Contempt
Contempt is the cold emotion — not heat but a lowering of the gaze, the slight curl of the lip, the sense that something or someone has fallen beneath serious response. Where anger still believes the other can be reached, contempt has stopped believing it. Vela reads contempt as a primary emotion with a particular danger to it, distinct from the anger it cools into, and attends to what it costs both the one who feels it and the one it is aimed at.
Working definition · Cold disregard—the sense that something or someone is beneath serious response.
5055 passages · 1 Vela essay · in 1 cluster
Vela’s read on this emotion
Contempt is the most corrosive of the emotions Vela reads, and the reading does not soften that. Anger can clear the air; contempt poisons it slowly, because it has already decided the other does not merit the effort of being addressed. The writers worth following have read contempt as a verdict, and verdicts are the things relationships least survive.
The reading is densest where contempt has been organized against a group or turned against the self. The literature of stigma reads how contempt does its social work — the look that places a person below the line of full regard, aimed at the poor, the sick, the foreign, the queer. Erving Goffman's The Presentation of Self in Everyday Life maps the small social machinery through which standing is granted and withdrawn, which is the stage contempt performs on. The memoir of family harm holds the particular wound of a parent's contempt — worse, often, than a parent's anger, because contempt withdraws the relationship rather than engaging it. Self-contempt, the gaze turned inward, is the form chronic shame takes once it has built a settled stance toward its own bearer.
Contempt is not the same as anger, disgust, or hatred. Anger engages; contempt dismisses. Disgust recoils from contamination; contempt looks down from a height. Hatred is hot and attentive; contempt is cold and inattentive, which is part of why it wounds. The four overlap and the reading keeps them separate, because contempt's coldness is precisely the thing that distinguishes it.
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5055 tagged passages
From The Decameron (1353)
There used to be, and belike is yet, a custom, in all maritime places which have a port, that all merchants who come thither with merchandise, having unloaded it, should carry it all into a warehouse, which is in many places called a customhouse, kept by the commonality or by the lord of the place. There they give unto those who are deputed to that end a note in writing of all their merchandise and the value thereof, and they thereupon make over to each merchant a storehouse, wherein he layeth up his goods under lock and key. Moreover, the said officers enter in the book of the Customs, to each merchant's credit, all his merchandise, causing themselves after he paid their dues of the merchants, whether for all his said merchandise or for such part thereof as he withdraweth from the customhouse. By this book of the Customs the brokers mostly inform themselves of the quality and the quantity of the goods that are in bond there and also who are the merchants that own them; and with these latter, as occasion serveth them, they treat of exchanges and barters and sales and other transactions. This usance, amongst many other places, was current at Palermo in Sicily, where likewise there were and are yet many women, very fair of their person, but sworn enemies to honesty, who would be and are by those who know them not held great ladies and passing virtuous and who, being given not to shave, but altogether to flay men, no sooner espy a merchant there than they inform themselves by the book of the Customs of that which he hath there and how much he can do;[414] after which by their lovesome and engaging fashions and with the most dulcet words, they study to allure the said merchants and draw them into the snare of their love; and many an one have they aforetime lured thereinto, from whom they have wiled great part of their merchandise; nay, many have they despoiled of all, and of these there be some who have left goods and ship and flesh and bones in their hands, so sweetly hath the barberess known to ply the razor. [Footnote 414: _i.e._ what he is worth.]
From The Confessions of Saint Augustine (354)
Behold, O Lord God, yea, behold patiently as Thou art wont how carefully the sons of men observe the covenanted rules of letters and syllables received from those who spake before them, neglecting the eternal covenant of everlasting salvation received from Thee. Insomuch, that a teacher or learner of the hereditary laws of pronunciation will more offend men by speaking without the aspirate, of a “uman being,” in despite of the laws of grammar, than if he, a “human being,” hate a “human being” in despite of Thine. As if any enemy could be more hurtful than the hatred with which he is incensed against him; or could wound more deeply him whom he persecutes, than he wounds his own soul by his enmity. Assuredly no science of letters can be so innate as the record of conscience, “that he is doing to another what from another he would be loth to suffer.” How deep are Thy ways, O God, Thou only great, that sittest silent on high and by an unwearied law dispensing penal blindness to lawless desires. In quest of the fame of eloquence, a man standing before a human judge, surrounded by a human throng, declaiming against his enemy with fiercest hatred, will take heed most watchfully, lest, by an error of the tongue, he murder the word “human being”; but takes no heed, lest, through the fury of his spirit, he murder the real human being.
