Joy

Passages

Every passage tagged with this emotion in the Vela corpus. Search the body text, narrow by source or register, click through to a book’s profile to see how the passage sits with the rest of the work.

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• From H Is for Hawk (2014)

  Alan the eagle-man is drinking tea from a plastic cup, resting an arm on the tall perch of a saker falcon, which looks up at him with a mild and playful eye. I can’t sit still. I go for a walk round the fair. It is not very big, but it is full of surprising things. Smoke from an oil-drum barbecue curling through drying chestnut leaves. Beneath the tree an ancient wooden cider press pouring apple juice into cups. The crushed apples fall into mounds of oxidising pulp beside it and the man working the mechanism is shouting something to the craggy plantsman on the next stand with stripling trees for sale. I find a cake stand, a face-painting stand, a stand of vivaria full of snakes, spiders and stick insects the size of your hand. A stall of orange pumpkins by an ice-cream van. A boy kneeling by a hutch staring at a rabbit under a paper sign that says MY NAME IS FLOPSEY. ‘Hello, Flopsey,’ he says, bringing his hand up to the wire. I walk into a white marquee, and inside, in dim green shade, find trestle-tables displaying hundreds of apple varieties. Some are the size of a hen’s egg; some are giant, sprawling cookers you’d need two hands to hold. Each variety sits in a labelled wooden compartment. I walk slowly along the apples, glorying in their little differences. Soft orange, streaked with tiger-spots of pink. Charles Ross. Berkshire pre 1890. Dual use. A little one with bark-like blush markings over a pale green ground. Coronation. Sussex 1902. Dessert. Miniature green boulders, the side in shadow deep rose. Chivers Delight. Cambridgeshire 1920. Dessert. Huge apple, deep yellow with hyperspace-spotting of rich red. Peasgood’s Nonsuch. Lincolnshire 1853. Dual use. The apples cheer me. The stalls have too. I decide the fair is a wonderful thing. I wander back to my chair, and as Mabel relaxes, so do I. I wolf down a burger, gossip with my falconer friends. Stories are told, jokes are made, old grievances aired, the qualities and abilities and flights of various hawks discussed in minute detail. It strikes me suddenly how much British falconry has changed since the days of Blaine and White. Back then it was the secretive, aristocratic sport of officers and gentlemen. In Germany, falconry had fed into the terrible dreams of an invented Aryan past. Yet here we are now in all our variousness. A carpenter ex-biker, a zookeeper ex-soldier, two other zookeepers, an electrician and an erstwhile historian. Four men, two women, two eagles, three falcons and a goshawk. I swig from a bottle of cider and this company is suddenly all I’d ever wished for. ‘Excuse me? Is that a goshawk?’ He’s in his forties, with glasses. A thickset, cheerful man holding a wriggling toddler. ‘Hang on, Tom,’ he says. ‘We’re going to get an ice-cream. I just want to talk to this lady for a second.’ I grin.

• From H Is for Hawk (2014)

  Soon after he leaves a cyclist skids to a halt and asks politely if he can look at the bird. He is absurdly handsome. He stands there with his Antonio Banderas hair, and his expensive technical jacket and titanium bike beaded with rain, and admires the hell out of her. ‘She is beautiful,’ he says. He is trying to find another word but it evades him. Beautiful will have to do. He says it again. Then he thanks me over and over again for the hawk. ‘So close!’ he says. ‘I have never seen a hawk so close.’ In Mexico he has only seen wild ones, and only far away. ‘I like to watch them because they are . . .’ And he makes a movement with one hand as if it were something lifting into the air. ‘Free,’ I say. He nods, and I do too, and in some wonder, because I am beginning to see that for some people a hawk on the hand of a stranger urges confession, urges confidences, lets you speak words about hope and home and heart. And I realise, too, that in all my days of walking with Mabel the only people who have come up and spoken to us have been outsiders: children, teenage goths, homeless people, overseas students, travellers, drunks, people on holiday. ‘We are outsiders now, Mabel,’ I say, and the thought is not unpleasant. But I feel ashamed of my nation’s reticence. Its desire to keep walking, to move on, not to comment, not to interrogate, not to take any interest in something peculiar, unusual, in anything that isn’t entirely normal. I’m in an expansive, celebratory mood. Today Mabel flew four feet to my fist from the back of a chair in my front room. ‘You’re doing brilliantly,’ I tell her. ‘Time for a walk. Let’s go and meet my friend’s kids. They’ll love you.’ A few minutes later I knock on a door and my friend’s husband opens it. My hawk flinches. So do I: this man was exceptionally rude to me once. But whatever. It doesn’t matter. Maybe he was having a bad day. Forgive, forget. My friend isn’t in. I stand before the door and tell him about the hawk. I tell him her age, her sex, her species, her name. I tell him that I’d thought her taming would be the kind of agonising battle I’d read about in The Goshawk. ‘But it’s been a total surprise,’ I say. ‘There’s been no battle at all. Which isn’t my doing, I’m sure. She’s a freakishly calm hawk.’ And the man inclines his head to one side, and smiles. ‘Well,’ he says, ‘that’ll be a gendered thing.’ ‘Gendered?’ ‘Yes. You’re a woman, and she’s female. Of course you get on,’ he says.

