Joy
Joy is not happiness. Happiness is settled and recoverable on demand; joy is an arrival the body does not produce by trying. It rises through the chest, lifts the head, takes the eye outward — and it usually lands in a life that has known the opposite. Vela reads joy through writers who have refused to flatten it into positivity, and who keep insisting it is something the world gives, not something the self performs.
Working definition · Bright positive affect—pleasure, play, or relief that fills the present moment.
5966 passages · in 1 cluster
Vela’s read on this emotion
Joy is one of the easiest emotions to mis-handle on the page. The wellness register has been working on it for a decade, and the result has been a vocabulary that smooths joy into achievement: *find your joy*, *cultivate joy*, *practice joy daily*. The reading runs against that flattening.
The memoir that carries joy most honestly carries it next to its opposite. Trevor Noah's *Born a Crime* sets joy inside apartheid South Africa — the laughter at the kitchen table is real because the danger outside the kitchen is real. Joy Harjo's *Crazy Brave* — the title itself an instruction — reads joy as the inheritance the writer claims back from a childhood that tried to take it. Anne Frank's diary holds joy inside the annex: the writer at fifteen still capable of being delighted by a sentence, by a friendship, by an idea about her own future. Paul Kalanithi's *When Breath Becomes Air*, written in the last months of his life, treats joy as the recognition of having had this at all.
The contemplative tradition holds joy as a serious subject across centuries. The Psalms hold joy alongside lament without choosing between them. Augustine of Hippo, writing the *Confessions* in the late fourth century, names *gaudium* — joy — as a distinct affection of the soul, neither pleasure nor satisfaction. The Hasidic tradition, the Sufi poets, the early Franciscans each preserve a register of joy as a religious obligation: a refusal of despair held as faithfulness to the world.
Joy is not the same as happiness, pleasure, or contentment. Happiness is a temperament; joy is an arrival. Pleasure is sensory and short; joy can be sensory but is rarely brief. Contentment is the settled register that survives joy's absence; joy is the rise contentment makes room for. The four are kin; the reading keeps them distinct because the writers who have been most honest about each have kept them separate.
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Long-form guide in the magazine
An essay on how this word lives in language, in the tagged corpus, and in figurative art when curators pair passage with image — not a list of stages, not permission to feel.
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5966 tagged passages
From Little Women (1868)
That was the name of the little brown house Mr. Brooke had prepared for Meg's first home. Laurie had christened it, saying it was highly appropriate to the gentle lovers who 'went on together like a pair of turtledoves, with first a bill and then a coo'. It was a tiny house, with a little garden behind and a lawn about as big as a pocket handkerchief in the front. Here Meg meant to have a fountain, shrubbery, and a profusion of lovely flowers, though just at present the fountain was represented by a weather-beaten urn, very like a dilapidated slopbowl, the shrubbery consisted of several young larches, undecided whether to live or die, and the profusion of flowers was merely hinted by regiments of sticks to show where seeds were planted. But inside, it was altogether charming, and the happy bride saw no fault from garret to cellar. To be sure, the hall was so narrow it was fortunate that they had no piano, for one never could have been got in whole, the dining room was so small that six people were a tight fit, and the kitchen stairs seemed built for the express purpose of precipitating both servants and china pell-mell into the coalbin. But once get used to these slight blemishes and nothing could be more complete, for good sense and good taste had presided over the furnishing, and the result was highly satisfactory. There were no marble-topped tables, long mirrors, or lace curtains in the little parlor, but simple furniture, plenty of books, a fine picture or two, a stand of flowers in the bay window, and, scattered all about, the pretty gifts which came from friendly hands and were the fairer for the loving messages they brought. I don't think the Parian Psyche Laurie gave lost any of its beauty because John put up the bracket it stood upon, that any upholsterer could have draped the plain muslin curtains more gracefully than Amy's artistic hand, or that any store-room was ever better provided with good wishes, merry words, and happy hopes than that in which Jo and her mother put away Meg's few boxes, barrels, and bundles, and I am morally certain that the spandy new kitchen never could have looked so cozy and neat if Hannah had not arranged every pot and pan a dozen times over, and laid the fire all ready for lighting the minute 'Mis. Brooke came home'. I also doubt if any young matron ever began life with so rich a supply of dusters, holders, and piece bags, for Beth made enough to last till the silver wedding came round, and invented three different kinds of dishcloths for the express service of the bridal china.
