Art Museums
And/Or Gallery
Dallas, California · founded 2006
And/Or Gallery operates from a position of deliberate constraint—a small institution in Dallas that has spent nearly two decades cultivating a focused engagement with contemporary and modern practice. The gallery's name suggests its curatorial method: a space organized around questions of adjacency and simultaneity rather than linear progression or thematic breadth. The physical environment appears designed to enforce close looking; the scale of the venue privileges intimate encounters with individual works over comprehensive surveys. The collection tends toward painting and works on paper, with particular attention to abstraction and figuration as parallel rather than oppositional modes. The gallery's programming reflects a scholarly interest in form and materiality, favoring artists working within or against recognizable traditions rather than those pursuing novelty as an end. The viewer this space rewards is one prepared to sit with formal problems—to notice how a gesture accumulates meaning, or how a color relationship generates spatial tension. There is no curatorial voice insisting on interpretation; instead, the gallery allows its selections to suggest relationships across decades and geographies, trusting that discriminating attention will find its own connections.
Signature collections
The collection emphasizes modernist and contemporary abstraction, with particular strength in geometric and gestural practices from the mid-twentieth century forward. Figurative work appears selectively, often in tension with abstract formal systems rather than in isolation. The gallery has demonstrated consistent interest in artists working with drawing and printmaking, mediums that foreground the hand and permit sustained formal investigation within modest scale. The holdings suggest engagement with both American and European modernism, though without the encyclopedic ambitions of larger institutions. Rather than attempting completeness, the collection reads as a series of closely observed adjacencies—artists whose work speaks to specific formal problems or material investigations the gallery has elected to trace across time.