Love
Love in Vela's reading is not a feeling the corpus tries to define. It is the sustained orientation of self toward another that makes the other's flourishing matter — the orientation that survives the day's weather, the body's fatigue, the discovery that the beloved is not what one thought. The corpus pays attention to what love does, not to what love says about itself.
Working definition · Deep attachment, care, or cherishing that binds self to another.
3672 passages · 1 Vela essay · in 1 cluster
Vela’s read on this emotion
Love is the broadest of the emotions Vela reads and the one most often softened into sentiment. The reading runs through registers that resist the softening.
bell hooks's *All About Love* makes the case that love is best understood as a practice rather than a feeling — what one chooses to do for the beloved, repeatedly, over time. Marilynne Robinson's *Gilead* sequence reads love across generations and across the small daily decisions that constitute it. Wendell Berry's Port William stories read love as fidelity to a place and to the people who live in it. Carson McCullers wrote love as the climate of difficult intimacies. The queer literature — Maggie Nelson's *The Argonauts*, Garth Greenwell — has had to re-imagine love against received scripts.
The contemplative tradition holds love as a serious subject across centuries. The thirteenth chapter of *1 Corinthians* — *love is patient, love is kind* — names love as what it does. Augustine of Hippo writes about *amor* across the *Confessions* as the orienting motion of the soul. The four Greek words — *agape* (selfless care), *eros* (desiring love), *philia* (the love of friends), *storge* (the love of family) — let the same English word hold registers that the contemplative writers have kept separate.
Love is not the same as tenderness, desire, admiration, or gratitude. Tenderness is love's somatic posture when the beloved is fragile. Desire is the lean; love is what survives the lean's exhaustion. Admiration is approach toward something held above; love does not require that altitude. Gratitude is the recognition of a gift; love can be present even when the gift goes unrecognized.
A slower companion essay on love is forthcoming.
Study and magazine
Long-form guide in the magazine
An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.
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Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.
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3672 tagged passages
From The Decameron (1353)
‘Oh, heart that I love so dearly, now that I have fully discharged my duties towards you, all that remains to be done is to bring my soul and unite it with yours.’ Having pronounced these words, she called for the phial containing the potion she had prepared on the previous day, and, pouring it into the chalice, where the heart lay bathed in her own abundant tears, she raised the mixture to her lips without any show of fear and drank it. After which, still holding on to the chalice, she climbed on to her bed, arranged herself as decorously as she could, and placing the heart of her dead lover close to her own, she silently waited for death. Her ladies-in-waiting had no idea what potion it was that she had drunk, but her speech and actions were so strange that they had sent to inform Tancredi of all that was happening, and he, fearing the worst, had hurried down at once to his daughter’s chamber, arriving there just as she had settled herself upon the bed. On seeing the state she was in, he tried to console her with honeyed words, and burst into floods of tears, but the time for pity was past, and Ghismonda said to him: ‘Save those tears of yours for a less coveted fate than this of mine, Tancredi, and shed them not for me, for I do not want them. Who ever heard of anyone, other than yourself, who wept on achieving his wishes? But if you still retain some tiny spark of your former love for me, grant me one final gift, and since it displeased you that I should live quietly with Guiscardo in secret, see that my body is publicly laid to rest beside his in whatever spot you chose to cast his remains.’ The vehemence of his sobbing prevented the Prince from offering any reply, and the young woman, sensing that she was about to breathe her last, clasped the dead heart tightly to her bosom, saying: ‘God be with you all, for I now take my leave of you.’ Then her vision grew blurred, she lost the use of her senses, and she left this life of sorrow behind her. Thus the love of Guiscardo and Ghismonda came to its sad conclusion, as you have now heard. And as for Tancredi, after shedding countless tears and making tardy repentance for his cruelty, he saw that they were honourably interred together in a single grave, amid the general mourning of all the people of Salerno.
From The Decameron (1353)
Shortly afterwards he died, leaving Monna Giovanna a widow, and every summer, in accordance with Florentine custom, she went away with her son to a country estate of theirs, which was very near Federigo’s farm. Consequently this young lad of hers happened to become friendly with Federigo, acquiring a passion for birds and dogs; and, having often seen Federigo’s falcon in flight, he became fascinated by it and longed to own it, but since he could see that Federigo was deeply attached to the bird, he never ventured to ask him for it. And there the matter rested, when, to the consternation of his mother, the boy happened to be taken ill. Being her only child, he was the apple of his mother’s eye, and she sat beside his bed the whole day long, never ceasing to comfort him. Every so often she asked him whether there was anything he wanted, imploring him to tell her what it was, because if it was possible to acquire it, she would move heaven and earth to obtain it for him. After hearing this offer repeated for the umpteenth time, the boy said: ‘Mother, if you could arrange for me to have Federigo’s falcon, I believe I should soon get better.’ On hearing this request, the lady was somewhat taken aback, and began to consider what she could do about it. Knowing that Federigo had been in love with her for a long time, and that she had never deigned to cast so much as a single glance in his direction, she said to herself: ‘How can I possibly go to him, or even send anyone, to ask him for this falcon, which to judge from all I have heard is the finest that ever flew, as well as being the only thing that keeps him alive? And how can I be so heartless as to deprive so noble a man of his one remaining pleasure?’ Her mind filled with reflections of this sort, she remained silent, not knowing what answer to make to her son’s request, even though she was quite certain that the falcon was hers for the asking. At length, however, her maternal instincts gained the upper hand, and she resolved, come what may, to satisfy the child by going in person to Federigo to collect the bird and bring it back to him. And so she replied: ‘Bear up, my son, and see whether you can start feeling any better. I give you my word that I shall go and fetch it for you first thing tomorrow morning.’