From Little Women (1868)
Carrol, Florence's mamma, was ordered to buy, have made, and marked a generous supply of house and table linen, and send it as her present, all of which was faithfully done, but the secret leaked out, and was greatly enjoyed by the family, for Aunt March tried to look utterly unconscious, and insisted that she could give nothing but the old-fashioned pearls long promised to the first bride. "That's a housewifely taste which I am glad to see. I had a young friend who set up housekeeping with six sheets, but she had finger bowls for company and that satisfied her," said Mrs. March, patting the damask tablecloths, with a truly feminine appreciation of their fineness. "I haven't a single finger bowl, but this is a setout that will last me all my days, Hannah says." And Meg looked quite contented, as well she might. A tall, broad-shouldered young fellow, with a cropped head, a felt basin of a hat, and a flyaway coat, came tramping down the road at a great pace, walked over the low fence without stopping to open the gate, straight up to Mrs. March, with both hands out and a hearty... "Here I am, Mother! Yes, it's all right." The last words were in answer to the look the elder lady gave him, a kindly questioning look which the handsome eyes met so frankly that the little ceremony closed, as usual, with a motherly kiss. "For Mrs. John Brooke, with the maker's congratulations and compliments. Bless you, Beth! What a refreshing spectacle you are, Jo. Amy, you are getting altogether too handsome for a single lady." As Laurie spoke, he delivered a brown paper parcel to Meg, pulled Beth's hair ribbon, stared at Jo's big pinafore, and fell into an attitude of mock rapture before Amy, then shook hands all round, and everyone began to talk. "Where is John?" asked Meg anxiously. "Stopped to get the license for tomorrow, ma'am." "Which side won the last match, Teddy?" inquired Jo, who persisted in feeling an interest in manly sports despite her nineteen years. "Ours, of course. Wish you'd been there to see." "How is the lovely Miss Randal?" asked Amy with a significant smile. "More cruel than ever. Don't you see how I'm pining away?" and Laurie gave his broad chest a sounding slap and heaved a melodramatic sigh. "What's the last joke? Undo the bundle and see, Meg," said Beth, eying the knobby parcel with curiosity. "It's a useful thing to have in the house in case of fire or thieves," observed Laurie, as a watchman's rattle appeared, amid the laughter of the girls. "Any time when John is away and you get frightened, Mrs. Meg, just swing that out of the front window, and it will rouse the neighborhood in a jiffy. Nice thing, isn't it?" and Laurie gave them a sample of its powers that made them cover up their ears. "There's gratitude for you!
From Another Country (1962)
He hesitated; she watched his Adam’s apple move as he swallowed; and he said, “I can’t promise you anything, Cass. ” “I haven’t asked you to promise me anything.” She bent down and kissed him on the mouth. “You’re very beautiful,” she said, “and very strong. I’m not afraid.” He looked up at her, looking upside down, so that he was for her at that moment both child and man, and her thighs trembled. He kissed her again and took the two clips out of her hair, so that her golden hair fell over him. He turned and held her beneath him on the bed. Like children, with that very same joy and trembling, they undressed and uncovered and gazed on each other; and she felt herself carried back to an unremembered, unimaginable time and state when she had not been Cass, as she was now, but the plain, mild, arrogant, waiting Clarissa , when she had not been weary, when love was on the road but not yet at the gates. He looked on her body as though such a body were a new creation, still damp from the vast firmament; and his wonder infected her. She watched his naked body as he crossed the room to turn off the lamp, and thought of the bodies of her children, Paul and Michael, which had come, so miraculously formed, and so heavy and secret with promise, out of her; and, like the water which sprang in the desert when Moses struck the rock with his rod, tears sprang to her eyes. He glowed in the light which came from the lamp above her head. She could not bear to turn it off. She watched him as he bent to take the long-silent record off the machine, and the green eye of the machine clicked off; then he turned to face her, very grave indeed, and with his eyes darker and set farther back than ever. Now, less than ever, did she know what love was—but she smiled, for joy, and he answered her with a small, triumphant laugh. They were oddly equal: perhaps each could teach the other, concerning love, what neither now knew. And they were equal in that both were afraid of what unanswerable and unimaginable riddles might be uncovered in so merciless a light. She switched off the lamp at the head of the bed, and watched him come to her in the gloom.
From The Decameron (1353)
These words Minuccio forthwith set to a soft and plaintive air, such as the matter thereof required, and on the third day he betook himself to court, where, King Pedro being yet at meat, he was bidden by him sing somewhat to his viol. Thereupon he fell to singing the song aforesaid on such dulcet wise that all who were in the royal hall appeared men astonied, so still and attent stood they all to hearken, and the king maybe more than the others. Minuccio having made an end of his singing, the king enquired whence came this song that himseemed he had never before heard. 'My lord,' replied the minstrel, 'it is not yet three days since the words were made and the air.' The king asked for whom it had been made; and Minuccio answered, 'I dare not discover it save to you alone.' The king, desirous to hear it, as soon as the tables were removed, sent for Minuccio into his chamber and the latter orderly recounted to him all that he had heard from Lisa; wherewith Don Pedro was exceeding well pleased and much commended the damsel, avouching himself resolved to have compassion of so worthful a young lady and bidding him therefore go comfort her on his part and tell her that he would without fail come to visit her that day towards vespers. Minuccio, overjoyed to be the bearer of such pleasing news, betook himself incontinent, viol and all, to the damsel and bespeaking her in private, recounted to her all that had passed and after sang her the song to his viol; whereat she was so rejoiced and so content that she straightway showed manifest signs of great amendment and longingly awaited the hour of vespers, whenas her lord should come, without any of the household knowing or guessing how the case stood.
From The Decameron (1353)
How much the queen's story in divers places made the ladies laugh, it needed not to ask; suffice it to say that there was none of them to whose eyes the tears had not come a dozen times for excess of laughter: but, after it had an end, Dioneo, knowing that it was come to his turn to tell, said, "Gracious ladies, it is a manifest thing that sleights and devices are the more pleasing, the subtler the trickster who is thereby artfully outwitted. Wherefore, albeit you have related very fine stories, I mean to tell you one, which should please you more than any other that hath been told upon the same subject, inasmuch as she who was cheated was a greater mistress of the art of cheating others than was any of the men or women who were cozened by those of whom you have told.