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
2. "The former of these sins is the more common in the present age. There is scarcely any one whom his wealth permits to be sumptuous, who is not delighted with luxurious splendor in his entertainments, in his dress, and in his buildings; who does not desire a pre-eminence in every species of luxury; who does not strangely flatter himself on his elegance. And all these things are defended under the pretext of Christian liberty. They allege that they are things indifferent. This, I admit, provided they be indifferently used. But where they are too ardently coveted, proudly boasted, or luxuriously lavished, these things, of themselves otherwise indifferent, are completely polluted by such vices. This passage of Paul makes an excellent distinction respecting things which are indifferent: ’Unto the pure, all things are pure: but unto them that are defiled and unbelieving, is nothing pure; but even their mind and conscience is defiled’ (Titus 1:15). For why are curses denounced on rich men, who ’receive their consolation,’ who are ’satiated,’ who ’now laugh,’ who ’lie on beds of ivory,’ who ’join field to field,’ who ’have the harp and lyre, and the tabret, and wine in their feasts?’ (Luke 6:24, 25; Amos 6:1; Isa. 5:8). Ivory and gold and riches of all kinds are certainly blessings of divine providence, not only permitted, but expressly designed for the use of men; nor are we anywhere prohibited to laugh, or to be satiated with food, or to annex new possessions to those already enjoyed by ourselves or by our ancestors, or to be delighted with musical harmony, or to drink wine. This, indeed, is true; but amidst an abundance of all things, to be immersed in sensual delights, to inebriate the heart and mind with present pleasures, and perpetually to grasp at new ones, these things are very remote from a legitimate use of the divine blessings. Let them banish, therefore, immoderate cupidity, excessive profusion, vanity, and arrogance; that with a pure conscience they may make a proper use of the gifts of God. When their hearts shall be formed to this sobriety, they will have a rule for the legitimate enjoyment of them. On the contrary, without this moderation, even the common pleasures of the vulgar are chargeable with excess. For it is truly observed, that a proud heart frequently dwells under coarse and ragged garments, and that simplicity and humility are sometimes concealed under purple and fine linen.
From Another Country (1962)
So he walked. He passed the great livid scar of Forty-second Street, knowing that he could not endure sitting through a movie tonight; and on, down lonely Sixth Avenue, until he came to the Village. Again, he thought of calling Eric and again dismissed it. He walked eastward to the park; there were no singers there tonight, only shadows in the shadows of the trees; and a policeman coming into the park as he walked out of it. He walked along MacDougal Street. Here were the black-and-white couples, defiantly white, flamboyantly black; and the Italians watched them, hating them, hating, in fact, all the Villagers, who gave their streets a bad name. The Italians, after all merely wished to be accepted as decent Americans and probably could not be blamed for feeling that they might have had an easier time of it if they had not been afflicted with so many Jews and junkies and drunkards and queers and spades. Vivaldo peered into the bars and coffee houses, half-hoping to see a familiar and bearable face. But there were only the rat-faced boys, with beards, and the infantile, shapeless girls, with the long hair. “How’re you and your spade chick making it?” He turned, and it was Jane. She was drunk and with an uptown, seersucker type, who probably worked in advertising. He stared at her and she said, quickly, with a laugh, “Oh, now, don’t get mad, I was only teasing you. Don’t old girl friends have some rights?” And to the man beside her, she said, “This is an old friend of mine, Vivaldo Moore. And this is Dick Lincoln.” Vivaldo and Dick Lincoln acknowledged each other with brief, constrained nods. “How are you, Jane?” Vivaldo asked, politely; beginning to move, at the same time, in what he hoped was not their direction. But they, naturally, began to move with him. “Oh, I’m fine,” she said. “I seem to have made an incredible recovery—” “Have you been ill?” She looked at him. “Yes, as a matter of fact. Nerves. Due to a love affair that didn’t work out.” “Someone I know?” She laughed, breathily. “You bastard.” “It’s just that I’m terribly accustomed to your dramatics. But I’m glad that everything’s working out for you now.” “Oh, everything’s fine now,” she said, and made a grotesquely girlish little skip, holding heavily onto Lincoln’s hand. “Dick doesn’t care much about soul-searching, but he’s good at what he cares about.” The man she thus described moved stiffly beside her, his face a ruddy mask of uncertainty, clearly determined to do the right thing, whatever the right thing might prove to be. “Come and have a drink with us,” Jane said.
From Another Country (1962)
I’m sorry you don’t like me. Maybe one of these days you ought to ask yourself why. It’s no good blaming me, you know, if you don’t know how to get or how to hold on to what you want.” Then he turned and left. Vivaldo watched the short legs going up the stairs into the street. He wiped his forehead with his wet handkerchief and the three of them sat in silence for a moment. Then, “I’m going to call Cass,” Vivaldo said, and rose and walked toward the phone booth in the back. “I understand,” said Ida, carefully, “that you were a very good friend of my brother’s.” “Yes,” he said, “I was. Or at least I tried to be.” “Did you find it so very hard—to be his friend?” “No. No, I hadn’t meant to suggest that.” He tried to smile. “He was very wrapped up in his music, he was very much—himself. I was younger then, I may not always have—understood.” He felt sweat in his armpits, on his forehead, between his legs. “Oh.” She looked at him from very far away. “You may have wanted more from him than he could give. Many people did, men and women.” She allowed this to hang between them for an instant. Then, “He was terribly attractive, wasn’t he? I always think that that was the reason he died, that he was too attractive and didn’t know how—how to keep people away.” She sipped her drink. “People don’t have any mercy. They tear you limb from limb, in the name of love. Then, when you’re dead, when they’ve killed you by what they made you go through, they say you didn’t have any character. They weep big, bitter tears—not for you. For themselves, because they’ve lost their toy.” “That’s a terribly grim view,” he said, “of love.” “I know what I’m talking about. That’s what most people mean, when they say love.” She picked up a cigarette and waited for him to light it. “Thank you. You weren’t here, you never saw Rufus’s last girl friend—a terrible little whore of a nymphomaniac, from Georgia. She wouldn’t let him go, he tried all kinds of ways of getting away from her. He even thought of running away to Mexico. She got him so he couldn’t work—I swear, there’s nothing like a Southern white person, especially a Southern woman, when she gets her hooks into a Negro man.” She blew a great cloud of smoke above his head. “And now she’s still living, the filthy white slut, and Rufus is dead.” He said, hoping that she would really hear him but knowing she would not, perhaps could not, “I hope you don’t think I loved your brother in that terrible way that you describe. I think we really were very good friends, and—and it was an awful shock for me to hear that he was dead. I was in Paris when I heard.” “Oh!