• From Educated (2018)

  The night before my flight, there was a feast in my college. One of my friends had formed a chamber choir that was to sing carols during dinner. The choir had been rehearsing for weeks, but on the day of the feast the soprano fell ill with bronchitis. My phone rang late that afternoon. It was my friend. “Please tell me you know someone who can sing,” he said. I had not sung for years, and never without my father to hear me, but a few hours later I joined the chamber choir on a platform near the rafters, above the massive Christmas tree that dominated the hall. I treasured the moment, taking pleasure in the lightness I felt to have music once again floating up from my chest, and wondering whether Dad, if he were here, would have braved the university and all its socialism to hear me sing. I believed he would. —BUCK’S PEAK WAS UNCHANGED. The Princess was buried in snow but I could see the deep contours of her legs. Mother was in the kitchen when I arrived, stirring a stew with one hand and with the other holding the phone and explaining the properties of motherwort. Dad’s desk was still empty. He was in the basement, Mother said, in bed. Something had hold of his lungs. A burly stranger shuffled through the back door. Several seconds passed before I recognized my brother. Luke’s beard was so thick, he looked like one of his goats. His left eye was white and dead: he’d been shot in the face with a paintball gun a few months before. He crossed the room and clapped me on the back, and I stared into his remaining eye, looking for something familiar. But it wasn’t until I saw the raised scar on his forearm, a curved check mark two inches wide from where the Shear had bitten his flesh, that I was sure this man was my brother.* He told me he was living with his wife and a pack of kids in a mobile home behind the barn, making his money working oil rigs in North Dakota. Two days passed. Dad came upstairs every evening and settled himself into a sofa in the Chapel, where he would cough and watch TV or read the Old Testament. I spent my days studying or helping Mother. On the third evening I was at the kitchen table, reading, when Shawn and Benjamin shuffled through the back door. Benjamin was telling Shawn about a punch he’d thrown after a fender bender in town. He said that before climbing out of his truck to confront the other driver, he’d slipped his handgun into the waistband of his jeans. “The guy didn’t know what he was getting into,” Benjamin said, grinning. “Only an idiot brings a gun into a mess like that,” Shawn said. “I wasn’t gonna use it,” Benjamin muttered. “Then don’t bring it,” Shawn said. “Then you know you won’t use it.

• From H Is for Hawk (2014)

  His name is Kanat. He asks where I will hunt with the hawk. ‘On farmland a few miles from here,’ I reply. He nods, looks searchingly at Mabel, and is silent for a long time. Then he spreads his fingers wide on the wooden rail and stares at the backs of his hands and at the cuffs of his brown leather jacket. ‘I miss my country,’ he says. Soon after he leaves a cyclist skids to a halt and asks politely if he can look at the bird. He is absurdly handsome. He stands there with his Antonio Banderas hair , and his expensive technical jacket and titanium bike beaded with rain, and admires the hell out of her. ‘She is beautiful , ’ he says. He is trying to find another word but it evades him. Beautiful will have to do. He says it again. Then he thanks me over and over again for the hawk. ‘So close!’ he says. ‘I have never seen a hawk so close.’ In Mexico he has only seen wild ones, and only far away. ‘I like to watch them because they are . . . ’ And he makes a movement with one hand as if it were something lifting into the air. ‘Free,’ I say. He nods, and I do too , and in some wonder , because I am beginning to see that for some people a hawk on the hand of a stranger urges confession, urges confidences, lets you speak words about hope and home and heart. And I realise, too, that in all my days of walking with Mabel the only people who have come up and spoken to us have been outsiders: children, teenage goths, homeless people, overseas students, travellers, drunks, people on holiday. ‘We are outsiders now, Mabel,’ I say, and the thought is not unpleasant. But I feel ashamed of my nation’s reticence. Its desire to keep walking, to move on, not to comment, not to interrogate, not to take any interest in something peculiar , unusual , in anything that isn’t entirely normal. I’m in an expansive, celebratory mood. Today Mabel flew four feet to my fist from the back of a chair in my front room. ‘You’re doing brilliantly,’ I tell her. ‘Time for a walk. Let’s go and meet my friend’s kids. They’ll love you.’ A few minutes later I knock on a door and my friend’s husband opens it. My hawk flinches. So do I: this man was exceptionally rude to me once. But whatever. It doesn’t matter. Maybe he was having a bad day. Forgive, forget. My friend isn’t in.

• From Tipping the Velvet (1998)