From Little Women (1868)
I'm glad!" Didn't that do as well as a regular prayer? For I felt a great many in my heart. We have such funny times, and now I can enjoy them, for everyone is so desperately good, it's like living in a nest of turtledoves. You'd laugh to see Meg head the table and try to be motherish. She gets prettier every day, and I'm in love with her sometimes. The children are regular archangels, and I—well, I'm Jo, and never shall be anything else. Oh, I must tell you that I came near having a quarrel with Laurie. I freed my mind about a silly little thing, and he was offended. I was right, but didn't speak as I ought, and he marched home, saying he wouldn't come again till I begged pardon. I declared I wouldn't and got mad. It lasted all day. I felt bad and wanted you very much. Laurie and I are both so proud, it's hard to beg pardon. But I thought he'd come to it, for I was in the right. He didn't come, and just at night I remembered what you said when Amy fell into the river. I read my little book, felt better, resolved not to let the sun set on my anger, and ran over to tell Laurie I was sorry. I met him at the gate, coming for the same thing. We both laughed, begged each other's pardon, and felt all good and comfortable again. I made a 'pome' yesterday, when I was helping Hannah wash, and as Father likes my silly little things, I put it in to amuse him. Give him my lovingest hug that ever was, and kiss yourself a dozen times for your... TOPSY-TURVY JO A SONG FROM THE SUDS Queen of my tub, I merrily sing, While the white foam rises high, And sturdily wash and rinse and wring, And fasten the clothes to dry. Then out in the free fresh air they swing, Under the sunny sky. I wish we could wash from our hearts and souls The stains of the week away, And let water and air by their magic make Ourselves as pure as they. Then on the earth there would be indeed, A glorious washing day! Along the path of a useful life, Will heart's-ease ever bloom. The busy mind has no time to think Of sorrow or care or gloom. And anxious thoughts may be swept away, As we bravely wield a broom. I am glad a task to me is given, To labor at day by day, For it brings me health and strength and hope, And I cheerfully learn to say, "Head, you may think, Heart, you may feel, But, Hand, you shall work alway!" Dear Mother, There is only room for me to send my love, and some pressed pansies from the root I have been keeping safe in the house for Father to see.
From The Elementary Forms of the Religious Life (1915)
It goes to the land of souls. This land is conceived differently by different tribes; sometimes different conceptions are found existing side by side in the same society. For some, it is situated under the earth, where each totemic group has its part. This is at the spot where the first ancestors, the founders of the clan, entered the ground at a certain time, and where they live since their death. In the subterranean world there is a geographical disposition of the dead corresponding to that of the living. There, the sun always shines and rivers flow which never run dry. Such is the conception which Spencer and Gillen attribute to the central tribes, Arunta,[771] Warramunga,[772] etc. It is found again among the Wotjobaluk.[773] In other places, all the dead, no matter what their totems may have been, are believed to live together in the same place, which is more or less vaguely localized as beyond the sea, in an island,[774] or on the shores of a lake.[775] Sometimes, finally, it is into the sky, beyond the clouds, that the souls are thought to go. "There," says Dawson, "there is a delectable land, abounding in kangaroos and game of every sort, where men lead a happy life. Souls meet again there and recognize one another."[776] It is probable that certain of the features of this picture have been taken from the paradise of the Christian missionaries;[777] but the idea that souls, or at least some souls, enter the skies after death appears to be quite indigenous; for it is found again in other parts of the continent.[778] In general, all the souls meet the same fate and lead the same life. However, a different treatment is sometimes accorded them based on the way they have conducted themselves upon earth, and we can see the first outlines of these two distinct and even opposed compartments into which the world to come will later be divided. The souls of those who have excelled, during life, as hunters, warriors, dancers, etc., are not confounded with the common horde of the others; a special place is granted to them.[779] Sometimes, this is the sky.[780] Strehlow even says that according to one myth, the souls of the wicked are devoured by dreadful spirits, and destroyed.[781] Nevertheless, these conceptions always remain very vague in Australia;[782] they begin to have a clarity and determination only in the more advanced societies, such as those of America.[783] II
From Little Women (1868)
A drop of rain on her cheek recalled her thoughts from baffled hopes to ruined ribbons. For the drops continued to fall, and being a woman as well as a lover, she felt that, though it was too late to save her heart, she might her bonnet. Now she remembered the little umbrella, which she had forgotten to take in her hurry to be off, but regret was unavailing, and nothing could be done but borrow one or submit to a drenching. She looked up at the lowering sky, down at the crimson bow already flecked with black, forward along the muddy street, then one long, lingering look behind, at a certain grimy warehouse, with 'Hoffmann, Swartz, & Co.' over the door, and said to herself, with a sternly reproachful air... "It serves me right! what business had I to put on all my best things and come philandering down here, hoping to see the Professor? Jo, I'm ashamed of you! No, you shall not go there to borrow an umbrella, or find out where he is, from his friends. You shall trudge away, and do your errands in the rain, and if you catch your death and ruin your bonnet, it's no more than you deserve. Now then!" With that she rushed across the street so impetuously that she narrowly escaped annihilation from a passing truck, and precipitated herself into the arms of a stately old gentleman, who said, "I beg pardon, ma'am," and looked mortally offended. Somewhat daunted, Jo righted herself, spread her handkerchief over the devoted ribbons, and putting temptation behind her, hurried on, with increasing dampness about the ankles, and much clashing of umbrellas overhead. The fact that a somewhat dilapidated blue one remained stationary above the unprotected bonnet attracted her attention, and looking up, she saw Mr. Bhaer looking down. "I feel to know the strong-minded lady who goes so bravely under many horse noses, and so fast through much mud. What do you down here, my friend?" "I'm shopping." Mr. Bhaer smiled, as he glanced from the pickle factory on one side to the wholesale hide and leather concern on the other, but he only said politely, "You haf no umbrella. May I go also, and take for you the bundles?" "Yes, thank you." Jo's cheeks were as red as her ribbon, and she wondered what he thought of her, but she didn't care, for in a minute she found herself walking away arm in arm with her Professor, feeling as if the sun had suddenly burst out with uncommon brilliancy, that the world was all right again, and that one thoroughly happy woman was paddling through the wet that day. "We thought you had gone," said Jo hastily, for she knew he was looking at her. Her bonnet wasn't big enough to hide her face, and she feared he might think the joy it betrayed unmaidenly.