From The Decameron (1353)
The maid carried his answer to her mistress and it was agreed that they should foregather at Santa Lucia del Prato, whither, accordingly, the lady, and the scholar being come and speaking together alone, she, remembering her not that she had aforetime brought him well nigh to death's door, openly discovered to him her case and that which she desired and besought him to succour her. 'Madam,' answered he, 'it is true that amongst the other things I learned at Paris was necromancy, whereof for certain I know that which is extant thereof; but for that the thing is supremely displeasing unto God, I had sworn never to practise it either for myself or for others. Nevertheless, the love I bear you is of such potency that I know not how I may deny you aught that you would have me do; wherefore, though it should behove me for this alone go to the devil's stead, I am yet ready to do it, since it is your pleasure. But I must forewarn you that the thing is more uneath to do than you perchance imagine, especially whenas a woman would recall a man to loving her or a man a woman, for that this cannot be done save by the very person unto whom it pertaineth; and it behoveth that whoso doth it be of an assured mind, seeing it must be done anights and in solitary places without company; which things I know not how you are disposed to do.' The lady, more enamoured than discreet, replied, 'Love spurreth me on such wise that there is nothing I would not do to have again him who hath wrongfully forsaken me. Algates, an it please you, show me in what I must approve myself assured of mind.' 'Madam,' replied the scholar, who had a patch of ill hair to his tail,[385] 'I must make an image of pewter in his name whom you desire to get again, which whenas I shall send you, it will behove you seven times bathe yourself therewith, all naked, in a running stream, at the hour of the first sleep, what time the moon is far on the wane. Thereafter, naked as you are, you must get you up into a tree or to the top of some uninhabited house and turning to the north, with the image in your hand, seven times running say certain words which I shall give you written; which when you shall have done, there will come to you two of the fairest damsels you ever beheld, who will salute you and ask you courteously what you would have done. Do you well and throughly discover to them your desires and look it betide you not to name one for another. As soon as you have told them, they will depart and you may then come down to the place where you shall have left your clothes and re-clothe yourself and return home; and for certain, ere it be the middle of the ensuing night, your lover will come, weeping, to crave you pardon and mercy; and know that from that time forth he will never again leave you for any other.'
From Crazy Brave (2012)
I wanted to protect her. I remember the moment she was called up to the stand to sing. My heart leaped as she stood up. She looked beautiful as she took the stage with Leon and the boys. At first she appeared startled, as if she had just escaped from a dark box. As the intro bars of the music started, my mother appeared tentative, nervous, but then she caught hold. I heard the mother who held my hands and sang and danced in the kitchen with her plants all around. I felt her spirit reach up and touch the sun when she sang. And then, too quickly, it was over. Everyone clapped. My mother smiled a big smile as she came down from the stage. I didn’t want to go back with my stepfather and mother. I wanted to stay with my grandfather. I clung to him. I believed I was the favorite of all his grandchildren. Maybe all of us believed we were the favorite. He peeled apples for us. He made us a tree swing. I was his dump companion. I loved to search the landfill at the edge of his small town with him. We’d find all sorts of treasure there: chairs with seats that could be woven back into place, toys with an eye or a fender missing, all usable stuff. Other days we’d go to the spring to fetch water. I can still taste the fresh, clean water emerging from stones. Or we’d go fishing. He’d hook my bait and patiently unhook my line from the trees, his overalls, and anywhere else it landed from my faulty casting. Once in a while he’d even pull a fish off. I didn’t want to go home because I knew my mother would have hell to pay. We would all pay, because we children were her accomplices. I remember looking back at my grandfather as my stepfather rushed our mother and us out of there. My stepfather belittled my mother as we drove back home. The car filled with ugliness. When we got home there was no celebration, as there should have been. My mother disappeared into their room and slept and slept for what seemed like years. [image "6706.jpg" file=Image00008.jpg] [image "6709.jpg" file=Image00009.jpg] [image "6711.jpg" file=Image00010.jpg] I imagine this place in the story as a long silence. It is an eternity of gray skies. It runs the length of late elementary school through adolescence. I do recall bright moments: getting the understudy for a part in an operetta based on the story of Cinderella, climbing and running through the quarry behind the elementary school with my friends, and having boxing bouts with the neighborhood boys. I was good at it. There were three strange events during this time that baffled me. I always had pets. My mother said I had a way with animals. One was a kissing fish I kept in a goldfish bowl.