  She had none at all, she said, since her grandmother died. Mother tut-tutted over that, and said it was a shame; Davy said she could help herself to some of our relations, if she liked, for we had more than we knew what to do with. ‘Oh yes?’ said Kitty. ‘Yes,’ said Davy. ‘You must have heard the song: ‘There’s her uncle, and her brother, and her sister, and her mother, And her auntie, and another, who is cousin to her mother...’ No sooner had he finished the verse, indeed, than there was the sound of our street-door opening, and a shout up the stairs; and three of our cousins themselves appeared, followed by Uncle Joe and Aunt Rosina - all got up in their Sunday best, and all just popped in, they said, for a ‘peek’ at Miss Butler, if Miss Butler had no objection. More chairs were brought up, and more cups; a fresh round of introductions was made, and the little room grew stuffy with heat and smoke and laughter. Somebody said what a shame it was we had no piano for Miss Butler to give us a song; then George - my eldest cousin - said, ‘Would a harmonica serve the purpose?’ and produced one from his jacket pocket. Kitty blushed, and said she couldn’t; and everyone cried, ‘Oh please, Miss Butler, do!’ ‘What do you think, Nan,’ she said to me, ‘should I shame myself?’ ‘You know you won’t,’ I said, pleased that she had turned to me at the last, and used my special name before them all. ‘Very well, then,’ she said. A little space was cleared for her, and Rhoda ran down to her house, to fetch her sisters to come and watch. She sang ‘The Boy I Love is Up in the Gallery’, and ‘The Coffee Shop Girl’ - then ‘The Boy’ again for Rhoda’s sisters, who had just arrived. Then she whispered to George and to me, and I fetched her a hat of Father’s and a walking-cane, and she sang us a couple of masher songs, and ended with the ballad with which she finished her set at the Palace, about the sweetheart and the rose. We cheered her then, and she had her hand shaken, and her back slapped, ten times over. She looked very flushed and hot at the end of it all, and rather tired. Davy said, ‘How about a song from you now, Nance?’ I gave him a look. ‘No,’ I said. I wouldn’t sing for them with Kitty there, for anything. Kitty looked at me curiously. ‘Do you sing, then?’ she said. ‘Nancy’s got the prettiest voice, Miss Butler,’ said one of the cousins, ‘you ever heard.’ ‘Yes, go on, Nance, be a sport!’ said another. ‘No, no, no!’ I cried again - so firmly that Mother frowned, and the others laughed.

• From H Is for Hawk (2014)

  It’s a fascinating story. Goshawks once bred across the British Isles. ‘There are divers Sorts and Sizes of Goshawks,’ wrote Richard Blome in 1618, ‘which are different in Goodness, force and hardiness according to the several Countries where they are Bred; but no place affords so good as those of Moscovy, Norway, and the North of Ireland, especially in the County of Tyrone.’ But the qualities of goshawks were forgotten with the advent of Land Enclosure, which limited the ability of ordinary folk to fly hawks, and the advent of accurate firearms that made shooting, rather than falconry, high fashion. Goshawks became vermin, not hunting companions. Their persecution by gamekeepers was the final straw for a goshawk population already struggling from habitat loss. By the late nineteenth century British goshawks were extinct. I have a photograph of the stuffed remains of one of the last birds to be shot; a black-and-white snapshot of a bird from a Scottish estate, draggled, stuffed and glassy-eyed. They were gone. But in the 1960s and 1970s, falconers started a quiet, unofficial scheme to bring them back. The British Falconers’ Club worked out that for the cost of importing a goshawk from the Continent for falconry, you could afford to bring in a second bird and release it. Buy one, set one free. It wasn’t a hard thing to do with a bird as self-reliant and predatory as a gos. You just found a forest and opened the box. Like-minded falconers started doing this all over Britain. The hawks came from Sweden, Germany and Finland: most were huge, pale, taiga forest gosses. Some were released on purpose. Some were simply lost. They survived, found each other and bred, secretly and successfully. Today their descendants number around four hundred and fifty pairs. Elusive, spectacular, utterly at home, the fact of these British goshawks makes me happy. Their existence gives the lie to the thought that the wild is always something untouched by human hearts and hands. The wild can be human work.

• From Get Out of Your Head: Stopping the Cycle of Anxious Thoughts (2020)

  for the good of others.” When we reject passivity and lean into the needs around us, we see our minds set on the things of God. God is never passive. God is always working for our good and His glory. LIE: I can do whatever I want. TRUTH: God has set me free to serve others, not indulge myself. You, my brothers and sisters, were called to be free. But do not use your freedom to indulge the flesh; rather, serve one another humbly in love. 3 I CHOOSE TO SEEK THE GOOD OF OTHERS OVER MY OWN COMFORT. The Call to Action I think of Jesus using the parable to tell His disciples—and, by extension, us—to “stay dressed for action and keep your lamps burning, and be like men who are waiting for their master to come home from the wedding feast, so that they may open the door to him at once when he comes and knocks.” 4 Stay dressed for action! Keep your lamps burning! Be waiting for your master’s return! Which I’m guessing is different from the kind of waiting you and I typically do, in hopes of the pizza guy showing up soon. He went on—and here’s my actual point: “Blessed are those servants whom the master finds awake when he comes. Truly, I say to you, he [the master] will dress himself for service and have them [the servants] recline at table, and he will come and serve them.” 5 See, this is why that axiom of Jesus is true, that “it is more blessed to give than to receive.” 6 When we are faithful to watch for opportunities to serve, when we live our lives at the ready for the Master’s call, we’re the ones who get served in the end. Our Master will actually tend to our every need. Why does it matter that we choose service instead of complacency? How does taking initiative for the good of others help us redirect our negative thoughts? What is in store for the person who serves consistently? Should we ever pay attention to our own problems, or are we supposed to just pretend those don’t exist? What if we’re tired? What if we’re overwhelmed? What if we don’t feel like doing good? Do we just fake it till we make it, or is there a more authentic path? As followers of Christ, we have to answer these questions for ourselves, because what we believe about work might be in opposition to God’s good and creative design for us.