From The Decameron (1353)
Then, after they had all three discoursed awhile of each one's various adventures and wept and rejoiced together amain, Perrot and Jamy would have reclad the count, who would on nowise suffer it, but willed that Jamy, having first assured himself of the promised guerdon, should, the more to shame the king, present him to the latter in that his then plight and in his groom's habit. Accordingly, Jamy, followed by the count and Perrot, presented himself before the king, and offered, provided he would guerdon him according to the proclamation made, to produce to him the count and his children. The king promptly let bring for all three a guerdon marvellous in Jamy's eyes and commanded that he should be free to carry it off, whenas he should in very deed produce the count and his children, as he promised. Jamy, then, turning himself about and putting forward the count his horseboy and Perrot, said, 'My lord, here be the father and the son; the daughter, who is my wife and who is not here, with God's aid you shall soon see.' The king, hearing this, looked at the count and albeit he was sore changed from that which he was used to be, yet, after he had awhile considered him, he knew him and well nigh with tears in his eyes raised him--for that he was on his knees before him--to his feet and kissed and embraced him. Perrot, also, he graciously received and commanded that the count should incontinent be furnished anew with clothes and servants and horses and harness, according as his quality required, which was straightway done. Moreover, he entreated Jamy with exceeding honour and would fain know every particular of his[130] past adventures. Then, Jamy being about to receive the magnificent guerdons appointed him for having discovered the count and his children, the former said to him, 'Take these of the munificence of our lord the king and remember to tell thy father that thy children, his grandchildren and mine, are not by their mother born of a vagabond.' Jamy, accordingly, took the gifts and sent for his wife and mother to Paris, whither came also Perrot's wife; and there they all foregathered in the utmost joyance with the count, whom the king had reinstated in all his good and made greater than he ever was. Then all, with Gautier's leave, returned to their several homes and he until his death abode in Paris more worshipfully than ever." [Footnote 130: _Quære_, the Count's?] THE NINTH STORY [Day the Second] BERNABO OF GENOA, DUPED BY AMBROGIUOLO, LOSETH HIS GOOD AND COMMANDETH THAT HIS INNOCENT WIFE BE PUT TO DEATH. SHE ESCAPETH AND SERVETH THE SOLDAN IN A MAN'S HABIT. HERE SHE LIGHTETH UPON THE DECEIVER OF HER HUSBAND AND BRINGETH THE LATTER TO ALEXANDRIA, WHERE, HER TRADUCER BEING PUNISHED, SHE RESUMETH WOMAN'S APPAREL AND RETURNETH TO GENOA WITH HER HUSBAND, RICH
From The Elementary Forms of the Religious Life (1915)
Howsoever little importance the religious ceremonies may have, they put the group into action; the groups assemble to celebrate them. So their first effect is to bring individuals together, to multiply the relations between them and to make them more intimate with one another. By this very fact, the contents of their consciousnesses is changed. On ordinary days, it is utilitarian and individual avocations which take the greater part of the attention. Every one attends to his own personal business; for most men, this primarily consists in satisfying the exigencies of material life, and the principal incentive to economic activity has always been private interest. Of course social sentiments could never be totally absent. We remain in relations with others; the habits, ideas and tendencies which education has impressed upon us and which ordinarily preside over our relations with others, continue to make their action felt. But they are constantly combated and held in check by the antagonistic tendencies aroused and supported by the necessities of the daily struggle. They resist more or less successfully, according to their intrinsic energy: but this energy is not renewed. They live upon their past, and consequently they would be used up in the course of time, if nothing returned to them a little of the force that they lose through these incessant conflicts and frictions. When the Australians, scattered in little groups, spend their time in hunting and fishing, they lose sight of what concerns their clan or tribe: their only thought is to catch as much game as possible. On feast days, on the contrary, these preoccupations are necessarily eclipsed; being essentially profane, they are excluded from these sacred periods. At this time, their thoughts are centred upon their common beliefs, their common traditions, the memory of their great ancestors, the collective ideal of which they are the incarnation; in a word, upon social things. Even the material interests which these great religious ceremonies are designed to satisfy concern the public order and are therefore social. Society as a whole is interested that the harvest be abundant, that the rain fall at the right time and not excessively, that the animals reproduce regularly. So it is society that is in the foreground of every consciousness; It dominates and directs all conduct; this is equivalent to saying that it is more living and active, and consequently more real, than in profane times. So men do not deceive themselves when they feel at this time that there is something outside of them which is born again, that there are forces which are reanimated and a life which reawakens. This renewal is in no way imaginary and the individuals themselves profit from it. For the spark of a social being which each bears within him necessarily participates in this collective renovation. The individual soul is regenerated too, by being dipped again in the source from which its life comes; consequently it feels itself stronger, more fully master of itself, less dependent upon physical necessities.