From Trash (1988)
She did not look back. I let my head fall back, rolled my shoulders to ease the painful clutch of my own muscles. My teeth hurt. My ears stung. My breasts felt hot and swollen. I watched the light as it moved on her hair. “I’m sorry. I would . . . I would . . . anything. If I could change things, if I could help . . .” I stopped. Tears were running down my face. My aunt turned to me, her wide pale face as wet as mine. “Just come home with me. Come home for a little while. Be with your mama a little while. You don’t have to forgive her. You don’t have to forgive anybody. You just have to love her the way she loves you. Like I love you. Oh girl, don’t you know how we love you!” I put my hands out, let them fall apart on the pool table. My aunt was suddenly across from me, reaching across the table, taking my hands, sobbing into the cold dirty stillness—an ugly sound, not softened by the least self-consciousness. When I leaned forward, she leaned to me and our heads met, her gray hair against my temple brightened by the sunlight pouring in the windows. “Oh, girl! Girl, you are our precious girl.” I cried against her cheek, and it was like being five years old again in the roadhouse, with Annie’s basket against my hip, the warmth in the room purely a product of the love that breathed out from my aunt and my mama. If they were not mine, if I was not theirs, who was I? I opened my mouth, put my tongue out, and tasted my aunt’s cheek and my own. Butter and salt, dust and beer, sweat and stink, flesh of my flesh. “Precious,” I breathed back to her. “Precious.” Demon Lover K aty always said she wanted to be the Demon Lover, the one we desire even when we know it is not us she wants, but our souls. When she comes back to me now, she comes in that form and I never fail to think that the shadows at her shoulders could be wings. She comes in when I am not quite asleep and brings me fully awake by laying cold fingers on my warm back. Her pale skin gleams in the moonlight, reflecting every beam like a mirror of smoked glass while her teeth and nails shine phosphorescent. “Wake up,” Katy whispers, and leans over to bite my naked shoulder. “Wake up. Wake up!” “No,” I say, “not you.” But I knew she was coming. I could hear her echoes peeling back off the moments, the way Aunt Raylene always said she could hear a spell coming on. Katy’s persistent. Some of my ghosts are so faded: they only come when I reach for them. This one reaches for me.
From Trash (1988)
But for Toni, sex was a matter of commitment; making love was a bond itself. She had her own cage, her own need for expiation, and she hated the way I could go away into my own head, the distance between us that she could not cross. She wanted a bridge across my nerves, a connection I could not break at will. Hanging out in the lab with me, she’d tease and flirt, laughing at the other lab assistants and the carefully serious expressions with which they’d clean rat shit off their fingers. The truth was Toni loved the lab, the perfectly square cinder-block rooms, the walls of cages, and the irritable way I’d stalk around with my broom and dustpan. She loved to follow me over in the evening to watch me sweep up the little gray turds and chopped-up computer printouts that lined the bottoms of the cages. Sipping from her omnipresent thermos of vodka and orange juice, she’d throw cashews at the bald-headed monkeys and tease me about how my ass moved when I bent over with my pan. Once I’d gotten so angry I’d grabbed her thermos and threatened to kick her out of “my” lab. “Oh sweetheart, you don’t want me to go,” she’d told me, and tried to coax me up on one of the big empty lab tables beside her. “Have a sip. Have a little smoke. Tell me how you always wanted to find somebody like me to tease you, and love you, and suck on your nipples till you’re howling at the moon.” “Oh yeah. Uh huh. I just always knew some black-eyed woman was gonna come along dying to fuck me silly in front of a bunch of toothless monkeys.” “Prescient. That’s what you were.” “Desperate, maybe. That’s what I was when I let you talk me into bringing you over here.” “Oh, girl.” She held a joint in her left hand and using her right hand only, she pulled out a match, struck it against the pack, lit the joint, took a puff, and then held it out to me. “Have a smoke and lighten up. I’m the one on your side, you know.”
From The Decameron (1353)
Nevertheless, sustained by Love, he sent away the frigate and remained in Palermo, for it was clear that nobody in those parts knew who he was. He frequently walked past La Cuba, and one day, to the great joy both of himself and the girl, they caught sight of each other as she was standing at a window. Seeing that the street was deserted, Gianni got as near to her as he could manage, spoke to her, and was told by the girl of the means he would have to adopt if he wanted to talk to her in greater privacy. He then went away, having first surveyed with care the surrounding area. Biding his time till long after darkness had fallen, he returned to the spot, and by climbing over a wall that would not have afforded a perch to a woodpecker, he made his way into the garden. There he found a long pole, and having, in accordance with the girl’s instructions, propped it against a window, he hauled himself up to it without any trouble. Feeling that her honour was by now as good as lost, the girl, who in the past had treated him rather cruelly in her determination to preserve it, had made up her mind to gratify his every desire, for she could think of no man who had a greater right to possess her, and moreover she was hopeful of persuading him to effect her release; she had therefore left the window open, to ensure that he had immediate access to her. Finding the window open, Gianni clambered silently into the room and lay down beside the girl, who was not asleep by any means. Before they did anything else, the girl apprised him fully of her intentions, imploring him with all her heart to release her from captivity and take her away. Gianni assured her that nothing would give him greater pleasure, and that, on taking his leave of her, he would without fail make such arrangements as would enable him, on his next visit, to convey her to safety. They then enfolded one another in a blissful embrace, and partook of the greatest pleasure that Love can supply, repeating the experience several times over until they unwittingly fell asleep in each other’s arms.