• From Educated (2018)

  our noses and onto the painted iron. Luke slipped out of his shirt, grabbed hold of the sleeves and tore them, leaving huge gashes a breeze could pass through. I wouldn’t have dreamed of doing anything so radical, but after the twentieth purlin my back was sticky with sweat, and I flapped my T-shirt to make a fan, then rolled up my sleeves until an inch of my shoulders was visible. When Dad saw me a few minutes later, he strode over and yanked the sleeves down. “This ain’t a whorehouse,” he said. I watched him walk away and, mechanically, as if I weren’t making the decision, rerolled them. He returned an hour later, and when he caught sight of me he paused mid-step, confused. He’d told me what to do, and I hadn’t done it. He stood uncertainly for a moment, then crossed over to me, took hold of both sleeves and jerked them down. He didn’t make it ten steps before I’d rolled them up again. I wanted to obey. I meant to. But the afternoon was so hot, the breeze on my arms so welcome. It was just a few inches. I was covered from my temples to my toes in grime. It would take me half an hour that night to dig the black dirt out of my nostrils and ears. I didn’t feel much like an object of desire or temptation. I felt like a human forklift. How could an inch of skin matter? — I WAS HOARDING MY PAYCHECKS, in case I needed the money for tuition. Dad noticed and started charging me for small things. Mother had gone back to buying insurance after the second car accident, and Dad said I should pay my share. So I did. Then he wanted more, for registration. “These Government fees will break you,” he said as I handed him the cash. That satisfied Dad until my test results arrived. I returned from the junkyard to find a white envelope. I tore it open, staining the page with grease, and looked past the individual scores to the composite. Twenty- two. My heart was beating loud, happy beats. It wasn’t a twenty-seven, but it opened up possibilities. Maybe Idaho State. I showed Mother the score and she told Dad. He became agitated, then he shouted that it was time I moved out. “If she’s old enough to pull a paycheck, she’s old enough to pay rent,”

• From H Is for Hawk (2014)

  Material reassurances. I play out fifteen feet more creance and stow the rest of it deep in a zipped-up pocket of my hawking waistcoat to keep it secure. Then I pull her leash free from the swivel and tuck it into another pocket. Hawking waistcoats, like those of fishermen or photographers, are hardly clothes at all, just pockets hung in rows. The one at my right hip is lined in vinyl, and inside it are three dead day-old chicks, each skinned and torn roughly in half. ‘Sit there – on you go.’ The hawk hops onto the rail of the wooden veranda and turns to face me in a low boxer’s crouch. I step back six feet, put half a chick in my glove, extend my arm and whistle. There is no hesitation. There is a scratch of talons on wood, a flowering of feathers, one deep downstroke, the brief, heavy swing of talons brought up and into play and the dull thud as she hits my glove. When she has finished eating we do it again, and this time I stand a little further away. Eight feet: three wingbeats, another reward. For a creature with the tactical intelligence of a goshawk this game is child’s play. The third time I put her on the railing she is already airborne as I turn my back: a skip of my heart, a hastily extended glove and she is at my side, wolfing down the rest of her food, crest raised, wings dropped, eyes blazing, a thing of perfect triumph. I thread her leash back through the swivel and untie the creance. That will do for today. She flew perfectly. And I’m so pleased with how the lesson has gone I start singing on the way home. I serenade my hawk with ‘My Favourite Things’, with whiskers and kittens and brown paper packages tied up with string. It strikes me that this must be happiness. That I have remembered what it is, and how it can be done. But watching television from the sofa later that evening I notice tears running from my eyes and dropping into my mug of tea. Odd , I think. I put it down to tiredness. Perhaps I am getting a cold. Perhaps I am allergic to something . I wipe the tears away and go to make more tea in the kitchen, where a dead white rabbit is defrosting like a soft toy in an evidence bag, and the striplight flickers ominously, undecided whether to illuminate the room or cease working entirely . These calling-off lessons teach the hawk to fly immediately to an upraised glove and a whistle. Rapid response is the key to success.

• From H Is for Hawk (2014)

  I moved to London to try and make it, and I didn’t know what I was doing. And I met your dad out on a job once and he talked to me. He gave me lots of advice. He helped me. He didn’t have to, but he did. He saved my life. He was amazing . . . ’ And he tailed off, and looked embarrassed, and I stepped forward and gave him a hug, because I didn’t know what to say. And more and more people came up and talked about Dad; and all the old guard were there, snappers from back in the 1960s, and I finally got to put names to the bylines I’d seen so many times. They told me they liked the story. They said it was nice to know that my father was a born journalist. That the boy in short trousers was already the man they’d known, the man who had always got the picture, had always pulled the story from the jaws of defeat. Down in the Press Club after the service the drinks were poured. And poured. And poured some more. Everyone became increasingly expansive, rushed up to tell me stories about my father . The stories got more slurred as the drinking went on, and the hugs and cheek-kisses increasingly off-target. ‘Another drink?’ said one pressman. ‘Just a soft drink,’ I said, and back he came with a vast glass of wine. ‘Um, is there any soft drink?’ I said, embarrassed. He frowned. ‘That’s what I brought you. This is a soft drink.’ I left with a song in my heart. I felt my family had expanded by about two hundred people, and everything was going to be fine. Bless you, Dad , I thought. I always thought you were a legend, and it turns out you really, really were . All the way home on the train I thought of Dad and the terrible mistake I had made. I’d thought that to heal my great hurt, I should flee to the wild. It was what people did. The nature books I’d read told me so. So many of them had been quests inspired by grief or sadness. Some had fixed themselves to the stars of elusive animals. Some sought snow geese. Others snow leopards. Others cleaved to the earth, walked trails, mountains, coasts and glens. Some sought wildness at a distance, others closer to home. ‘ Nature in her green, tranquil woods heals and soothes all afflictions,’ wrote John Muir. ‘ Earth hath no sorrows that earth cannot heal.’ Now I knew this for what it was: a beguiling but dangerous lie. I was furious with myself and my own unconscious certainty that this was the cure I needed. Hands are for other human hands to hold.