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
The direct assault upon Christianity, by works devoted to the purpose, began about the middle of the second century, and was very ably conducted by a Grecian philosopher, Celsus, otherwise unknown; according to Origen, an Epicurean with many Platonic ideas, and a friend of Lucian. He wrote during the persecuting reign of Marcus Aurelius.76 Celsus, with all his affected or real contempt for the new religion, considered it important enough to be opposed by an extended work entitled "A True Discourse," of which Origen, in his Refutation, has faithfully preserved considerable fragments.77 These represent their author as an eclectic philosopher of varied culture, skilled in dialectics, and familiar with the Gospels, Epistles, and even the writings of the Old Testament. He speaks now in the frivolous style of an Epicurean, now in the earnest and dignified tone of a Platonist. At one time he advocates the popular heathen religion, as, for instance, its doctrine of demons; at another time he rises above the polytheistic notions to a pantheistic or sceptical view. He employs all the aids which the culture of his age afforded, all the weapons of learning, common sense, wit, sarcasm, and dramatic animation of style, to disprove Christianity; and he anticipates most of the arguments and sophisms of the deists and infidels of later times. Still his book is, on the whole, a very superficial, loose, and light-minded work, and gives striking proof of the inability of the natural reason to understand the Christian truth. It has no savor of humility, no sense of the corruption of human nature, and man’s need of redemption; it is full of heathen passion and prejudice, utterly blind to any spiritual realities, and could therefore not in the slightest degree appreciate the glory of the Redeemer and of his work. It needs no refutation, it refutes itself.
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
Here was the point where they necessarily assumed a schismatic character, and arrayed against themselves the episcopal hierarchy. But they only brought another kind of aristocracy into the place of the condemned distinction of clergy and laity. They claimed for their prophets what they denied to the Catholic bishops. They put a great gulf between the true spiritual Christians and the merely psychical; and this induced spiritual pride and false pietism. Their affinity with the Protestant idea of the universal priesthood is more apparent than real; they go on altogether different principles. 3. Another of the essential and prominent traits of Montanism was a visionary millennarianism, founded indeed on the Apocalypse and on the apostolic expectation of the speedy return of Christ, but giving it extravagant weight and a materialistic coloring. The Montanists were the warmest millennarians in the ancient church, and held fast to the speedy return of Christ in glory, all the more as this hope began to give way to the feeling of a long settlement of the church on earth, and to a corresponding zeal for a compact, solid episcopal organization. In praying, "Thy kingdom come," they prayed for the end of the world. They lived under a vivid impression of the great final catastrophe, and looked therefore with contempt upon the present order of things, and directed all their desires to the second advent of Christ. Maximilla says: "After me there is no more prophecy, but only the end of the world."770 The failure of these predictions weakened, of course, all the other pretensions of the system. But, on the other hand, the abatement of faith in the near approach of the Lord was certainly accompanied with an increase of worldliness in the Catholic church. The millennarianism of the Montanists has reappeared again and again in widely differing forms. 4. Finally, the Montanistic sect was characterized by fanatical severity in asceticism and church discipline. It raised a zealous protest against the growing looseness of the Catholic penitential discipline, which in Rome particularly, under Zephyrinus and Callistus, to the great grief of earnest minds, established a scheme of indulgence for the grossest sins, and began, long before Constantine, to obscure the line between the church and the world. Tertullian makes the restoration of a rigorous discipline the chief office of the new prophecy.771
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
The patriot, the good citizen, and the Christian were to him one and the same. He occupied the theocratic standpoint of the Old Testament. The preacher is a prophet: his duty is to instruct, to exhort, to comfort, to rebuke sin in high and low places, and to build up the kingdom of God; his weapon is the Word of God. The duty of the magistracy is to obey the gospel, to protect religion, to punish wickedness. Calvin took the same position in Geneva, and carried it out much more fully than Zwingli. The bishop of Constance, to whose diocese Zurich belonged, opposed the Reformation; and so did the other bishops of Switzerland. Hence the civil magistracy assumed the episcopal rights and jurisdiction, under the spiritual guidance of the Reformers. It first was impartial, and commanded the preachers of the canton to teach the Word of God, and to be silent about the traditions of men (1520). Then it prohibited the violation of the Church fasts (1522), and punished the image-breakers, in the interest of law and order (1523). But soon afterwards it openly espoused the cause of reform in the disputation of 1523, and authorized the abolition of the old worship and the introduction of the new (1524 and 1525). It confiscated the property of the churches and convents, and took under its control the regulation of marriage, the care of the poor, and the education of the clergy. The Church was reduced legally to a state of dependence, though she was really the moving and inspiring power of the State, and was supported by public sentiment. In a republic the majority of the people rule, and the minority must submit. The only dissenters in Zurich were a small number of Romanists and Anabaptists, who were treated with the same disregard of the rights of conscience as the Protestants in Roman Catholic countries, only with a lesser degree of severity. The Reformers refused to others the right of protest which they claimed and exercised for themselves, and the civil magistracy visited the poor Anabaptists with capital punishment. The example of Zurich was followed by the other cantons in which the Reformation triumphed. Each has its own ecclesiastical establishment, which claims spiritual jurisdiction over all the citizens of its territory. There is no national Reformed Church of Switzerland, with a centre of unity.