From Trash (1988)
The day I left home my stepfather disappeared. I scoured him out of my life, exorcising every movement or phrase in which I recognized his touch. All he left behind was a voice on a telephone line, a voice that sometimes answered when I called home. But Mama grew into my body like an extra layer of warm protective fat, closing me around. My muscles hug my bones in just the way hers do, and when I turn my face, I have that same bulldog angry glare I was always ashamed to see on her. But my legs are strong, and I do not stoop the way she does; I did not work waitress for thirty years, and my first lover taught me the importance of buying good shoes. I’ve got Mama’s habit of dropping my head, her quick angers, and that same belly-gutted scar she was so careful to hide. But nothing marks me so much her daughter as my hands—the way they are aging, the veins coming up through skin already thin. I tell myself they are beautiful as they recreate my mama’s flesh in mine. My lovers laugh at me and say, “Every tenth word with you is Mama. Mama said. Mama used to say. My mama didn’t raise no fool.” I widen my mouth around my drawl and show my mama’s lost teeth in my smile. Watching my mama I learned some lessons too well. Never show that you care, Mama taught me, and never want something you cannot have. Never give anyone the satisfaction of denying you something you need, and for that, what you have to do is learn to need nothing. Starve the wanting part of you. In time I understood my mama to be a kind of Zen Baptist—rooting desire out of her own heart as ruthlessly as any mountaintop ascetic. The lessons Mama taught me and the lessons of Buddha were not a matter of degree, but of despair. My mama’s philosophy was bitter and thin. She didn’t give a damn if she was ever born again, she just didn’t want to be born again poor and wanting.
From The Decameron (1353)
‘Tancredi,’ she said, ‘I am resolved neither to contradict you nor to implore your forgiveness, because denial would be pointless and I want none of your clemency. Nor do I have the slightest intention of appealing either to your better nature or to your affection. On the contrary, I propose to tell you the whole truth, setting forth convincing arguments in defence of my good name, and afterwards I shall act unflinchingly in accordance with the promptings of my noble heart. It is true that I loved Guiscardo, and that I love him still. I shall continue to love him until I die, which I expect to do very soon. And if people love each other beyond the grave, I shall never cease to love him. I was prompted to act as I did, not so much by my womanly frailty as by your lack of concern to marry me, together with his own outstanding worth. You are made of flesh and blood, Tancredi, and it should have been obvious to you that the daughter you fathered was also made of flesh and blood, and not of stone or iron. Although you are now an old man, you should have remembered, indeed you should still remember, the nature and power of the laws of youth. And although much of your own youth was spent in pursuit of military glory, you should none the less have realized how the old and the young are alike affected by living in comfort and idleness. ‘As I have said, since you were the person who fathered me, I am made of flesh and blood like yourself. Moreover, I am still a young woman. And for both of these reasons, I am full of amorous longings, intensified beyond belief by my marriage, which enabled me to discover the marvellous joy that comes from their fulfilment. As I was incapable of resisting these forces, I made up my mind, being a woman in the prime of life, to follow the path along which they were leading, and I fell in love. But though I was prepared to commit a natural sin, I was determined to spare no effort to ensure that neither your good name nor mine should suffer any harm. To this end, I was assisted by compassionate Love and benign Fortune, who taught me the means whereby I could secretly achieve the fulfilment of my desires. No matter who told you about my secret, no matter how you came to discover it, I do not deny that the thing has happened.
From The Decameron (1353)
You must know, then, that Coppo di Borghese Domenichi, who was of our days and maybe is yet a man of great worship and authority in our city and illustrious and worthy of eternal renown, much more for his fashions and his merit than for the nobility of his blood, being grown full of years, delighted oftentimes to discourse with his neighbours and others of things past, the which he knew how to do better and more orderly and with more memory and elegance of speech than any other man. Amongst other fine things of his, he was used to tell that there was once in Florence a young man called Federigo, son of Messer Filippo Alberighi and renowned for deeds of arms and courtesy over every other bachelor in Tuscany, who, as betideth most gentlemen, became enamoured of a gentlewoman named Madam Giovanna, in her day held one of the fairest and sprightliest ladies that were in Florence; and to win her love, he held jousts and tourneyings and made entertainments and gave gifts and spent his substance without any stint; but she, being no less virtuous than fair, recked nought of these things done for her nor of him who did them. Federigo spending thus far beyond his means and gaining nought, his wealth, as lightly happeneth, in course of time came to an end and he abode poor, nor was aught left him but a poor little farm, on whose returns he lived very meagrely, and to boot a falcon he had, one of the best in the world. Wherefore, being more in love than ever and himseeming he might no longer make such a figure in the city as he would fain do, he took up his abode at Campi, where his farm was, and there bore his poverty with patience, hawking whenas he might and asking of no one.