• From Educated (2018)

  small circle of friends. Then I set out to obliterate the barriers that separated me from them. I tasted red wine for the first time, and my new friends laughed at my pinched face. I discarded my high-necked blouses and began to wear more fashionable cuts—fitted, often sleeveless, with less restrictive necklines. In photos from this period I’m struck by the symmetry: I look like everyone else. In April I began to do well. I wrote an essay on John Stuart Mill’s concept of self-sovereignty, and my supervisor, Dr. David Runciman, said that if my dissertation was of the same quality, I might be accepted to Cambridge for a PhD. I was stunned: I, who had sneaked into this grand place as an impostor, might now enter through the front door. I set to work on my dissertation, again choosing Mill as the topic. One afternoon near the end of term, when I was eating lunch in the library cafeteria, I recognized a group of students from my program. They were seated together at a small table. I asked if I could join them, and a tall Italian named Nic nodded. From the conversation I gathered that Nic had invited the others to visit him in Rome during the spring holiday. “You can come, too,” he said. We handed in our final essays for the term, then boarded a plane. On our first evening in Rome, we climbed one of the seven hills and looked out over the metropolis. Byzantine domes hovered over the city like rising balloons. It was nearly dusk; the streets were bathed in amber. It wasn’t the color of a modern city, of steel, glass and concrete. It was the color of sunset. It didn’t look real. Nic asked me what I thought of his home, and that was all I could say: it didn’t look real. At breakfast the next morning, the others talked about their families. Someone’s father was a diplomat; another’s was an Oxford don. I was asked about my parents. I said my father owned a junkyard. Nic took us to the conservatory where he’d studied violin. It was in the heart of Rome and was richly furnished, with a grand staircase and resonant halls. I tried to imagine what it would have been like to study in such a place, to walk across marble floors each morning and, day after day, come to associate learning with beauty. But my imagination failed me. I could only imagine the school as I was experiencing it now, as a kind of museum, a relic from someone else’s life. For two days we explored Rome, a city that is both a living organism

• From H Is for Hawk (2014)

  Fractious gusts of wind rattle the hedgerows, blowing voluminous shoals of leaves over us as we walk up the track. There’s sticky mud, and pheasant prints in it. Flocks of fieldfares chak chak and dodge in the hawthorns by the cow field, breaking low when we get too near, bouncing over the hedge and away in thrushy strobes of black and white. It’s nice to see them. Proper winter is here. And Mabel is fizzing with happiness, wagging her tail in barely suppressed excitement, tummy feathers fluffed over her grippy toes, eyes gleaming silver in the sun. If this hawk could speak, she’d be singing under her breath. Something has changed inside me. Today it’s hard to slip into the exquisite, wordless sharpness of being a hawk. Or rather, the hawk seems more human today. A rabbit lopes across the path twenty yards away and she chases it; swings up into a poplar, clutching onto a thin, near-vertical branch and leaning into the wind, narrow as a stoat. She looks about. Sees something. Goes to the next tree, looks down. Then flies back to the first one. I proffer my fist. She comes down immediately, and off we go again. Raah, she says. More. By the hayrolls we sneak through the side of the wood, and then make our way to the corner of the top field. I’m a little blurry. I’ve combated the drug- induced tiredness with two double espressos at breakfast and a caffeinated soda after lunch. I’m hoping that the drugs will prevent the rampant paranoia that this excess of caffeine will inevitably provoke. Mabel clocks a pile of woodpigeons on plough a quarter of a mile away and makes as if to bate at them. ‘Don’t be daft, Mabes,’ I say, but she bates anyway. Pah. She looks me directly in the face. Give me something to chase! I do. We walk through chest-high thistles at the corner of the next field, hawk held high as I negotiate the thorns. She’s gripping hard with all eight talons, bracing herself against the oncoming gusts of wind. And then out of nowhere, coming out of the ground right from where the tip of my shadow ends, a cock pheasant in bronze and bottle green, all rackety tail and sharp primaries, clatters up from the dry grass, gos already close behind. He turns downwind. She’s gaining on him. No more than six inches behind the tip of his tail. But she hasn’t flown much in winds like this, and mistimes her attack; is pushed by the wind a little askew, and the pheasant pulls away, climbs up over the wood. She follows, and both are lost to view.

• From Educated (2018)