From Wild (2012)
I went to the health and beauty section and pumped free samples of lotion into my palms, rubbing several kinds all over my body, their discrete fragrances making me swoon—peach and coconut, lavender and tangerine. I pondered the sample tubes of lipstick and applied one called Plum Haze with one of the natural, organic, made-from-recycled-material Q-tip knockoffs that sat nearby in a medicinal-looking glass jar with a silver lid. I blotted with a natural, organic, made-from-recycled-material tissue and gazed at myself in a round mirror that stood on a pedestal near the lipstick display. I’d chosen Plum Haze because its shade was similar to the lipstick I wore in my regular, pre-PCT life, but now, with it on, I seemed to look like a clown, my mouth showy and manic against my weathered face. “Can I help you?” a woman with granny glasses and a nametag that said JEN G. asked me. “No, thanks,” I said. “I’m just looking.” “That shade is nice on you. It totally brings out the blue of your eyes.” “Do you think so?” I asked, feeling suddenly shy. I looked at myself in the little round mirror, as if I were genuinely contemplating whether to purchase Plum Haze. “I like your necklace too,” Jen G. said. “Starved. That’s funny.” I put my hand to it. “It says Strayed, actually. That’s my last name.” “Oh, yeah,” Jen G. said, stepping closer to see it. “I just looked at it wrong. It’s funny both ways.” “It’s an optical illusion,” I said. I walked down the aisles to the deli, where I pulled a coarse napkin from a dispenser and wiped the Plum Haze off my lips, and then perused the lemonade selection. They didn’t carry Snapple, much to my chagrin. I bought a natural, organic, fresh-squeezed, no-preservatives lemonade with the last money I had and returned with it to sit in front of the store. In my excitement to reach town, I hadn’t eaten lunch, so I got a protein bar and some stale nuts from my pack and ate them while forbidding myself to think about the meal I’d planned to have instead: a Caesar salad with a grilled chicken breast and a basket of crusty French bread that I’d dunk into olive oil and a Diet Coke to drink, with a banana split for dessert. I drank my lemonade and chatted with whoever approached: I spoke to a man from Michigan who’d moved to Ashland to attend the local college, and another who played the drums in a band; one woman who was a potter who specialized in goddess figures, and another who asked me in a European accent if I was going to the Jerry Garcia memorial celebration that night. She handed me a flyer that said Remembering Jerry across the top.
From Little Women (1868)
She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out. The clock struck six and, having swept up the hearth, Beth put a pair of slippers down to warm. Somehow the sight of the old shoes had a good effect upon the girls, for Mother was coming, and everyone brightened to welcome her. Meg stopped lecturing, and lighted the lamp, Amy got out of the easy chair without being asked, and Jo forgot how tired she was as she sat up to hold the slippers nearer to the blaze. "They are quite worn out. Marmee must have a new pair." "I thought I'd get her some with my dollar," said Beth. "No, I shall!" cried Amy. "I'm the oldest," began Meg, but Jo cut in with a decided, "I'm the man of the family now Papa is away, and I shall provide the slippers, for he told me to take special care of Mother while he was gone." "I'll tell you what we'll do," said Beth, "let's each get her something for Christmas, and not get anything for ourselves." "That's like you, dear! What will we get?" exclaimed Jo. Everyone thought soberly for a minute, then Meg announced, as if the idea was suggested by the sight of her own pretty hands, "I shall give her a nice pair of gloves." "Army shoes, best to be had," cried Jo. "Some handkerchiefs, all hemmed," said Beth. "I'll get a little bottle of cologne. She likes it, and it won't cost much, so I'll have some left to buy my pencils," added Amy. "How will we give the things?" asked Meg. "Put them on the table, and bring her in and see her open the bundles. Don't you remember how we used to do on our birthdays?" answered Jo.
From Little Women (1868)
March glanced at Meg, who was looking very pretty in her gingham morning gown, with the little curls blowing about her forehead, and very womanly, as she sat sewing at her little worktable, full of tidy white rolls, so unconscious of the thought in her mother's mind as she sewed and sang, while her fingers flew and her thoughts were busied with girlish fancies as innocent and fresh as the pansies in her belt, that Mrs. March smiled and was satisfied. "Two letters for Doctor Jo, a book, and a funny old hat, which covered the whole post office and stuck outside," said Beth, laughing as she went into the study where Jo sat writing. "What a sly fellow Laurie is! I said I wished bigger hats were the fashion, because I burn my face every hot day. He said, 'Why mind the fashion? Wear a big hat, and be comfortable!' I said I would if I had one, and he has sent me this, to try me. I'll wear it for fun, and show him I don't care for the fashion." And hanging the antique broad-brim on a bust of Plato, Jo read her letters. One from her mother made her cheeks glow and her eyes fill, for it said to her... My Dear: I write a little word to tell you with how much satisfaction I watch your efforts to control your temper. You say nothing about your trials, failures, or successes, and think, perhaps, that no one sees them but the Friend whose help you daily ask, if I may trust the well-worn cover of your guidebook. I, too, have seen them all, and heartily believe in the sincerity of your resolution, since it begins to bear fruit. Go on, dear, patiently and bravely, and always believe that no one sympathizes more tenderly with you than your loving... Mother "That does me good! That's worth millions of money and pecks of praise. Oh, Marmee, I do try! I will keep on trying, and not get tired, since I have you to help me." Laying her head on her arms, Jo wet her little romance with a few happy tears, for she had thought that no one saw and appreciated her efforts to be good, and this assurance was doubly precious, doubly encouraging, because unexpected and from the person whose commendation she most valued. Feeling stronger than ever to meet and subdue her Apollyon, she pinned the note inside her frock, as a shield and a reminder, lest she be taken unaware, and proceeded to open her other letter, quite ready for either good or bad news. In a big, dashing hand, Laurie wrote... Dear Jo, What ho! Some English girls and boys are coming to see me tomorrow and I want to have a jolly time.