From Another Country (1962)
He pushed her drink toward her, but she did not touch it. “I knew there wasn’t any hope uptown. A lot of those men, they got their little deals going and all that, but they don’t really have anything, Mr. Charlie’s not going to let them get but so far. Those that really do have something would never have any use for me; I’m too dark for them, they see girls like me on Seventh Avenue every day. I knew what they would do to me.” And now he knew that he did not want to hear the rest of her story. He thought of himself on Seventh Avenue; perhaps he had never left. He thought of the day behind him, of Eric and Cass and Richard, and felt himself now being sucked into the rapids of a mysterious defeat. “There was only one thing for me to do, as Rufus used to say, and that was to hit the A train. So I hit it. Nothing was clear in my mind at first. I used to see the way white men watched me, like dogs. And I thought about what I could do to them. How I hated them, the way they looked, and the things they’d say, all dressed up in their damn white skin, and their clothes just so, and their little weak, white pricks jumping in their drawers. You could do any damn thing with them if you just led them along, because they wanted to do something dirty and they knew that you knew how. All black people knew that. Only, the polite ones didn’t say dirty. They said real. I used to wonder what in the world they did in bed, white people I mean, between themselves, to get them so sick. Because they are sick, and I’m telling you something that I know. I had a couple of girl friends and we used to go out every once in a while with some of these shitheads. But they were smart, too, they knew that they were white, and they could always go back home, and there wasn’t a damn thing you could do about it. I thought to myself, Shit, this scene is not for me. Because I didn’t want their little change, I didn’t want to be at their mercy. I wanted them to be at mine.” She sipped her drink. “Well, you were calling me all the time about that time, but I didn’t really think about you very much, not seriously anyway. I liked you, but I certainly hadn’t planned to get hung up on a white boy who didn’t have any money—in fact, I hadn’t planned to get hung up on anybody. But I liked you, and the few times I saw you it was a kind of—relief—from all those other, horrible people. You were really nice to me.
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
He was far from being so pure and so venerable as Eusebius, blinded by his favor to the church, depicts him, in his bombastic and almost dishonestly eulogistic biography, with the evident intention of setting him up as a model for all future Christian princes. It must, with all regret, be conceded, that his progress in the knowledge of Christianity was not a progress in the practice of its virtues. His love of display and his prodigality, his suspiciousness and his despotism, increased with his power. The very brightest period of his reign is stained with gross crimes, which even the spirit of the age and the policy of an absolute monarch cannot excuse. After having reached, upon the bloody path of war, the goal of his ambition, the sole possession of the empire, yea, in the very year in which he summoned the great council of Nicaea, he ordered the execution of his conquered rival and brother-in-law, Licinius, in breach of a solemn promise of mercy (324).10 Not satisfied with this, he caused soon afterwards, from political suspicion, the death of the young Licinius, his nephew, a boy of hardly eleven years. But the worst of all is the murder of his eldest son, Crispus, in 326, who had incurred suspicion of political conspiracy, and of adulterous and incestuous purposes towards his step-mother Fausta, but is generally regarded as innocent. This domestic and political tragedy emerged from a vortex of mutual suspicion and rivalry, and calls to mind the conduct of Philip II. towards Don Carlos, of Peter the Great towards his son Alexis, and of Soliman the Great towards his son Mustapha. Later authors assert, though gratuitously, that the emperor, like David, bitterly repented of this sin. He has been frequently charged besides, though it would seem altogether unjustly, with the death of his second wife Fausta (326?), who, after twenty years, of happy wedlock, is said to have been convicted of slandering her stepson Crispus, and of adultery with a slave or one of the imperial guards, and then to have been suffocated in the vapor of an over-heated bath. But the accounts of the cause and manner of her death are so late and discordant as to make Constantine’s part in it at least very doubtful.11 At all events Christianity did not produce in Constantine a thorough moral transformation. He was concerned more to advance the outward social position of the Christian religion, than to further its inward mission. He was praised and censured in turn by the Christians and Pagans, the Orthodox and the Arians, as they successively experienced his favor or dislike.