From Trash (1988)
I turned away from the black window, expecting Jo. But it was Arlene, her eyes huge with smeared mascara. “Sure,” I told her. “Still do.” She nodded and wiped her nose with the back of her hand. “But you won’t.” “Probably not.” We stood still. I waited. “I didn’t think like that.” She spoke slowly. “Like you and Jo. You two were always fighting. I felt like I had to be the peace-maker. And I . . .” She paused, bringing her hands up in the air as if she were lifting something. “I just didn’t want to be a hateful person. I wanted it to be all right. I wanted us all to love each other.” She dropped her hands. “Now you just hate me. You and Jo, you hate me worse than him.” “No.” I spoke in a whisper. “Never. It’s hard sometimes to believe, I know. But I love you. Always have. Even when you made me so mad.” She looked at me. When she spoke, her voice was tiny. “I used to dream about it,” she whispered. “Not killing him, but him dying. Him being dead.” I smiled at her. “Easier that way,” I said. Arlene nodded. “Yeah,” she said. “Yeah.” That evening Mavis stopped me in the hall. She had a stack of papers in one hand and an expression that bordered on outrage. “This an’t been signed,” she said. Her hand shook the papers. I looked at them as she stepped in close to me. She pulled one off the bottom. “This is from Mrs. Crawford, that woman was in the room next to your mama. Look at this. Look at it close.” The printing was dark and bold. “Do not resuscitate.” “No extraordinary measures to be taken.” I looked up at Mavis, and she shook her head at me. “Don’t tell me you don’t know what I mean. You been on this road a long time. You know what’s coming, and your mother needs you to take care of it.” She pressed a sheaf of forms into my hand. “You go in there and take another good long look at your mother, and then you get these papers done right.” Later that evening I was holding a damp washrag to my eyes over the little sink in the entry to Mama’s room. I could hear Mama whispering to Jo on the other side of the curtain around the bed. “What do you think happens after death?” Mama asked. Her voice was hoarse. I brought the rag down to cover my mouth. “Oh hell, Mama,” Jo said. “I don’t know.” “No, tell me.” There was a long pause. Then Jo gave a harsh sigh and said it again. “Oh hell.” Her chair slid forward on the linoleum floor. “You know what I really think?” Her voice was a careful whisper. “I’ll tell you the truth, Mama. But don’t you laugh. I think you come back as a dog.”
From Trash (1988)
She did not look back. I let my head fall back, rolled my shoulders to ease the painful clutch of my own muscles. My teeth hurt. My ears stung. My breasts felt hot and swollen. I watched the light as it moved on her hair. “I’m sorry. I would . . . I would . . . anything. If I could change things, if I could help . . .” I stopped. Tears were running down my face. My aunt turned to me, her wide pale face as wet as mine. “Just come home with me. Come home for a little while. Be with your mama a little while. You don’t have to forgive her. You don’t have to forgive anybody. You just have to love her the way she loves you. Like I love you. Oh girl, don’t you know how we love you!” I put my hands out, let them fall apart on the pool table. My aunt was suddenly across from me, reaching across the table, taking my hands, sobbing into the cold dirty stillness—an ugly sound, not softened by the least self-consciousness. When I leaned forward, she leaned to me and our heads met, her gray hair against my temple brightened by the sunlight pouring in the windows. “Oh, girl! Girl, you are our precious girl.” I cried against her cheek, and it was like being five years old again in the roadhouse, with Annie’s basket against my hip, the warmth in the room purely a product of the love that breathed out from my aunt and my mama. If they were not mine, if I was not theirs, who was I? I opened my mouth, put my tongue out, and tasted my aunt’s cheek and my own. Butter and salt, dust and beer, sweat and stink, flesh of my flesh. “Precious,” I breathed back to her. “Precious.” Demon Lover K aty always said she wanted to be the Demon Lover, the one we desire even when we know it is not us she wants, but our souls. When she comes back to me now, she comes in that form and I never fail to think that the shadows at her shoulders could be wings. She comes in when I am not quite asleep and brings me fully awake by laying cold fingers on my warm back. Her pale skin gleams in the moonlight, reflecting every beam like a mirror of smoked glass while her teeth and nails shine phosphorescent. “Wake up,” Katy whispers, and leans over to bite my naked shoulder. “Wake up. Wake up!” “No,” I say, “not you.” But I knew she was coming. I could hear her echoes peeling back off the moments, the way Aunt Raylene always said she could hear a spell coming on. Katy’s persistent. Some of my ghosts are so faded: they only come when I reach for them. This one reaches for me.