From Little Women (1868)
Nobody will want me, and it's a mercy, for there should always be one old maid in a family." "You won't give anyone a chance," said Laurie, with a sidelong glance and a little more color than before in his sunburned face. "You won't show the soft side of your character, and if a fellow gets a peep at it by accident and can't help showing that he likes it, you treat him as Mrs. Gummidge did her sweetheart, throw cold water over him, and get so thorny no one dares touch or look at you." "I don't like that sort of thing. I'm too busy to be worried with nonsense, and I think it's dreadful to break up families so. Now don't say any more about it. Meg's wedding has turned all our heads, and we talk of nothing but lovers and such absurdities. I don't wish to get cross, so let's change the subject;" and Jo looked quite ready to fling cold water on the slightest provocation. Whatever his feelings might have been, Laurie found a vent for them in a long low whistle and the fearful prediction as they parted at the gate, "Mark my words, Jo, you'll go next." CHAPTER TWENTY-FIVE THE FIRST WEDDING The June roses over the porch were awake bright and early on that morning, rejoicing with all their hearts in the cloudless sunshine, like friendly little neighbors, as they were. Quite flushed with excitement were their ruddy faces, as they swung in the wind, whispering to one another what they had seen, for some peeped in at the dining room windows where the feast was spread, some climbed up to nod and smile at the sisters as they dressed the bride, others waved a welcome to those who came and went on various errands in garden, porch, and hall, and all, from the rosiest full-blown flower to the palest baby bud, offered their tribute of beauty and fragrance to the gentle mistress who had loved and tended them so long. Meg looked very like a rose herself, for all that was best and sweetest in heart and soul seemed to bloom into her face that day, making it fair and tender, with a charm more beautiful than beauty. Neither silk, lace, nor orange flowers would she have. "I don't want a fashionable wedding, but only those about me whom I love, and to them I wish to look and be my familiar self." So she made her wedding gown herself, sewing into it the tender hopes and innocent romances of a girlish heart. Her sisters braided up her pretty hair, and the only ornaments she wore were the lilies of the valley, which 'her John' liked best of all the flowers that grew. "You do look just like our own dear Meg, only so very sweet and lovely that I should hug you if it wouldn't crumple your dress," cried Amy, surveying her with delight when all was done.
From Little Women (1868)
"Happy as a queen, the dear! Every soul of 'em is upstairs a worshipin'. We didn't want no hurrycanes round. Now you go into the parlor, and I'll send 'em down to you," with which somewhat involved reply Hannah vanished, chuckling ecstatically. Presently Jo appeared, proudly bearing a flannel bundle laid forth upon a large pillow. Jo's face was very sober, but her eyes twinkled, and there was an odd sound in her voice of repressed emotion of some sort. "Shut your eyes and hold out your arms," she said invitingly. Laurie backed precipitately into a corner, and put his hands behind him with an imploring gesture. "No, thank you. I'd rather not. I shall drop it or smash it, as sure as fate." "Then you shan't see your nevvy," said Jo decidedly, turning as if to go. "I will, I will! Only you must be responsible for damages." and obeying orders, Laurie heroically shut his eyes while something was put into his arms. A peal of laughter from Jo, Amy, Mrs. March, Hannah, and John caused him to open them the next minute, to find himself invested with two babies instead of one. No wonder they laughed, for the expression of his face was droll enough to convulse a Quaker, as he stood and stared wildly from the unconscious innocents to the hilarious spectators with such dismay that Jo sat down on the floor and screamed. "Twins, by Jupiter!" was all he said for a minute, then turning to the women with an appealing look that was comically piteous, he added, "Take 'em quick, somebody! I'm going to laugh, and I shall drop 'em." Jo rescued his babies, and marched up and down, with one on each arm, as if already initiated into the mysteries of babytending, while Laurie laughed till the tears ran down his cheeks. "It's the best joke of the season, isn't it? I wouldn't have told you, for I set my heart on surprising you, and I flatter myself I've done it," said Jo, when she got her breath. "I never was more staggered in my life. Isn't it fun? Are they boys? What are you going to name them? Let's have another look. Hold me up, Jo, for upon my life it's one too many for me," returned Laurie, regarding the infants with the air of a big, benevolent Newfoundland looking at a pair of infantile kittens. "Boy and girl. Aren't they beauties?" said the proud papa, beaming upon the little red squirmers as if they were unfledged angels. "Most remarkable children I ever saw. Which is which?" and Laurie bent like a well-sweep to examine the prodigies. "Amy put a blue ribbon on the boy and a pink on the girl, French fashion, so you can always tell. Besides, one has blue eyes and one brown. Kiss them, Uncle Teddy," said wicked Jo. "I'm afraid they mightn't like it," began Laurie, with unusual timidity in such matters.