From Another Country (1962)
He walked eastward to the park; there were no singers there tonight, only shadows in the shadows of the trees; and a policeman coming into the park as he walked out of it. He walked along MacDougal Street. Here were the black-and-white couples, defiantly white, flamboyantly black; and the Italians watched them, hating them, hating, in fact, all the Villagers, who gave their streets a bad name. The Italians, after all merely wished to be accepted as decent Americans and probably could not be blamed for feeling that they might have had an easier time of it if they had not been afflicted with so many Jews and junkies and drunkards and queers and spades. Vivaldo peered into the bars and coffee houses, half-hoping to see a familiar and bearable face. But there were only the rat-faced boys, with beards, and the infantile, shapeless girls, with the long hair. “How’re you and your spade chick making it?” He turned, and it was Jane. She was drunk and with an uptown, seersucker type, who probably worked in advertising. He stared at her and she said, quickly, with a laugh, “Oh, now, don’t get mad, I was only teasing you. Don’t old girl friends have some rights?” And to the man beside her, she said, “This is an old friend of mine, Vivaldo Moore. And this is Dick Lincoln.” Vivaldo and Dick Lincoln acknowledged each other with brief, constrained nods. “How are you, Jane?” Vivaldo asked, politely; beginning to move, at the same time, in what he hoped was not their direction. But they, naturally, began to move with him. “Oh, I’m fine,” she said. “I seem to have made an incredible recovery—” “Have you been ill?” She looked at him. “Yes, as a matter of fact. Nerves. Due to a love affair that didn’t work out.” “Someone I know?” She laughed, breathily. “You bastard.” “It’s just that I’m terribly accustomed to your dramatics. But I’m glad that everything’s working out for you now.” “Oh, everything’s fine now,” she said, and made a grotesquely girlish little skip, holding heavily onto Lincoln’s hand. “Dick doesn’t care much about soul-searching, but he’s good at what he cares about.” The man she thus described moved stiffly beside her, his face a ruddy mask of uncertainty, clearly determined to do the right thing, whatever the right thing might prove to be. “Come and have a drink with us,” Jane said. They were standing on the corner, in the lights spilling outward from a bar. The light illumined and horribly distorted her face, so that her eyes looked like coals of fire and her mouth stretched joylessly back upon the gums. “For old times’ sake.” “No, thank you,” he said. “I’m going on home. I’ve had a long, hard day.” “Rushing home to your chick?” “Good thing to rush home to, if you’ve got one,” Dick Lincoln said, putting his pink, nerveless hand on Jane’s shoulder.
From Another Country (1962)
And his face darkened and his large mouth grew bitter. His mother had been a bistro waitress when the Germans came to Paris. Yves had then been five years old and his father had vanished so long before that Yves could scarcely remember him. But he remembered watching his mother with the Germans. “She was really a putain. I remember many times sitting in the café, watching her. She did not know I was watching—anyway, old people think that children never see anything. The bar was very long, and it curved. I would always be sitting behind it, at the far end, around the curve. There was a mirror above me and I could see them in the mirror. And I could see them in the zinc of the bar. I remember their uniforms and the shine on their leather boots. They were always extremely correct—not like the Americans who came later. She would always be laughing, and she moved very fast. Someone’s hand was always on her—in her bosom, up her leg. There was always another one at our house, the whole German army, coming all the time. How horrible a people.” And then, as though to give his mother a possible, reluctant justice: “Later, she says that she do it for me, that we would not have eaten otherwise. But I do not believe that. I think she liked that. I think she was always a whore. She always managed everything that way. When the Americans came, she found a very pretty officer. He was very nice to me, I must say—he had a son of his own in the States that he had only seen one time, and he pretended that I was his son, though I was much older than his son would have been. He made me wish that I had a father, one father, especially”—he grinned—“an American father, who liked to buy you things and take you on his shoulder everywhere. I was sorry when he went away. I am sure that it was he who kept her from getting her head shaved, as she deserved. She told all kinds of lies about her work in the Resistance. Quelle horreur! that whole time, it was not very pretty. Many women had their heads shaved, sometimes for nothing, you know? just because they were pretty or someone was jealous or they had refused to sleep with someone. But not my mother. Nous, nous étions tranquille avec nôtre petit officier and our beefsteak and our chocolate candy.” Then, with a laugh: “Now, she owns that bistro where she used to work. You see what kind of woman she is? I never go there.”
From The Elementary Forms of the Religious Life (1915)
Magic, too, is made up of beliefs and rites. Like religion, it has its myths and its dogmas; only they are more elementary, undoubtedly because, seeking technical and utilitarian ends, it does not waste its time in pure speculation. It has its ceremonies, sacrifices, lustrations, prayers, chants and dances as well. The beings which the magician invokes and the forces which he throws in play are not merely of the same nature as the forces and beings to which religion addresses itself; very frequently, they are identically the same. Thus, even with the most inferior societies, the souls of the dead are essentially sacred things, and the object of religious rites. But at the same time, they play a considerable rôle in magic. In Australia[74] as well as in Melanesia,[75] in Greece as well as among the Christian peoples,[76] the souls of the dead, their bones and their hair, are among the intermediaries used the most frequently by the magician. Demons are also a common instrument for magic action. Now these demons are also beings surrounded with interdictions; they too are separated and live in a world apart, so that it is frequently difficult to distinguish them from the gods properly so-called.[77] Moreover, in Christianity itself, is not the devil a fallen god, or even leaving aside all question of his origin, does he not have a religious character from the mere fact that the hell of which he has charge is something indispensable to the Christian religion? There are even some regular and official deities who are invoked by the magician. Sometimes these are the gods of a foreign people; for example, Greek magicians called upon Egyptian, Assyrian or Jewish gods. Sometimes, they are even national gods: Hecate and Diana were the object of a magic cult; the Virgin, Christ and the saints have been utilized in the same way by Christian magicians.[78] Then will it be necessary to say that magic is hardly distinguishable from religion; that magic is full of religion just as religion is full of magic, and consequently that it is impossible to separate them and to define the one without the other? It is difficult to sustain this thesis, because of the marked repugnance of religion for magic, and in return, the hostility of the second towards the first. Magic takes a sort of professional pleasure in profaning holy things;[79] in its rites, it performs the contrary of the religious ceremony.[80] On its side, religion, when it has not condemned and prohibited magic rites, has always looked upon them with disfavour. As Hubert and Mauss have remarked, there is something thoroughly anti-religious in the doings of the magician.[81] Whatever relations there may be between these two sorts of institutions, it is difficult to imagine their not being opposed somewhere; and it is still more necessary for us to find where they are differentiated, as we plan to limit our researches to religion, and to stop at the point where magic commences.