  and a fossil. Bleached structures from antiquity lay like dried bones, embedded in pulsating cables and thrumming traffic, the arteries of modern life. We visited the Pantheon, the Roman Forum, the Sistine Chapel. My instinct was to worship, to venerate. That was how I felt toward the whole city: that it should be behind glass, adored from a distance, never touched, never altered. My companions moved through the city differently, aware of its significance but not subdued by it. They were not hushed by the Trevi Fountain; they were not silenced by the Colosseum. Instead, as we moved from one relic to the next, they debated philosophy—Hobbes and Descartes, Aquinas and Machiavelli. There was a kind of symbiosis in their relationship to these grand places: they gave life to the ancient architecture by making it the backdrop of their discourse, by refusing to worship at its altar as if it were a dead thing. On the third night there was a rainstorm. I stood on Nic’s balcony and watched streaks of lightning race across the sky, claps of thunder chasing them. It was like being on Buck’s Peak, to feel such power in the earth and sky. The next morning was cloudless. We took a picnic of wine and pastries to the grounds of the Villa Borghese. The sun was hot, the pastries ambrosial. I could not remember ever feeling more present. Someone said something about Hobbes, and without thinking I recited a line from Mill. It seemed the natural thing, to bring this voice from the past into a moment so saturated with the past already, even if the voice was mixed with my own. There was a pause while everyone checked to see who had spoken, then someone asked which text the line was from, and the conversation moved forward. For the rest of the week, I experienced Rome as they did: as a place of history, but also as a place of life, of food and traffic and conflict and thunder. The city was no longer a museum; it was as vivid to me as Buck’s Peak. The Piazza del Popolo. The Baths of Caracalla. Castel Sant’Angelo. These became as real to my mind as the Princess, the red railway car, the Shear. The world they represented, of philosophy, science, literature—an entire civilization—took on a life that was distinct from the life I had known. At the Galleria Nazionale d’Arte Antica, I stood before Caravaggio’s Judith Beheading Holofernes and did not once think about chickens.

• From H Is for Hawk (2014)

  Just a thin trunk with a few charcoal branches, already damp in the steaming air. And I stare at the remains of the tree and breathe the smoke and fog from the air and Erin makes a face at me and I make one back. ‘That,’ he says, ‘was excellent.’ It was. A ritual burn, a ceremony of strange, protective magic. Bad things had fled from that burning tree. We laugh all the way back to the house, leaving the skeleton upright in the snow. And later that day Mum and I fly back to London. I drive her home, promise to see her soon, then make my way to Cambridge, and Stuart and Mandy’s house. I run to their door . I cannot wait to see my hawk. There she is, perched in their garden, fat and happy in a crowd of pointers with wagging tails. I thank Stuart for looking after her while I was gone. He stands by the patio doors, strangely drawn and tired. ‘No worries,’ he says. ‘I’ve not done much with her, to be honest. I’ve had flu. It’s been terrible. I’ve been in bed all Christmas. Just thrown her food. ’ ‘Poor Stu,’ Mandy says, coming towards the table with three cups of coffee and a packet of open biscuits. ‘He’s really been in the wars.’ I look at my friends and my heart crumples. They have spent so many hours helping me, have shown me so much love. And I had taken it all for granted. ‘Thank you. Thank you so much,’ I say. ‘I love you guys. I really do.’ I say it with as much feeling as I can. I am not just thanking them for looking after my hawk. I get up to give Stuart a hug. ‘Don’t catch it,’ he says, backing away. I hug him anyway. On this breezy August day in 1939 White is in Ireland hiding from the war. He knows he ought to enlist, but he’s persuaded himself his flight here is not mere cowardice. He’d be wasted as a soldier, he thinks. He has a more important thing to do – finishing his epic about the Matter of Britain that will solve the problem of why humans fight at all. And that is why he has come here to County Mayo, and rented Sheskin Lodge to write in, a crumbling aristocratic bungalow with a glassed-in winter garden set amid acres of feral rhododendron and pine. He sits in the torn-leather armchair in the room with the peeling walls.

• From H Is for Hawk (2014)

  Most of the dunes are hidden by pines – the forest was planted here in the 1920s to give us timber for future wars – and the highwaymen long gone. But it still feels dangerous, half-buried, damaged. I love it because of all the places I know in England, it feels to me the wildest. It’s not an untouched wilderness like a mountaintop, but a ramshackle wildness in which people and the land have conspired to strangeness. It’s rich with the sense of an alternative countryside history; not just the grand, leisured dreams of landed estates, but a history of industry , forestry , disaster , commerce and work. I couldn’t think of a more perfect place to find goshawks. They fit this strange Breckland landscape to perfection, because their history is just as human. It’s a fascinating story. Goshawks once bred across the British Isles. ‘ There are divers Sorts and Sizes of Goshawks , ’ wrote Richard Blome in 1618, ‘which are different in Goodness, force and hardiness according to the several Countries where they are Bred; but no place affords so good as those of Moscovy , Norway , and the North of Ireland , especially in the County of Tyrone . ’ But the qualities of goshawks were forgotten with the advent of Land Enclosure, which limited the ability of ordinary folk to fly hawks, and the advent of accurate firearms that made shooting, rather than falconry, high fashion. Goshawks became vermin, not hunting companions. Their persecution by gamekeepers was the final straw for a goshawk population already struggling from habitat loss. By the late nineteenth century British goshawks were extinct. I have a photograph of the stuffed remains of one of the last birds to be shot; a black-and-white snapshot of a bird from a Scottish estate, draggled, stuffed and glassy-eyed. They were gone. But in the 1960s and 1970s, falconers started a quiet, unofficial scheme to bring them back. The British Falconers’ Club worked out that for the cost of importing a goshawk from the Continent for falconry, you could afford to bring in a second bird and release it. Buy one, set one free. It wasn’t a hard thing to do with a bird as self-reliant and predatory as a gos. You just found a forest and opened the box. Like-minded falconers started doing this all over Britain. The hawks came from Sweden, Germany and Finland: most were huge, pale, taiga forest gosses. Some were released on purpose. Some were simply lost. They survived, found each other and bred, secretly and successfully. Today their descendants number around four hundred and fifty pairs. Elusive, spectacular , utterly at home, the fact of these British goshawks makes me happy. Their existence gives the lie to the thought that the wild is always something untouched by human hearts and hands. The wild can be human work.