From Trash (1988)
It was a lesson in the power of love. Looking back at me from between her mother’s legs, Shannon was wholly monstrous, a lurching hunched creature shining with sweat and smug satisfaction. There had to be something wrong with me I was sure, the way I went from awe to disgust where Shannon was concerned. When Shannon sat between her mama’s legs or chewed licorice strings her daddy held out for her, I purely hated her. But when other people would look at her hatefully or the boys up at Lee Highway would call her “Lard Eyes,” I felt a fierce and protective love for her as if she were more my sister than Reese. I felt as if I belonged to her in a funny kind of way, as if her “affliction” put me deeply in her debt. It was a mystery, I guessed, a sign of grace like my Catholic Aunt Maybelle was always talking about. I met Shannon Pearl on the first Monday of school the year I entered the third grade. She got on the bus two stops after Reese and me, walking stolidly past a dozen hooting boys and another dozen flushed and whispering girls. As she made her way up the aisle, I watched each boy slide to the end of his seat to block her sitting with him and every girl flinch away as if whatever Shannon had might be catching. In the seat ahead of us Danny Powell leaned far over into the aisle and began to make retching noises. “Cootie Train! Cootie Train!” somebody yelled as the bus lurched into motion and Shannon still hadn’t found a seat. I watched her face—impassive, contemptuous, and stubborn. Sweat was showing on her dress but nothing showed in her face except for the eyes. There was fire in those pink eyes, a deep fire I recognized, banked and raging. Before I knew it I was on my feet and leaning forward to catch her arm. I pulled her into our row without a word. Reese stared at me like I was crazy, but Shannon settled herself and started cleaning her bottle-glass lenses as if nothing at all was happening. I glared at Danny Powell’s open mouth until he turned away from us. Reese pulled a strand of her lank blond hair into her mouth and pretended she was sitting alone. Slowly, the boys sitting near us turned their heads and began to mutter to each other. There was one soft “Cootie Bitch” hissed in my direction, but no yelling. Nobody knew exactly why I had taken a shine to Shannon, but everyone at Greenville Elementary knew me and my family—particularly my matched sets of cousins, big unruly boys who would just as soon toss a boy as a penny against the school walls if they heard of an insult against any of us.
From The Decameron (1353)
Gerbino, seeing this, said to his companions, 'Gentlemen, an you be the men of mettle I take you for, methinketh there is none of you but hath either felt or feeleth love, without which, as I take it, no mortal can have aught of valour or worth in himself; and if you have been or are enamoured, it will be an easy thing to you to understand my desire. I love and love hath moved me to give you this present pains; and she whom I love is in the ship which you see becalmed yonder and which, beside that thing which I most desire, is full of very great riches. These latter, an ye be men of valour, we may with little difficulty acquire, fighting manfully; of which victory I desire nothing to my share save one sole lady, for whose love I have taken up arms; everything else shall freely be yours. Come, then, and let us right boldly assail the ship; God is favourable to our emprise and holdeth it here fast, without vouchsafing it a breeze.' The gallant Gerbino had no need of many words, for that the Messinese, who were with him being eager for plunder, were already disposed to do that unto which he exhorted them. Wherefore, making a great outcry, at the end of his speech, that it should be so, they sounded the trumpets and catching up their arms, thrust the oars into the water and made for the Tunis ship. They who were aboard this latter, seeing the galleys coming afar off and being unable to flee,[238] made ready for defence. The gallant Gerbino accosting the ship, let command that the masters thereof should be sent on board the galleys, an they had no mind to fight; but the Saracens, having certified themselves who they were and what they sought, declared themselves attacked of them against the faith plighted them by King Guglielmo; in token whereof they showed the latter's glove, and altogether refused to surrender themselves, save for stress of battle, or to give them aught that was in the ship. [Footnote 238: _i.e._ for lack of wind.]
From The Decameron (1353)
‘My darling Salabaetto, I implore you to remember that just as my person is yours to enjoy, so everything I have here is yours, and all that I can do is at your command.’ Salabaetto took her in his arms and kissed her, then walked jauntily forth from the house and made his way down to that part of the city where his fellow merchants forgathered. From then on he consorted with her regularly without spending so much as a farthing, becoming ever more deeply enamoured. And when, eventually, he disposed of his woollen goods for ready money at a substantial profit, the good lady was immediately informed, though not by Salabaetto himself. On the following evening, Salabaetto called to see her, and she began to jest and frolic with him, kissing and hugging him with such a show of burning passion that it seemed she would die of love in his arms. And she kept asking him to accept a pair of exquisite silver goblets, which Salabaetto refused to take, having at one time and another had presents from her worth at least thirty gold florins, without ever managing to persuade her to take so much as a silver groat in return. At length, however, when she had worked him up into a frenzy of excitement with her display of passion and generosity, she was called away from the room by one of her slave-girls, acting upon instructions received beforehand from her mistress. After a brief absence she returned, her eyes full of tears, and hurling herself face downwards on the bed, she began to give vent to the most piteous wailings that ever issued from a woman’s lips, much to the astonishment of Salabaetto, who took her in his arms, and mingling his own tears with hers, he said: ‘Ah, dearest heart of my body, what has happened to you so suddenly? What is the cause of all this sorrow? Ah! do tell me, my darling.’ After allowing Salabaetto to coax and cajole her for some little time, the lady replied:
From The Decameron (1353)