From Educated (2018)
What, you forgot again?” “You didn’t want it!” she said, her eyes shining like glass. “I gave it to Charles!” “Go get it.” “I’ll buy you another.” “No,” Shawn said, his eyes cold. His baby teeth, which usually gave him an impish, playful appearance, now made him seem unpredictable, volatile. “I want that one. Get it, or don’t come back.” A tear slid down Sadie’s cheek, smearing her mascara. She paused for a moment to wipe it away and pull up her smile. Then she walked over to Charles and, laughing as if it were nothing, asked if she could have the Snickers. He reached into his pocket and pulled it out, then watched her walk back to Shawn. Sadie placed the Snickers in his palm like a peace offering and waited, staring at the carpet. Shawn pulled her onto his lap and ate the bar in three bites. “You have lovely eyes,” he said. “Just like a fish.” —SADIE’S PARENTS WERE DIVORCING and the town was awash in rumors about her father. When Mother heard the rumors, she said now it made sense why Shawn had taken an interest in Sadie. “He’s always protected angels with broken wings,” she said. Shawn found out Sadie’s class schedule and memorized it. He made a point of driving to the high school several times a day, particularly at those times when he knew she’d be moving between buildings. He’d pull over on the highway and watch her from a distance, too far for her to come over, but not so far that she wouldn’t see him. It was something we did together, he and I, nearly every time we went to town, and sometimes when we didn’t need to go to town at all. Until one day, when Sadie appeared on the steps of the high school with Charles. They were laughing together; Sadie hadn’t noticed Shawn’s truck. I watched his face harden, then relax. He smiled at me. “I have the perfect punishment,” he said. “I simply won’t see her. All I have to do is not see her, and she will suffer.” He was right. When he didn’t return her calls, Sadie became desperate. She told the boys at school not to walk with her, for fear Shawn would see, and when Shawn said he disliked one of her friends, she stopped seeing them. Sadie came to our house every day after school, and I watched the Snickers incident play out over and over, in different forms, with different objects. Shawn would ask for a glass of water. When Sadie brought it, he’d want ice. When she brought that he’d ask for milk, then water again, ice, no ice, then juice. This could go on for thirty minutes before, in a final test, he would ask for something we didn’t have. Then Sadie would drive to town to buy it—vanilla ice cream, fries, a burrito—only to have him demand something else the moment she got back.
From Another Country (1962)
He was thinking, I guess I really am going to have to tell them, I’m going to have to make them accept it . And then, at once, Oh, fuck it, why? He glanced again at Ida. She was smoking a cigarette and leafing through a magazine. “Well,” said his mother, doubtfully, more than willing, albeit in her fashion, to come flying down the road to meet him, “try to bring her to the party. Everybody will be here and they all ask about you, we haven’t seen you in so long. I know your father misses you though he’ll never say a thing and Stevie misses you, too, and we all do, Danny.” They called him Danny at home. Everybody: his sister and his brother-in-law, his brother and father and mother, the uncles and aunts and cousins, and the resulting miasma of piety and malice and suspicion and fear. The invincible chatter of people, concerning people, who had no reality for him, the talk about money, of children’s illnesses, of doctor’s bills, of pregnancies, of unlikely and unlovely infidelities occurring between ciphers and neuters in a vacuum, the ditchwater-dull, infantile dirty stories, and the insane talk about politics. They should, really, all of them, still be living in stables, with horses and cows, and should not be expected to tax themselves with matters beyond their comprehension. He hated himself for the sincerity of this reflection and was baffled, as always, by the particular and dangerous nature of its injustice. “Okay,” he said, trying to stop his mother’s flow. She was telling him that his father’s stomach trouble had returned. Stomach trouble, my ass. He just hasn’t got any liver left any more, that’s all. One of these days he’s just going to spatter all over those walls, and what a stench . “Are you going to bring your girl friend?” “I don’t know. I’ll see.” He could just see Ida with all of them. He, alone, was bad enough; he, alone, distressed and frightened them enough. Ida would reduce them to a kind of speechless hysteria and God knew what his father would say under the impression that he was putting the dark girl at her ease. More chatter from his mother: it was as though each of her contacts with Vivaldo was so brief and so menaced that she tried to establish in minutes a communion which had not been accomplished in years. “I’ll be there,” he said, “good-bye,” and hung up. Yet, he had loved her once, he loved her still, he loved them all. He looked at the silent telephone, then looked over at Ida. “Want to come to a birthday party?” “No, thank you, sweetie. You want to educate your family, you get them some slides, you hear? Colored slides,” and she raised her eyes, mockingly, from the magazine.