From Little Women (1868)
"Of course they will, they are used to it now. Do it this minute, sir!" commanded Jo, fearing he might propose a proxy. Laurie screwed up his face and obeyed with a gingerly peck at each little cheek that produced another laugh, and made the babies squeal. "There, I knew they didn't like it! That's the boy, see him kick, he hits out with his fists like a good one. Now then, young Brooke, pitch into a man of your own size, will you?" cried Laurie, delighted with a poke in the face from a tiny fist, flapping aimlessly about. "He's to be named John Laurence, and the girl Margaret, after mother and grandmother. We shall call her Daisey, so as not to have two Megs, and I suppose the mannie will be Jack, unless we find a better name," said Amy, with aunt-like interest. "Name him Demijohn, and call him Demi for short," said Laurie. "Daisy and Demi, just the thing! I knew Teddy would do it," cried Jo clapping her hands. Teddy certainly had done it that time, for the babies were 'Daisy' and 'Demi' to the end of the chapter. CHAPTER TWENTY-NINE CALLS "Come, Jo, it's time." "For what?" "You don't mean to say you have forgotten that you promised to make half a dozen calls with me today?" "I've done a good many rash and foolish things in my life, but I don't think I ever was mad enough to say I'd make six calls in one day, when a single one upsets me for a week." "Yes, you did, it was a bargain between us. I was to finish the crayon of Beth for you, and you were to go properly with me, and return our neighbors' visits." "If it was fair, that was in the bond, and I stand to the letter of my bond, Shylock. There is a pile of clouds in the east, it's not fair, and I don't go." "Now, that's shirking. It's a lovely day, no prospect of rain, and you pride yourself on keeping promises, so be honorable, come and do your duty, and then be at peace for another six months." At that minute Jo was particularly absorbed in dressmaking, for she was mantua-maker general to the family, and took especial credit to herself because she could use a needle as well as a pen. It was very provoking to be arrested in the act of a first trying-on, and ordered out to make calls in her best array on a warm July day. She hated calls of the formal sort, and never made any till Amy compelled her with a bargain, bribe, or promise. In the present instance there was no escape, and having clashed her scissors rebelliously, while protesting that she smelled thunder, she gave in, put away her work, and taking up her hat and gloves with an air of resignation, told Amy the victim was ready.
From Little Women (1868)
Just recollect the good aunts who have not only lectured and fussed, but nursed and petted, too often without thanks, the scrapes they have helped you out of, the tips they have given you from their small store, the stitches the patient old fingers have set for you, the steps the willing old feet have taken, and gratefully pay the dear old ladies the little attentions that women love to receive as long as they live. The bright-eyed girls are quick to see such traits, and will like you all the better for them, and if death, almost the only power that can part mother and son, should rob you of yours, you will be sure to find a tender welcome and maternal cherishing from some Aunt Priscilla, who has kept the warmest corner of her lonely old heart for 'the best nevvy in the world'. Jo must have fallen asleep (as I dare say my reader has during this little homily), for suddenly Laurie's ghost seemed to stand before her, a substantial, lifelike ghost, leaning over her with the very look he used to wear when he felt a good deal and didn't like to show it. But, like Jenny in the ballad... "She could not think it he," and lay staring up at him in startled silence, till he stooped and kissed her. Then she knew him, and flew up, crying joyfully... "Oh my Teddy! Oh my Teddy!" "Dear Jo, you are glad to see me, then?" "Glad! My blessed boy, words can't express my gladness. Where's Amy?" "Your mother has got her down at Meg's. We stopped there by the way, and there was no getting my wife out of their clutches." "Your what?" cried Jo, for Laurie uttered those two words with an unconscious pride and satisfaction which betrayed him. "Oh, the dickens! Now I've done it," and he looked so guilty that Jo was down on him like a flash. "You've gone and got married!" "Yes, please, but I never will again," and he went down upon his knees, with a penitent clasping of hands, and a face full of mischief, mirth, and triumph. "Actually married?" "Very much so, thank you." "Mercy on us. What dreadful thing will you do next?" and Jo fell into her seat with a gasp. "A characteristic, but not exactly complimentary, congratulation," returned Laurie, still in an abject attitude, but beaming with satisfaction. "What can you expect, when you take one's breath away, creeping in like a burglar, and letting cats out of bags like that? Get up, you ridiculous boy, and tell me all about it." "Not a word, unless you let me come in my old place, and promise not to barricade." Jo laughed at that as she had not done for many a long day, and patted the sofa invitingly, as she said in a cordial tone, "The old pillow is up garret, and we don't need it now.
From Little Women (1868)
There were to be no ceremonious performances, everything was to be as natural and homelike as possible, so when Aunt March arrived, she was scandalized to see the bride come running to welcome and lead her in, to find the bridegroom fastening up a garland that had fallen down, and to catch a glimpse of the paternal minister marching upstairs with a grave countenance and a wine bottle under each arm. "Upon my word, here's a state of things!" cried the old lady, taking the seat of honor prepared for her, and settling the folds of her lavender moire with a great rustle. "You oughtn't to be seen till the last minute, child." "I'm not a show, Aunty, and no one is coming to stare at me, to criticize my dress, or count the cost of my luncheon. I'm too happy to care what anyone says or thinks, and I'm going to have my little wedding just as I like it. John, dear, here's your hammer." And away went Meg to help 'that man' in his highly improper employment. Mr. Brooke didn't even say, "Thank you," but as he stooped for the unromantic tool, he kissed his little bride behind the folding door, with a look that made Aunt March whisk out her pocket handkerchief with a sudden dew in her sharp old eyes. A crash, a cry, and a laugh from Laurie, accompanied by the indecorous exclamation, "Jupiter Ammon! Jo's upset the cake again!" caused a momentary flurry, which was hardly over when a flock of cousins arrived, and 'the party came in', as Beth used to say when a child. "Don't let that young giant come near me, he worries me worse than mosquitoes," whispered the old lady to Amy, as the rooms filled and Laurie's black head towered above the rest. "He has promised to be very good today, and he can be perfectly elegant if he likes," returned Amy, and gliding away to warn Hercules to beware of the dragon, which warning caused him to haunt the old lady with a devotion that nearly distracted her. There was no bridal procession, but a sudden silence fell upon the room as Mr. March and the young couple took their places under the green arch. Mother and sisters gathered close, as if loath to give Meg up. The fatherly voice broke more than once, which only seemed to make the service more beautiful and solemn. The bridegroom's hand trembled visibly, and no one heard his replies. But Meg looked straight up in her husband's eyes, and said, "I will!" with such tender trust in her own face and voice that her mother's heart rejoiced and Aunt March sniffed audibly. Jo did not cry, though she was very near it once, and was only saved from a demonstration by the consciousness that Laurie was staring fixedly at her, with a comical mixture of merriment and emotion in his wicked black eyes.
