unless she has to. It is never enough. Black women give our children forth into a hatred that seared our own young days with bewilderment, hoping we have taught them something they can use to fashion their own new and less costly pathways to survival. Knowing I did not slit their throats at birth tear out the tiny beating heart with my own despairing teeth the way some sisters did in the slaveships chained to corpses and therefore was I committed to this very moment. The price of increasing power is increasing opposition.* I sat listening to my girl talk about the bent world she was determined to reenter in spite of all she was saying, because she views a knowledge of that world as part of an arsenal which she can use to change it all. I listened, hiding my pained need to snatch her back into the web of my smaller protections. I sat watching while she worked it out bit by hurtful bit — what she really wanted — feeling her rage wax and wane, feeling her anger building against me because I could not help her do it nor do it for her, nor would she allow that.
From Sister Outsider (1984)
Black children of lesbian couples have an advantage because they learn, very early, that oppression comes in many different forms, none of which have anything to do with their own worth. To help give me perspective, I remember that for years, in the namecalling at school, boys shouted at Jonathan not — “your mother’s a lesbian” — but rather — “your mother’s a nigger.” When Jonathan was eight years old and in the third grade we moved, and he went to a new school where his life was hellish as a new boy on the block. He did not like to play rough games. He did not like to fight. He did not like to stone dogs. And all this marked him early on as an easy target. When he came in crying one afternoon, I heard from Beth how the corner bullies were making Johathan wipe their shoes on the way home whenever Beth wasn’t there to fight them off. And when I heard that the ringleader was a little boy in Jonathan’s class his own size, an interesting and very disturbing thing happened to me. My fury at my own long-ago impotence, and my present pain at his suffering, made me start to forget all that I knew about violence and fear, and blaming the victim, I started to hiss at the weeping child. “The next time you come in here crying ...,” and I suddenly caught myself in horror. This is the way we allow the destruction of our sons to begin — in the name of protection and to ease our own pain. My son get beaten up? I was about to demand that he buy that first lesson in the corruption of power, that might makes right. I could hear myself beginning to perpetuate the age-old distortions about what strength and bravery really are. And no, Jonathan didn’t have to fight if he didn’t want to, but somehow he did have to feel better about not fighting. An old horror rolled over me of being the fat kid who ran away, terrified of getting her glasses broken. About that time a very wise woman said to me, “Have you ever told Jonathan that once you used to be afraid, too?” The idea seemed far-out to me at the time, but the next time he came in crying and sweaty from having run away again, I could see that he felt shamed at having failed me, or some image he and I had created in his head of mother/woman. This image of woman being able to handle it all was bolstered by the fact that he lived in a household with three strong women, his lesbian parents and his forthright older sister. At home, for Jonathan, power was clearly female.