From The Erotic Engine (2011)
Hod and Max represent some of the more uncomfortable and uninspiring links between pornography and technology. Their motivation appears to come less from visionary creative drive than from a mundane and pragmatic desire to find a market for their particular brand of pornography. They are not inventors: their changes involve tweaks and adjustments to existing techniques and technologies. In many ways, they come across more as cavemen than as the forward-thinking pioneers one might intuitively associate with technological progress. But however you might recoil from their primitive attitudes toward sex, violence and women, they still are responsible for pushing the technology of video games in new directions, experimenting with alternative marketing plans and generally helping the medium to develop. [image file=image_rsrc1FT.jpg] SEVENTEEN [image file=image_rsrc1FU.jpg] The Law of Unintended ConsequencesFor some people, it’s hard enough just to acknowledge the technological contributions of those pornographers who work within the law and with some modicum of professionalism. Beyond these boundaries, though, lurk darker beasts whose pornographic endeavours go beyond offending people’s sensibilities to all-out assaults—sexual, physical, emotional, intellectual and financial. These people do not flog their products at trade shows or join online affiliate programs. They work through back channels and the underbelly of the Internet, plying their trade in places where law enforcement has trouble following. Such people do not deserve sympathy or legitimacy, and I offer neither when I assert that they too have played a role—albeit often an indirect one—in the advancement of communications technology. Pagejacking. Unauthorized credit card charges. Spam. Chargebacks. Copyright infringement. Piracy. Fraudulent websites. Fraudulent customers. Cybershoplifting. Hacking. Selling pornography to minors. Making pornography with minors. There is no puzzle about why people would be reluctant to acknowledge that such activities might have contributed to something positive. And when many of these stories are broken down it actually turns out that the technological advances resulted from the response to such activities rather than from the activities themselves. The “arms race” between criminals and the law, spammers and anti-spammers, fraudsters and watchdogs has sometimes had surprising benefits for the rest of us. In the pornographic trade, the wrongdoers are the customers as often as they are the suppliers. Adult webmasters have had to deal with every ill imaginable on the web. While cybershoplifting (the act of buying something online, taking receipt of the product and then denying ever having authorized the purchase) and other forms of digital theft are endemic, many people in the adult industry say that people just seem to think it’s more okay to steal pornography than the latest hit from MGM or U2. Patrons of adult websites cause countless headaches, whether it be fraudulent chargebacks or stealing content and posting it to “tube sites” or other freely available venues.
From The Decameron (1353)
The lady fell a-smiling and answered, 'It rejoiceth me mightily to see a wise man led by the nose by a woman, even as one leadeth a ram by the horns to the shambles, albeit thou art no longer wise nor hast been since the hour when, unknowing why, thou sufferedst the malignant spirit of jealousy to enter thy breast; and the sillier and more besotted thou art, so much the less is my glory thereof. Deemest thou, husband mine, I am as blind of the eyes of the body as thou of those of the mind? Certes, no; I perceived at first sight who was the priest that confessed me and know that thou wast he; but I had it at heart to give thee that which thou wentest seeking, and in sooth I have done it. Wert thou as wise as thou thinkest to be, thou wouldst not have essayed by this means to learn the secrets of thy good wife, but wouldst, without taking vain suspicion, have recognized that which she confessed to thee to be the very truth, without her having sinned in aught. I told thee that I loved a priest, and wast not thou, whom I am much to blame to love as I do, become a priest? I told thee that no door of my house could abide locked, whenas he had a mind to lie with me; and what door in the house was ever kept against thee, whenas thou wouldst come whereas I might be? I told thee that the priest lay with me every night, and when was it that thou layest not with me? And whenassoever thou sentest thy clerk to me, which was thou knowest, as often as thou layest from me, I sent thee word that the priest had not been with me. What other than a crack-brain like thee, who has suffered thyself to be blinded by thy jealousy, had failed to understand these things? Thou hast abidden in the house, keeping watch anights, and thoughtest to have given me to believe that thou wast gone abroad to sup and sleep. Bethink thee henceforth and become a man again, as thou wast wont to be; and make not thyself a laughing stock to whoso knoweth thy fashions, as do I, and leave this unconscionable watching that thou keepest; for I swear to God that, an the fancy took me to make thee wear the horns, I would engage, haddest thou an hundred eyes, as thou hast but two, to do my pleasure on such wise that thou shouldst not be ware thereof.'