• From H Is for Hawk (2014)

  It is a vigil, an ordeal, just as those long nights with the hawk. Another thunderstorm crosses the Ridings. The sky is rusty water and the trees have blurred to ink. Fat raindrops hammer on the blanket and soak through his steaming clothes; there is wet wool and sweat and the electric scent of the storm carried in with the rising wind. He is closer to them now, those long dead men who understood him. He lies in a grave like them. He holds his breath as poachers walk past, men who know the forest in all its perfect parts, men who have the instinctive ability to read the landscape. They do not see him. He has become invisible. It is something like a miracle. The suffering of his body is as naught to the joy of being free from the pain of being seen. 21 Fear It was always there, kneeling by Mabel on her prey, that the thoughts came, when I wondered how I could be doing this, how I could be hunting at all. I hate killing things. I’m loath to tread on spiders and get laughed at for rescuing flies. But now I understood for the first time what bloodthirstiness was all about. It was only when I was aligned with the hawk’s eye that it made sense, but then it made more sense than anything else in the world. When I saw birds fly overhead I’d turn my head and follow them with a kind of longing. Hunting with the hawk took me to the very edge of being a human. Then it took me past that place to somewhere I wasn’t human at all. The hawk in flight, me running after her, the land and the air a pattern of deep and curving detail, sufficient to block out anything like the past or the future, so that the only thing that mattered were the next thirty seconds. I felt the curt lift of autumn breeze over the hill’s round brow, and the need to tack left, to fall over the leeward slope to where the rabbits were. I crept and walked and ran. I crouched. I looked. I saw more than I’d ever seen. The world gathered about me. It made absolute sense. But the only things I knew were hawkish things, and the lines that drew me across the landscape were the lines that drew the hawk: hunger, desire, fascination, the need to find and fly and kill. Yet every time the hawk caught an animal, it pulled me back from being an animal into being a human again. That was the great puzzle, and it was played out again and again. How hearts do stop. A rabbit prostrate in a pile of leaves, clutched in eight gripping talons, the hawk mantling her wings over it, tail spread, eyes burning, nape-feathers raised in a tense and feral crouch.

• From H Is for Hawk (2014)

  I pull a sheet of paper towards me, tear a long strip from one side, scrunch it into a ball, and offer it to the hawk in my fingers. She grabs it with her beak. It crunches. She likes the sound. She crunches it again and then lets it drop, turning her head upside down as it hits the floor . I pick it up and offer it to her again. She grabs it and bites it very gently over and over again: gnam gnam gnam . She looks like a glove puppet, a Punch and Judy crocodile. Her eyes are narrowed in bird-laughter. I am laughing too. I roll a magazine into a tube and peer at her through it as if it were a telescope. She ducks her head to look at me through the hole. She pushes her beak into it as far as it will go, biting the empty air inside. Putting my mouth to my side of my paper telescope I boom into it: ‘Hello, Mabel.’ She pulls her beak free. All the feathers on her forehead are raised. She shakes her tail rapidly from side to side and shivers with happiness. An obscure shame grips me. I had a fixed idea of what a goshawk was, just as those Victorian falconers had, and it was not big enough to hold what goshawks are. No one had ever told me goshawks played. It was not in the books. I had not imagined it was possible. I wondered if it was because no one had ever played with them. The thought made me terribly sad. In a letter to White, Gilbert Blaine explained that he didn’t like goshawks because their ‘ crazy and suspicious temperament had alienated him from them, as it had most falconers’. ‘Perhaps for this reason,’ White wrote, years later, ‘I had loved Gos. I always loved the unteachable, the untouchable, the underdog.’ Gos was a queer thing, the opposite of civilised English hearts, and through him White could play many selves: the benevolent parent, the innocent child, the kindly teacher, the patient pupil. And other, stranger selves: through the hawk White could become a mother, a ‘ man who for two months had made that bird, almost like a mother nourishing her child inside her, for the subconsciousness of the bird and the man became really linked by a mind’s cord: to the man who had created out of a part of his life’. And in White’s notebooks, the ones written in green ink, he begins writing things late at night in a drunken, expansive hand that never make their way into his book because they are too revealing. The thing he most hates is to have his head stroked, the thing he most likes is to have his tail feathers pulled, stroked, pruned & sorted out. In fact, Gos shows much interest in his backward parts. He is a coprophilite, if not a pansy.

• From Educated (2018)

  higher. The word “to” for example, because it sounds like the number “two,” would become “three.” “Siddle Lister,” Shawn might say, “we should pay a-eleven-tion. There’s a checkpoint ahead and I can’t a-five-d a ticket. Time three put on your seatbelt.” When we tired of this, we’d turn on the CB and listen to the lonely banter of truckers stretched out across the interstate. “Look out for a green four-wheeler,” a gruff voice said, when we were somewhere between Sacramento and Portland. “Been picnicking in my blind spot for a half hour.” A four-wheeler, Shawn explained, is what big rigs call cars and pickups. Another voice came over the CB to complain about a red Ferrari that was weaving through traffic at 120 miles per hour. “Bastard damned near hit a little blue Chevy,” the deep voice bellowed through the static. “Shit, there’s kids in that Chevy. Anybody up ahead wanna cool this hothead down?” The voice gave its location. Shawn checked the mile marker. We were ahead. “I’m a white Pete pulling a fridge,” he said. There was silence while everybody checked their mirrors for a Peterbilt with a reefer. Then a third voice, gruffer than the first, answered: “I’m the blue KW hauling a dry box.” “I see you,” Shawn said, and for my benefit pointed to a navy-colored Kenworth a few cars ahead. When the Ferrari appeared, multiplied in our many mirrors, Shawn shifted into high gear, revving the engine and pulling beside the Kenworth so that the two fifty-foot trailers were running side by side, blocking both lanes. The Ferrari honked, weaved back and forth, braked, honked again. “How long should we keep him back there?” the husky voice said, with a deep laugh. “Until he calms down,” Shawn answered. Five miles later, they let him pass. The trip lasted about a week, then we told Tony to find us a load to Idaho. “Well, Siddle Lister,” Shawn said when we pulled into the junkyard, “back three work.”