From Little Women (1868)
"Laurie, my lad, if you ever want to indulge in this sort of thing, get one of those little girls to help you, and I shall be perfectly satisfied," said Mr. Laurence, settling himself in his easy chair to rest after the excitement of the morning. "I'll do my best to gratify you, Sir," was Laurie's unusually dutiful reply, as he carefully unpinned the posy Jo had put in his buttonhole. The little house was not far away, and the only bridal journey Meg had was the quiet walk with John from the old home to the new. When she came down, looking like a pretty Quakeress in her dove-colored suit and straw bonnet tied with white, they all gathered about her to say 'good-by', as tenderly as if she had been going to make the grand tour. "Don't feel that I am separated from you, Marmee dear, or that I love you any the less for loving John so much," she said, clinging to her mother, with full eyes for a moment. "I shall come every day, Father, and expect to keep my old place in all your hearts, though I am married. Beth is going to be with me a great deal, and the other girls will drop in now and then to laugh at my housekeeping struggles. Thank you all for my happy wedding day. Good-by, good-by!" They stood watching her, with faces full of love and hope and tender pride as she walked away, leaning on her husband's arm, with her hands full of flowers and the June sunshine brightening her happy face—and so Meg's married life began. CHAPTER TWENTY-SIX ARTISTIC ATTEMPTS It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women. Amy was learning this distinction through much tribulation, for mistaking enthusiasm for inspiration, she attempted every branch of art with youthful audacity. For a long time there was a lull in the 'mud-pie' business, and she devoted herself to the finest pen-and-ink drawing, in which she showed such taste and skill that her graceful handiwork proved both pleasant and profitable. But over-strained eyes caused pen and ink to be laid aside for a bold attempt at poker-sketching. While this attack lasted, the family lived in constant fear of a conflagration, for the odor of burning wood pervaded the house at all hours, smoke issued from attic and shed with alarming frequency, red-hot pokers lay about promiscuously, and Hannah never went to bed without a pail of water and the dinner bell at her door in case of fire. Raphael's face was found boldly executed on the underside of the moulding board, and Bacchus on the head of a beer barrel. A chanting cherub adorned the cover of the sugar bucket, and attempts to portray Romeo and Juliet supplied kindling for some time. From fire to oil was a natural transition for burned fingers, and Amy fell to painting with undiminished ardor.
From Little Women (1868)
Dear me, how delighted they all were, to be sure! How Meg wouldn't believe it till she saw the words. "Miss Josephine March," actually printed in the paper. How graciously Amy criticized the artistic parts of the story, and offered hints for a sequel, which unfortunately couldn't be carried out, as the hero and heroine were dead. How Beth got excited, and skipped and sang with joy. How Hannah came in to exclaim, "Sakes alive, well I never!" in great astonishment at 'that Jo's doin's'. How proud Mrs. March was when she knew it. How Jo laughed, with tears in her eyes, as she declared she might as well be a peacock and done with it, and how the 'Spread Eagle' might be said to flap his wings triumphantly over the House of March, as the paper passed from hand to hand. "Tell us about it." "When did it come?" "How much did you get for it?" "What will Father say?" "Won't Laurie laugh?" cried the family, all in one breath as they clustered about Jo, for these foolish, affectionate people made a jubilee of every little household joy. "Stop jabbering, girls, and I'll tell you everything," said Jo, wondering if Miss Burney felt any grander over her Evelina than she did over her 'Rival Painters'. Having told how she disposed of her tales, Jo added, "And when I went to get my answer, the man said he liked them both, but didn't pay beginners, only let them print in his paper, and noticed the stories. It was good practice, he said, and when the beginners improved, anyone would pay. So I let him have the two stories, and today this was sent to me, and Laurie caught me with it and insisted on seeing it, so I let him. And he said it was good, and I shall write more, and he's going to get the next paid for, and I am so happy, for in time I may be able to support myself and help the girls." Jo's breath gave out here, and wrapping her head in the paper, she bedewed her little story with a few natural tears, for to be independent and earn the praise of those she loved were the dearest wishes of her heart, and this seemed to be the first step toward that happy end. CHAPTER FIFTEEN A TELEGRAM "November is the most disagreeable month in the whole year," said Margaret, standing at the window one dull afternoon, looking out at the frostbitten garden. "That's the reason I was born in it," observed Jo pensively, quite unconscious of the blot on her nose. "If something very pleasant should happen now, we should think it a delightful month," said Beth, who took a hopeful view of everything, even November. "I dare say, but nothing pleasant ever does happen in this family," said Meg, who was out of sorts. "We go grubbing along day after day, without a bit of change, and very little fun.