‘Anichino, my dearest, be of good cheer; many are those that have wooed me, and that woo me to this day, but neither gifts nor promises nor fine words have ever succeeded in persuading me to fall in love with a single one of my admirers, whether he was a nobleman or a mighty lord or any other man; yet within the brief space of these few words of yours, you have made me feel that I belong far more to you than to myself. I consider that you have well and truly earned my love. I therefore concede it to you, and before the coming night is over, I promise that it will be yours to enjoy. In order to bring this about, see that you come to my room towards midnight. I shall leave the door open. You know the side of the bed on which I sleep: come to me there, and if I should be asleep, touch me so that I wake up, and then I shall give you the solace that you have so long desired. So that you believe what I am saying, I want to give you a kiss by way of pledge.’ Whereupon, throwing her arms round his neck, she gave him an amorous kiss, and Anichino did the like to her. There, for the time being, the matter rested, and Anichino, having taken his leave of the lady, went off to attend to certain duties of his, ecstatically looking forward to the coming of the night. Egano returned home from his hawking, and as soon as he had supped, feeling weary, he retired to bed. The lady soon followed his example, and, as she had promised, she left the door of the bedroom ajar. Thither, at the appointed hour, Anichino came, and having crept quietly into the room and bolted the door behind him, he made his way to the side of the bed where the lady usually slept. Placing his hand on her bosom, he found that she was not asleep, for she promptly clasped his hand between both her own, and, holding it tightly, she twisted and turned in the bed until she succeeded in waking Egano, to whom she said: ‘I didn’t want to say anything of this last night, because you seemed so tired; but tell me truthfully, of all the servants you have in the house, which do you regard as the finest, the most loyal, and the most deeply attached to his master?’ ‘My dear,’ Egano replied, ‘why do you ask such a question when you know very well that I have never had anyone I could trust so completely, or respect so profoundly, as I trust and respect Anichino?’
From The Decameron (1353)
The noble lady with whom Jeannette dwelt had of her husband one only son, whom both she and his father loved with an exceeding love, both for that he was their child and that he deserved it by reason of his worth and virtues. He, being some six years older than Jeannette and seeing her exceeding fair and graceful, became so sore enamoured of her that he saw nought beyond her; yet, for that he deemed her to be of mean extraction, not only dared he not demand her of his father and mother to wife, but, fearing to be blamed for having set himself to love unworthily, he held his love, as most he might, hidden; wherefore it tormented him far more than if he had discovered it; and thus it came to pass that, for excess of chagrin, he fell sick and that grievously. Divers physicians were called in to medicine him, who, having noted one and another symptom of his case and being nevertheless unable to discover what ailed him, all with one accord despaired of his recovery; whereat the young man's father and mother suffered dolour and melancholy so great that greater might not be brooked, and many a time, with piteous prayers, they questioned him of the cause of his malady, whereto or sighs he gave for answer or replied that he felt himself all wasting away. It chanced one day that, what while a doctor, young enough, but exceedingly deeply versed in science, sat by him and held him by the arm in that part where leaches use to seek the pulse, Jeannette, who, of regard for his mother, tended him solicitously, entered, on some occasion or another, the chamber where the young man lay. When the latter saw her, without word said or gesture made, he felt the amorous ardour redouble in his heart, wherefore his pulse began to beat stronglier than of wont; the which the leach incontinent noted and marvelling, abode still to see how long this should last. As soon as Jeannette left the chamber, the beating abated, wherefore it seemed to the physician he had gotten impartment of the cause of the young man's ailment, and after waiting awhile, he let call Jeannette to him, as he would question her of somewhat, still holding the sick man by the arm. She came to him incontinent and no sooner did she enter than the beating of the youth's pulse returned and she being gone again, ceased. Thereupon, it seeming to the physician that he had full enough assurance, he rose and taking the young man's father and mother apart, said to them, 'The healing of your son is not in the succour of physicians, but abideth in the hands of Jeannette, whom, as I have by sure signs manifestly recognized, the young man ardently loveth, albeit, for all I can see, she is unaware thereof. You know now what you have to do, if his life be dear to you.'
From Trash (1988)
Jay does karate, does it religiously, going to class four days a week and working out at the gym every other day. Her muscles are hard and long. She is so tall people are always making jokes about “the weather up there.” I call her Shorty or Tall to tease her, and sugar hips when I want to make her mad. Her hips are wide and full, though her legs are long and stringy. “Lucky I got big feet,” she jokes sometimes, “or I’d fall over every time I stopped to stand still.” Jay is always hungry, always. She keeps a bag of nuts in her backpack, dried fruit sealed in cellophane in a bowl on her dresser, snack packs of crackers and cheese in her locker at the gym. When we go out to the women’s bar, she drinks one beer in three hours but eats half a dozen packages of smoked almonds. Her last girlfriend was Italian and she used to serve Jay big batches of pasta with homemade sausage marinara. “I need carbohydrates,” Jay insists, eating slices of potato bread smeared with sweet butter. I cook grits for her, with melted butter and cheese, fry slabs of cured ham I get from a butcher who swears it has no nitrates. She won’t eat eggs, won’t eat shrimp or oysters, but she loves catfish pan-fried in a batter of cornmeal and finely chopped onions. Coffee makes her irritable. Chocolate makes her horny. When my period is coming and I get that flushed heat feeling in my insides, I bake her Toll House cookies, serve them with a cup of coffee and a blush. She looks at me over the rim of the cup, sips slowly, and eats her cookies with one hand hooked in her jeans by her thumb. A muscle jumps in her cheek, and her eyes are full of tiny lights. “You hungry, honey?” she purrs. She stretches like a big cat, puts her bare foot up, and uses her toes to lift my blouse. “You want something sweet?” Her toes are cold. I shiver and keep my gaze on her eyes. She leans forward and cups her hands around my face. “What you hungry for, girl, huh? You tell me. You tell mama exactly what you want.”