• From The Diary of a Young Girl (The Definitive Edition) (2020)

  (I should explain that they’re real gluttons up on the top floor.) Bread is delivered daily by a very nice baker, a friend of Mr. Kleiman’s. Of course, we don’t have as much as we did at home, but it’s enough. We also purchase ration books on the black market. The price keeps going up; it’s already risen from 27 to 33 guilders. And that for mere sheets of printed paper! To provide ourselves with a source of nutrition that will keep, aside from the hundred cans of food we’ve stored here, we bought three hundred pounds of beans. Not just for us, but for the office staff as well. We’d hung the sacks of beans on hooks in the hallway, just inside our secret entrance, but a few seams split under the weight. So we decided to move them to the attic, and Peter was entrusted with the heavy lifting. He managed to get five of the six sacks upstairs intact and was busy with the last one when the sack broke and a flood, or rather a hailstorm, of brown beans went flying through the air and down the stairs. Since there were about fifty pounds of beans in that sack, it made enough noise to raise the dead. Downstairs they were sure the house was falling down around their heads. Peter was stunned, but then burst into peals of laughter when he saw me standing at the bottom of the stairs, like an island in a sea of brown, with waves of beans lapping at my ankles. We promptly began picking them up, but beans are so small and slippery that they roll into every conceivable corner and hole. Now each time we go upstairs, we bend over and hunt around so we can present Mrs. van Daan with a handful of beans. I almost forgot to mention that Father has recovered from his illness. Yours, Anne P.S. The radio has just announced that Algiers has fallen. Morocco, Casablanca and Oran have been in English hands for several days. We’re now waiting for Tunis. TUESDAY, NOVEMBER 10, 1942 Dearest Kitty, Great news! We’re planning to take an eighth person into hiding with us! Yes, really. We always thought there was enough room and food for one more person, but we were afraid of placing an even greater burden on Mr. Kugler and Mr. Kleiman. But since reports of the dreadful things being done to the Jews are getting worse by the day, Father decided to sound out these two gentlemen, and they thought it was an excellent plan. “It’s just as dangerous, whether there are seven or eight,” they noted rightly. Once this was settled, we sat down and mentally went through our circle of acquaintances, trying to come up with a single person who would blend in well with our extended family. This wasn’t difficult. After Father had rejected all the van Daan relatives, we chose a dentist named Alfred Dussel.

• From The Great Transformation (2006)

  What did this feel like? Zhuangzi told his disciples about Ziqi, the contemplative, whose friends had come upon him one day “gazing into the sky, breath shallow and face blank, as if he were lost to himself.” This had never happened before. Ziqi looked like an entirely different person. What had happened? “Do you understand such things?” asked Ziqi. “Just then I’d lost myself completely.” He had “gone” in the same way as a craftsman disappeared into his work. When we tried to hold on to ourselves, we were alienated from the “great transformation” of the Way. Because he had lost himself, Ziqi was liberated from the constraints of selfishness. He could now see more clearly than ever before. “Perhaps you’ve heard the music of humans,” he told his friends, “but you haven’t heard the music of earth. Or if you’ve heard the music of earth, you haven’t heard the music of Heaven.” When you achieved this larger vision, you heard everything singing together, and yet you could distinguish each thing separately. This was the Great Knowledge; it was “broad and unhurried,” while “small understanding is cramped and busy.”34 You could not achieve this illumination unless you abandoned all previous habits of thought. The true sage did not amass knowledge, but learned to forget one thing after another, until finally he forgot about himself and could merge joyously into the Way. Zhuangzi told yet another story about Confucius and Yan Hui. “I’m gaining ground!” Yan Hui had announced one day. “What do you mean?” asked Confucius. “I’ve forgotten Humanity [ren] and Duty [yi] completely,” Yan Hui replied. “Not bad!” admitted Confucius. “But that’s still not it.” A few days later, Yan Hui exclaimed: “I’ve forgotten ritual and music completely.” “That’s still not it,” said Confucius. But finally Yan Hui surprised his master. “I’m gaining ground!” he beamed. “I sit quietly and forget.” Confucius shifted uneasily. “What do you mean?” he asked. “I let the body fall away and the intellect fade,” said Yan Hui. “I throw out form, abandon understanding—and then move freely, blending away into the great transformation. That’s what I mean by sit quietly and forget.” Confucius went pale; his disciple had surpassed him. “If you blend away like that, you’re free of likes and dislikes,” he said. “If you’re all transformation, you’re free of permanence. So in the end, the true sage here is you! So you won’t mind if I follow you from now on, will you?”35 To “know” a thing is to distinguish it from everything else. To forget these distinctions is to become aware of undifferentiated unity, and to lose all sense of being a separate individual.