From The Erotic Engine (2011)
The starkest illustration of how the printing press changed taboos around erotica happened in the 1520s in Italy. There are four main characters in this story: the painter, the engraver, the author and the pope. The painter, Giulio Romano, was one of Italy’s most esteemed—at the time of this story, he was in the process of taking over the workshop of Raphael, who had died at the start of the decade. Giulio had a big smock to fill: Raphael was considered one of the three great masters of the Italian High Renaissance (along with Michelangelo and Leonardo). Giulio needed to maintain the reputation Raphael had built for his workshop, while making a name for himself through his own talents and ideas. One of these ideas was a series of sixteen drawings that came to be known as I Modi, which can translate as “The Positions” or “The Ways.” In Italian the word is more nuanced, somewhere between “positions” and “postures.” Each illustration featured a man and a woman having sex. This was nothing new in and of itself: such explicitness was already common in fine art. Traditionally, though, even the most naked figures were dressed up as Greek or Roman gods, goddesses or other legendary figures, providing a cloak of cultural legitimacy to their nakedness. Giulio Romano departed from this tradition, instead using as subjects ordinary, if exceptionally athletic and flexible, human beings. Still, this was not a huge problem—after all, it was all in the name of fine art. Raphael had established a professional relationship with a well-known engraver named Marcantonio Raimondi. Giulio had continued this relationship, and in 1524, he passed the sixteen drawings on to Marcantonio, and then immediately left Rome to design a palace for a duke in Mantua (a palace, by the way, in which Giulio was directed to create many heavily erotic frescoes). Marcantonio’s possession of the sixteen positions put him in a rather nice position of his own. This set of erotic drawings from one of Italy’s greatest artists represented a potentially huge business opportunity. He turned the drawings into engravings, mounted them on a printing press and began producing large quantities of I Modi for sale. This was an early attempt at catering to a mass market for erotica. Although no records remain that can suggest how profitable this venture might have been, it had explosive results for the engraver. While Giulio painted lascivious goat-gods and bare-breasted women on the luxurious walls of the Palazzo del Te for Duke Federico Gonzaga (no relation to Cecilia), Marcantonio was swiftly arrested and jailed by the forces of Pope Clement VII for selling filth. So effective was the papacy’s campaign to confiscate and destroy the images that almost nothing remains of them today.
From The Decameron (1353)
As you may all have heard, there come oftentimes to our city governors from the Marches of Ancona, who are commonly mean-spirited folk and so paltry and sordid of life that their every fashion seemeth nought other than a lousy cadger's trick; and of this innate paltriness and avarice, they bring with them judges and notaries, who seem men taken from the plough-tail or the cobbler's stall rather than from the schools of law. Now, one of these being come hither for Provost, among the many judges whom he brought with him was one who styled himself Messer Niccola da San Lepidio and who had more the air of a tinker than of aught else, and he was set with other judges to hear criminal causes. As it oft happeneth that, for all the townsfolk have nought in the world to do at the courts of law, yet bytimes they go thither, it befell that Maso del Saggio went thither one morning, in quest of a friend of his, and chancing to cast his eyes whereas this said Messer Niccola sat, himseemed that here was a rare outlandish kind of wild fowl. Accordingly, he went on to examine him from head to foot, and albeit he saw him with the miniver bonnet on his head all black with smoke and grease and a paltry inkhorn at his girdle, a gown longer than his mantle and store of other things all foreign to a man of good breeding and manners, yet of all these the most notable, to his thinking, was a pair of breeches, the backside whereof, as the judge sat, with his clothes standing open in front for straitness, he perceived came halfway down his legs. Thereupon, without tarrying longer to look upon him, he left him with whom he went seeking and beginning a new quest, presently found two comrades of his, called one Ribi and the other Matteuzzo, men much of the same mad humour as himself, and said to them, 'As you tender me, come with me to the law courts, for I wish to show you the rarest scarecrow you ever saw.'
From History of the Christian Church: The Complete Set of Eight Volumes (1858)
The Alexandrian fathers furnished a theoretical basis for this asceticism in the distinction of a lower and higher morality, which corresponds to the Platonic or Pythagorean distinction between the life according to nature and the life above nature or the practical and contemplative life. It was previously suggested by Hermas about the middle of the second century.710 Tertullian made a corresponding opposite distinction of mortal and venial sins.711 Here was a source of serious practical errors, and an encouragement both to moral laxity and ascetic extravagance. The ascetics, and afterwards the monks, formed or claimed to be a moral nobility, a spiritual aristocracy, above the common Christian people; as the clergy stood in a separate caste of inviolable dignity above the laity, who were content with a lower grade of virtue. Clement of Alexandria, otherwise remarkable for his elevated ethical views, requires of the sage or gnostic, that he excel the plain Christian not only by higher knowledge, but also by higher, emotionless virtue, and stoical superiority to all bodily conditions; and he inclines to regard the body, with Plato, as the grave and fetter712 of the soul. How little he understood the Pauline doctrine of justification by faith, may be inferred from a passage in the Stromata, where be explains the word of Christ: "Thy faith hath saved thee," as referring, not to faith simply, but to the Jews only, who lived according to the law; as if faith was something to be added to the good works, instead of being the source and principle of the holy life.713 Origen goes still further, and propounds quite distinctly the catholic doctrine of two kinds of morality and piety, a lower for all Christians, and a higher for saints or the select few.714 He includes in the higher morality works of supererogation,715 i.e. works not enjoined indeed in the gospel, yet recommended as counsels of perfection,716 which were supposed to establish a peculiar merit and secure a higher degree of blessedness. He who does only what is required of all is an unprofitable servant;717 but he who does more, who performs, for example, what Paul, in 1 Cor. 7:25, merely recommends, concerning the single state, or like him, resigns his just claim to temporal remuneration for spiritual service, is called a good and faithful servant.718 Among these works were reckoned martyrdom, voluntary poverty, and voluntary celibacy. All three, or at least the last two of these acts, in connection with the positive Christian virtues, belong to the idea of the higher perfection, as distinguished from the fulfilment of regular duties, or ordinary morality. To poverty and celibacy was afterwards added absolute obedience; and these three things were the main subjects of the consilia evangelica and the monastic vow.