From The Decameron (1353)
‘Young men, it was not the desire for plunder, nor any hatred towards you personally, that impelled me to leave Cyprus and subject you to armed attack on the high seas. My motive was the acquisition of something which I value most highly, and which it is very easy for you to surrender to me peaceably. I refer to Iphigenia, whom I love more than anything else in the world. Since I was unable to obtain her from her father by friendly and peaceable means, Love has compelled me to seize her from you in this hostile fashion, by force of arms. And now I intend to be to her such as your master, Pasimondas, was to have been. Give her to me, then, and proceed with God’s grace on your voyage.’ The young men, more from necessity than the kindness of their hearts, handed over the weeping Iphigenia to her captor. ‘Noble lady,’ said Cimon, on perceiving her tears, ‘do not distress yourself. It is your Cimon that you see before you. The constant love I have borne you gives me far more right to possess you than the plighted troth of Pasimondas.’ Having seen that Iphigenia was taken aboard, he returned to his own ship and allowed the Rhodians to go with all their possessions intact. The winning of so precious a prize made Cimon the happiest man on earth. After spending some time consoling his tearful mistress, he persuaded his companions that they should not return to Cyprus for the present, and they all agreed to steer their ship towards Crete, where Cimon and most of the others had family ties, both recently made and long established, as well as numerous friends and acquaintances. And for this very reason they thought it safe to go there with Iphigenia. They had reckoned without the fickleness of Fortune, however, for no sooner had she handed the lady into Cimon’s keeping, than she converted the boundless joy of the enamoured youth into sad and bitter weeping. Scarcely four hours had elapsed since Cimon and the Rhodians had parted company, when, with the approach of night, to which Cimon was looking forward with a keener pleasure than any he had ever experienced, an exceptionally violent storm arose, filling the sky with dark clouds and turning the sea into a raging cauldron. It thus became impossible for those aboard to see what they were doing or steer a proper course, or to keep their balance sufficiently long to perform their duties.
From Trash (1988)
We gonna make so many friends around here.” She paused. “They do make hush puppies at this place, don’t they?” “Of course. If we get there early enough, we might even pick up some blackberry cobbler at this truck stop I know.” My stomach rumbled again loudly. “I don’t think you been eating right,” Marty giggled. “Gonna have to feed you some healthy food, girl, some healthy food.” Jay does karate, does it religiously, going to class four days a week and working out at the gym every other day. Her muscles are hard and long. She is so tall people are always making jokes about “the weather up there.” I call her Shorty or Tall to tease her, and sugar hips when I want to make her mad. Her hips are wide and full, though her legs are long and stringy. “Lucky I got big feet,” she jokes sometimes, “or I’d fall over every time I stopped to stand still.” Jay is always hungry, always. She keeps a bag of nuts in her backpack, dried fruit sealed in cellophane in a bowl on her dresser, snack packs of crackers and cheese in her locker at the gym. When we go out to the women’s bar, she drinks one beer in three hours but eats half a dozen packages of smoked almonds. Her last girlfriend was Italian and she used to serve Jay big batches of pasta with homemade sausage marinara. “I need carbohydrates,” Jay insists, eating slices of potato bread smeared with sweet butter. I cook grits for her, with melted butter and cheese, fry slabs of cured ham I get from a butcher who swears it has no nitrates. She won’t eat eggs, won’t eat shrimp or oysters, but she loves catfish pan-fried in a batter of cornmeal and finely chopped onions. Coffee makes her irritable. Chocolate makes her horny. When my period is coming and I get that flushed heat feeling in my insides, I bake her Toll House cookies, serve them with a cup of coffee and a blush. She looks at me over the rim of the cup, sips slowly, and eats her cookies with one hand hooked in her jeans by her thumb. A muscle jumps in her cheek, and her eyes are full of tiny lights. “You hungry, honey?” she purrs. She stretches like a big cat, puts her bare foot up, and uses her toes to lift my blouse. “You want something sweet?” Her toes are cold. I shiver and keep my gaze on her eyes. She leans forward and cups her hands around my face. “What you hungry for, girl, huh? You tell me. You tell mama exactly what you want.” Her name was Victoria, and she lived alone. She cut her hair into a soft cloud of curls and wore white blouses with buttoned-down collars.